1 100 11 http://128.111.216.75/files/original/107a08473f3f4084bcf4b6b8083bbd8f.jpg 04e395415ac1878662e69fa8a3b4eff0 http://128.111.216.75/files/original/c662fa2dc897b7ddd1c2e0d747035489.jpg 57a8b7774dbdb2720688c08fd2d681f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Bryce house (Hope Ranch, Santa Barbara, Calif.) Description An account of the resource The unincorporated community of Hope Ranch was developed in the early 1920s by the Santa Barbara Estates Inc. company, which was owned by Harold Chase, and Peter Bryce was one of the main stakeholders. Bryce was also one of the early residents, with this house designed by GW Smith in 1925, and built in 1926-1927. The property, a 12000 square foot house on 52 acres of oceanfront land, was also known as "Florestal" due to the Bryce's being avid horticulturalists. Creator An entity primarily responsible for making the resource George Washington Smith, architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hope Ranch, Santa Barbara, Calif. http://128.111.216.75/files/original/f2611822949641955cb5909c8d093244.jpg 46ae45991d3e6706bde4c549dbc521ad http://128.111.216.75/files/original/24038e2917e978e605683b1186b5dd52.jpg 32f6a98d1fc7226bf9812f614be508d4 http://128.111.216.75/files/original/be84a101a3fb766d36bcb01b683c99ae.jpg d1ebe8fb9fb72e312d623034f24e6441 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite, ink, and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Douglas house (Montecito, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif.; Santa Barbara, Calif. Description An account of the resource The Malcolm Douglas house on Sycamore Canyon Road in Montecito was completed in 1929, and is also known as Los Suenos ("The Dreams"). Douglas, a New York doctor, and his wife, Rachel Peabody Douglas, had Smith design a house to showcase the view of the Pacific Ocean and Channel Islands, with a long curving driveway and many landscape features including a pool and lily pond. http://128.111.216.75/files/original/e6c8c10cb9c46ab325ddc71968f82328.jpg 70208cc7eca5a65d7d8a0c82ed0e923b http://128.111.216.75/files/original/d764a0bb825fe44c559fb2783b2879ca.jpg 765a3b31d0836d748c622540d261c154 http://128.111.216.75/files/original/51b1635aade36a3ecbf7bd0a601422a8.jpg 42a96cf6c1782ac793275d98568e150e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Gallagher house (Montecito, Calif.) Description An account of the resource The Wesley Gallagher house was a Smith commission just prior to his death in 1930. The Smith files contain these sketches and drawings (most done in Riggs' hand) for preliminary elevations for the house. The Riggs files contain the actual working drawings used for construction of the house. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_176_ff184 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/f8755ab0a69358183312762483f0d3b6.jpg 146fa4702388d02299867f444b34ea4d http://128.111.216.75/files/original/65e01e4cd899abc1ba3216f9d2c4aa59.jpg 3c73e383a9be7e0a02d25fd258d96ecb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Lobero Theater (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Description An account of the resource The Lobero Theater on Canon Perdido and Anacapa Streets in downtown Santa Barbara, got its start in the 1870s as a vaudeville house. By the early 1920s, it had fallen into disrepair and Smith was asked to design and build a new theater in the Spanish Colonial style he was best known for. With it's white stucco walls and red tile roof, the theater was a pre-cursor to the architectural style that has dominated downtown Santa Barbara since the earthquake of 1925. Smith's associate, Lutah Maria Riggs, was one of the first women to receive her architectural license in the state of California, and she worked for Smith until his death in 1930. She was a skilled renderer, and many of Smiths' works were rendered by Riggs. http://128.111.216.75/files/original/2b3e0d619d659f9391691f9f8ec252c8.jpg d9ada792e4481e4ccae19fb064ef32bf http://128.111.216.75/files/original/8257441a20c670c5a58d31ed9dc7edd5.jpg a1a344f8cd34648c47ac7549f664a705 http://128.111.216.75/files/original/075a84a6c74d3804113bcc8a8fd70489.jpg 2b19dd90f048dfc1c636a71bfb80e422 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Maverick house (San Antonio, Tex.) Description An account of the resource This house for Robert VanWyck Maverick was one of only two houses Smith built in Texas. It was considered one of the best examples of a courtyard-centered house at the time of its construction. The plan for the house was U-shaped, with a fourth wall enclosing the courtyard. The bedrooms were along one wing, the kitchen and service areas the other, and the main living area connected the two wings. As with many of Smith's houses, the Maverick files contain many preliminary sketches and elevations, along with renderings by Riggs. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_maverick Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Antonio, Tex. http://128.111.216.75/files/original/f23352dd32a16170d430bef982733386.jpg 20ac274127c22a6893044cfa8e72c33f http://128.111.216.75/files/original/eaecdc226205ffae4bebf671f992cfe8.jpg 126392715faaab7a5efd311269383da4 http://128.111.216.75/files/original/306458302c7a6ae9f877d5c8be3290a0.jpg 5591dea5fb3d7275466ed6e28ead232b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Jackling house (Woodside, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925-1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_jackling Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Woodside, Calif. Description An account of the resource This large Spanish Colonial Revival mansion in the small town of Woodside was built for copper mining magnate Daniel Cowan Jackling and his family. The 17,000 square foot house sat on a 194 acre parcel of land. The property was subdivided and all but 6 acres was sold off in the late 1950s. The house was purchased by Apple co-founder Steve Jobs in 1984; in 2007 he petitioned to have the home razed so he could build a smaller house. After lengthy legal appeals, the house was destroyed in 2011. http://128.111.216.75/files/original/af38cdea2555776576a3eb4cdf57a1e6.jpg d5ff650b4f9dac8f50237415cb694d9e http://128.111.216.75/files/original/08b53a01226b62aef2d86f5cc0a02458.jpg 536fc584fd8d1e9458fcbe626a171d32 http://128.111.216.75/files/original/2e2a7860d6649c66cddf66f42086684a.jpg d1e7fbd1c6176a7b9b6caa8ce2ec390d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Dietrich house (Montecito, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_ff172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource George Washington Smith was commissioned by Alfred Dietrich, an heir to an oil manufacturing fortune who also owned a railroad line, to design servants quarters and a garage for his property on Park Lane. This smaller house was built prior to the large main house for Dietrich, who secured Addison Mizner to be the architect for the main portion of the estate. These drawings and renderings are for a three bedroom, three bathroom house, with two car garage, and living quarters for chauffeur. http://128.111.216.75/files/original/e5d70e9b5ac5b1a780de57a425f2300f.jpg 632e76b58718559432cb6b972f980070 http://128.111.216.75/files/original/8b15d1f67d95e65d31f2cc4a095a199c.jpg f5bcd778feb6516e50b0cf774547e237 http://128.111.216.75/files/original/056109369d57f4f6f6f52da83239a9bd.jpg d7a8b664621c5a3c2207e28b086fd98b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Steedman house (Montecito, Calif.) Description An account of the resource George Fox Steedman was a manufacturing executive from St. Louis who commissioned Smith to work with him on designing and constructing Casa del Herrero (House of the Blacksmith) on East Valley Road in Montecito. They created a house and gardens (designed by Ralph Stevens) on eleven acres, along with associated servants quarters, garages, and gardeners cottages. The estate was designed in the Andalusian style of Spanish Colonial Revial, with white stucco walls, small windows with wrought iron grilles and red tile roofs. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer and architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1922-1924 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. http://128.111.216.75/files/original/3d0b222e4bd10987df1541e54d2d3e3d.jpg 72803900ae07c02393fca0aa63ec1f83 http://128.111.216.75/files/original/1aa5a1021cbf5448e6b708af2cc441af.jpg f91141d6adec5c78ba49bae1139ebb02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Gavit addition (Montecito, Calif.) Description An account of the resource The E. Palmer Gavit residence was originally built in 1919 by Reginald Johnson; Smith designed an addition to the main house, as well as outbuildings. The property was originally named "Cuesta Linda," then "Tanglewood," and eventually Madame Ganna Waleska gave it the name "Lotusland." The gardens, originally designed by Ralph Stevens, with alterations and additions by Lockwood de Forest, have made the property an internationally famous garden site. Creator An entity primarily responsible for making the resource George Washington Smith, architect Reginald Johnson, architect Ralph Stevens, landscape architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. http://128.111.216.75/files/original/5191a4cb1b5ee773b8e2c37f4f36504e.jpg 9580d65c96faf84b8d0f6c8deda440a1 http://128.111.216.75/files/original/416befd0152be38453885cc7b91da31c.jpg 621ff94ac4668c42db73eabed3cbdafe http://128.111.216.75/files/original/140067e20c089394485016b62c2f85a7.jpg dcb1c6cae1765c214502f9b8b481697d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Isham beach house (Carpenteria, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_ff229 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Carpenteria, Calif. Description An account of the resource The Carpenteria beach house for Albert Keep Isham was a Moorish inspired estate directly on the beach. Smith also constructed a natatorium, which was done in an "Islamic" style and contained a large number of decorative tiles around the swimming pool and a retractable roof. The beach house and natatorium are currently part of a gated community with private beach access in the Carpenteria area. http://128.111.216.75/files/original/b1382ecad67e9458d7c79c5b13863cc2.jpg 84d69d5b1b3202413be2b4999243316e http://128.111.216.75/files/original/0919b2698337894a084ee064a37cfdaa.jpg 1e8be957f3e78afe28b01df1fa369c85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith portraits Description An account of the resource The George Washington Smith portraits are archived in the Lutah Maria Riggs collection; since she was his protege who worked in his firm up until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. portrait