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Bertram Goodhue, architect&#13;
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Lee Lawrie, sculptor</text>
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                <text>The Los Angeles Central Library was one of Bertram Goodhue's final projects, which he was working on when he died in 1924. Winslow took over and finished the project in 1926. &#13;
The early Art Deco building featured Egyptian friezes and inscriptions on the exterior, as well as large murals and metalwork on the interior. The building was threatened with demolition in the 1960s, but a large public outcry saved the building. It was expanded in 1983, and is a Los Angeles Historic-Cultural Landmark, and on the National Register of Historic Places.</text>
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                  <text>Still Image</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>adc_196</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif.</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue &amp; Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. &#13;
In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946.</text>
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              <text>Photographic print, gelatin silver</text>
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            <name>Title</name>
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                <text>Carleton Winslow: Panama-California Exposition (San Diego, Calif.)</text>
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            <name>Creator</name>
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                <text>Carleton Winslow, architect &#13;
Bertram Goodhue, architect&#13;
Harold Taylor, photographer</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text> Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1915; photographs 1938</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents.</text>
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            <description>A related resource</description>
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                <text>adc_196</text>
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                <text>image/jpg</text>
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            <name>Language</name>
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                <text>English</text>
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            <name>Type</name>
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                <text>Still Image</text>
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                <text>adc_196</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>San Diego, Calif.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The Panama-California Exposition opened in 1915 in Balboa Park, San Diego, as a celebration of  the opening and of the Panama Canal a few years prior. The Expo originally picked architect John Galen Howard to design the site, but due to his unavailability, Bertram Goodhue was chosen, along with local architect Irving Gill. Carleton Winslow was working in the Goodhue office in New York, and was called out to replace Gill in 1911. &#13;
The Spanish Colonial Revival and Churrigueresque style buildings designed by Goodhue and Winslow set the architectural style for the exposition. While some of the structures built for the Expo were designed to be temporary, others were to be permanent and are still in use today in Balboa Park.</text>
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