3 100 865 http://128.111.216.75/files/original/0488d43c567dbde5cfff29637118eea7.jpg 8f37c9a135fde0ee2a08fb53f039bf27 http://128.111.216.75/files/original/882638164fe7eaa2975a2dfaeee562ba.jpg b3b2387338e131bc25fddeab01f15aa1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Alice Lee and Katherine Teats houses (San Diego, Calif.) Description An account of the resource Alice Lee (a San Diego socialite and second cousin of Theodore Roosevelt’s first wife) and Katherine Teats commissioned two distinct house groups from Gill. In 1905 Gill designed a house for Lee and Teats on Seventh Avenue, with adjacent rental houses, all in the Prairie style, on land purchased from George Marston, another client who built a significant house nearby, currently a museum and historic landmark. Hazel Waterman, then working in Gill’s office, did the drawings. The landscape was by Kate Sessions. In the period photographs, the streets are unpaved and the upper stories of the houses contain sleeping porches-- open air rooms with ample cross-ventilation in a time before air conditioning. Creator An entity primarily responsible for making the resource Hebbard and Gill, architects Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1905 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_44 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/338971c8aaf4d364ff2a7cf5a8988556.jpg 319ecd2f22244770724158df3eb1030f http://128.111.216.75/files/original/8291acd271ffe4524937bf2457ab9572.jpg 9855bbb9c7c30aecde738bb64aca0534 http://128.111.216.75/files/original/d382ef185161b06a37364d28cac22c35.jpg 6ed9b14ee362d9c7c81b9940fe8fa020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Wangenheim house (San Diego, Calif.) Description An account of the resource Hebbard and Gill designed an English cottage for Wangenheim, a civic leader, owner of a grocery store business, and the father-in-law of Melville Klauber, another Gill client. San Diego was a small town and Hebbard and Gill worked with most of its prominent citizens, reflecting the significance of the firm in the late 19th and early 20th centuries. Creator An entity primarily responsible for making the resource Hebbard and Gill, architects Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1904 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_123 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/11c6c4bdc684889f5b70161d5eeb9813.jpg c6e478245b7aab1d0dcd41de9e79cd30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink and watercolor on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: South Bay Union School (San Diego, Calif.) Description An account of the resource Gill designed a number of schools. A 1913 article about his concrete public school for the City of Fontana praised the large outdoor playground and quoted Gill as saying that the basement playroom is “the most glaring evil in school room construction today.” Creator An entity primarily responsible for making the resource Irving J. Gill, architect John S. Siebert, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_86 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/e22d96a54fd389a53c1f5af6acbc3316.jpg 10f58e452da6e081ad8bfe64010d9b4b http://128.111.216.75/files/original/62397d46ebeaa2fd84ce2009adbbee0c.jpg 40dafa1442ad90248f69ffd01982a998 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor and gouache on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Laughlin Park Casa Grandes development (Los Angeles, Calif.) Description An account of the resource The Los Angeles Herald published several articles announcing the luxury housing development at Laughlin Park. A 1912 article announced that Gill was in charge of all planning for this Hollywood Hills development on a site of three acres. Another article, attributed to Gill, describes the planned development. By 1913, Laughlin had sold the land and Gill was no longer involved. Laughlin Park remains an exclusive neighborhood but none of the homes were designed by Gill. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Lloyd Wright, landscape architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1912-1913 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_17 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1859c3e2a711e589ddda1e944ccbe21b.jpg c5d2a6b63a4a2d634aa60dab36605fa3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): portrait Creator An entity primarily responsible for making the resource Irving J. Gill, architect Unknowm photographer Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1898 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Identifier An unambiguous reference to the resource within a given context adc_105_213_p_16 Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Relation A related resource adc_105 Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. Description An account of the resource This early photograph of Irving Gill, from circa 1898, shows him soon after he moved to the San Diego area from Chicago. Gill is dressed in a suit with a bow tie and is looking away from the camera. It is one of a series of posed studio portraits taken of Gill in various poses. http://128.111.216.75/files/original/c94fdd1aae80616bfef1627a4a5b2b84.jpg e9c9131dd3358da354bedab4598296ac http://128.111.216.75/files/original/6016d1d730103003745a527bafd11cfd.jpg 823e029a06debfa1d4fa1464efa285bd http://128.111.216.75/files/original/4af480432446e8a97f541f11223f2e46.jpg 42ec8c80019748fe5298312988c5fc99 http://128.111.216.75/files/original/646b8d36f3b7d77a69a698937e53d490.jpg adba95ce1181cdf8fd3b72f03137b59f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and gouache on brown paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Barker house (San Diego, Calif.) Creator An entity primarily responsible for making the resource Irving J. Gill, architect Date A point or period of time associated with an event in the lifecycle of the resource 1911 Format The file format, physical medium, or dimensions of the resource image/jpg Identifier An unambiguous reference to the resource within a given context adc_105_6_d_01 Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. Description An account of the resource Gill used simplicity, symmetry and strategic asymmetry in his landscapes and buildings. Garden walls extend the building volume across the site, while also enclosing gardens and terraces. In this series of drawings of graphite and gouache on board for the Nelson Barker house, the white planes of the house and garden walls stand out against the faintly-sketched backdrop. http://128.111.216.75/files/original/0df6fd6d2a53a9fa12eef7f4ca4349cf.jpg bc858bd0ebc788154f0cce4b956cef11 http://128.111.216.75/files/original/5e78f961825d0700d34556e15c08e8c0.jpg b31f096c2e4016e70feb7359c3f1711a http://128.111.216.75/files/original/68e26bbfc95a84116b1fc8a9e0e245ea.jpg 6f4424e375d3c3593cb18d1b4413f4a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Gill office (San Diego, Calif.) Description An account of the resource The photograph in the reception area of the office depicts the Mission Basilica San Diego de Alcalá, the first Franciscan mission in New Spain. William Hebbard and Irving Gill (Hebbard and Gill partnership, 1896-1907) stabilized the building in 1899-1900 for the California Landmarks Club. According to his nephew Louis Gill, Irving studied the building closely to understand its simple dignity. The second image shows brushes, paints, and smocks, as well as photographs of Hebbard and Gill designs on the wall, including the Ellen Mason house (1903) and the First Methodist Episcopal Church (1905-07), and a 1914 issue of House and Garden, which includes an article about Gill’s work. Gill’s fascination with concrete as an inexpensive, fireproof building material prompted his intensive experiments with concrete formulations, using the bags of sand, water jug, scales, and other instruments for testing concrete mixtures. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1912-1915 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_212 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/1ef5e01cbfda3f5584043d5139563c0a.jpg 553b4e810ace7e8d7de44043bfc51d29 http://128.111.216.75/files/original/23a838c48d18d643a2667dbe783ac3f0.jpg e3211b9393177820e1487026895bf475 http://128.111.216.75/files/original/bc204874c4e202a012fbc74ab1f6dcc6.jpg 68ee722bcce1a309c227af68fc0f7278 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Klauber house (San Diego, Cailf.) Description An account of the resource This house had a simplified exterior form, with a slight Japanese flavor in the tilt of the roof, and a warm Arts and Crafts interior. Melville Klauber was from San Diego’s growing merchant class, and married to the sister of Julius Wangenheim. Klauber made room in his house for a studio for his own sister, Alice Klauber, a painter who had studied with American artist, Robert Henri. Alice was friends with Natalie Curtis, the ethnomusicologist and collector of Native American songs; Frank Mead; and Charles Douglas and Wheeler Bailey. Alice was later the chairperson for the Panama Californian Exposition’s Art Exhibition section. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1908 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_39 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/ef03a25a46e1f3b9b212388cd51628f5.jpg fda46597ae0c43e1588409ee3f8a9d8b http://128.111.216.75/files/original/b15f6474eac969bb1d5ada9c3faf689a.jpg 3086be71e029bfcc9983baa5397c6257 http://128.111.216.75/files/original/673c5070fc41eb0a5d72292c3da800f4.jpg cb892bde3dd43730888df3eddc490c6a http://128.111.216.75/files/original/0f482a9b045bd760cec9c5ced98f24e0.jpg 06644418118a2d4726a8a732892276e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Laughlin house (Los Angeles, Calif.) Description An account of the resource This is the first Los Angeles building that Gill designed on his own. The house has a classic center hall plan and an enclosed outdoor court. He typically oriented his plans so that one was drawn toward the light and landscape at the back of the house. Abstract Doric columns supported unfinished logs to create vine-covered pergolas. Modern conveniences included a garbage disposal, vacuum cleaner outlets in each room, and a car wash in the garage. Laughlin also commissioned the Laughlin Theater (Long Beach) and planning for Casa Grandes (the Laughlin Park development, Los Angeles) from Gill. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1907 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_40 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/9631e855fcb51a7176b1ee792abec83c.jpg 5e056263c81d0829cfb2d9ee4330fb30 http://128.111.216.75/files/original/cf179223665e34b24bd06a587ac0a30f.jpg 14981181bab877354d9effaa8b1b9388 http://128.111.216.75/files/original/3040925ea7fabedbfdb21e073ad42129.jpg da0a8d22011827b8dca8aa9f512a5c92 http://128.111.216.75/files/original/1da4677412b30b40618afbd03aed75e7.jpg 09c38861c1ef91278931ed6c10f3c80b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Miltmore house (South Pasadena, Calif.) Description An account of the resource The austere Miltmore house is generously “ornamented by nature.” Gill sited the house to preserve the many trees on the sprawling lot and placed long loggias alongside the front and rear elevations. The interior is gracious though simple, designed to be easy to keep clean. Gill raised the floors of the closets to keep out dust, and eliminated all moldings. The roof holds a solar hot water heater and skylights. The master bathroom includes a newly popular feature: a shower. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1911 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_53 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant South Pasadena, Calif. http://128.111.216.75/files/original/ab8e36f5091e15b198cf8805724ba971.jpg 7d33098e1afafa4f2cf939e8f29f64a6 http://128.111.216.75/files/original/ea015ae4dd4697478a22bd09210bc9b7.jpg b43152b5acf3b1db8ab596025d21e8c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Dodge house (Los Angeles, Calif.) Description An account of the resource The Dodge house was located on Kings Road, just north of the future site of Schindler’s own 1921 house. Considered Gill’s masterpiece, the design was widely praised for, as historian Leland Roth wrote," revealing a functional asymmetry whose ornament was derived solely from the studied geometry of the sharp openings in plain walls." The house was bulldozed, after a long preservation effort, on February 9, 1970. The shock of that loss helped launch the Los Angeles Conservancy, founded in 1978. Gill assembled his own crew to build this and other houses in the L.A. area, in order to get exactly what he wanted. The house was built of reinforced concrete, with metal windows and had many modern conveniences. The layering and piling of cubes and rectangular forms in the Dodge and Clarke houses resembles Native American pueblo buildings. Schindler and Wright consciously borrowed from these native structures, but it’s not clear what Gill’s immediate sources were. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1914-1916 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_12 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1b7052f28ff25f8a61da01d56dad3248.jpg 6afba34378fd2edc37989d5636f8ee8b http://128.111.216.75/files/original/dbeb159915773b6ed8a95ab8e797662a.jpg 30567d2f7f73dee694feb754d6d40520 http://128.111.216.75/files/original/43c621790459a2e99a4de3a610401bce.jpg 4f617a9911a66b19299419f398ecb735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Timken house (San Diego, Calif.) Description An account of the resource This 18-room house built for the steel manufacturer, Henry Timken, was Gill’s largest to date. Gill placed the house close to the street, leaving room for enclosed courts and a large garden. Eloise Roorbach’s contemporary article noted that the “court is the center of the home life,” and praised the design for, “not a single ornament mars the pure symmetry of [the house].” Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1911-1913 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_99 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/8f2baf9cd11083244e9da3d73c1b33f6.jpg df11a05244e165b74a5503dcd1856110 http://128.111.216.75/files/original/bad8310e5c31925df17d0d7cb8a7a4b2.jpg 53e3b16668468bcbe40fb3507e09d822 http://128.111.216.75/files/original/9316505141df8b398eafe71b6740ae87.jpg edc37cb8cefc5864a867cf63b8e59039 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Clarke house (Santa Fe Springs, Calif.) Description An account of the resource Built on 60 acres of orange groves, the Clarke estate was Gill’s last major residential project. Constructed of poured in place reinforced concrete, the house measures 8,000 square feet. Gill’s drawings note that Gill and Pearson built the house using the “Gill System.” The Clarkes called their “ranch house,” Krankhaven (in German, a healthy haven). The Clarke house plan bears a remarkable similarity to that of Frank Lloyd Wright’s Hollyhock house (1917-1921) in Los Angeles for Aline Barnsdall, on which Lloyd Wright and Rudolf Schindler worked. When oil was discovered on their land shortly after they moved in, the Clarkes moved elsewhere, including to land in the Coachella Valley where they established a date farm. Marie Rankin was a patron of the arts in Los Angeles and, among other efforts, donated the land for the Hollywood Bowl, for which Lloyd designed two shells, in 1927 and 1928. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1919-1921 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_b2f30a Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Fe Springs, Calif. http://128.111.216.75/files/original/3bda9f41f3432a919a96c6043b685d2d.jpg bfd0b6ebdfed63fc9da7ac646d5a7540 http://128.111.216.75/files/original/8115fb22bb1632ebc3ba740e547d135c.jpg d2fbd0f00619415373907185f9556876 http://128.111.216.75/files/original/6af4f4f4eba303f72c1334151bdeccba.jpg 136188c97591245f1d4551fa725b8e01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Ellen Scripps house (La Jolla, Calif.) Description An account of the resource A book could be written about Gill’s women clients, and Ellen Scripps would be a significant chapter. She helped her brothers build a successful newspaper business and moved to La Jolla in 1897, when the town had “cow paths in lieu of streets.” The success of the Scripps newspaper syndicate allowed her to live independently and to make significant contributions to La Jolla. When her first house burned down, she asked Gill to design a fireproof house for the site. In a 1915 diary entry, Scripps described visiting Gill in his LA office to see the plans for her new house. He took her to his Banning, Dodge and Laughlin houses to see things, “Mr. Gill wants to introduce into my building.” Later, in a 1916 letter to her sister, she wrote: “The two Gills have been busy all day…in shirtsleeves and overalls down on their knees ‘surfacing’ the cement floors. I don’t know if you will like the effect, but to me it is ‘a thing of beauty and a joy forever.’” Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1915-1916 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_73 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. http://128.111.216.75/files/original/3ba519265ac790b720a4506e26a76a72.jpg f921de8628a8bad7d3f7f9a9db44216f http://128.111.216.75/files/original/b4596d309dd4f08b51e7e58581f039b7.jpg cecc8d87be6466d1ea4ea392c0b723ef http://128.111.216.75/files/original/7d6b4be2fd9f8fa6316acec4fa19c894.jpg 7321a28a4ef5229362bb31c43f871344 http://128.111.216.75/files/original/9877b124e6b637b516b6f3dcd807d5fc.jpg 979e46d45aea397e2ee662e905537411 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: La Jolla Women's Club (La Jolla, Calif.) Description An account of the resource Gill’s notes about the concrete work for the Club and the sequential construction photographs provide unusual detail for one of Gill’s significant civic designs. Robert H. Aiken is usually credited as the tilt-up pioneer in the U.S; he constructed several building in the Midwest between 1905 and 1910. When Aiken went bankrupt, Gill purchased the jacks and tilt-slab table in 1912 and used them to construct the Sarah Clark house (1913), Mary Banning house (1913-14), the Woman’s Club, and the La Jolla Playground Community House. Gill put great faith in concrete and this system and founded the Concrete Building and Investment Company. Although he kept the equipment at least until 1923, his venture lost heavily. It was in the end an expensive way to build. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1912-1914 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_130 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. http://128.111.216.75/files/original/9894db796f3ddb17db0bab8ca3e0f900.jpg 4c11cd5d01f4cddc1205dcd6e2fe5a20 http://128.111.216.75/files/original/2d6868c812d3c09744f3fd01bcc2c653.jpg ce9a9d1484f0669839abcb6d98b3e3d5 http://128.111.216.75/files/original/0c082ab3167b716bbc2ce67d4f8857b8.jpg 60a2357d1aa90ee17f99456f7ebb578f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on linen photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Holly Sefton Memorial Hospital (San Diego, Calif.) Description An account of the resource Gill’s intention was to make his buildings as efficient as possible, and that is certainly true for this hospital, funded by Joseph Sefton and built on the grounds of the Children’s Home. The hospital was built of concrete to make it easy to keep clean and free of infestation. The operating area was well lit by natural light through the use of large skylights in the roof and a wall of windows. The accompanying photographic image from the period remind us how modern Gill’s buildings looked in comparison to what existed, and how much land close to cities was still undeveloped. At far left is the Sefton Hospital, with the Gill-designed Children's Home Association boys dormitory in the middle, and a typical building for the time, on the right. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1909 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_85 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/4ca37da1c02073c2e489146d27372804.jpg d023e6da514080f3d4329362cfc4d427 http://128.111.216.75/files/original/2d4841c50ccc1b5918b45433145e16b9.jpg 2efd3c72f52a76ece82044d935ce10a9 http://128.111.216.75/files/original/f6263f1d80fd102966c8eadde1f79037.jpg 4c5b741e10b5d3f3cd204e8f905f8df3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Scripps Biological Station (La Jolla, Calif.) Description An account of the resource Gill’s austere clarity was especially suited to pragmatic building programs, such as the concrete Biological Station. Ellen Scripps funded the building, now part of the University of California, in honor of her brother George. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1908 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_8 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. http://128.111.216.75/files/original/179c5e7177299e3b1b977ad1654457d6.jpg 678afef0ae3f008f748ab47fd2a3f33c http://128.111.216.75/files/original/054b0dc91cf33d8527e838e0a0622834.jpg 21e15e3cf82a66f7bebd80a629f9ecf8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Bishop's Day School (San Diego, Calif.) Description An account of the resource Bishop Johnson lived in Pasadena and the Episcopal Church originally planned to build a preparatory school in Sierra Madre. When Ellen Scripps and her sister Elizabeth Virginia Scripps offered to be benefactors, the decision was made to build a day school in San Diego and a boarding school in La Jolla. Ellen recommended Irving Gill for both projects, pleased with his work on the Scripps Biological Station, 1908. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Date A point or period of time associated with an event in the lifecycle of the resource 1909 Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_259 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.) http://128.111.216.75/files/original/c2cd5c6e325a0dd96d706a7b915716fd.jpg 59cb637b104bd7bed727d117af0adf48 http://128.111.216.75/files/original/f1cff46ad3cc2b8d90e258dfaacbb185.jpg 8586063d1028be447a19105c2749863f http://128.111.216.75/files/original/3183de87ebb30271dab99e90bbd1c3a9.jpg 7c589aa4a79cc34dddfb6575279de71f http://128.111.216.75/files/original/5d3eda0412da5962850be6b41c1fa674.jpg 799a6d80ca33c32b9ab3db059dcd5139 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Bishop's School for Girls (La Jolla, Calif.) Description An account of the resource In the Woman’s Club, the La Jolla Playground Community House, and here in the Bishop’s School, Gill used an arcaded screen wall as a unifying element, and to articulate his austere geometry with rhythmic voids. Scripps Hall was built in 1910, Bentham Hall in 1912, and Gilman Hall in 1916-17. Louis Gill continued to add to the school’s building program, and Carleton Winslow, who was brought to California by Goodhue to work on the 1915 San Diego exposition, replaced Gill’s tower, put a dome on Bentham Hall, and added St. Mary’s Chapel and the Wheeler Bailey Library in the 1920s. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1910-1917 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_9 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. http://128.111.216.75/files/original/430702180adb4c553f1b97d36cfee4d5.jpg 3fc0b0032cc446c7d09d11107a4dd4ab http://128.111.216.75/files/original/47d0e2a37f16990dba1b6daa9d9818ec.jpg 9aa267ff3034f0fa1059817a50e2b1b5 http://128.111.216.75/files/original/5c5436e613c8a665319030011b62aecb.jpg fecf739dd0255b5b088242ef60d437bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Darst flats (San Diego, Calif.) Description An account of the resource Gill designed two identical buildings bisected by a walkway from the street to the rear of the property. The floor plan for both buildings shows the mirror image of the first and second floors. Each building contained two two-bedroom apartments, with large living room (with fireplace), dining room, bathroom, kitchen with screened porch, and balconies on the first floor (with a lightwell above on the second floor). Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1908-1909 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_23 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/97ae1a0b880960ccf9b3d5e4253f4b83.jpg 7dd1188581eee6cf4949af366b03796d http://128.111.216.75/files/original/6cb54c5a330de87188d9e94e010dd038.jpg 51d1a4b019726ca47d23889313453bf8 http://128.111.216.75/files/original/39b67db661131e29cada67d70544a240.jpg 5daa60f99a1cb2f8f44a32e5c51e463c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink and linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Lewis- Bella Vista Terrace court (Sierra Madre, Calif.) Description An account of the resource Gill’s site planning was especially successful in this project. He pushed the cottages to the outside edge of the plot to leave a large public area for shared gardens and a loggia. He also placed each L-shaped cottage so that its arcaded porch and small garden had privacy from its neighbors. Though the cottages appear to be made of concrete, the walls are plastered hollow clay blocks. Fred B. Lewis was a jeweler from Cleveland. On a 1910 trip to California, he spent a vacation at the Cypress Court in Sierra Madre (owned by Frank Fraiburg, also a jeweler from Cleveland), located just north of where Lewis would decide to build his own house court for tourists such as himself. Gill planned 12 cottages for Lewis but only eight were built. In 1913 the Sierra Madre News announced that Lewis had purchased three acres, adjacent to Bella Vista Terrace, for a hotel being designed by Gill. The hotel was not built; Lewis sold Bella Vista Terrace in 1914 and moved to Long Beach, Calif. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1910 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_48 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Sierra Madre, Calif. http://128.111.216.75/files/original/373b8f64d7ba7f27ed32620519c02541.jpg 8bb07866522b68bd07344a640cf6bf87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data watercolor and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Rancho Barona Resettlement project (near Lakeside, Calif.) Description An account of the resource The architect and planner Frederick Gutheim worked for the Bureau of Indian Affairs in the 1930s. His letters to architectural critic Esther McCoy and to Louis Gill describe his friendship with Irving Gill and the Barona Resettlement project they worked on together. Letters in the Gill archive from agents in Washington D. C. refer to the clay block construction and the task of finding a proficient contractor for the Magnesite, which Gill specified for the interiors. Gutheim reported that Gill worked alongside the new residents to build the church and 12 cottages of handmade clay bricks. He was convinced that Gill’s work was important for being “a truly native style of modern building in California.” Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_59 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant near Lakeside, Calif. http://128.111.216.75/files/original/3539408120f44a8c85af501179994848.jpg 4c8cf827681a2dfd6acaebc56e2aed1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Daily Blade-Tribune building (Oceanside, Calif.) Description An account of the resource In the last year of his life, with the Depression still strong, Gill designed at least four buildings, of which only the Blade-Tribune newspaper building and a beauty parlor in Redondo Beach were built. In 1936 he was working on a theater with Zara Witkin, a civil engineer for the City of Los Angeles who had worked on the Hollywood Bowl with Lloyd Wright, 1927-1928. In a 1936 letter to Gill, Witkin notes that he visited the Dodge house on Gill’s recommendation and was eager to discuss the “possibilities of mutual work.” Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_208 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Oceanside, Calif. http://128.111.216.75/files/original/e35d7955c7a4001c24d85b1628a33098.jpg 2e4e8952fb132821c1bb29d752942c74 http://128.111.216.75/files/original/0121c21d5d6d273238ebea6e072efc9b.jpg 8aed2199b5c98c59b2a89ac089aaff64 http://128.111.216.75/files/original/d744e193f691f18b6938e9ccb31a8db0.jpg 77b4390bc4a6f31351feb52394b3958f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on linen Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Gill cottages (San Diego, Calif.) Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1906 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_32 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. Description An account of the resource Gill designed approximately eight cottages for parcels of land he purchased in San Diego. There is little documentation for these, but all or most of the houses seem to have been built on Albatross, Front, Robinson Mews, and Hawthorne streets.Gill proudly wrote to his father that he built his small houses, “so as to work out some new ideas I had for a cheap, semi-fireproof cottage for working men’s families. They have been a great success and I am building several others of similar construction.” Gill and his nephew Louis lived at 3719 Albatross in 1912. Lloyd Wright and his brother John lived in another of the cottages, down the lane. Gill reused the plan of his Cleveland Heights house in his preliminary design for the Bella Vista Terrace cottages, several years later. http://128.111.216.75/files/original/605d6220e832be647a1f7f0145776209.jpg edfeb2f4c3888fc2d263d2ddafde5ac0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Horatio West court (Santa Monica, Calif.) Description An account of the resource Gill helped Schindler and Claude Chase form and raise the tilt-slab walls for the Schindler house on Kings Road, 1921. Invoices in the Schindler archive show that Schindler rented some of Gill’s equipment for the concrete work. Chase assisted Gill on the construction of Horatio West, which has concrete floors and roof, and walls thinly constructed of plaster covered lathe. The building permit for this project was announced in 1922. The Horatio West and Lewis Courts are among the best examples of Gill’s intentions and compositional strategies. Richard Neutra was sufficiently intrigued when he first saw Gill’s buildings in 1925 that he included Horatio West, and several other Gill buildings,in his 1930 book, Amerika. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1922 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_217 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. http://128.111.216.75/files/original/de277d119bf85966139b44cee7c2be14.jpg 268a76097d0aee4fb9f0a50ab060ba03 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isabelle Clara Greene Herbaria Subject The topic of the resource Herbaria Creator An entity primarily responsible for making the resource Isabelle Greene Source A related resource from which the described resource is derived Isabelle Clara Greene Archive for Landscape Architecture as a Creative Art. Architecture and Design Collection. Art, Design & Architecture Museum, UC Santa Barbara Language A language of the resource English Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context adc_354 Description An account of the resource Landscape architect and artist Isabelle Greene (b. United States, 1934) studied botany with a taxonomic emphasis at UCLA and art at UCSB. She worked as a botanical illustrator. Inadvertently, she also began dealing with landscape, through her desire to bring to people her love of the natural landscape. Her first commission in 1964 quite naturally utilized native plants and other sustainable features. It was her deep curiosity about the well-working of natural systems and the beauty of the western geography that propelled her forward. Constantly innovating to meet challenges, her successful experiments became known worldwide and she was hailed one of the originators of modern landscape design. She has designed hundreds of gardens throughout the nation, especially in Southern California, and has been awarded many accolades for her designs. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1964-2025 Rights Information about rights held in and over the resource Copyright retained by Isabelle Greene. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_354 Format The file format, physical medium, or dimensions of the resource image/jpg Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data herbaria File name unique filename for the version adc_354_b57_f11_011 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Camellia Japonica Subject The topic of the resource Herbaria Creator An entity primarily responsible for making the resource Isabelle Greene Source A related resource from which the described resource is derived Isabelle Clara Greene Archive for Landscape Architecture as a Creative Art. Architecture and Design Collection. Art, Design & Architecture Museum, UC Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Copyright retained by Isabelle Greene. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_354 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context adc_354_b57_f11_011 http://128.111.216.75/files/original/e6fa4338a2779668315d7cfe3d85fc39.jpg 0ffcaf6fd1356d3a5351dcde41241d09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isabelle Clara Greene Herbaria Subject The topic of the resource Herbaria Creator An entity primarily responsible for making the resource Isabelle Greene Source A related resource from which the described resource is derived Isabelle Clara Greene Archive for Landscape Architecture as a Creative Art. Architecture and Design Collection. Art, Design & Architecture Museum, UC Santa Barbara Language A language of the resource English Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context adc_354 Description An account of the resource Landscape architect and artist Isabelle Greene (b. United States, 1934) studied botany with a taxonomic emphasis at UCLA and art at UCSB. She worked as a botanical illustrator. Inadvertently, she also began dealing with landscape, through her desire to bring to people her love of the natural landscape. Her first commission in 1964 quite naturally utilized native plants and other sustainable features. It was her deep curiosity about the well-working of natural systems and the beauty of the western geography that propelled her forward. Constantly innovating to meet challenges, her successful experiments became known worldwide and she was hailed one of the originators of modern landscape design. She has designed hundreds of gardens throughout the nation, especially in Southern California, and has been awarded many accolades for her designs. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1964-2025 Rights Information about rights held in and over the resource Copyright retained by Isabelle Greene. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_354 Format The file format, physical medium, or dimensions of the resource image/jpg Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data herbaria File name unique filename for the version adc_354_b56_f17_004 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Salvia Leucantha Subject The topic of the resource Herbaria Creator An entity primarily responsible for making the resource Isabelle Greene Source A related resource from which the described resource is derived Isabelle Clara Greene Archive for Landscape Architecture as a Creative Art. Architecture and Design Collection. Art, Design & Architecture Museum, UC Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Copyright retained by Isabelle Greene. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_354 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context adc_354_b56_f17_004 http://128.111.216.75/files/original/b894cb43344aa7cc6d8ac5e7896f49cb.jpg 164cb6b2710780958e4fd4be1d445ece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isabelle Clara Greene Herbaria Subject The topic of the resource Herbaria Creator An entity primarily responsible for making the resource Isabelle Greene Source A related resource from which the described resource is derived Isabelle Clara Greene Archive for Landscape Architecture as a Creative Art. Architecture and Design Collection. Art, Design & Architecture Museum, UC Santa Barbara Language A language of the resource English Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context adc_354 Description An account of the resource Landscape architect and artist Isabelle Greene (b. United States, 1934) studied botany with a taxonomic emphasis at UCLA and art at UCSB. She worked as a botanical illustrator. Inadvertently, she also began dealing with landscape, through her desire to bring to people her love of the natural landscape. Her first commission in 1964 quite naturally utilized native plants and other sustainable features. It was her deep curiosity about the well-working of natural systems and the beauty of the western geography that propelled her forward. Constantly innovating to meet challenges, her successful experiments became known worldwide and she was hailed one of the originators of modern landscape design. She has designed hundreds of gardens throughout the nation, especially in Southern California, and has been awarded many accolades for her designs. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1964-2025 Rights Information about rights held in and over the resource Copyright retained by Isabelle Greene. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_354 Format The file format, physical medium, or dimensions of the resource image/jpg Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data herbaria File name unique filename for the version adc_354_b57_f5_005 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meryta Sinclairii Subject The topic of the resource herbaria Creator An entity primarily responsible for making the resource Isabelle Greene Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1992-01-08 Rights Information about rights held in and over the resource Copyright retained by Isabelle Greene. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context adc_354_b57_f5_005 http://128.111.216.75/files/original/a29a59451d94f57027891f6d4846bb12.jpg dfc09de11eb7f8295d4e9ff00f8e3e0c http://128.111.216.75/files/original/2b0788268adbbd077e527b434d39daee.jpg b73fcaf3f93fea31f2cab41d7d386909 http://128.111.216.75/files/original/75e1d84413c44828b090cc5c44cbc0f5.jpg b38c9a39767fd37c92b93bc90e378faa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R Davidson: Rabinowitz House (Bel Air, Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J. R. Davidson, architect Martin Rand, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Los Angeles, Calif. Description An account of the resource Photographs of the interior and a floor plan of the Rabinowitz House. The design featured a panoramic view of Bel Air from its secluded position on a hill. http://128.111.216.75/files/original/831462d192a7c0ee9778510c01094e2b.jpg eccc4fce74603d17dc0365d825c1c703 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Santa Barbara Community Arts Association Description An account of the resource The Santa Barbara Community Arts Association was a non-profit corporation, founded on April 24, 1922. The non-profit’s stated purpose was “to afford individuals the opportunity of self-expression, training and education in Music, Drama and the Allied Arts and to aid in the cultural improvement of the people and in the beautification of the City of Santa Barbara.” The Community Arts Association contained four branches: Drama, Music, Plans and Planting, and the Art School. In November of 1922, the Community Arts Association received a five year grant of $25,000 a year from the Carnegie Corporation. The grant was secured through the efforts of Dr. Pritchett who at the time was the President of the Carnegie Corporation of New York and a current resident of the city of Santa Barbara. The work of each branch was under the control of its own board, which in turn, was responsible to the general board on which each branch had representation. The Santa Barbara Community Arts Association dissolved in the mid to late 1930s. Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s - circa 1930s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Carpinteria, Calif.; Montecito, Calif.; Goleta, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SBCAA: Mrs. Cate's house (Carpinteria, Calif.) Description An account of the resource A well manicured lawn and garden surround a single story stucco house Creator An entity primarily responsible for making the resource J. Walter Collinge, photographer Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Carpinteria, Calif. http://128.111.216.75/files/original/c8776c2a70511502386733d38a6930c4.jpg 69585a5c0a16b907fba06444b38ab96a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): Thomas Mann house Subject The topic of the resource Southern California Architecture California Modern Architecture Description An account of the resource The Thomas Mann house was built in 1941 for the acclaimed writer by architect J.R. Davidson. The Mann's left Germany in the 1930's and settled in the Los Angeles area, with its large expatriate community. The 5000 square foot house on over an acre of flat land in the Pacific Palisades area, contained 6 bedrooms and 4 bathrooms at the time of its' construction. Thomas Mann sold the house to Chester Lappen in 1953 and moved to Switzerland. After Lappen died in 2010, the house was a rental, and then placed on the market as a tear-down. The Lappen family sold the house to the German government in 2016; it will be turned into an artist retreat to complement their artist residence Villa Aurora, which is located about 6 miles from the Mann house. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Physical Dimensions The actual physical size of the original image 8 inches x 10 inches File name unique filename for the version adc_127_mann_001 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Mann House: side view- exterior of house Description An account of the resource A photograph of the side of the house, taken from the driveway. The garage and service areas are to the left, with the terrace and balcony above to the right. A portion of the terrace was covered and enclosed by the Lappen family in the 1970s. Date A point or period of time associated with an event in the lifecycle of the resource circa 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127_mann_001 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Relation A related resource Box 2, Folder 138 Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Subject The topic of the resource Southern California Architecture California Modern Architecture architecture Davidson southern California buildings http://128.111.216.75/files/original/c8d8a532363b237f90309bd1b868c03f.jpg f81a2925f30538c4ee1e9d5f06f49653 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): Thomas Mann house Subject The topic of the resource Southern California Architecture California Modern Architecture Description An account of the resource The Thomas Mann house was built in 1941 for the acclaimed writer by architect J.R. Davidson. The Mann's left Germany in the 1930's and settled in the Los Angeles area, with its large expatriate community. The 5000 square foot house on over an acre of flat land in the Pacific Palisades area, contained 6 bedrooms and 4 bathrooms at the time of its' construction. Thomas Mann sold the house to Chester Lappen in 1953 and moved to Switzerland. After Lappen died in 2010, the house was a rental, and then placed on the market as a tear-down. The Lappen family sold the house to the German government in 2016; it will be turned into an artist retreat to complement their artist residence Villa Aurora, which is located about 6 miles from the Mann house. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on tracing paper File name unique filename for the version adc_127_ff67_01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Mann House: exterior elevations Description An account of the resource An architectural drawing of the north, south, and west exterior elevations of the house. Both the west and south elevations contain specific instructions for grading of the land and footings for the terrace. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource Drawer 111, flat file 67 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127_ff67_01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Subject The topic of the resource Southern California Architecture California Modern Architecture architecture Davidson southern California buildings http://128.111.216.75/files/original/befb6ab5fbb51f93f33064173b2665a9.jpg 8a42e5d3e64a1f4f308dea6ed56fb752 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): Thomas Mann house Subject The topic of the resource Southern California Architecture California Modern Architecture Description An account of the resource The Thomas Mann house was built in 1941 for the acclaimed writer by architect J.R. Davidson. The Mann's left Germany in the 1930's and settled in the Los Angeles area, with its large expatriate community. The 5000 square foot house on over an acre of flat land in the Pacific Palisades area, contained 6 bedrooms and 4 bathrooms at the time of its' construction. Thomas Mann sold the house to Chester Lappen in 1953 and moved to Switzerland. After Lappen died in 2010, the house was a rental, and then placed on the market as a tear-down. The Lappen family sold the house to the German government in 2016; it will be turned into an artist retreat to complement their artist residence Villa Aurora, which is located about 6 miles from the Mann house. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on tracing paper. File name unique filename for the version adc_127_ff67_03 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Mann House: first floor plan Description An account of the resource A non-technical first floor plan of the house. The plan shows a large south-facing terrace, a motor court at the north side of the house with covered walkway connecting the service entrance and main entrance. Thomas Mann's study is located in the southeast corner, down a short hallway from the public areas of the house. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource Drawer 111, flat file 67 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127_ff67_03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Subject The topic of the resource Southern California Architecture California Modern Architecture architecture Davidson southern California buildings http://128.111.216.75/files/original/4af2ada925d937403df01203c9d1b5d4.jpg c84ec2ec5adde4d70cebb9fc2e3d59de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): Thomas Mann house Subject The topic of the resource Southern California Architecture California Modern Architecture Description An account of the resource The Thomas Mann house was built in 1941 for the acclaimed writer by architect J.R. Davidson. The Mann's left Germany in the 1930's and settled in the Los Angeles area, with its large expatriate community. The 5000 square foot house on over an acre of flat land in the Pacific Palisades area, contained 6 bedrooms and 4 bathrooms at the time of its' construction. Thomas Mann sold the house to Chester Lappen in 1953 and moved to Switzerland. After Lappen died in 2010, the house was a rental, and then placed on the market as a tear-down. The Lappen family sold the house to the German government in 2016; it will be turned into an artist retreat to complement their artist residence Villa Aurora, which is located about 6 miles from the Mann house. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on tracing paper. File name unique filename for the version adc_127_ff67_04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Mann House: second floor plan Description An account of the resource A non-technical plan of the second floor. This plan shows three small bedrooms which share one bathroom on the west side of the house, with access to the large south-facing balcony, which stretches the length of the house. The east half of the house contains Mrs. Katia Mann's bedroom and bath room, and the adjoining Thomas Mann's bedroom and bathroom (which can also be reached via a staircase from the first floor study). Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource Drawer 111, flat file 67 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127_ff67_04 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Subject The topic of the resource Southern California Architecture California Modern Architecture architecture Davidson southern California buildings http://128.111.216.75/files/original/d51495f244a7490c0bb324efb1cbaf9c.jpg 6c765ab2cf6c830e6112c806b26ddaf2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): Thomas Mann house Subject The topic of the resource Southern California Architecture California Modern Architecture Description An account of the resource The Thomas Mann house was built in 1941 for the acclaimed writer by architect J.R. Davidson. The Mann's left Germany in the 1930's and settled in the Los Angeles area, with its large expatriate community. The 5000 square foot house on over an acre of flat land in the Pacific Palisades area, contained 6 bedrooms and 4 bathrooms at the time of its' construction. Thomas Mann sold the house to Chester Lappen in 1953 and moved to Switzerland. After Lappen died in 2010, the house was a rental, and then placed on the market as a tear-down. The Lappen family sold the house to the German government in 2016; it will be turned into an artist retreat to complement their artist residence Villa Aurora, which is located about 6 miles from the Mann house. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on tracing paper. File name unique filename for the version adc_127_ff67_08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Mann House: elevation and sections Description An account of the resource An architectural drawing of the east elevation, details, and sections for the Mann house. The east elevation shows the balcony adjacent to Mann's bedroom, and the sections show the east and west sides of the house. There are also details of the staircase in the entrance hall. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource Drawer 111, flat file 67 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127_ff67_08 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Subject The topic of the resource Southern California Architecture California Modern Architecture architecture Davidson southern California buildings http://128.111.216.75/files/original/a3a89b5b4af14f5edc6737865c516fb5.jpg 07f275df2cc6b508702b7a348c664d50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): Thomas Mann house Subject The topic of the resource Southern California Architecture California Modern Architecture Description An account of the resource The Thomas Mann house was built in 1941 for the acclaimed writer by architect J.R. Davidson. The Mann's left Germany in the 1930's and settled in the Los Angeles area, with its large expatriate community. The 5000 square foot house on over an acre of flat land in the Pacific Palisades area, contained 6 bedrooms and 4 bathrooms at the time of its' construction. Thomas Mann sold the house to Chester Lappen in 1953 and moved to Switzerland. After Lappen died in 2010, the house was a rental, and then placed on the market as a tear-down. The Lappen family sold the house to the German government in 2016; it will be turned into an artist retreat to complement their artist residence Villa Aurora, which is located about 6 miles from the Mann house. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Mann House: exterior Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Description An account of the resource This photograph of the front of the house with trees and landscaping was altered (possibly by Davidson himself) to add vines and leaves to the exterior walls and balconies of the house. In this view, the first floor terrace is not yet enclosed, and the second floor sun deck is on the upper right, prior to an addition by the Lappen family in the 1970s. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. http://128.111.216.75/files/original/c7bcced17873dea440ae7c8c61aceff5.jpg fbfccdd24e4f3d66528618779572f7aa http://128.111.216.75/files/original/ade2dbcbb33e983995feca09ff08afc7.jpg ca6d19c40159fed810ea45710c48bf40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. R. Davidson: The Golden Lion Inn, Sheridan Plaza Hotel (Chicago, Illinois) Subject The topic of the resource California Modernism Description An account of the resource Photographs of the exterior entrance, bar, and lunch counter of the Golden Lion Inn. The facade echoed tavern aesthetics, yet the inside was incredibly spacious and well lit. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Hedrich-Blessing Studio, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Illinois http://128.111.216.75/files/original/130b6870d556279d64ba379af4806d65.jpg a180b383ab35e9e40dbb8d41e4c03f2a http://128.111.216.75/files/original/81b7c791d7738f910428076b239f3021.jpg 5d8840450cc375bf6d40f078de23b0ab http://128.111.216.75/files/original/93fbf3ba70b7b3b4a23822f4ce5cd25f.jpg 4ba6d9a45fcb66ece98a43b8f8cd3330 http://128.111.216.75/files/original/9886a32c4097c310ade25086f7bbf1a6.jpg 490fb143519c6b6f2bf589fa5e492d1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Gretna Green apartments (Brentwood, Calif.) Subject The topic of the resource California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1940 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brentwood, Los Angeles, Calif. Description An account of the resource Photographs of the exterior of the apartments. The plans reflected the Bauhaus concept of utilizing limited space. Each of the four apartments has an exterior space such as a patio or sundeck to provide private outside access- a luxury usually only available to single-family homes. http://128.111.216.75/files/original/e41a5fcee589056d49d949bbd0e81634.jpg 813f92c426025bfd8fdfc470cc8beb11 http://128.111.216.75/files/original/162aae7b7acaf71b3d86e5a049d687db.jpg f8f719ae6dc228aacad072e2084aa2fb http://128.111.216.75/files/original/7320716ad1d739e05acc66d4a75f364c.jpg dc1823168c7d921716b2b4dd94d8125a http://128.111.216.75/files/original/57222be67fd0eeec64755cc14b167d48.jpg 6287ccf6517df1d6d9b24752b32d7f78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Feingold and Harris medical building (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles. Calif. Description An account of the resource These photographs document the narrow medical building that housed the practices of Dr. B.F. Feingold and and Dr. J.M. Harris. The spaces were designed to be modern and expansive, with scattered lighting and noise insulation. http://128.111.216.75/files/original/0662267abbc7f364938574af8c0e10dc.jpg 0f0e1fbdfc5331a960f3e4cc0b1f6c43 http://128.111.216.75/files/original/da4aa6d107cc476bac3cfa2ccadd7c9a.jpg 30a1ce39068ce3c10ac24db1ad63a639 http://128.111.216.75/files/original/fd51138adf1bbeb6322cb26f311a65f4.jpg 0469414720eed5fac6dff93919c31438 http://128.111.216.75/files/original/901bfa5243cddaad44fc3257bd9b1a8a.jpg c4916cc1d75f959df796780cb93e284b http://128.111.216.75/files/original/54dbad43fa33baf0c7dc90736676aa3d.jpg d9f92db4383e795fc2f542dbbfa1aad2 http://128.111.216.75/files/original/4a6529c7c0130ac470e086703d9d5c98.jpg b51f22de7bc584ff48baf358186e62ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Sardi's Restaurant (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Davidson was commissioned to refurbish Sardi's Restaurant, which originally had interior design work done by Rudolph Schindler. Davidson reorganized the inside and added new features, opening up the space by cleverly incorporating partitions and changing the color scheme. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/2b0fee189d49a335eade4c6b2df8ceb5.jpg 07b8ead40d776ed3e0df52f90f969ede http://128.111.216.75/files/original/8d511e0cf016ea9b32415b9edad611c2.jpg 5d163005eb4c7a403fe098bd1e4811a4 http://128.111.216.75/files/original/ccf4d40296fcc2ae776b177f15a81f4a.jpg 772505661fd77fb3ad9fbf21fcf86c91 http://128.111.216.75/files/original/8c6d4ac7e6759e3e28d4cd003f59674e.jpg 7735ea39af928a3f01c2568b27b7ae6e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Maitland Residence (Bel Air, Los Angeles, Calif.) Subject The topic of the resource California Modernism Description An account of the resource Davidson retrofitted this Georgian home to better house the owner's modern art collection. He replaced wall space with larger windows and a glass enclosed porch to allow more light in and open up the space. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Los Angeles, Calif. http://128.111.216.75/files/original/50387e217f29db23d79b9cf28d025569.jpg 7f992d9f31d594c80955c4ee0708d0ad http://128.111.216.75/files/original/1ceb7b20fbf4486475822287e3bad1c9.jpg e4989b723b41416eeff09fb169bbfbd1 http://128.111.216.75/files/original/5e9ce80ff81598c4379120bcf6d204aa.jpg b62b80579ae8574610cf83fa063dac46 http://128.111.216.75/files/original/8febaff743b18327b2a3fa558c90e836.jpg 58fb36f60243fa0df0d8f77ee3beff85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Joseph Kingsley House (Pacific Palisades, Los Angeles, Calif.) Subject The topic of the resource California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Description An account of the resource After supposedly being turned down by Richard Neutra to design their home, clients Joseph and Lore Kingsley commissioned Davidson to design a unique home to fit their needs. This design was then mirrored next door in the house built for Joseph Kingsley's mother. Both houses provided southern exposure to a lemon grove and beyond, the ocean. http://128.111.216.75/files/original/ad7c981096adaedd860d2dc990fc78f9.jpg 74118dde770f2fd4cc89ce5d90821519 http://128.111.216.75/files/original/79b4c9f3078d6255559faeef44566325.jpg f9d17fc117d49db298ce1a44bfbb8916 http://128.111.216.75/files/original/1d7d6de1816d6c20d653e1408c10633b.jpg ce660013b136fe59294fc2ffbaff8380 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Hotel Knickerbocker Bar and Tavern (Chicago, Illinois) Subject The topic of the resource California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Kaufman-Fabry, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Illinois Description An account of the resource Photographs of the remodeled bar and tavern of the Hotel Knickerbocker. The resulting shape of the space results from the combination of "several existing odd rooms". http://128.111.216.75/files/original/0579d35ad0f2770f1e7bd70150bcd5a2.jpg 361580dfa1ba32050a41a8329079fced http://128.111.216.75/files/original/4b90b272fc74008ce89eed5e5b0d9811.jpg f24528de450bab49a68139ffde770a40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Cocoanut Grove, Ambassador Hotel (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Mott Studios, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Photographs of the interior of the coconut grove courtyard and lamp details. Davidson emphasized unique lighting designs, with the lamps here incorporating vegetal or "oriental" star elements. http://128.111.216.75/files/original/2e56da0fa13f57e02dca003e5836934b.jpg a5887452e63f635a513b4cdf33339dc9 http://128.111.216.75/files/original/ce0a0828acd1c8ec1a3adcca506b48b6.jpg 98786e5da00585716888e95cbe578800 http://128.111.216.75/files/original/34ade5bb7d0a4e8e4dbffc32062f51b7.jpg 7b1eccd8591e0c437d30ee2f66329e5b http://128.111.216.75/files/original/6c23aab5adc52baa124c8314fe28bd8a.jpg 8ca9a837a6e2031150b3282dfbe3341c http://128.111.216.75/files/original/05939eacab33e21c030d49b4bafc5d3d.jpg 0d376b3c29a2d862fe5d93ea90152242 http://128.111.216.75/files/original/d28e63abb891a4433c7574764f9c0ee0.jpg c88acbac382e2847ff861248f7d48bfb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Davidson House (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Floor plan and photographs of the residence Davidson designed for himself and his wife on South Barrington Avenue in Los Angeles. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Robert Cleveland, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/f950a7dd9097aaef748ce93e87c5f7bd.jpg cb1910679f2aff469d1d9f8f66f3e1e2 http://128.111.216.75/files/original/a090fc6d30fc9550c127118ba3798fbc.jpg 88bcadfa7acb9b6cedf2e03db1ae8fdb http://128.111.216.75/files/original/6cf2c2add261b10673f847d541fd67eb.jpg 3360157358e74082830de229e3c90b72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Bilicke-Satyr Books (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photographs of the exterior and interior of the Bilicke-Satyr Bookstore, featuring special strip lights. Many of Davidson's early commercial projects incorporate Art Deco elements, calculating geometric shapes, sleek forms, and straight lines. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Willard Morgan, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929-1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/98c483d1aac583d6d577f031e460d301.jpg 0c7903fd4cfd1c3639cdc3f2114f83b5 http://128.111.216.75/files/original/c074a1ee2a36ddac6279becdd06a5694.jpg 977c1ab2a94f14e74562c06273cb5aaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Hi-Hat Restaurant (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Willard, Morgan, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Photographs of the interior of the Hi-Hat restaurant. The owner originally requested an English style tavern, to which Davidson created a design that reflected his wishes but through a modernist's sensibilities. http://128.111.216.75/files/original/c0fbde781fb1e6bd3cf404e11576a9ba.jpg 678936bc737c587b15b046807bfe60e1 http://128.111.216.75/files/original/53935974579c26d9576e785a5d8b6c67.jpg 6dd5bff4f344b8985626d69a7f25dba3 http://128.111.216.75/files/original/9a7c38f5ad2f9593b7afa176c32bf8dc.jpg 9bdbe7476e9e0dadcbc92af8dede07fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Case Study Houses Description An account of the resource The Case Study House program was started by Art & Architecture Magazine in 1945 as a way for architects to begin to formulate ideas for post-World War II housing. There are a few Case Study House architects whose collections are housed at the ADC: J.R. Davidson, Whitney Smith (of Smith & Williams), and Edward Killingsworth (of Killingsworth, Brady, and Smith). Additionally, our Ester McCoy collection of papers also contains drawings and materials pertaining to the design of some of the Case Study Houses. The housing designs showed that good architecture and good design could be scaled up to produce low cost houses, since the need for single family homes was of paramount importance after WWII. As the Case Study House program evolved throughout the 1950s and into the early 1960s, the houses became more modern, with less emphasis on low-cost, but rather cutting-edge design. Date A point or period of time associated with an event in the lifecycle of the resource circa 1945 - circa 1963 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Long Beach, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Subject The topic of the resource Case Study Houses Southern California Architecture Housing Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink and graphite on paper File name unique filename for the version adc_127_ff07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Davidson, J. R. (1889-1977): Case Study House #1 Subject The topic of the resource Case Study House Art & Architecture Magazine Creator An entity primarily responsible for making the resource J.R. Davidson, Architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1945, 1948 Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127_ff07 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; North Hollywood, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Description An account of the resource Case Study House #1 was the first design to be shown in the 1945 edition of Art and Architecture magazine, but due to wartime restrictions, it was not the first house built. J.R. Davidson was known for building large houses for wealthier clients, and he adapted his experience to fit the Case Study House program. His smaller house (only around 1100 square feet), went through a few floor plan iterations, but maintained a few higher-end luxuries such as separated bedrooms, each bedroom designed with its own bathroom and private patio, and large living areas which flowed onto outdoor living/dining rooms. It was finally constructed in North Hollywood in 1948 as a single family home, though in his early plans, Davidson had designed the house to allow for additional rental units to be built on the same property. http://128.111.216.75/files/original/dc51818058d5b2598ea6b6ac4c2c866f.jpg 85e9e0a4fb7f92edc72491fd1a9cbb17 http://128.111.216.75/files/original/e6275bb3b1181a32c0e67023e2bee926.jpg 5f070abf0ea1ed2bde0a7391b069de6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Case Study Houses Description An account of the resource The Case Study House program was started by Art & Architecture Magazine in 1945 as a way for architects to begin to formulate ideas for post-World War II housing. There are a few Case Study House architects whose collections are housed at the ADC: J.R. Davidson, Whitney Smith (of Smith & Williams), and Edward Killingsworth (of Killingsworth, Brady, and Smith). Additionally, our Ester McCoy collection of papers also contains drawings and materials pertaining to the design of some of the Case Study Houses. The housing designs showed that good architecture and good design could be scaled up to produce low cost houses, since the need for single family homes was of paramount importance after WWII. As the Case Study House program evolved throughout the 1950s and into the early 1960s, the houses became more modern, with less emphasis on low-cost, but rather cutting-edge design. Date A point or period of time associated with an event in the lifecycle of the resource circa 1945 - circa 1963 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Long Beach, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Subject The topic of the resource Case Study Houses Southern California Architecture Housing Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Davidson, J. R. (1889-1977): Case Study House #11 Creator An entity primarily responsible for making the resource J.R. Davidson, Architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1946 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/ jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant West Los Angeles, Calif. Description An account of the resource Case Study House #11 shows the progression of thought in the program since J.R. Davidson designed CSH#1. This house is smaller, more efficient, and is sited at an angle on the lot to still provide ample outdoor living areas. Both Davidson and Art and Architecture Magazine were hampered in their design and building of the CSH program by continued building supply shortages in the immediate post-war years. They were, however, able to use some of the new modern conveniences like plywood and in-floor radiant heating. The house was built in 1946 on South Barrington Avenue in West Los Angeles, but has since been demolished. http://128.111.216.75/files/original/f3715fa427bcb076297e97cf19dd3358.jpg 1427b02c80cb24f2cca56fd22546a904 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Case Study Houses Description An account of the resource The Case Study House program was started by Art & Architecture Magazine in 1945 as a way for architects to begin to formulate ideas for post-World War II housing. There are a few Case Study House architects whose collections are housed at the ADC: J.R. Davidson, Whitney Smith (of Smith & Williams), and Edward Killingsworth (of Killingsworth, Brady, and Smith). Additionally, our Ester McCoy collection of papers also contains drawings and materials pertaining to the design of some of the Case Study Houses. The housing designs showed that good architecture and good design could be scaled up to produce low cost houses, since the need for single family homes was of paramount importance after WWII. As the Case Study House program evolved throughout the 1950s and into the early 1960s, the houses became more modern, with less emphasis on low-cost, but rather cutting-edge design. Date A point or period of time associated with an event in the lifecycle of the resource circa 1945 - circa 1963 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Long Beach, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Subject The topic of the resource Case Study Houses Southern California Architecture Housing Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Negative File name unique filename for the version adc_127_b2f112c_01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Davidson, J. R. (1889-1977): Case Study House #15 Description An account of the resource Case Study House # 15 is a modified version of CSH #11, also by Davidson. This particular version was changed slightly to conform to the site in the suburb of La Canada Flintridge. Changes include the shape of the patio, adding a basement, and adding a two car garage. The south-facing main rooms of the house promoted the indoor-outdoor lifestyle, with ample garden space and sliding doors. Creator An entity primarily responsible for making the resource J.R. Davidson, Architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1946 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127_b2f112c Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Canada Flintridge, Calif. http://128.111.216.75/files/original/3caccbd1e9295691f2d374a61692d972.jpg cfb7546b60292e88b15ee97957daa718 http://128.111.216.75/files/original/35665273f07763d883cc21aff8332171.jpg f2fd734912788120bf5d2ae99e45bc78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Stothart House (Santa Monica, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource Photographs of the exterior of the Stothart House; one of the driveway entrance and one of the side patio. The design emphasis on horizontal and flat forms, along with uniform windows and parapets echoed the International Style. http://128.111.216.75/files/original/349738696474caba561cb6dce0f2bbe8.jpg a32ae0921e4c5af446c318cebaef0d03 http://128.111.216.75/files/original/491a3bf4bf944f966421244c2e8eac06.jpg e4ae67ae40ebae5a5a942d41ecad0db1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data watercolor and pen on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Foster Project (Bishop Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1944 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bishop, Calif. Identifier An unambiguous reference to the resource within a given context adc_127 Description An account of the resource Built in the single-story"ranch style", the Walter Foster House project was one of Davidson's new designs bearing a departure from the International Style in favor of Soft Modernism. The house's plan incorporated local building styles and materials, a hallmark of the related concept of Regionalism. Sadly, it was never built. http://128.111.216.75/files/original/31bffbb0077c432e0dd35ca063fda2dc.jpg fa2fa228219dcc1e6efc653b336cdf8f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pastel on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: California Sport Magazine cover Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Description An account of the resource Davidson's design for the cover of California Sport Magazine. http://128.111.216.75/files/original/c00577563cea50292a19cd3d8144c4c9.jpg fcc077134e368ce536f4913452924842 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Vigeveno #1 (Ojai, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ojai, Calif. Description An account of the resource Exterior photograph of the Vigeveno #1 House, a ranch-style vacation home for art dealer James Vigeveno and his family. Another design was made for Vigeveno alongside the first, although this second house featured a completely different architectural style. http://128.111.216.75/files/original/bca215d08d2ac7133e770ec951751ef4.jpg cba3a7b4b7408fce23b190637cc0a73a http://128.111.216.75/files/original/073ca8850722808dc75857390b173b60.jpg 0407b1cd2a474c4946676534afb8c51b http://128.111.216.75/files/original/9d028b27ea34c662e9ca0204232dbcc0.jpg f9bc585b34ac3b765bfe304bbc27e048 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Office (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photos and plan of the entrance to Davidson's office in Los Angeles. The facade echoes the stylistic influences of Rudolph Schindler and Frank Lloyd Wright. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1ab7ffda5091e38069edb6b20f99efe1.jpg e4c6e7c10e981aae0654ad4f4ca28352 http://128.111.216.75/files/original/fbfe8358eb4db5bece3731d14d69d4cd.jpg 3cb08d6c7356d42a0bb89703a3748128 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Schilling's Flower Store (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photograph of the interior and front entrance of the Schilling's Flower Store. It was later replaced by Bachelor's Haberdashery Shop. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/f376414edfc96d12ebe873f4fc5f12d3.jpg 73d6a614d4cf16493ed571da46e73da0 http://128.111.216.75/files/original/da9e99ea1764a3875b0312173d587557.jpg a9d52bb70bc8a3d537c6cbb56cb903dd http://128.111.216.75/files/original/4091c57aada4d5d422b1dacd7e7b070f.jpg 6c212e3a9c770c6f0961eef5f39bcbc8 http://128.111.216.75/files/original/db970272b0feb4e69d20b7dc7ba966ba.jpg 33fe43f0e7129868bf71822252635178 http://128.111.216.75/files/original/70d731b372fc6ae82cdef8c6f7de8b35.jpg 73ffb9b804585bd5195c2ab956cb31cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Bachelor's Haberdashery Shop (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photographs of the entrance and interior of the Haberdashery (a men's clothing store). This business replaced the earlier Schilling's Flowers. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/825aab13d0b05ab614160ba882c4516b.jpg 0a70ec9da042c3efcf8142a76de5e232 http://128.111.216.75/files/original/55d240ab3bca6608c2bbadb72755e7ce.jpg c1b994545afd312b297d4c9faffedbb7 http://128.111.216.75/files/original/62dde8e499d27a0046a9571222074147.jpg 93a48e21b7cd586c0f043142ec4cb60f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Drive-in Curb Market (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Renderings and floor plan of the Drive-in Curb Market. Designs like this clearly anticipated the increasing importance of automobiles in the modern age. http://128.111.216.75/files/original/ed2e141c7de36ede45662728f7020e22.jpg 60db8403140761f246ac380441c62902 http://128.111.216.75/files/original/680f8df403e48ff6652e90e241a4db2a.jpg 4da105b1309f10c8d65ead2162d0f5ea http://128.111.216.75/files/original/49f7539cb48dc41ed5e2d0d774f99a5b.jpg 79d1a145005ee48057f134582ddd68fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Lamp Designs Subject The topic of the resource California Modernism Description An account of the resource Schematics of lamp designs. Davidson was inspired by Bauhaus furniture, which were streamlined, stainless steel constructions. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/3494db05b21ae41b05e4141192fa5346.jpg 609cf0b2a79007c4d5b726af4a69a831 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Blake G. Smith House (Laguna Beach, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Sketches of the vacation house designed for Blake g Smith. The house was situated on the top of the cliffs, with a staircase leading down to a "natural sea pool". Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1944 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Laguna Beach. Calif. http://128.111.216.75/files/original/ee7fc1dee3ca241666125f2694026825.jpg 4570aa1f3bd652fecdfc0003b81f38cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: View of Klopstockstrase (Berlin) Subject The topic of the resource European Studies Description An account of the resource Watercolor sketch of Davidson's hometown of Berlin. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1903 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English/ German Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin, Germany http://128.111.216.75/files/original/85502f0f4fcc7feb8e48b8e48fa23c31.jpg 949be57fc2e7fcdbd67924ed16d626b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Sketches of Objects in the Musee des Arts Decoratifs (Paris, France) Subject The topic of the resource European Studies Description An account of the resource An early sketchbook of Davidson's studies of furniture and other objects from a decorative arts and design museum in Paris. Note the attention to detail and pattern. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1912 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris, Germany http://128.111.216.75/files/original/99649caa4a58c088000d21e7cc15b5f1.jpg 154dced4d7cac8773cdc44a1a3cef283 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Church Steeple (Posen, Poland) Subject The topic of the resource European Studies Description An account of the resource Watercolor sketch of a church steeple when Davidson probably still lived in Posen, Poland. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1907 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Posen, Poland http://128.111.216.75/files/original/5b2826da8a8c44141c3cc811c3921c58.jpg d67ba6100a51ddeb108d6599400203d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Sketch of Sommer im Schutzengraben Subject The topic of the resource European Studies Description An account of the resource Watercolor sketch from one of Davidson's sketchbooks. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1916 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 http://128.111.216.75/files/original/77c7aa3391b85d22ae3f37d9e4499210.jpg 066dee99b9519f1a7e59d0e0adc39e29 http://128.111.216.75/files/original/b954ce0ebfbe3a6c0da708e0f7409493.jpg 697c6d499c41d51c4a3a376dfe744d24 http://128.111.216.75/files/original/869eb8159b7f2480a472d00e0f1ca9a7.jpg b231c6f7dcd22d7f57f2f2dd6329909f http://128.111.216.75/files/original/5fcdb983f21cbee7062a524c167a8fe6.jpg 3f1a31621c3f377e51d14df174a1c7eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Converted Apartment (Berlin, Germany) Subject The topic of the resource European Architecture Description An account of the resource Photographs of the former servants' quarters that Davidson retrofitted into his five-bedroom apartment in Berlin. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1919 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin, Germany http://128.111.216.75/files/original/1036f720a542391ede0314cd244359fb.jpg c36d028407ac63537d334613a91f5775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pastel and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Tierney and Co. Restaurant and Cafe-Bar (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Concept for the Tierney and Co. Restaurant. Note the bold Art Deco inspired interior. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles http://128.111.216.75/files/original/8d0c48df313585f36a9fbfff4dafa538.jpg f1b8b7a37b9177a3bcac9b3bce53d4cc http://128.111.216.75/files/original/d112cab0ffa9dc02fc0899ad52bed695.jpg 04873627fa3d0c2fbc99ec9dc0e9fbaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Bransten House (San Francisco, Calif.) Subject The topic of the resource California Modernism Description An account of the resource Davidson was asked to design a family home for Richard Bransten, son of a wealthy coffee manufacturer from San Francisco. The window design reflects De-Stijl sensibilities, focusing on large geometric shapes. The three story residence was built on a slope to provide abundant opportunities for sunshine, outside terracing, and views of the city. The multiple levels also provided more locations for social and family interaction. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg. Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/a424dfc99dff8dda1607504eb5b24ab6.jpg d408de8e35696e73ca3657c32d789396 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Cellarette on Wheels (Chicago, Illinois) Subject The topic of the resource California Modernism Description An account of the resource Davidson's furniture and restaurant supply designs expressed both Art Deco and modernist sensibilities. His "cellarette" concept for a pullout bar on wheels echoes the same simple, functional design of his patent for an easy open cigarette container. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Illinois http://128.111.216.75/files/original/1e16f04a1016b40f296e0dd8a2d67108.jpg 86c44c619f5220993d9a647ce741bad1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Berlin Armchair Design (Berlin, Germany) Subject The topic of the resource Furniture Description An account of the resource Originally designed in Berlin, Davidson brought this drawing with him to America. The slightly curved armrests are reminiscent of Bruno Paul's own armchair designs. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin, Germany http://128.111.216.75/files/original/ab9678cf191d7497dc548c1bcf540cf9.jpg 93bc0fab8b6ad1a71737fb49e5c754e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Crosby House (Los Angeles, Calif.) Subject The topic of the resource California Modernism Description An account of the resource The plan of the Floyd D. Crosby Residence is actually the same floor plan Davidson used for the design of his own home, though the interior design choices of the homes differed widely. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/0a7f76a27283a2d75e57e0d6dba70041.jpg 4e4bba5481fea6940831b3e68d32a2ee http://128.111.216.75/files/original/481e481a7f2d0c3504c9e08a1603ca11.jpg 3609faf4eefa5a73e30c5f9885beceea http://128.111.216.75/files/original/61f90f2799ad03735b3fcb61fe46419f.jpg 101f3d4a2aa43eff611e8989838b5faf http://128.111.216.75/files/original/f3e452bd2345750117a84cfdb7539885.jpg f201997337a621b8256d45c33c9ac754 http://128.111.216.75/files/original/cbcd33ad9c0c8e8a16789f3b1ba4a4d9.jpg d7e23fe7165469c38ad2468d0afeee7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Taylor House (Los Angeles, Calif.) Subject The topic of the resource California Modernism Description An account of the resource This house was designed not unlike the Crosby residence and Davidson's own home, although in the Taylor house the kitchen plan is more open and a glass vitrine provides views into the living room. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/ccd3f439c34904a67c71e117eb718d07.jpg 782f5ca8c38888f0da9669988abcf8c2 http://128.111.216.75/files/original/56bbc0d60f3fcd40466b6c0b557f9c7c.jpg f7f2407afcea583488e3638b2a69465c http://128.111.216.75/files/original/b5ec95faf03609fe9747a3cd8da010ed.jpg 17d6321331202eaf78bef421d7c79469 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Rattan and Bamboo Furniture Subject The topic of the resource Furniture Description An account of the resource Davidson designed a whole line of outdoor furniture crafted from rattan and bamboo materials, which are flexible and durable enough to withstand the elements. He was inspired by Asian modes of craft-making, classic wooden furniture, and the designs of Paul T. Frankl, an industrial artist. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource late 1920's Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 http://128.111.216.75/files/original/48da0a3f1070df5702bcbe9a9e343760.jpg e37c180e19b39c097bafddbc0b107e7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Santa Barbara Community Arts Association Description An account of the resource The Santa Barbara Community Arts Association was a non-profit corporation, founded on April 24, 1922. The non-profit’s stated purpose was “to afford individuals the opportunity of self-expression, training and education in Music, Drama and the Allied Arts and to aid in the cultural improvement of the people and in the beautification of the City of Santa Barbara.” The Community Arts Association contained four branches: Drama, Music, Plans and Planting, and the Art School. In November of 1922, the Community Arts Association received a five year grant of $25,000 a year from the Carnegie Corporation. The grant was secured through the efforts of Dr. Pritchett who at the time was the President of the Carnegie Corporation of New York and a current resident of the city of Santa Barbara. The work of each branch was under the control of its own board, which in turn, was responsible to the general board on which each branch had representation. The Santa Barbara Community Arts Association dissolved in the mid to late 1930s. Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s - circa 1930s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Carpinteria, Calif.; Montecito, Calif.; Goleta, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SBCAA: Hoffmann house (Santa Barbara, Calif.) Description An account of the resource Exterior view of "Casa Santa Cruz" designed by architect James Osborne Craig for client Bernard Hoffman. Creator An entity primarily responsible for making the resource James Osborne Craig, architect Obert's Photoshop, photographer Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/9cba42bd1f6ef57dde6dbe8d7fa76602.jpg 2e9c30f43e5e4242f430a13e3cf324eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Santa Barbara Community Arts Association Description An account of the resource The Santa Barbara Community Arts Association was a non-profit corporation, founded on April 24, 1922. The non-profit’s stated purpose was “to afford individuals the opportunity of self-expression, training and education in Music, Drama and the Allied Arts and to aid in the cultural improvement of the people and in the beautification of the City of Santa Barbara.” The Community Arts Association contained four branches: Drama, Music, Plans and Planting, and the Art School. In November of 1922, the Community Arts Association received a five year grant of $25,000 a year from the Carnegie Corporation. The grant was secured through the efforts of Dr. Pritchett who at the time was the President of the Carnegie Corporation of New York and a current resident of the city of Santa Barbara. The work of each branch was under the control of its own board, which in turn, was responsible to the general board on which each branch had representation. The Santa Barbara Community Arts Association dissolved in the mid to late 1930s. Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s - circa 1930s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Carpinteria, Calif.; Montecito, Calif.; Goleta, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SBCAA: Hoffmann house (Santa Barbara, Calif.) Description An account of the resource Interior view of library with fireplace and desk Creator An entity primarily responsible for making the resource James Osborne Craig, architect Obert's Photoshop, photographer Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/65ce3195cc137fbb5c4749a6e1b7d669.jpg 97c039d4f30980a2c3d8034137a1f259 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Santa Barbara Community Arts Association Description An account of the resource The Santa Barbara Community Arts Association was a non-profit corporation, founded on April 24, 1922. The non-profit’s stated purpose was “to afford individuals the opportunity of self-expression, training and education in Music, Drama and the Allied Arts and to aid in the cultural improvement of the people and in the beautification of the City of Santa Barbara.” The Community Arts Association contained four branches: Drama, Music, Plans and Planting, and the Art School. In November of 1922, the Community Arts Association received a five year grant of $25,000 a year from the Carnegie Corporation. The grant was secured through the efforts of Dr. Pritchett who at the time was the President of the Carnegie Corporation of New York and a current resident of the city of Santa Barbara. The work of each branch was under the control of its own board, which in turn, was responsible to the general board on which each branch had representation. The Santa Barbara Community Arts Association dissolved in the mid to late 1930s. Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s - circa 1930s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Carpinteria, Calif.; Montecito, Calif.; Goleta, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SBCAA: Hoffmann house (Santa Barbara, Calif.) Description An account of the resource Exterior view of house with patio and landscaping Creator An entity primarily responsible for making the resource James Osborne Craig, architect photographer unknown Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/c9ebb183f822033fc0d512702862a112.jpg ef52b78a79e9a7a16f3ba664f312154d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Santa Barbara Community Arts Association Description An account of the resource The Santa Barbara Community Arts Association was a non-profit corporation, founded on April 24, 1922. The non-profit’s stated purpose was “to afford individuals the opportunity of self-expression, training and education in Music, Drama and the Allied Arts and to aid in the cultural improvement of the people and in the beautification of the City of Santa Barbara.” The Community Arts Association contained four branches: Drama, Music, Plans and Planting, and the Art School. In November of 1922, the Community Arts Association received a five year grant of $25,000 a year from the Carnegie Corporation. The grant was secured through the efforts of Dr. Pritchett who at the time was the President of the Carnegie Corporation of New York and a current resident of the city of Santa Barbara. The work of each branch was under the control of its own board, which in turn, was responsible to the general board on which each branch had representation. The Santa Barbara Community Arts Association dissolved in the mid to late 1930s. Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s - circa 1930s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Carpinteria, Calif.; Montecito, Calif.; Goleta, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SBCAA: Hoffmann house (Santa Barbara, Calif.) Description An account of the resource Exterior of house with loggia and lawn Creator An entity primarily responsible for making the resource James Osborne Craig, architect Source A related resource from which the described resource is derived Santa Barbara Community Arts Association records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_172 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/1fee98a613e212a8c4f138d894cbaaf6.jpg afdf1e527c5a306b575f76c5fe1c8228 http://128.111.216.75/files/original/0616d2baa37f21a193966f2872f71a8f.jpg c53ba6ffb535025ff1c1aafabfaedc97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Peters house project (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, architect Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The renderings for a proposed Jock Peters residence along College View Avenue in the Eagle Rock section of Los Angeles show a very modern house, sited on a hill, with a studio and garage at street level. As with his other residential works, this house was to have multiple outside decks, patios, and balconies, as well as ample entertaining space, and a view of the city. http://128.111.216.75/files/original/3a492fafcc43ea08f08ff935c10a6c5a.jpg 1f91641b81bf530d64341d2cf913f90c http://128.111.216.75/files/original/c506a2d70781d8338528a280fdd4eb4b.jpg 0ae86fb2eeba01ae0ffcfd54fd24656c http://128.111.216.75/files/original/722e9ff7366f649cc53ce20834bfdb0a.jpg e23f3c95d37f6add8a77f943a37fffe8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Shepard house (San Marino, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, architect and designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Marino, Calif. Description An account of the resource This house for L.E. Shepard in the Los Angeles suburb of San Marino is one of the few houses designed by Peters. The style is a Streamline Moderne, with some hints of International Style and Art Deco. The images highlight the indoor-outdoor living, with patios, decks, and sliding doors. http://128.111.216.75/files/original/5c2c5e9404d61d452a4c297da134b75c.jpg df127642853b15e3fe9f370f6f353ef3 http://128.111.216.75/files/original/924f8b261cac0315a07d967b1cd5f18a.jpg 9ad5f7059ab5674e780f0c9977e053e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Gilks house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, architect and designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource This two-story modern house for the cinematographer Alfred Gilks is in the Los Feliz neighborhood of Los Angeles, just a short distance from Griffith Park. The house features multiple decks, an outdoor fireplace on the patio, and a mural in one of the bedrooms by Buckley MacGurrin. http://128.111.216.75/files/original/265b415df7b791a4cf275e464d85f5e3.jpg 76d4382198d59636e3ca2351864a161a http://128.111.216.75/files/original/f2ca3fd5c0d3a952bb8d595958e595e1.jpg 0194733d6f1213d2528ffb5dc3bc0920 http://128.111.216.75/files/original/122448c540ba37dbf51d7025b620ec16.jpg fb17f8e349c99f966f490f360b7e4eb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters portraits Description An account of the resource These undated portraits of Peters highlight his personal style and attitude in line with his interior designs. Creator An entity primarily responsible for making the resource Jock Peters, architect and designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/57221eae6b95f49f92fb71725a69b0dd.jpg bd7fd02156d9e34094ad3e4f40412ddb http://128.111.216.75/files/original/ed6066880a527e5ae15270431f19563e.jpg 67e067d293abfc4976fc3d52874842c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Peters Brothers Furniture Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif,. Description An account of the resource After working for the movie industry for a few years, in 1927 Peters began working with his brother George as Peters by Jock, Brothers Modern American Design Office. They designed furniture and other interior pieces. http://128.111.216.75/files/original/b909b0b921d984137389fd9651da87d8.jpg 089750821515eebf28d6af5e046eb19c http://128.111.216.75/files/original/78212ae9d7df1674e93ea886feb56aba.jpg b4a51d1fbd441630760221a42ef5d95d http://128.111.216.75/files/original/42b66a9dc9fde25e80ba08dcfc477f24.jpg 3f75fed041d69f4e6615d2f828549c02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Bullocks Wilshire store (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, designer Eleanor Lemaire, designer Parkinson and Parkinson, architects Mott Studios, photographer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929-1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The Bullocks Wilshire department store was one of the first to cater to customers in automobiles. The large Art Deco edifice was easily recognizable, and customers were able to drive up, have a valet securely park their car at the rear of the building, then shop or dine inside the 230,000 square foot building. The building was designed by father and son architecture firm Parkinson and Parkinson. Jock Peters and Eleanor Lemaire worked for the Fiel & Paradise Company as interior designers and were responsible for the first few floors of the store. Each of the departments was designed to be a luxurious retreat, where live mannequins and low display cases featured items for sale, not racks of clothes, which would obscure the architecture and interior details of the room. Bullocks department store was eventually bought out by Macy's, which rebranded the location as an I Magnin store. By the early 1990s, the chain had folded and the building was purchased by the Southwestern Law School. http://128.111.216.75/files/original/0b509e156b02f7da42ff33941e4fdefa.jpg 9bef18e4bdebac7a43e67efce45009cb http://128.111.216.75/files/original/b722f4ea9b2814cb00def06937fd0924.jpg 85838789b32632786d983a035bc15e19 http://128.111.216.75/files/original/4b298570cb699270b5df5222fef8d23b.jpg f909edf9c44d824e8e660615f129ca7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: L.P. Hollander store (New York, NY) Creator An entity primarily responsible for making the resource Jock Peters, designer Eleanor LeMaire, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York, NY Description An account of the resource Jock Peters worked with Eleanor LeMaire on the interiors of the women's clothing store. The architectural firm who designed the building was Shreve, Lamb & Harmon, and it is located on East 57th Street in Manhattan. The store was laid out 'boutique style' with many different areas or shops for the customer to browse. LeMaire was a New York based interior designer, and had worked with Peters on the Bullocks Wilshire store http://128.111.216.75/files/original/7c586831145513239136b873bc426230.jpg d16674bab152dcb51e285a6a2d75b026 http://128.111.216.75/files/original/75153a7cee5a420823e31b26036bbf54.jpg bee597e46d30f06f30946c45c38db60e http://128.111.216.75/files/original/4dc7156baf32ab64f9f067faa125b675.jpg 4b305e8451b6c19d98d529b7a83a8575 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: set designs Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1924 - circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource After working with an architect in Germany, Peters emigrated to the United States in 1922 and settled in Los Angeles. By 1924 he was working with Famous Players- Lasky Corporation, one of the largest silent film production companies in the city. Peters worked on set designs until 1927 when he opened a design company with his brother George. http://128.111.216.75/files/original/78bbca7499503b1b53c205a8801a5ef0.png 75482fafc7eb48e19783748bd9c91f02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: S.A. Temple house Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource This presentation drawing is similar to other Byers drawings-- with a Spanish Colonial Revival house set amongst lush landscaping. The house features a loggia running the length of the front of the house, with a second story balcony, and all under a classic red tile roof. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/00c9bb061dceb6f802ca6cc28f488a5f.jpg c0f3d33e7ea790f54de6e5c917bccfeb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: McLaughlin house Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource The McLaughlin house, though its location is unknown, is very similar to many of the adobe and Monterey Revival houses Byers designed in the Santa Monica area. With an exterior staircase leading to a second floor balcony, red tile roof, and colorful landscaping, the house is a good example of the Byers style. The design of the house allowed for it to be sited either on a suburban or rural property. http://128.111.216.75/files/original/2f8e1b4feddd260dead8153e9b4eeed9.jpg ace3452bdcb57ba01cb6345ed0f60853 http://128.111.216.75/files/original/6924dba2fe7c1ac10144e26515784a93.jpg eb38e8db86770876c5d018984d0b54bb http://128.111.216.75/files/original/1561581125f5a044d5c37fa20ee5d828.jpg 8d724e7e175a65f68bec6c5ca863accb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: Unitarian Church (Santa Monica, Calf.) Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource The two very different renderings of the Unitarian Church of Santa Monica highlight the range of styles that John Byers was capable of designing. The first image, a more Spanish Colonial style, was the ultimate choice of the building, which is shown in the third image, a photograph taken after construction. The second image shows a much more traditional church, with high pointed steeple, instead of the smaller tower with bell. http://128.111.216.75/files/original/e899f2b9fecba13a634dbe9601a97b90.jpg 9d210f317f1ecf22822c15726d62f9d7 http://128.111.216.75/files/original/34d3e9c0acf9d5f777c7ebadff03099e.jpg e3c438ae3e3308fd0651b982f78aca01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: Frederick Laue Restaurant (Santa Monica, Calif.) Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.? Description An account of the resource The rendering for the Frederick Laue restaurant is an example of Byers' commercial work. While known specifically for residences, he did design a few commercial and civic buildings. A Laue Restaurant was located near the corner of Santa Monica Boulevard and Ocean Avenue from 1927 until 1936. This rendering, circa 1932, might have been a possible expansion in another location, or an unbuilt project rendering. The street view poses a facade very close to the sidewalk and street, while the back view highlights a patio with grassy area, and a two story massing. http://128.111.216.75/files/original/f1960d999653f5b89b70206e1f8d5114.jpg b0c7facabd30b7809b8b8b59a3878e9b http://128.111.216.75/files/original/c9df2e50305be720160081e3d06f3845.jpg 7825dd293814cbf74116f3ef1dc371c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: John Byers house (Santa Monica, Calif,) Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource These images are for the first and second floor plans for an early house for Mrs. John Byers. The plans are not dated, and there is no address listed anywhere on the sheets. The thick-lined walls for the living room and first floor bedroom indicate this house might have been partially constructed from adobe. The second floor bedrooms open onto a balcony, which would have assisted with cross-breezes and done away with the need for a sleeping porch. http://128.111.216.75/files/original/a0555215efcc0386a809d37701fe6c0d.jpg 64db62febc19f8af7cd1332778621b3a http://128.111.216.75/files/original/dccef74c3ad5c60c73cae9ec7781a906.jpg e0cbfe58bfb2bd3969315d7dfbe76e7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: unidentified house Description An account of the resource In the John Byers collection, many items are unidentified. Some of the drawings have dates or locations, however the vast majority do not. This pair of images shows the front of an adobe-style house in the first image, and the back of the house in the second. Both drawings bear the hallmarks of the Byers style-- red tile roofs, lush landscaping, and an exterior staircase leading to a second floor balcony. Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. http://128.111.216.75/files/original/01e82ba428a859dcf199d37d234747ed.jpg 34d0d6c144946516df7bbdc1440a1f5d http://128.111.216.75/files/original/ea5637a6523c0d64afdf4582a01ec901.jpg 6d65e01166dd15ddd5fca1e590d23ca6 http://128.111.216.75/files/original/a96f73d22ab90df99a72662f56ecd7fa.jpg 730ef7a7f227bce4350af3702d99c329 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf portraits Description An account of the resource The Woolf archive contains quite a few portraits of John Elgin Woolf, including these color photos. Creator An entity primarily responsible for making the resource John Elgin Woolf, architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1960s - circa 1980s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/56509a4e9bb4cecec1928a30d521f68d.jpg 8110879191ba518f4ba8448ba147f34b http://128.111.216.75/files/original/eeaa5babf19881b4ab894ab85b7a12d5.jpg bd7c6069bf1215bc729a3a773773bd45 http://128.111.216.75/files/original/9ab5015b3b9d7b1d3ca3594492f081d7.jpg ae4e4569c0ef73d806632ac8e05b3fd2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Guasti house (Montecito, Calif.) Creator An entity primarily responsible for making the resource John Elgin Woolf, architect and designer Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1959-1962 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The Guasti residence, perched high in the hills of Montecito, was designed and built by Woolf. With sweeping views of the Santa Ynez mountains to the rear of the property, and views from downtown Santa Barbara out to the Channel Islands from the front of the house, the placement was regal. A wide driveway leads up to a motor court and the main entrance of the house, with a mansard roof, oversize Pullman door, and symmetrical wings with shuttered windows-- all classic Hollywood Regency architectural features. A sculpture garden overlooks a wide lawn, and a pool with pool house and cabana sit sheltered on the north side of the house. http://128.111.216.75/files/original/4ac2773dcfbe6fd5bb4691e1b31cb27b.jpg 40b070977c9443ddaa5f8976fe9f67c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic copy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Marrakesh Country Club (Palm Desert, Calif.) Description An account of the resource The community of Palm Desert was the desert retreat for many Hollywood celebrities, and the Marrakesh Country Club was one of many golf resorts that catered to that clientele. John Woolf was commissioned by John Dawson, an amateur golfer and real estate developer, to design 364 Hollywood Regency style condominiums, grouped into 14 separate communities within the club, each community had its own pool and pavilion, all designed by Woolf. Each villa and pool house was painted pink and white, with a mansard roof, tall Pullman door, symmetrical designs, and airy, spacious rooms. Creator An entity primarily responsible for making the resource John Elgin Woolf, architect and designer Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1968-1977 Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Desert, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/8100b0fb6514010c585f983187b657fe.jpg 7a6c9fcf1e613829e3897d7f62ac54b3 http://128.111.216.75/files/original/5bd45784c0487320b01411e184f1322b.jpg bad80738ca712f8f0c1eabb6d2e3ab28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Case Study Houses Description An account of the resource The Case Study House program was started by Art & Architecture Magazine in 1945 as a way for architects to begin to formulate ideas for post-World War II housing. There are a few Case Study House architects whose collections are housed at the ADC: J.R. Davidson, Whitney Smith (of Smith & Williams), and Edward Killingsworth (of Killingsworth, Brady, and Smith). Additionally, our Ester McCoy collection of papers also contains drawings and materials pertaining to the design of some of the Case Study Houses. The housing designs showed that good architecture and good design could be scaled up to produce low cost houses, since the need for single family homes was of paramount importance after WWII. As the Case Study House program evolved throughout the 1950s and into the early 1960s, the houses became more modern, with less emphasis on low-cost, but rather cutting-edge design. Date A point or period of time associated with an event in the lifecycle of the resource circa 1945 - circa 1963 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Long Beach, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Subject The topic of the resource Case Study Houses Southern California Architecture Housing Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Case Study House #17 alterations Description An account of the resource Case Study House #17 was built in 1956 by Craig Ellwood on a lot along Hidden Valley Road in Beverly Hills. It was a modern design, of plywood, steel, brick, and glass, like many of the other Case Study houses. But in 1962, John Woolf purchased the house and remade it into his signature Hollywood Regency style. The post and beam vertical elements were wrapped in Doric columns, the large glass front door was replaced with an oversized solid 'Pullman' door, and the interior rooms were also changed. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer Craig Ellwood, architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1956, 1962 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource english Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197_b25f21 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif. http://128.111.216.75/files/original/9e29979c25ffccfb802ba29eb750727c.jpg 04e206e4cba9721e62ec64d632e75a82 http://128.111.216.75/files/original/6c1ab89373080d5c931073604a3429f7.jpg 01bd324c5b378bd84c5ff6ca1fb6ea76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Pendleton house (Beverly Hills, Calif.) Description An account of the resource The house for Pendleton in Beverly Hills was one of the first and most complete realizations of Woolf's Hollywood Regency style. With the large front entrance door, mansard roof, and symmetrical oval windows flanking the front door, the residence contains all of Woolf's signature style. John B. Pendleton and his wife, Mary Frances, requested Woolf design a single-story house, since Mary was unable to climb stairs. They also requested a pool, cabana, entertainment space, and plans drawn up within one week. The house became Woolf's first major commission in Los Angles, and led to many of his other projects. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1942 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197_b25f4 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. http://128.111.216.75/files/original/2534024f8df041dd77ca8efdac077c0d.jpg cd85d6edca35b6396f382f300bc4e81f http://128.111.216.75/files/original/fce5dcf3956d3acba24a2c2981364135.jpg 73929b74b5a2f25ef94e44ce526b5fca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Menefee house (Beverly Hills, Calif.) Creator An entity primarily responsible for making the resource John Elgin Woolf, designer Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1959-1970 Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Description An account of the resource The Menefee house, near Santa Monica Boulevard, is another example of Woolf's signature front facade. With a tall entry door, large covered windows flanking either side, and a circular driveway, the alterations to the house are classic Hollywood Regency style. The shutters covering the windows provide a wall of privacy facing the public street, which is another signature of Woolfs' designs. http://128.111.216.75/files/original/8d15c6275edf9bbd12ddfd79a6594528.jpg ee3b10b48c2856b11e975d4b897c7a1c http://128.111.216.75/files/original/deb9a9472e8a82c0cbf3372fc92a93b6.jpg 5fa479ccdd4cf488198a7200f2055aa4 http://128.111.216.75/files/original/00958cfd7e56a36cd694d363e8883cdb.jpg 6fcc774096033c129446377cf96d4152 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Hornburg house (Bel Air, Calif.) Description An account of the resource With a front entrance relatively close to the public street, the Hornburg house allowed Woolf to create a walled entrance area, with a large imposing front wall, private courtyard, and then a classic Hollywood Regency front door, with a symmetrical centered door knob. The semi-circular driveway allowed for parking of cars, an important feature since Hornburg was the first dealer to import Jaguar cars to the United States. As a former advertising executive, Hornburg marketed the cars to Hollywood celebrities and movie executives. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1943-1944 Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Calif.; Los Angeles, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/637b8a29363130b09d6afe59f526a35b.jpg 43fe4a0bb1597769d23c01015ea67cdd http://128.111.216.75/files/original/44469acd0b7a065d3307a5ff003553f3.jpg ab5e2c9029dc433fc29f424ff6087199 http://128.111.216.75/files/original/81449ccaa9f09634b1e91cc7b9d1ccd1.jpg 155108f1c16ff4ee25a0dcc50cce6865 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver slides Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Vance house (Beverly Hills, Calif.) Description An account of the resource The house for James Vance on Hillcrest Road in Beverly Hills is considered another residence with significant Hollywood Regency style and attributes. With a tall brick privacy wall, leading to an oversize entry door, topped with an octagonal standing seam copper roof, along with the single-story layout surrounding a pool, the house has all of the classic Woolf hallmarks. Vance was a dentist, who had a successful practice in Beverly Hills. With it's classic pool and cabana, the exterior of the house was used for celebrity photo shoots in the 1950s. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer Date A point or period of time associated with an event in the lifecycle of the resource circa 1955 Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/8c9b7525b4ca7c62565acd3cc4ba879a.jpg 73a9a02c5219201521d46a9852c34e41 http://128.111.216.75/files/original/3ad51057bae345390aad8152692a0b56.jpg ab5ba5478dea45ea9254fe2bdf526d4b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Potts house (Beverly Hills, Calif.) Creator An entity primarily responsible for making the resource John Elgin Woolf, designer Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1944 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. Description An account of the resource The design work on the Jack and Effie Potts home on Benedict Canyon Drive in Beverly Hills consisted of detail work in the living room, and exterior work to the house and front gate. http://128.111.216.75/files/original/58a708f87fc40f900a33b8a5e30890a0.jpg 6cde3573675ec46c49d534f4238b7aa1 http://128.111.216.75/files/original/505285e8e8c584b0cc8c0d583a9b0d05.jpg b91f8f937b85d5fe96f7e0d1aeb334ef http://128.111.216.75/files/original/1bde283283f3ad8e996728c31a6ad974.jpg 2ad7532a9100be078a30daeb0028b013 http://128.111.216.75/files/original/45c55a9c9ba8d7966a342e8e16775895.jpg 71f48276482361c56e16be01e14b3bdc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Petri house (San Francisco, Calif.) Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect George de Gennero, photographer Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1955 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Francisco, Calif. Description An account of the resource Winemakers Louis and Flori Petri commissioned Woolf to design a house in the Pacific Heights neighborhood of San Francisco. Woolf also designed an apartment in San Francisco, a house in Napa, and a condominium in Palm Springs for the couple.