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                  <text>The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. &#13;
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&#13;
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                  <text>Myron Hunt &amp; H. G. Chambers, Architects was an architectural firm based in Los Angeles that was started by Myron Hunt with Harold G. Chambers in 1920. The two worked together for 27 years, until 1947, when the firm dissolved. Throughout the lifetime of their firm, Hunt and Chambers designed residential, civic, and commercial buildings. Some of their more notable projects include: the Henry E. Huntington residence in San Marino which is now the Huntington Library, the Flintridge Biltmore Hotel, and the Pasadena Public Library.&#13;
Myron Hunt, was born in Massachusetts on February 27, 1868. He attended the Massachusetts Institute of Technology, as well as Northwestern University, where he studied architecture. Upon graduation, in 1892, Hunt worked for Hartwell and Richardson, Architects. A year later Hunt left the firm to travel and study architecture in Europe. By 1896, Hunt was in Chicago working for Shepley, Rutan and Coolidge, until 1897. In 1903, Hunt moved to Pasadena, California and in 1904 began an architectural firm with Elmer Grey by the name of Hunt and Grey, Architects, which dissolved in 1910. From 1911 to the beginning of 1920, Hunt had his own independent firm where H. G. Chambers was a draftsman, until he was made a partner in 1920. Myron Hunt died May 26, 1952, at the age of 84.&#13;
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&#13;
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&#13;
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&#13;
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&#13;
The Kavli Institute of Theoretical Physics is a world-renown research facility where physicists meet to collaborate on cutting edge research and theoretical questions. The scientists come to UCSB for extended periods of time (anywhere from one week to many months) to meet and discuss new problems in the field. The Kohn Building was originally designed in 1994 by architect Michael Graves, with an addition completed in 2004, also by Graves. The building was designed specifically to foster interactions between scientists, so offices and hallways are laid out in such a manner as to facilitate random meetings and impromptu discussions (with a number of blackboards in communal spaces for working out complex theoretical issues). &#13;
&#13;
Michael Graves is known for being one of the leading examples of postmodern architecture. In addition to building iconic commercial and public buildings (like the Denver Public Library and an expansion of the Whitney Museum of American Art), he was a Professor of Architecture at Princeton University and a designer for Alessi and Target. His postmodern and urbanist style was reflected in the use of color and classical elements in new and varied ways. &#13;
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                  <text>Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. &#13;
&#13;
Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert.&#13;
&#13;
Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California.</text>
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
The Horatio West and Lewis Courts are among the best examples of Gill’s intentions and compositional strategies. Richard Neutra was sufficiently intrigued when he first saw Gill’s buildings in 1925 that he included Horatio West, and several other Gill buildings,in his 1930 book, Amerika. </text>
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&#13;
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&#13;
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                <text>Jock Peters papers, Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="6091">
                <text>Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6092">
                <text>circa 1927</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="6093">
                <text>Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents.</text>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="6094">
                <text>adc_164</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="6095">
                <text>image/jpg</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="6096">
                <text>English</text>
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            <name>Type</name>
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                <text>Still Image</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="6098">
                <text>adc_164</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="6099">
                <text>Los Angeles, Calif,.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>After working for the movie industry for a few years, in 1927 Peters began working with his brother George as Peters by Jock, Brothers Modern American Design Office. They designed furniture and other interior pieces.</text>
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