3 100 865 http://128.111.216.75/files/original/4ac2773dcfbe6fd5bb4691e1b31cb27b.jpg 40b070977c9443ddaa5f8976fe9f67c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic copy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Marrakesh Country Club (Palm Desert, Calif.) Description An account of the resource The community of Palm Desert was the desert retreat for many Hollywood celebrities, and the Marrakesh Country Club was one of many golf resorts that catered to that clientele. John Woolf was commissioned by John Dawson, an amateur golfer and real estate developer, to design 364 Hollywood Regency style condominiums, grouped into 14 separate communities within the club, each community had its own pool and pavilion, all designed by Woolf. Each villa and pool house was painted pink and white, with a mansard roof, tall Pullman door, symmetrical designs, and airy, spacious rooms. Creator An entity primarily responsible for making the resource John Elgin Woolf, architect and designer Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1968-1977 Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Desert, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/25a08c1e61887665c61cfec1b06c7a83.jpg 2e0798ca7d8cdd0288bcbd2b295c3048 http://128.111.216.75/files/original/5d8025dfc81d324c65ba694fa2b13bdd.jpg 5610eb589cffc5a0c480f3085a7ba84f http://128.111.216.75/files/original/6eb10719d0176f6d22a552f3134c6593.jpg decd5ad6333962a6be23df5fa15dd680 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Office (Los Angeles, Calif.) Description An account of the resource The personal office and studio of John Elgin Woolf on Melrose Place in Los Angeles, was a multi-building compound with an imposing entrance door, secluded courtyards, and light-filled rooms. The office allowed Woolf to bring his specific design aesthetic for his clients' homes into view in his office space. Designing in an image-conscious city for celebrity clientele allowed Woolf to bring many of those details to life in this space to show clients his ideas. Creator An entity primarily responsible for making the resource John Woolf, designer Robert C. Cleveland, photographer Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1945-1949 Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/f8755ab0a69358183312762483f0d3b6.jpg 146fa4702388d02299867f444b34ea4d http://128.111.216.75/files/original/65e01e4cd899abc1ba3216f9d2c4aa59.jpg 3c73e383a9be7e0a02d25fd258d96ecb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Lobero Theater (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Description An account of the resource The Lobero Theater on Canon Perdido and Anacapa Streets in downtown Santa Barbara, got its start in the 1870s as a vaudeville house. By the early 1920s, it had fallen into disrepair and Smith was asked to design and build a new theater in the Spanish Colonial style he was best known for. With it's white stucco walls and red tile roof, the theater was a pre-cursor to the architectural style that has dominated downtown Santa Barbara since the earthquake of 1925. Smith's associate, Lutah Maria Riggs, was one of the first women to receive her architectural license in the state of California, and she worked for Smith until his death in 1930. She was a skilled renderer, and many of Smiths' works were rendered by Riggs. http://128.111.216.75/files/original/e5d70e9b5ac5b1a780de57a425f2300f.jpg 632e76b58718559432cb6b972f980070 http://128.111.216.75/files/original/8b15d1f67d95e65d31f2cc4a095a199c.jpg f5bcd778feb6516e50b0cf774547e237 http://128.111.216.75/files/original/056109369d57f4f6f6f52da83239a9bd.jpg d7a8b664621c5a3c2207e28b086fd98b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Steedman house (Montecito, Calif.) Description An account of the resource George Fox Steedman was a manufacturing executive from St. Louis who commissioned Smith to work with him on designing and constructing Casa del Herrero (House of the Blacksmith) on East Valley Road in Montecito. They created a house and gardens (designed by Ralph Stevens) on eleven acres, along with associated servants quarters, garages, and gardeners cottages. The estate was designed in the Andalusian style of Spanish Colonial Revial, with white stucco walls, small windows with wrought iron grilles and red tile roofs. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer and architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1922-1924 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. http://128.111.216.75/files/original/3d0b222e4bd10987df1541e54d2d3e3d.jpg 72803900ae07c02393fca0aa63ec1f83 http://128.111.216.75/files/original/1aa5a1021cbf5448e6b708af2cc441af.jpg f91141d6adec5c78ba49bae1139ebb02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Gavit addition (Montecito, Calif.) Description An account of the resource The E. Palmer Gavit residence was originally built in 1919 by Reginald Johnson; Smith designed an addition to the main house, as well as outbuildings. The property was originally named "Cuesta Linda," then "Tanglewood," and eventually Madame Ganna Waleska gave it the name "Lotusland." The gardens, originally designed by Ralph Stevens, with alterations and additions by Lockwood de Forest, have made the property an internationally famous garden site. Creator An entity primarily responsible for making the resource George Washington Smith, architect Reginald Johnson, architect Ralph Stevens, landscape architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. http://128.111.216.75/files/original/8d303ae6846d5abcafb77376fb58a6c0.jpg 124cda295583c937a2dea7100367c0fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953): Barnsdall house Description An account of the resource The Aline Barnsdall house, most commonly known as the Hollyhock House, was one of the first Frank Lloyd Wright houses built in Los Angeles. Wright brought Rudolph Schindler out from Chicago to be the project manager for the grouping of houses on Olive Hill for Barnsdall. In addition to the Hollyhock House, Schindler also managed the construction of the Director's House (also known as House A), the Oleander House (House B), and a pergola and wading pool on the Olive Hill grounds. Schindler continued to work with Aline Barnsdall after she fired Frank Lloyd Wright in 1921, and continued to work on the property up until 1948. The house was named a Los Angeles cultural-historic monument in 1963, a National Historic Landmark in 2007, and a UNESCO World Heritage Site in 2019. Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919-1921 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data blueprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Barnsdall Director's House elevations (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The blueprints for the elevations of the Director's House (House A) show the Prairie influence on Wright's design. With a long row of clearstory windows, concrete walls, and horizontal lines, the house clearly shows the Wright design. Wright brought Rudolph Schindler out to Los Angeles from his home in Chicago to manage the construction of the Hollyhock House and the rest of the buildings on Olive Hill. The Director's house is currently undergoing renovations. http://128.111.216.75/files/original/5ba28f84e7ff584cf557b15a0b2e43d2.jpg 1a8c59a3b560c4cec15ba7ceca596094 http://128.111.216.75/files/original/0a63340ad489f8696540bd6a7d211d40.jpg 9ada0a7c50040bf0e6ecd7643eee21d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953): Barnsdall house Description An account of the resource The Aline Barnsdall house, most commonly known as the Hollyhock House, was one of the first Frank Lloyd Wright houses built in Los Angeles. Wright brought Rudolph Schindler out from Chicago to be the project manager for the grouping of houses on Olive Hill for Barnsdall. In addition to the Hollyhock House, Schindler also managed the construction of the Director's House (also known as House A), the Oleander House (House B), and a pergola and wading pool on the Olive Hill grounds. Schindler continued to work with Aline Barnsdall after she fired Frank Lloyd Wright in 1921, and continued to work on the property up until 1948. The house was named a Los Angeles cultural-historic monument in 1963, a National Historic Landmark in 2007, and a UNESCO World Heritage Site in 2019. Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919-1921 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Barnsdall pool and pergola (Los Angeles, Calif.) Description An account of the resource This Schindler drawing of a wading pool and pergola on the Olive Hill grounds dates from 1925. Schindler continued to work for Barnsdall after she fired Wright, and the pool and pergola are examples of the ongoing work on the property. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Date A point or period of time associated with an event in the lifecycle of the resource 1925 Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/433a837702c218c3378a9dee33590211.jpg f84d770cef5d26d65f3fc7e214ad21ad http://128.111.216.75/files/original/102eec825db69ebcd997e9cbc73be007.jpg 6b8bb17af41f40f4b791031c048a9ba0 http://128.111.216.75/files/original/157b4c3362a1317cbbfc056fac186876.jpg 63cd8d620c2f0d52bea82ac63fe99c2d http://128.111.216.75/files/original/cad1cd2ac34424c449a691e8691563fa.jpg 49b2fda20457b1fa5d01570d331bfe85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953): Barnsdall house Description An account of the resource The Aline Barnsdall house, most commonly known as the Hollyhock House, was one of the first Frank Lloyd Wright houses built in Los Angeles. Wright brought Rudolph Schindler out from Chicago to be the project manager for the grouping of houses on Olive Hill for Barnsdall. In addition to the Hollyhock House, Schindler also managed the construction of the Director's House (also known as House A), the Oleander House (House B), and a pergola and wading pool on the Olive Hill grounds. Schindler continued to work with Aline Barnsdall after she fired Frank Lloyd Wright in 1921, and continued to work on the property up until 1948. The house was named a Los Angeles cultural-historic monument in 1963, a National Historic Landmark in 2007, and a UNESCO World Heritage Site in 2019. Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919-1921 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Barnsdall bedroom and bathroom alterations (Los Angeles, Calif.) Description An account of the resource In 1925, Schindler altered Aline Barnsdall's bedroom and ensuite bathroom in the Hollyhock House. He altered the layout of the bathroom and paneled the walls and ceiling in oak. Schindler also altered the bedroom for Aline's daughter. These interior photographs are from the Schindler collection. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/847a868c436a7811aaba3cccd2a0d776.jpg 1b736a6346f0d5c3f9744c05eddc4994 http://128.111.216.75/files/original/e18cc96a24c269616409350602408830.jpg 93505ee14a0690910300f8085a6bb776 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953): Barnsdall house Description An account of the resource The Aline Barnsdall house, most commonly known as the Hollyhock House, was one of the first Frank Lloyd Wright houses built in Los Angeles. Wright brought Rudolph Schindler out from Chicago to be the project manager for the grouping of houses on Olive Hill for Barnsdall. In addition to the Hollyhock House, Schindler also managed the construction of the Director's House (also known as House A), the Oleander House (House B), and a pergola and wading pool on the Olive Hill grounds. Schindler continued to work with Aline Barnsdall after she fired Frank Lloyd Wright in 1921, and continued to work on the property up until 1948. The house was named a Los Angeles cultural-historic monument in 1963, a National Historic Landmark in 2007, and a UNESCO World Heritage Site in 2019. Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919-1921 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data blueprint copies Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Barnsdall Director's House floor plans (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The original idea for the Barnsdall site was that it was to have an on-site theater, housing for actors and staff, as well as the main house. The Director's House, also referred to as House A was designed by Wright and built with Schindler as the on-site project manager, along with FLW's son, Lloyd Wright. The Director's House is located on a corner of the property and is currently undergoing renovations. http://128.111.216.75/files/original/637b8a29363130b09d6afe59f526a35b.jpg 43fe4a0bb1597769d23c01015ea67cdd http://128.111.216.75/files/original/44469acd0b7a065d3307a5ff003553f3.jpg ab5e2c9029dc433fc29f424ff6087199 http://128.111.216.75/files/original/81449ccaa9f09634b1e91cc7b9d1ccd1.jpg 155108f1c16ff4ee25a0dcc50cce6865 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver slides Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf: Vance house (Beverly Hills, Calif.) Description An account of the resource The house for James Vance on Hillcrest Road in Beverly Hills is considered another residence with significant Hollywood Regency style and attributes. With a tall brick privacy wall, leading to an oversize entry door, topped with an octagonal standing seam copper roof, along with the single-story layout surrounding a pool, the house has all of the classic Woolf hallmarks. Vance was a dentist, who had a successful practice in Beverly Hills. With it's classic pool and cabana, the exterior of the house was used for celebrity photo shoots in the 1950s. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer Date A point or period of time associated with an event in the lifecycle of the resource circa 1955 Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/693c60728fff981c8e84aee606bc4115.jpg bc2955e19d9d1aa24131cb5850ce5892 http://128.111.216.75/files/original/f5827028d06479f373ffb4b394816505.jpg f8c668664c46849e0b35b7a3951741d1 http://128.111.216.75/files/original/5fa3b976def0a9952618785f259043b6.jpg 7e255ed336f47dd0fcc25318cee7a7ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953): Barnsdall house Description An account of the resource The Aline Barnsdall house, most commonly known as the Hollyhock House, was one of the first Frank Lloyd Wright houses built in Los Angeles. Wright brought Rudolph Schindler out from Chicago to be the project manager for the grouping of houses on Olive Hill for Barnsdall. In addition to the Hollyhock House, Schindler also managed the construction of the Director's House (also known as House A), the Oleander House (House B), and a pergola and wading pool on the Olive Hill grounds. Schindler continued to work with Aline Barnsdall after she fired Frank Lloyd Wright in 1921, and continued to work on the property up until 1948. The house was named a Los Angeles cultural-historic monument in 1963, a National Historic Landmark in 2007, and a UNESCO World Heritage Site in 2019. Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919-1921 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver negatives Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Barnsall house interiors (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Frank Lloyd Wright, architect Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100_24 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1925-1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Description An account of the resource Some of the hallmarks of Schindler's later works can be seen in these interior photographs. The built-in furniture, focus on natural light, and the use of wood on the walls and ceiling are architectural details seen throughout his career in various residences. http://128.111.216.75/files/original/62dcd8e4bb115c4f7c77e32f5e38fc22.jpg 43bf269fb838f28df1459f744f44240e http://128.111.216.75/files/original/fa7936c41287419a5e434e9339a041e7.jpg bc4afe93be8e9548e4d1030c4a7970f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953): Barnsdall house Description An account of the resource The Aline Barnsdall house, most commonly known as the Hollyhock House, was one of the first Frank Lloyd Wright houses built in Los Angeles. Wright brought Rudolph Schindler out from Chicago to be the project manager for the grouping of houses on Olive Hill for Barnsdall. In addition to the Hollyhock House, Schindler also managed the construction of the Director's House (also known as House A), the Oleander House (House B), and a pergola and wading pool on the Olive Hill grounds. Schindler continued to work with Aline Barnsdall after she fired Frank Lloyd Wright in 1921, and continued to work on the property up until 1948. The house was named a Los Angeles cultural-historic monument in 1963, a National Historic Landmark in 2007, and a UNESCO World Heritage Site in 2019. Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919-1921 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Barnsdall house exterior (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1925-1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource This photograph of the exterior of the house shows the growth of landscaping along the front and patio areas. http://128.111.216.75/files/original/107a08473f3f4084bcf4b6b8083bbd8f.jpg 04e395415ac1878662e69fa8a3b4eff0 http://128.111.216.75/files/original/c662fa2dc897b7ddd1c2e0d747035489.jpg 57a8b7774dbdb2720688c08fd2d681f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Bryce house (Hope Ranch, Santa Barbara, Calif.) Description An account of the resource The unincorporated community of Hope Ranch was developed in the early 1920s by the Santa Barbara Estates Inc. company, which was owned by Harold Chase, and Peter Bryce was one of the main stakeholders. Bryce was also one of the early residents, with this house designed by GW Smith in 1925, and built in 1926-1927. The property, a 12000 square foot house on 52 acres of oceanfront land, was also known as "Florestal" due to the Bryce's being avid horticulturalists. Creator An entity primarily responsible for making the resource George Washington Smith, architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hope Ranch, Santa Barbara, Calif. http://128.111.216.75/files/original/f2611822949641955cb5909c8d093244.jpg 46ae45991d3e6706bde4c549dbc521ad http://128.111.216.75/files/original/24038e2917e978e605683b1186b5dd52.jpg 32f6a98d1fc7226bf9812f614be508d4 http://128.111.216.75/files/original/be84a101a3fb766d36bcb01b683c99ae.jpg d1ebe8fb9fb72e312d623034f24e6441 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite, ink, and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Douglas house (Montecito, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif.; Santa Barbara, Calif. Description An account of the resource The Malcolm Douglas house on Sycamore Canyon Road in Montecito was completed in 1929, and is also known as Los Suenos ("The Dreams"). Douglas, a New York doctor, and his wife, Rachel Peabody Douglas, had Smith design a house to showcase the view of the Pacific Ocean and Channel Islands, with a long curving driveway and many landscape features including a pool and lily pond. http://128.111.216.75/files/original/a3a89b5b4af14f5edc6737865c516fb5.jpg 07f275df2cc6b508702b7a348c664d50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): Thomas Mann house Subject The topic of the resource Southern California Architecture California Modern Architecture Description An account of the resource The Thomas Mann house was built in 1941 for the acclaimed writer by architect J.R. Davidson. The Mann's left Germany in the 1930's and settled in the Los Angeles area, with its large expatriate community. The 5000 square foot house on over an acre of flat land in the Pacific Palisades area, contained 6 bedrooms and 4 bathrooms at the time of its' construction. Thomas Mann sold the house to Chester Lappen in 1953 and moved to Switzerland. After Lappen died in 2010, the house was a rental, and then placed on the market as a tear-down. The Lappen family sold the house to the German government in 2016; it will be turned into an artist retreat to complement their artist residence Villa Aurora, which is located about 6 miles from the Mann house. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Mann House: exterior Creator An entity primarily responsible for making the resource J.R. Davidson (1889-1977), architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Description An account of the resource This photograph of the front of the house with trees and landscaping was altered (possibly by Davidson himself) to add vines and leaves to the exterior walls and balconies of the house. In this view, the first floor terrace is not yet enclosed, and the second floor sun deck is on the upper right, prior to an addition by the Lappen family in the 1970s. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. http://128.111.216.75/files/original/2cd20d765fdf2fa552fec7ba1b057847.jpg fda9ec7e1ec888efc978634375ff80ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of California, Santa Barbara: Campus Buildings Creator An entity primarily responsible for making the resource University of California, Santa Barbara Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Goleta, Calif. Subject The topic of the resource University of California, Santa Barbara Description An account of the resource The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans. Publisher An entity responsible for making the resource available Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1929-2017 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Long Range Development Plan- 1968 Subject The topic of the resource University of California, Santa Barbara Description An account of the resource In this 1968 version of the long range development plan, the campus footprint expanded to include the Storke Campus area along El Colegio and Los Carneros Road, and the West Campus area around Coal Oil Point and the Devereux Slough. Creator An entity primarily responsible for making the resource Charles Luckman Associates, executive architects Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_186 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186_d56 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Goleta, Calif. http://128.111.216.75/files/original/20e18220a2600c562a0549e8fbcf026e.jpg 45c847c8b085ed9939f00d09ea726554 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of California, Santa Barbara: Campus Buildings Creator An entity primarily responsible for making the resource University of California, Santa Barbara Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Goleta, Calif. Subject The topic of the resource University of California, Santa Barbara Description An account of the resource The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans. Publisher An entity responsible for making the resource available Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1929-2017 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Location Map of the New Santa Barbara Campus Subject The topic of the resource University of California, Santa Barbara Description An account of the resource This early map shows the existing county roads and the roads on the former Marine Air Base. Hand-drawn arrows indicate traffic flow from Goleta and Santa Barbara towards the new campus. This map shows many of the roads that are still in use today, as well as a few which no longer exist (especially the roads on airport property). Creator An entity primarily responsible for making the resource University of California, Santa Barbara Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_186 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Goleta, Calif. http://128.111.216.75/files/original/2a025bf78175276f6df214116e3f2b67.jpg 7349ff34950a8a881ebef29903ad2aa6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of California, Santa Barbara: Campus Buildings Creator An entity primarily responsible for making the resource University of California, Santa Barbara Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Goleta, Calif. Subject The topic of the resource University of California, Santa Barbara Description An account of the resource The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans. Publisher An entity responsible for making the resource available Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1929-2017 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic copy of colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master Plan- Progressive Development, Stage 1, 1952 Subject The topic of the resource University of California, Santa Barbara Description An account of the resource This is a copy of an image which shows the layout of Marine Air Base Santa Barbara buildings (in yellow), with the addition of the first two University of California, Santa Barbara College buildings (in red). Roads and parking lots are shown in brown, and the rows of eucalyptus trees are shown in long rows along the roads and boundary with Isla Vista. The two new university buildings, Webb Hall and the original library, would have been under construction at the time this map was made in 1952. Creator An entity primarily responsible for making the resource University of California, Santa Barbara Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1952 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_186 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Goleta, Calif.; Isla Vista, Calif. http://128.111.216.75/files/original/95341c78b0433b87ed4c65743ba9496f.jpg b51ae621e931edb5e23b02f0585baaf3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of California, Santa Barbara: Campus Buildings Creator An entity primarily responsible for making the resource University of California, Santa Barbara Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Goleta, Calif. Subject The topic of the resource University of California, Santa Barbara Description An account of the resource The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans. Publisher An entity responsible for making the resource available Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1929-2017 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master Plan - Scheme "A" Revised Subject The topic of the resource University of California, Santa Barbara Description An account of the resource This early plan from Charles Luckman Associates shows a greater density of buildings in the central campus core, with multiple buildings surrounding the central and north quadrangles. Physical and Biological Science buildings are grouped on the east side of campus, along with the Social Sciences. The Humanities, Arts, and Music are in the center of the area, with "Professional Schools" near the western edge, closer to Isla Vista. Large parking lots are scattered throughout campus, though the central area is free from roads and vehicles. Creator An entity primarily responsible for making the resource Charles Luckman Associates, executive architects Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1959 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_186 Format The file format, physical medium, or dimensions of the resource adc_186 Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/f20c7e2c929d5c9ee543a8b0d758d51c.jpg 92c8e0c4c279a166fec4adaaeddebfa6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of California, Santa Barbara: Campus Buildings Creator An entity primarily responsible for making the resource University of California, Santa Barbara Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Goleta, Calif. Subject The topic of the resource University of California, Santa Barbara Description An account of the resource The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans. Publisher An entity responsible for making the resource available Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1929-2017 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soule & Murphy: bird's eye view of campus Subject The topic of the resource University of California, Santa Barbara Description An account of the resource In 1950, Santa Barbara architecture firm Soule and Murphy developed a master plan for the campus. Initially, the college was to be a small liberal-arts college (with a maximum enrollment of 3500 students), not a large research university. The Soule and Murphy master plan shows a large semi-circle of buildings facing an amphitheater near the lagoon, with another wide plaza surrounded by buildings also facing south. In addition to these structures, there were recreational fields on the northern end of the mesa overlooking the airport, following an existing running track and adjacent road. Soule and Murphy took advantage of the oceanfront site by orienting the campus toward the ocean in a series of Beaux Arts-style quadrangles and plazas, which were to be surrounded by academic buildings. Creator An entity primarily responsible for making the resource Soule & Murphy, architects Source A related resource from which the described resource is derived University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_186 Format The file format, physical medium, or dimensions of the resource Image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_186 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/580d06241020e87d6a9524b27ca81181.jpg 24c49f0bd78a864d60775fe3466f0376 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia Building Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The 13 story Art Deco building on the corner of Broadway and Ninth Street in downtown Los Angeles, was designed and built by Claud Beelman of the firm Curlett & Beelman. The building was built with steel reinforced concrete and is covered in turquoise terra cotta tile, with blue and gold accents, and the upper portion of the building has a clock on all four sides, along with the word EASTERN in white neon. The Curlett & Beelman firm was formed by Alexander (Aleck) Curlett (1881-1942) and Claud W. Beelman (1884-1963) in 1919. They are well known for their large scale architecture and that the firm planned, designed, and superintended the construction of most of their buildings. Some of their more noted projects, many of which are designated Historic Monuments and/or listed in the National Register of Historic Places, include: Barker Brothers, Elks Temple, Pershing Square Building, Insurance Exchange Building, LA Fur Mart Building, Commercial Club: Hotel Case, Harris Newark Building, Board of Trade Building, and Culver Hotel, as well as buildings in Pasadena and Long Beach. Their office was located in Beverly Hills, California. By 1932, however, the firm had dissolved. Claud Beelman was born in Ohio in 1884 and apprenticed in the Midwest and South before moving to Los Angeles. Once in Los Angeles he obtained his building license and went into partnership with Alexander Curlett, whose father was an established architect in the Los Angeles and San Francisco areas. Curlett was born in San Francisco in 1881, attended Columbia University's School of Architecture, and was in partnership with his father William Curlett from 1908-1916 as William Curlett and Son, Architects. After the firm Curlett & Beelman dissolved in 1932, Curlett became the project manager for the Federal Public Housing Authority and worked on federal building projects in Southern California until his death in 1942. Beelman continued as a solo architect, working on many commerical buildlings until his death in 1963. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Blueprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia, Broadway elevation Description An account of the resource This exterior elevation of the Broadway side of the building displays the detailed calculations involved in designing and constructing a building of this size and complexity of exterior details. The exterior stonework is not specified for each window bay, but shown once or twice, then noted to repeat. Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/44fcf977873f7b3956e876b37935aaf6.jpg 3df5a88a239f132e73267698ead36f47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia Building Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The 13 story Art Deco building on the corner of Broadway and Ninth Street in downtown Los Angeles, was designed and built by Claud Beelman of the firm Curlett & Beelman. The building was built with steel reinforced concrete and is covered in turquoise terra cotta tile, with blue and gold accents, and the upper portion of the building has a clock on all four sides, along with the word EASTERN in white neon. The Curlett & Beelman firm was formed by Alexander (Aleck) Curlett (1881-1942) and Claud W. Beelman (1884-1963) in 1919. They are well known for their large scale architecture and that the firm planned, designed, and superintended the construction of most of their buildings. Some of their more noted projects, many of which are designated Historic Monuments and/or listed in the National Register of Historic Places, include: Barker Brothers, Elks Temple, Pershing Square Building, Insurance Exchange Building, LA Fur Mart Building, Commercial Club: Hotel Case, Harris Newark Building, Board of Trade Building, and Culver Hotel, as well as buildings in Pasadena and Long Beach. Their office was located in Beverly Hills, California. By 1932, however, the firm had dissolved. Claud Beelman was born in Ohio in 1884 and apprenticed in the Midwest and South before moving to Los Angeles. Once in Los Angeles he obtained his building license and went into partnership with Alexander Curlett, whose father was an established architect in the Los Angeles and San Francisco areas. Curlett was born in San Francisco in 1881, attended Columbia University's School of Architecture, and was in partnership with his father William Curlett from 1908-1916 as William Curlett and Son, Architects. After the firm Curlett & Beelman dissolved in 1932, Curlett became the project manager for the Federal Public Housing Authority and worked on federal building projects in Southern California until his death in 1942. Beelman continued as a solo architect, working on many commerical buildlings until his death in 1963. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Blueprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia, Ninth Street elevation Description An account of the resource This view of the Ninth Street side of the building shows the second entrance to the lobby, just to the right of the Delivery entrance ramp. This ramp was a motorized vehicle entrance to the two-level basement, which was a delivery access point and parking for the building's tenants. The horizontal lines of the street-level shop windows indicate movement, while the vertical lines and patterns of the upper floors highlight the size and volume of the building. Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/db9ff54f437c9d90fc1e35089cd3fbd1.jpg 83de65052e60ae9c74de0750492729af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia Building Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The 13 story Art Deco building on the corner of Broadway and Ninth Street in downtown Los Angeles, was designed and built by Claud Beelman of the firm Curlett & Beelman. The building was built with steel reinforced concrete and is covered in turquoise terra cotta tile, with blue and gold accents, and the upper portion of the building has a clock on all four sides, along with the word EASTERN in white neon. The Curlett & Beelman firm was formed by Alexander (Aleck) Curlett (1881-1942) and Claud W. Beelman (1884-1963) in 1919. They are well known for their large scale architecture and that the firm planned, designed, and superintended the construction of most of their buildings. Some of their more noted projects, many of which are designated Historic Monuments and/or listed in the National Register of Historic Places, include: Barker Brothers, Elks Temple, Pershing Square Building, Insurance Exchange Building, LA Fur Mart Building, Commercial Club: Hotel Case, Harris Newark Building, Board of Trade Building, and Culver Hotel, as well as buildings in Pasadena and Long Beach. Their office was located in Beverly Hills, California. By 1932, however, the firm had dissolved. Claud Beelman was born in Ohio in 1884 and apprenticed in the Midwest and South before moving to Los Angeles. Once in Los Angeles he obtained his building license and went into partnership with Alexander Curlett, whose father was an established architect in the Los Angeles and San Francisco areas. Curlett was born in San Francisco in 1881, attended Columbia University's School of Architecture, and was in partnership with his father William Curlett from 1908-1916 as William Curlett and Son, Architects. After the firm Curlett & Beelman dissolved in 1932, Curlett became the project manager for the Federal Public Housing Authority and worked on federal building projects in Southern California until his death in 1942. Beelman continued as a solo architect, working on many commerical buildlings until his death in 1963. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Blueprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia, western elevation Description An account of the resource With other tall buildings flanking the Eastern Columbia building along the west and north sides, the detailed exterior elevations were not needed along the entire face of the side. In this western elevation, only the first three bays are noted as needing to be finished with terra cotta tiles and gold accents, whereas the rest of the side was a plain wall. Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/37d53d7619c0725be6b81c1442c9291c.jpg 4fe474cae4d5d09cb63bcf8245e9db8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia Building Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The 13 story Art Deco building on the corner of Broadway and Ninth Street in downtown Los Angeles, was designed and built by Claud Beelman of the firm Curlett & Beelman. The building was built with steel reinforced concrete and is covered in turquoise terra cotta tile, with blue and gold accents, and the upper portion of the building has a clock on all four sides, along with the word EASTERN in white neon. The Curlett & Beelman firm was formed by Alexander (Aleck) Curlett (1881-1942) and Claud W. Beelman (1884-1963) in 1919. They are well known for their large scale architecture and that the firm planned, designed, and superintended the construction of most of their buildings. Some of their more noted projects, many of which are designated Historic Monuments and/or listed in the National Register of Historic Places, include: Barker Brothers, Elks Temple, Pershing Square Building, Insurance Exchange Building, LA Fur Mart Building, Commercial Club: Hotel Case, Harris Newark Building, Board of Trade Building, and Culver Hotel, as well as buildings in Pasadena and Long Beach. Their office was located in Beverly Hills, California. By 1932, however, the firm had dissolved. Claud Beelman was born in Ohio in 1884 and apprenticed in the Midwest and South before moving to Los Angeles. Once in Los Angeles he obtained his building license and went into partnership with Alexander Curlett, whose father was an established architect in the Los Angeles and San Francisco areas. Curlett was born in San Francisco in 1881, attended Columbia University's School of Architecture, and was in partnership with his father William Curlett from 1908-1916 as William Curlett and Son, Architects. After the firm Curlett & Beelman dissolved in 1932, Curlett became the project manager for the Federal Public Housing Authority and worked on federal building projects in Southern California until his death in 1942. Beelman continued as a solo architect, working on many commerical buildlings until his death in 1963. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data blueprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia, north elevation Description An account of the resource The north elevation of the building also abutted another tall building at the time of construction, so the detailed terra cotta workmanship along the north side only extends for two window bays before a plain blank wall is indicated on the plans. However, on this view, the set-backs on the floors just below the clock tower are indicated with additional gold details. Lines along the side of the drawing denote the height in feet and inches for each of the floors and the clock tower. The total height of the building is 235 feet, well above the 150-foot limit imposed on buildings by the City of Los Angeles. Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/fac4b4ad716025f075d54ae0fa4911a7.jpg b8c43ddc48076be9c569b7a9cc8136de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia Building Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The 13 story Art Deco building on the corner of Broadway and Ninth Street in downtown Los Angeles, was designed and built by Claud Beelman of the firm Curlett & Beelman. The building was built with steel reinforced concrete and is covered in turquoise terra cotta tile, with blue and gold accents, and the upper portion of the building has a clock on all four sides, along with the word EASTERN in white neon. The Curlett & Beelman firm was formed by Alexander (Aleck) Curlett (1881-1942) and Claud W. Beelman (1884-1963) in 1919. They are well known for their large scale architecture and that the firm planned, designed, and superintended the construction of most of their buildings. Some of their more noted projects, many of which are designated Historic Monuments and/or listed in the National Register of Historic Places, include: Barker Brothers, Elks Temple, Pershing Square Building, Insurance Exchange Building, LA Fur Mart Building, Commercial Club: Hotel Case, Harris Newark Building, Board of Trade Building, and Culver Hotel, as well as buildings in Pasadena and Long Beach. Their office was located in Beverly Hills, California. By 1932, however, the firm had dissolved. Claud Beelman was born in Ohio in 1884 and apprenticed in the Midwest and South before moving to Los Angeles. Once in Los Angeles he obtained his building license and went into partnership with Alexander Curlett, whose father was an established architect in the Los Angeles and San Francisco areas. Curlett was born in San Francisco in 1881, attended Columbia University's School of Architecture, and was in partnership with his father William Curlett from 1908-1916 as William Curlett and Son, Architects. After the firm Curlett & Beelman dissolved in 1932, Curlett became the project manager for the Federal Public Housing Authority and worked on federal building projects in Southern California until his death in 1942. Beelman continued as a solo architect, working on many commerical buildlings until his death in 1963. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Blueprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia, clock tower Description An account of the resource This sheet of drawings shows the clock tower face, section view of the tower, as well as the structural supports. The top of the building, with the word EASTERN emblazoned on all four sides along with the clock and its' distinctive blue and gold colors, have showcased the building as a landmark on the downtown Los Angeles skyline. The clock had been inoperative for many years prior to the renovation of the building into loft apartments. In 2005, the clock was ceremonially re-started to celebrate the 75th anniversary of the building. As part of the condominium conversion, a pool and spa were added to the roof-- with views of the famous clock and sign. Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/8a43795f4e5afee34829f36ef2d5518e.jpg 58c8b4e22538224423c2722aed339663 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia Building Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The 13 story Art Deco building on the corner of Broadway and Ninth Street in downtown Los Angeles, was designed and built by Claud Beelman of the firm Curlett & Beelman. The building was built with steel reinforced concrete and is covered in turquoise terra cotta tile, with blue and gold accents, and the upper portion of the building has a clock on all four sides, along with the word EASTERN in white neon. The Curlett & Beelman firm was formed by Alexander (Aleck) Curlett (1881-1942) and Claud W. Beelman (1884-1963) in 1919. They are well known for their large scale architecture and that the firm planned, designed, and superintended the construction of most of their buildings. Some of their more noted projects, many of which are designated Historic Monuments and/or listed in the National Register of Historic Places, include: Barker Brothers, Elks Temple, Pershing Square Building, Insurance Exchange Building, LA Fur Mart Building, Commercial Club: Hotel Case, Harris Newark Building, Board of Trade Building, and Culver Hotel, as well as buildings in Pasadena and Long Beach. Their office was located in Beverly Hills, California. By 1932, however, the firm had dissolved. Claud Beelman was born in Ohio in 1884 and apprenticed in the Midwest and South before moving to Los Angeles. Once in Los Angeles he obtained his building license and went into partnership with Alexander Curlett, whose father was an established architect in the Los Angeles and San Francisco areas. Curlett was born in San Francisco in 1881, attended Columbia University's School of Architecture, and was in partnership with his father William Curlett from 1908-1916 as William Curlett and Son, Architects. After the firm Curlett & Beelman dissolved in 1932, Curlett became the project manager for the Federal Public Housing Authority and worked on federal building projects in Southern California until his death in 1942. Beelman continued as a solo architect, working on many commerical buildlings until his death in 1963. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Blueprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia, details Description An account of the resource This sheet of very specific upper-floor terra cotta details highlights the specific measurements and design decorations used on both the tenth floor specifically, and on the upper floors in general. The sheet contains details, sections, and elevations for specific corners, spandrels, and window details. Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/b5029002f843e2133c51344003f92488.jpg cdf08b3e72e5963272f84315f8d01517 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia Building Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The 13 story Art Deco building on the corner of Broadway and Ninth Street in downtown Los Angeles, was designed and built by Claud Beelman of the firm Curlett & Beelman. The building was built with steel reinforced concrete and is covered in turquoise terra cotta tile, with blue and gold accents, and the upper portion of the building has a clock on all four sides, along with the word EASTERN in white neon. The Curlett & Beelman firm was formed by Alexander (Aleck) Curlett (1881-1942) and Claud W. Beelman (1884-1963) in 1919. They are well known for their large scale architecture and that the firm planned, designed, and superintended the construction of most of their buildings. Some of their more noted projects, many of which are designated Historic Monuments and/or listed in the National Register of Historic Places, include: Barker Brothers, Elks Temple, Pershing Square Building, Insurance Exchange Building, LA Fur Mart Building, Commercial Club: Hotel Case, Harris Newark Building, Board of Trade Building, and Culver Hotel, as well as buildings in Pasadena and Long Beach. Their office was located in Beverly Hills, California. By 1932, however, the firm had dissolved. Claud Beelman was born in Ohio in 1884 and apprenticed in the Midwest and South before moving to Los Angeles. Once in Los Angeles he obtained his building license and went into partnership with Alexander Curlett, whose father was an established architect in the Los Angeles and San Francisco areas. Curlett was born in San Francisco in 1881, attended Columbia University's School of Architecture, and was in partnership with his father William Curlett from 1908-1916 as William Curlett and Son, Architects. After the firm Curlett & Beelman dissolved in 1932, Curlett became the project manager for the Federal Public Housing Authority and worked on federal building projects in Southern California until his death in 1942. Beelman continued as a solo architect, working on many commerical buildlings until his death in 1963. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Blueprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlett & Beelman: Eastern Columbia, floor plans Description An account of the resource The first floor plan and basement plans shown on this sheet are the basic construction plans. The owner, Eastern Columbia Outfitting Company used their own designers to complete the interiors beyond what was outlined here. The first floor plan shows the delivery entrance on 9th Street, with a turn-table for delivery vehicles to be turned around and face forward to return to the street. The basement plan shows the build-out for men's and women's restrooms and locker rooms, as well as stariwells, elevators, and other mechanical and electrical equipment. Creator An entity primarily responsible for making the resource Curlett & Beelman, Architects Source A related resource from which the described resource is derived Curlett & Beelman records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_124 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_124 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/0df6fd6d2a53a9fa12eef7f4ca4349cf.jpg bc858bd0ebc788154f0cce4b956cef11 http://128.111.216.75/files/original/5e78f961825d0700d34556e15c08e8c0.jpg b31f096c2e4016e70feb7359c3f1711a http://128.111.216.75/files/original/68e26bbfc95a84116b1fc8a9e0e245ea.jpg 6f4424e375d3c3593cb18d1b4413f4a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Gill office (San Diego, Calif.) Description An account of the resource The photograph in the reception area of the office depicts the Mission Basilica San Diego de Alcalá, the first Franciscan mission in New Spain. William Hebbard and Irving Gill (Hebbard and Gill partnership, 1896-1907) stabilized the building in 1899-1900 for the California Landmarks Club. According to his nephew Louis Gill, Irving studied the building closely to understand its simple dignity. The second image shows brushes, paints, and smocks, as well as photographs of Hebbard and Gill designs on the wall, including the Ellen Mason house (1903) and the First Methodist Episcopal Church (1905-07), and a 1914 issue of House and Garden, which includes an article about Gill’s work. Gill’s fascination with concrete as an inexpensive, fireproof building material prompted his intensive experiments with concrete formulations, using the bags of sand, water jug, scales, and other instruments for testing concrete mixtures. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1912-1915 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_212 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/9d45d4ce4aff228e272003b3629bb7e0.jpg 14f1839cbf64b667e2e3be1f52fefc65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Cositt house elevations (Coronado, Calif.) Description An account of the resource The designs from the Hebbard and Gill partnership were eclectic, leaning toward English cottages with Arts and Crafts influence, but included Neo-classical, Gothic, Queen Anne, Mission Revival, and Prairie School styles. In this drawing of a house for Mrs. F.B. Cossitt, the exterior elevations are annotated to include faint red lines indicating the level of each floor and stairwells. Small drawings of specific details and sections are squeezed in between the elevations, to add clarification to certain portions of the drawing. Creator An entity primarily responsible for making the resource Hebbard and Gill, architects Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1899 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_21 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Coronado, Calif. http://128.111.216.75/files/original/0488d43c567dbde5cfff29637118eea7.jpg 8f37c9a135fde0ee2a08fb53f039bf27 http://128.111.216.75/files/original/882638164fe7eaa2975a2dfaeee562ba.jpg b3b2387338e131bc25fddeab01f15aa1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Alice Lee and Katherine Teats houses (San Diego, Calif.) Description An account of the resource Alice Lee (a San Diego socialite and second cousin of Theodore Roosevelt’s first wife) and Katherine Teats commissioned two distinct house groups from Gill. In 1905 Gill designed a house for Lee and Teats on Seventh Avenue, with adjacent rental houses, all in the Prairie style, on land purchased from George Marston, another client who built a significant house nearby, currently a museum and historic landmark. Hazel Waterman, then working in Gill’s office, did the drawings. The landscape was by Kate Sessions. In the period photographs, the streets are unpaved and the upper stories of the houses contain sleeping porches-- open air rooms with ample cross-ventilation in a time before air conditioning. Creator An entity primarily responsible for making the resource Hebbard and Gill, architects Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1905 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_44 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/338971c8aaf4d364ff2a7cf5a8988556.jpg 319ecd2f22244770724158df3eb1030f http://128.111.216.75/files/original/8291acd271ffe4524937bf2457ab9572.jpg 9855bbb9c7c30aecde738bb64aca0534 http://128.111.216.75/files/original/d382ef185161b06a37364d28cac22c35.jpg 6ed9b14ee362d9c7c81b9940fe8fa020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Wangenheim house (San Diego, Calif.) Description An account of the resource Hebbard and Gill designed an English cottage for Wangenheim, a civic leader, owner of a grocery store business, and the father-in-law of Melville Klauber, another Gill client. San Diego was a small town and Hebbard and Gill worked with most of its prominent citizens, reflecting the significance of the firm in the late 19th and early 20th centuries. Creator An entity primarily responsible for making the resource Hebbard and Gill, architects Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1904 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_123 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/534e5a4cfbde0f134c5cacaca3d299be.jpg 46ce04952f38f839c5627112bf535945 http://128.111.216.75/files/original/b4a1b654182fe75f3dfca22577d4d59a.jpg 3dbd718ea228d96b772b1affc84ddb5f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Bailey house (La Jolla, Calif.) Description An account of the resource Frank Mead worked in the Hebbard and Gill office beginning about 1904. He and Gill formed a seven-month partnership in 1907, when the H & G partnership ended. Before joining the office, Mead, though trained as an architect, worked actively, and successfully, for the repatriation of lands to the Mohave-Apache (Yavapai) Indians in 1904. He was helped in his efforts by his friends: Charles Fletcher Lummis, the founder of the Landmarks Club and editor of Out West magazine; Natalie Curtis, ethnomusicologist of Indian songs and friend of Alice Klauber, Charles Douglas and Wheeler Bailey. Douglas and Bailey were sympathetic to the plight of displaced Native Americans and collected their art and crafts. While this house had gas lighting, there is a note on the plan regarding telephone service near the kitchen. Creator An entity primarily responsible for making the resource Gill and Mead, architects Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1907 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_3 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. http://128.111.216.75/files/original/1ef5e01cbfda3f5584043d5139563c0a.jpg 553b4e810ace7e8d7de44043bfc51d29 http://128.111.216.75/files/original/23a838c48d18d643a2667dbe783ac3f0.jpg e3211b9393177820e1487026895bf475 http://128.111.216.75/files/original/bc204874c4e202a012fbc74ab1f6dcc6.jpg 68ee722bcce1a309c227af68fc0f7278 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Klauber house (San Diego, Cailf.) Description An account of the resource This house had a simplified exterior form, with a slight Japanese flavor in the tilt of the roof, and a warm Arts and Crafts interior. Melville Klauber was from San Diego’s growing merchant class, and married to the sister of Julius Wangenheim. Klauber made room in his house for a studio for his own sister, Alice Klauber, a painter who had studied with American artist, Robert Henri. Alice was friends with Natalie Curtis, the ethnomusicologist and collector of Native American songs; Frank Mead; and Charles Douglas and Wheeler Bailey. Alice was later the chairperson for the Panama Californian Exposition’s Art Exhibition section. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1908 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_39 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/ef03a25a46e1f3b9b212388cd51628f5.jpg fda46597ae0c43e1588409ee3f8a9d8b http://128.111.216.75/files/original/b15f6474eac969bb1d5ada9c3faf689a.jpg 3086be71e029bfcc9983baa5397c6257 http://128.111.216.75/files/original/673c5070fc41eb0a5d72292c3da800f4.jpg cb892bde3dd43730888df3eddc490c6a http://128.111.216.75/files/original/0f482a9b045bd760cec9c5ced98f24e0.jpg 06644418118a2d4726a8a732892276e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Laughlin house (Los Angeles, Calif.) Description An account of the resource This is the first Los Angeles building that Gill designed on his own. The house has a classic center hall plan and an enclosed outdoor court. He typically oriented his plans so that one was drawn toward the light and landscape at the back of the house. Abstract Doric columns supported unfinished logs to create vine-covered pergolas. Modern conveniences included a garbage disposal, vacuum cleaner outlets in each room, and a car wash in the garage. Laughlin also commissioned the Laughlin Theater (Long Beach) and planning for Casa Grandes (the Laughlin Park development, Los Angeles) from Gill. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1907 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_40 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/9631e855fcb51a7176b1ee792abec83c.jpg 5e056263c81d0829cfb2d9ee4330fb30 http://128.111.216.75/files/original/cf179223665e34b24bd06a587ac0a30f.jpg 14981181bab877354d9effaa8b1b9388 http://128.111.216.75/files/original/3040925ea7fabedbfdb21e073ad42129.jpg da0a8d22011827b8dca8aa9f512a5c92 http://128.111.216.75/files/original/1da4677412b30b40618afbd03aed75e7.jpg 09c38861c1ef91278931ed6c10f3c80b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Miltmore house (South Pasadena, Calif.) Description An account of the resource The austere Miltmore house is generously “ornamented by nature.” Gill sited the house to preserve the many trees on the sprawling lot and placed long loggias alongside the front and rear elevations. The interior is gracious though simple, designed to be easy to keep clean. Gill raised the floors of the closets to keep out dust, and eliminated all moldings. The roof holds a solar hot water heater and skylights. The master bathroom includes a newly popular feature: a shower. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1911 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_53 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant South Pasadena, Calif. http://128.111.216.75/files/original/ab8e36f5091e15b198cf8805724ba971.jpg 7d33098e1afafa4f2cf939e8f29f64a6 http://128.111.216.75/files/original/ea015ae4dd4697478a22bd09210bc9b7.jpg b43152b5acf3b1db8ab596025d21e8c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Dodge house (Los Angeles, Calif.) Description An account of the resource The Dodge house was located on Kings Road, just north of the future site of Schindler’s own 1921 house. Considered Gill’s masterpiece, the design was widely praised for, as historian Leland Roth wrote," revealing a functional asymmetry whose ornament was derived solely from the studied geometry of the sharp openings in plain walls." The house was bulldozed, after a long preservation effort, on February 9, 1970. The shock of that loss helped launch the Los Angeles Conservancy, founded in 1978. Gill assembled his own crew to build this and other houses in the L.A. area, in order to get exactly what he wanted. The house was built of reinforced concrete, with metal windows and had many modern conveniences. The layering and piling of cubes and rectangular forms in the Dodge and Clarke houses resembles Native American pueblo buildings. Schindler and Wright consciously borrowed from these native structures, but it’s not clear what Gill’s immediate sources were. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1914-1916 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_12 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1b7052f28ff25f8a61da01d56dad3248.jpg 6afba34378fd2edc37989d5636f8ee8b http://128.111.216.75/files/original/dbeb159915773b6ed8a95ab8e797662a.jpg 30567d2f7f73dee694feb754d6d40520 http://128.111.216.75/files/original/43c621790459a2e99a4de3a610401bce.jpg 4f617a9911a66b19299419f398ecb735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Timken house (San Diego, Calif.) Description An account of the resource This 18-room house built for the steel manufacturer, Henry Timken, was Gill’s largest to date. Gill placed the house close to the street, leaving room for enclosed courts and a large garden. Eloise Roorbach’s contemporary article noted that the “court is the center of the home life,” and praised the design for, “not a single ornament mars the pure symmetry of [the house].” Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1911-1913 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_99 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/8f2baf9cd11083244e9da3d73c1b33f6.jpg df11a05244e165b74a5503dcd1856110 http://128.111.216.75/files/original/bad8310e5c31925df17d0d7cb8a7a4b2.jpg 53e3b16668468bcbe40fb3507e09d822 http://128.111.216.75/files/original/9316505141df8b398eafe71b6740ae87.jpg edc37cb8cefc5864a867cf63b8e59039 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Clarke house (Santa Fe Springs, Calif.) Description An account of the resource Built on 60 acres of orange groves, the Clarke estate was Gill’s last major residential project. Constructed of poured in place reinforced concrete, the house measures 8,000 square feet. Gill’s drawings note that Gill and Pearson built the house using the “Gill System.” The Clarkes called their “ranch house,” Krankhaven (in German, a healthy haven). The Clarke house plan bears a remarkable similarity to that of Frank Lloyd Wright’s Hollyhock house (1917-1921) in Los Angeles for Aline Barnsdall, on which Lloyd Wright and Rudolf Schindler worked. When oil was discovered on their land shortly after they moved in, the Clarkes moved elsewhere, including to land in the Coachella Valley where they established a date farm. Marie Rankin was a patron of the arts in Los Angeles and, among other efforts, donated the land for the Hollywood Bowl, for which Lloyd designed two shells, in 1927 and 1928. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1919-1921 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_b2f30a Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Fe Springs, Calif. http://128.111.216.75/files/original/3bda9f41f3432a919a96c6043b685d2d.jpg bfd0b6ebdfed63fc9da7ac646d5a7540 http://128.111.216.75/files/original/8115fb22bb1632ebc3ba740e547d135c.jpg d2fbd0f00619415373907185f9556876 http://128.111.216.75/files/original/6af4f4f4eba303f72c1334151bdeccba.jpg 136188c97591245f1d4551fa725b8e01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Ellen Scripps house (La Jolla, Calif.) Description An account of the resource A book could be written about Gill’s women clients, and Ellen Scripps would be a significant chapter. She helped her brothers build a successful newspaper business and moved to La Jolla in 1897, when the town had “cow paths in lieu of streets.” The success of the Scripps newspaper syndicate allowed her to live independently and to make significant contributions to La Jolla. When her first house burned down, she asked Gill to design a fireproof house for the site. In a 1915 diary entry, Scripps described visiting Gill in his LA office to see the plans for her new house. He took her to his Banning, Dodge and Laughlin houses to see things, “Mr. Gill wants to introduce into my building.” Later, in a 1916 letter to her sister, she wrote: “The two Gills have been busy all day…in shirtsleeves and overalls down on their knees ‘surfacing’ the cement floors. I don’t know if you will like the effect, but to me it is ‘a thing of beauty and a joy forever.’” Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1915-1916 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_73 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. http://128.111.216.75/files/original/3ba519265ac790b720a4506e26a76a72.jpg f921de8628a8bad7d3f7f9a9db44216f http://128.111.216.75/files/original/b4596d309dd4f08b51e7e58581f039b7.jpg cecc8d87be6466d1ea4ea392c0b723ef http://128.111.216.75/files/original/7d6b4be2fd9f8fa6316acec4fa19c894.jpg 7321a28a4ef5229362bb31c43f871344 http://128.111.216.75/files/original/9877b124e6b637b516b6f3dcd807d5fc.jpg 979e46d45aea397e2ee662e905537411 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: La Jolla Women's Club (La Jolla, Calif.) Description An account of the resource Gill’s notes about the concrete work for the Club and the sequential construction photographs provide unusual detail for one of Gill’s significant civic designs. Robert H. Aiken is usually credited as the tilt-up pioneer in the U.S; he constructed several building in the Midwest between 1905 and 1910. When Aiken went bankrupt, Gill purchased the jacks and tilt-slab table in 1912 and used them to construct the Sarah Clark house (1913), Mary Banning house (1913-14), the Woman’s Club, and the La Jolla Playground Community House. Gill put great faith in concrete and this system and founded the Concrete Building and Investment Company. Although he kept the equipment at least until 1923, his venture lost heavily. It was in the end an expensive way to build. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1912-1914 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_130 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. http://128.111.216.75/files/original/9894db796f3ddb17db0bab8ca3e0f900.jpg 4c11cd5d01f4cddc1205dcd6e2fe5a20 http://128.111.216.75/files/original/2d6868c812d3c09744f3fd01bcc2c653.jpg ce9a9d1484f0669839abcb6d98b3e3d5 http://128.111.216.75/files/original/0c082ab3167b716bbc2ce67d4f8857b8.jpg 60a2357d1aa90ee17f99456f7ebb578f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on linen photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Holly Sefton Memorial Hospital (San Diego, Calif.) Description An account of the resource Gill’s intention was to make his buildings as efficient as possible, and that is certainly true for this hospital, funded by Joseph Sefton and built on the grounds of the Children’s Home. The hospital was built of concrete to make it easy to keep clean and free of infestation. The operating area was well lit by natural light through the use of large skylights in the roof and a wall of windows. The accompanying photographic image from the period remind us how modern Gill’s buildings looked in comparison to what existed, and how much land close to cities was still undeveloped. At far left is the Sefton Hospital, with the Gill-designed Children's Home Association boys dormitory in the middle, and a typical building for the time, on the right. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1909 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_85 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/4ca37da1c02073c2e489146d27372804.jpg d023e6da514080f3d4329362cfc4d427 http://128.111.216.75/files/original/2d4841c50ccc1b5918b45433145e16b9.jpg 2efd3c72f52a76ece82044d935ce10a9 http://128.111.216.75/files/original/f6263f1d80fd102966c8eadde1f79037.jpg 4c5b741e10b5d3f3cd204e8f905f8df3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Scripps Biological Station (La Jolla, Calif.) Description An account of the resource Gill’s austere clarity was especially suited to pragmatic building programs, such as the concrete Biological Station. Ellen Scripps funded the building, now part of the University of California, in honor of her brother George. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1908 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_8 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. http://128.111.216.75/files/original/179c5e7177299e3b1b977ad1654457d6.jpg 678afef0ae3f008f748ab47fd2a3f33c http://128.111.216.75/files/original/054b0dc91cf33d8527e838e0a0622834.jpg 21e15e3cf82a66f7bebd80a629f9ecf8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Bishop's Day School (San Diego, Calif.) Description An account of the resource Bishop Johnson lived in Pasadena and the Episcopal Church originally planned to build a preparatory school in Sierra Madre. When Ellen Scripps and her sister Elizabeth Virginia Scripps offered to be benefactors, the decision was made to build a day school in San Diego and a boarding school in La Jolla. Ellen recommended Irving Gill for both projects, pleased with his work on the Scripps Biological Station, 1908. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Date A point or period of time associated with an event in the lifecycle of the resource 1909 Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_259 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.) http://128.111.216.75/files/original/c2cd5c6e325a0dd96d706a7b915716fd.jpg 59cb637b104bd7bed727d117af0adf48 http://128.111.216.75/files/original/f1cff46ad3cc2b8d90e258dfaacbb185.jpg 8586063d1028be447a19105c2749863f http://128.111.216.75/files/original/3183de87ebb30271dab99e90bbd1c3a9.jpg 7c589aa4a79cc34dddfb6575279de71f http://128.111.216.75/files/original/5d3eda0412da5962850be6b41c1fa674.jpg 799a6d80ca33c32b9ab3db059dcd5139 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Bishop's School for Girls (La Jolla, Calif.) Description An account of the resource In the Woman’s Club, the La Jolla Playground Community House, and here in the Bishop’s School, Gill used an arcaded screen wall as a unifying element, and to articulate his austere geometry with rhythmic voids. Scripps Hall was built in 1910, Bentham Hall in 1912, and Gilman Hall in 1916-17. Louis Gill continued to add to the school’s building program, and Carleton Winslow, who was brought to California by Goodhue to work on the 1915 San Diego exposition, replaced Gill’s tower, put a dome on Bentham Hall, and added St. Mary’s Chapel and the Wheeler Bailey Library in the 1920s. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1910-1917 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_9 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. http://128.111.216.75/files/original/430702180adb4c553f1b97d36cfee4d5.jpg 3fc0b0032cc446c7d09d11107a4dd4ab http://128.111.216.75/files/original/47d0e2a37f16990dba1b6daa9d9818ec.jpg 9aa267ff3034f0fa1059817a50e2b1b5 http://128.111.216.75/files/original/5c5436e613c8a665319030011b62aecb.jpg fecf739dd0255b5b088242ef60d437bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver ink on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Darst flats (San Diego, Calif.) Description An account of the resource Gill designed two identical buildings bisected by a walkway from the street to the rear of the property. The floor plan for both buildings shows the mirror image of the first and second floors. Each building contained two two-bedroom apartments, with large living room (with fireplace), dining room, bathroom, kitchen with screened porch, and balconies on the first floor (with a lightwell above on the second floor). Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1908-1909 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_23 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/97ae1a0b880960ccf9b3d5e4253f4b83.jpg 7dd1188581eee6cf4949af366b03796d http://128.111.216.75/files/original/6cb54c5a330de87188d9e94e010dd038.jpg 51d1a4b019726ca47d23889313453bf8 http://128.111.216.75/files/original/39b67db661131e29cada67d70544a240.jpg 5daa60f99a1cb2f8f44a32e5c51e463c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver ink and linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Lewis- Bella Vista Terrace court (Sierra Madre, Calif.) Description An account of the resource Gill’s site planning was especially successful in this project. He pushed the cottages to the outside edge of the plot to leave a large public area for shared gardens and a loggia. He also placed each L-shaped cottage so that its arcaded porch and small garden had privacy from its neighbors. Though the cottages appear to be made of concrete, the walls are plastered hollow clay blocks. Fred B. Lewis was a jeweler from Cleveland. On a 1910 trip to California, he spent a vacation at the Cypress Court in Sierra Madre (owned by Frank Fraiburg, also a jeweler from Cleveland), located just north of where Lewis would decide to build his own house court for tourists such as himself. Gill planned 12 cottages for Lewis but only eight were built. In 1913 the Sierra Madre News announced that Lewis had purchased three acres, adjacent to Bella Vista Terrace, for a hotel being designed by Gill. The hotel was not built; Lewis sold Bella Vista Terrace in 1914 and moved to Long Beach, Calif. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1910 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_48 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Sierra Madre, Calif. http://128.111.216.75/files/original/e22d96a54fd389a53c1f5af6acbc3316.jpg 10f58e452da6e081ad8bfe64010d9b4b http://128.111.216.75/files/original/62397d46ebeaa2fd84ce2009adbbee0c.jpg 40dafa1442ad90248f69ffd01982a998 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor and gouache on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Laughlin Park Casa Grandes development (Los Angeles, Calif.) Description An account of the resource The Los Angeles Herald published several articles announcing the luxury housing development at Laughlin Park. A 1912 article announced that Gill was in charge of all planning for this Hollywood Hills development on a site of three acres. Another article, attributed to Gill, describes the planned development. By 1913, Laughlin had sold the land and Gill was no longer involved. Laughlin Park remains an exclusive neighborhood but none of the homes were designed by Gill. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Lloyd Wright, landscape architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1912-1913 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_17 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/373b8f64d7ba7f27ed32620519c02541.jpg 8bb07866522b68bd07344a640cf6bf87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data watercolor and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Rancho Barona Resettlement project (near Lakeside, Calif.) Description An account of the resource The architect and planner Frederick Gutheim worked for the Bureau of Indian Affairs in the 1930s. His letters to architectural critic Esther McCoy and to Louis Gill describe his friendship with Irving Gill and the Barona Resettlement project they worked on together. Letters in the Gill archive from agents in Washington D. C. refer to the clay block construction and the task of finding a proficient contractor for the Magnesite, which Gill specified for the interiors. Gutheim reported that Gill worked alongside the new residents to build the church and 12 cottages of handmade clay bricks. He was convinced that Gill’s work was important for being “a truly native style of modern building in California.” Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_59 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant near Lakeside, Calif. http://128.111.216.75/files/original/11c6c4bdc684889f5b70161d5eeb9813.jpg c6e478245b7aab1d0dcd41de9e79cd30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink and watercolor on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: South Bay Union School (San Diego, Calif.) Description An account of the resource Gill designed a number of schools. A 1913 article about his concrete public school for the City of Fontana praised the large outdoor playground and quoted Gill as saying that the basement playroom is “the most glaring evil in school room construction today.” Creator An entity primarily responsible for making the resource Irving J. Gill, architect John S. Siebert, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_86 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/3539408120f44a8c85af501179994848.jpg 4c8cf827681a2dfd6acaebc56e2aed1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Daily Blade-Tribune building (Oceanside, Calif.) Description An account of the resource In the last year of his life, with the Depression still strong, Gill designed at least four buildings, of which only the Blade-Tribune newspaper building and a beauty parlor in Redondo Beach were built. In 1936 he was working on a theater with Zara Witkin, a civil engineer for the City of Los Angeles who had worked on the Hollywood Bowl with Lloyd Wright, 1927-1928. In a 1936 letter to Gill, Witkin notes that he visited the Dodge house on Gill’s recommendation and was eager to discuss the “possibilities of mutual work.” Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_208 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Oceanside, Calif. http://128.111.216.75/files/original/e35d7955c7a4001c24d85b1628a33098.jpg 2e4e8952fb132821c1bb29d752942c74 http://128.111.216.75/files/original/0121c21d5d6d273238ebea6e072efc9b.jpg 8aed2199b5c98c59b2a89ac089aaff64 http://128.111.216.75/files/original/d744e193f691f18b6938e9ccb31a8db0.jpg 77b4390bc4a6f31351feb52394b3958f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on linen Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Gill cottages (San Diego, Calif.) Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1906 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_32 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. Description An account of the resource Gill designed approximately eight cottages for parcels of land he purchased in San Diego. There is little documentation for these, but all or most of the houses seem to have been built on Albatross, Front, Robinson Mews, and Hawthorne streets.Gill proudly wrote to his father that he built his small houses, “so as to work out some new ideas I had for a cheap, semi-fireproof cottage for working men’s families. They have been a great success and I am building several others of similar construction.” Gill and his nephew Louis lived at 3719 Albatross in 1912. Lloyd Wright and his brother John lived in another of the cottages, down the lane. Gill reused the plan of his Cleveland Heights house in his preliminary design for the Bella Vista Terrace cottages, several years later. http://128.111.216.75/files/original/605d6220e832be647a1f7f0145776209.jpg edfeb2f4c3888fc2d263d2ddafde5ac0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill (1870-1936): Simplicity and Reform Subject The topic of the resource architecture, southern California architecture, Irving J. Gill Description An account of the resource Born near Syracuse, New York, Irving Gill (1870-1936) was descended from Quakers and grew up in a family with ties to the building trades; his father was a carpenter and a farmer. Gill trained in architecture through an apprenticeship with architect Ellis K. Hall in Syracuse and, based on Hall’s recommendation, moved to Chicago in 1890 to work for architect Joseph L. Silsbee. By 1891, however, Gill was in the office of Dankmar Adler and Louis Sullivan. Frank Lloyd Wright (who had earlier worked for Silsbee) was working for Sullivan at this time and later claimed that Gill worked under his guidance. The Adler and Sullivan office was engaged with the Transportation Building for the World’s Columbian Exposition of 1893. This early modern design was one of the few buildings not in the classical style for which the fair became known and highly influential, and it is likely that Gill may have worked on this project during his brief tenure in the office. Reportedly because of ill health, Gill moved to San Diego in 1893. There he entered a short-lived partnership with Joseph Falkenham, then established in 1896 an office with William Sterling Hebbard, which lasted until 1906. In the following years Gill worked alone, though he collaborated with architect Frank Mead on a few projects between 1906-1907. Gill's nephew, Louis Gill joined the office in 1911 and became a partner around 1914. Gill increasingly spent time in the Los Angles area, doing work in Torrance and Los Angeles through the 1920s, with Louis Gill managing the San Diego office, until their partnership ended. In the late 1920s, Gill designed several projects, many unrealized, in collaboration with San Diego architect John Siebert. Gill published several essays during his lifetime, in which he argued for a simple and authentic architecture, famously writing, “[a]ny deviation from simplicity results in a loss of dignity.” Many of his projects show his social concerns for the poor and working men and women, as in his houses for working men and single women, and his designs for the Rancho Barona Indian resettlement village in Lakeside, California. Creator An entity primarily responsible for making the resource Irving Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1893- circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif.; Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irving J. Gill: Horatio West court (Santa Monica, Calif.) Description An account of the resource Gill helped Schindler and Claude Chase form and raise the tilt-slab walls for the Schindler house on Kings Road, 1921. Invoices in the Schindler archive show that Schindler rented some of Gill’s equipment for the concrete work. Chase assisted Gill on the construction of Horatio West, which has concrete floors and roof, and walls thinly constructed of plaster covered lathe. The building permit for this project was announced in 1922. The Horatio West and Lewis Courts are among the best examples of Gill’s intentions and compositional strategies. Richard Neutra was sufficiently intrigued when he first saw Gill’s buildings in 1925 that he included Horatio West, and several other Gill buildings,in his 1930 book, Amerika. Creator An entity primarily responsible for making the resource Irving J. Gill, architect Source A related resource from which the described resource is derived Irving John Gill papers, Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum, University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1922 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_105 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_105_217 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. http://128.111.216.75/files/original/99b58ed3baab64ea20f8e934a95c0ad9.jpg 72f23c5cec2c5a1413927e1506bfc0cb http://128.111.216.75/files/original/95f8756abc8c7b78e903c56a412d05bc.jpg 766fbade0019d6213e1f01df03406711 http://128.111.216.75/files/original/4020476b274fdbf043da2a31e3dd9b9b.jpg 7759851c0ac06011d870794ff6a5fad5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell (1906-1984): Mid-century modern Description An account of the resource Thornton Abell graduated from the University of Southern California with a degree in architecture, and worked for the well-known firm Marsh, Smith & Powell throughout the 1930s. During the 1940s and 1950s, Abell taught at the Chouinard Art Institute and at the University of Southern California’s School of Architecture. In 1948 Abell was asked by John Entenza to design Case Study House #7 for the magazine Arts and Architecture. He was not as well known as some of his peers, however his residential work in the mid-century modern style is a superb blend of indoor-outdoor living, glass walls, and natural accents. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell: Abell house (Santa Monica, Calif.) Description An account of the resource Thornton Abell designed this house on a very steep lot in the hills of Santa Monica for himself and his family. The three story home featured a rooftop deck, main level terrace, lower level drafting room, and a garden with a pool and guest house. Creator An entity primarily responsible for making the resource Thornton Abell, architect; Victor Haveman, photographer Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1936-1937 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_102_b12f420 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. http://128.111.216.75/files/original/8af7e6f23897b2e9190de3dec49b7a73.jpg 01aef0f7965fb0e9b0d3c9ba64a1c0f3 http://128.111.216.75/files/original/036291974ab043370afdf0dad7248061.jpg 40823b2f3c25c2b23e12f57f5309e7d2 http://128.111.216.75/files/original/8b979f5d9f23becae4baae544d21efc5.jpg c6949e2bea4bc42a6adc63b51e35776d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell (1906-1984): Mid-century modern Description An account of the resource Thornton Abell graduated from the University of Southern California with a degree in architecture, and worked for the well-known firm Marsh, Smith & Powell throughout the 1930s. During the 1940s and 1950s, Abell taught at the Chouinard Art Institute and at the University of Southern California’s School of Architecture. In 1948 Abell was asked by John Entenza to design Case Study House #7 for the magazine Arts and Architecture. He was not as well known as some of his peers, however his residential work in the mid-century modern style is a superb blend of indoor-outdoor living, glass walls, and natural accents. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell: Siskin house (Los Angeles, Calif.) Description An account of the resource This house was built in the Brentwood area of Los Angeles for a young family with many children, live-in maids, and a need to entertain large groups. The International Style house that Abell designed also worked well for the Siskin's need for indoor/outdoor living, a pool, multiple storage and workshop areas, and separate wings of the house for children and parents. Creator An entity primarily responsible for making the resource Thornton Abell, architect; Richard Fish, photographer Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1965-1968 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_102_b13f484 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/0b2c728549c2194febcd743f86a9ac9a.jpg 47d6c0a7fb423034eb7dc5a2e99939ff http://128.111.216.75/files/original/f904fd5ef37536878f2e68facd4902b2.jpg 5077d628ee60fa6ca4f9ce6cd91b5022 http://128.111.216.75/files/original/e224e424c8de542daa8275e1ae7252aa.jpg fb8f69a1324483233034d19d93f504cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell (1906-1984): Mid-century modern Description An account of the resource Thornton Abell graduated from the University of Southern California with a degree in architecture, and worked for the well-known firm Marsh, Smith & Powell throughout the 1930s. During the 1940s and 1950s, Abell taught at the Chouinard Art Institute and at the University of Southern California’s School of Architecture. In 1948 Abell was asked by John Entenza to design Case Study House #7 for the magazine Arts and Architecture. He was not as well known as some of his peers, however his residential work in the mid-century modern style is a superb blend of indoor-outdoor living, glass walls, and natural accents. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell: Bakos house (Los Angeles, Calif.) Description An account of the resource This one-story house in the Hollywood Hills area of Los Angeles is sited on a flat lot, with a private pool and outdoor living area. Built with a distinctive roof line, the house allows for indoor/outdoor living through glass walls and atriums. Creator An entity primarily responsible for making the resource Thornton Abell, architect; Julius Shulman, photographer Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1958-1959 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1d1fbf153e12963dd0a71c8a4976957a.jpg 2436676ffffa21164d7a0679dc7dcb17 http://128.111.216.75/files/original/0865a5fbed1f5f420fc1667ef94840ca.jpg 330c053deef9ec7e868e83801e3949cc http://128.111.216.75/files/original/37a6174cb0eb6ea87ec6ce297a416c21.jpg 1c4f6b13117554e7a0565e8ac7033b96 http://128.111.216.75/files/original/4b57e8bfb10482431c8d511f0af0a488.jpg 20f0ad952a3725d3fbb247b5e65f6607 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell (1906-1984): Mid-century modern Description An account of the resource Thornton Abell graduated from the University of Southern California with a degree in architecture, and worked for the well-known firm Marsh, Smith & Powell throughout the 1930s. During the 1940s and 1950s, Abell taught at the Chouinard Art Institute and at the University of Southern California’s School of Architecture. In 1948 Abell was asked by John Entenza to design Case Study House #7 for the magazine Arts and Architecture. He was not as well known as some of his peers, however his residential work in the mid-century modern style is a superb blend of indoor-outdoor living, glass walls, and natural accents. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell: LeBrun house (Malibu, Calif.) Description An account of the resource The house was designed for Rico LeBrun, an artist and teacher. LeBrun requested a large art studio with an outside work area, inside work area, drawing room, metal shop, sculpture room, and large studio with darkroom and plentiful storage. The house also originally contained three bedrooms, an office, atrium, and expansive living/dining/kitchen area that opened onto a patio. Creator An entity primarily responsible for making the resource Thornton Abell, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1962-1964 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102_b12f451 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Malibu, Calif. http://128.111.216.75/files/original/467836f6bcbf0862abb8fd01e6d7de1b.jpg 3b54d9c47c0bf5e838eced5d479afcc2 http://128.111.216.75/files/original/143c4ebd8c4448314624c4efc3aa481b.jpg 5ea9a2e07244e610ff3b5098ee629c4f http://128.111.216.75/files/original/b6fd1b339cfa117cecdb915bce3b6f86.jpg 630856b85e16bafa43e3e230ea96f620 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell (1906-1984): Mid-century modern Description An account of the resource Thornton Abell graduated from the University of Southern California with a degree in architecture, and worked for the well-known firm Marsh, Smith & Powell throughout the 1930s. During the 1940s and 1950s, Abell taught at the Chouinard Art Institute and at the University of Southern California’s School of Architecture. In 1948 Abell was asked by John Entenza to design Case Study House #7 for the magazine Arts and Architecture. He was not as well known as some of his peers, however his residential work in the mid-century modern style is a superb blend of indoor-outdoor living, glass walls, and natural accents. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell: Rich house (Los Angeles, Calif.) Description An account of the resource The steel magnate Gustav Rich commissioned this house from Abell in 1966. The steel frame with stucco also contained long walls of glass and interior walls of walnut. The house was designated a Los Angeles Historic-Cultural Monument in 2006, after an extensive restoration. Creator An entity primarily responsible for making the resource Thornton Abell, architect Richard Fish, photographer Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1966-1970 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102_b13f477 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/eb8dd44cd461a6f22ecde686259e9e50.jpg 0ca0b918b9bbdd556a2c06c08718d29f http://128.111.216.75/files/original/7272bcb12cb29a43a547dd899a4b0ce1.jpg a582647fc2239d4418695bf7d037c096 http://128.111.216.75/files/original/79aa7f8e7389f34c2281528de1783e7e.jpg 35712652b89b02ff35f2b019a4ca87d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell (1906-1984): Mid-century modern Description An account of the resource Thornton Abell graduated from the University of Southern California with a degree in architecture, and worked for the well-known firm Marsh, Smith & Powell throughout the 1930s. During the 1940s and 1950s, Abell taught at the Chouinard Art Institute and at the University of Southern California’s School of Architecture. In 1948 Abell was asked by John Entenza to design Case Study House #7 for the magazine Arts and Architecture. He was not as well known as some of his peers, however his residential work in the mid-century modern style is a superb blend of indoor-outdoor living, glass walls, and natural accents. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell: Adelman house (Beverly Hills, Calif.) Description An account of the resource This house for L.B. Adelman is sited on a portion of the former Charlie Chaplin estate in Beverly Hills (the tennis court on the property is the original Chaplin Estate court). The post and beam design was designed by Abell and O'Neil Ford, a Texas-based architect. In 2019, the house was considered for the Beverly Hills Register of Historic Properties, since it has retained a significant number of its original features. Creator An entity primarily responsible for making the resource Thornton Abell, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1955-1958 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102_b12f426 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. http://128.111.216.75/files/original/4a2768be8f08492c425d5619eda7ffd1.jpg f4841f4332026310292788448e0940cd http://128.111.216.75/files/original/7b9f17a9db85c3c598bcb03212d47ccf.jpg 1f9b0ca9599cf9e30301198c161c5dcd http://128.111.216.75/files/original/7d8a7f11828312c623e3c16fde9decc5.jpg 9b934db33394679ce65ee39d774550d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell (1906-1984): Mid-century modern Description An account of the resource Thornton Abell graduated from the University of Southern California with a degree in architecture, and worked for the well-known firm Marsh, Smith & Powell throughout the 1930s. During the 1940s and 1950s, Abell taught at the Chouinard Art Institute and at the University of Southern California’s School of Architecture. In 1948 Abell was asked by John Entenza to design Case Study House #7 for the magazine Arts and Architecture. He was not as well known as some of his peers, however his residential work in the mid-century modern style is a superb blend of indoor-outdoor living, glass walls, and natural accents. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell: Bank of America (Los Angeles, Calif.) Description An account of the resource In addition to private homes, Abell also designed schools, stores, and other commercial buildings such as this bank on Larchmont in Los Angeles. The clean and simple facade, overhanging roof, and ample off-street parking have survived the 40+ years since its construction. The changing of a few exterior colors and the growth of trees surrounding the building are the main changes to the exterior. Creator An entity primarily responsible for making the resource Thornton Abell, architect Allan Dean Walker, photographer Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1971-1973 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102_b12f428 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/6d762bb665db847c725e163c0e2dfb28.jpg 65d64ad8007ab3c9fb8b2206883acc72 http://128.111.216.75/files/original/0eee0f6904e1aa5cb34ef8e6b0bc4797.jpg 46f92c746c917ad30b117a367e992397 http://128.111.216.75/files/original/665b876ba2cfe81ea7c5b113bd02699d.jpg 732fbc758347494fc3c5201a3caddba1 http://128.111.216.75/files/original/42554ffad1b4d25aade8adfe8671c7f5.jpg 9e9ccf15fa8316cb7b3df791b5171bd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell (1906-1984): Mid-century modern Description An account of the resource Thornton Abell graduated from the University of Southern California with a degree in architecture, and worked for the well-known firm Marsh, Smith & Powell throughout the 1930s. During the 1940s and 1950s, Abell taught at the Chouinard Art Institute and at the University of Southern California’s School of Architecture. In 1948 Abell was asked by John Entenza to design Case Study House #7 for the magazine Arts and Architecture. He was not as well known as some of his peers, however his residential work in the mid-century modern style is a superb blend of indoor-outdoor living, glass walls, and natural accents. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell: CSU Art Building (Fullerton, Calif.) Description An account of the resource The Art Building complex at California State University, Fullerton is actually a grouping of four buildings connected by courtyards, loggias, and water features. The classrooms in the Art building were designed to be wide and long, to permit many artists to work in the same room. Large windows along the exterior walls provided additional natural light. Creator An entity primarily responsible for making the resource Thornton Abell, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1970 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102_b12f434 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Fullerton, Calif. http://128.111.216.75/files/original/829f919aa2056c75a141cf713a563d57.jpg e336ad03fe2273d9ec1daf1eec72bdfd http://128.111.216.75/files/original/49f233042477b984208d8e781a79f602.jpg 8b0831a39f949324ee18bb0f15ecf1cd http://128.111.216.75/files/original/86ccc5cafa8c59637890ad6580e56168.jpg c4586750bb2d0490d444b10fb1876579 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Hilton Inn (El Paso, Tex.) Description An account of the resource In one of his earliest projects for the Hilton Hotel chain, this airport hotel in El Paso utilized many of the hallmarks of Killingsworth's style. The six interconnected low-slung, two story buildings had walls of glass in the lobby, with a wide overhang to shelter the front of the hotel from the Texas sun, and all buildings were grouped around a central courtyard with pool. The 150 guest rooms were part of a complex which included gift shops, meeting rooms, and a drive-up check-in window. Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Photographic Associates, photographers Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1959 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant El Paso, Tex. http://128.111.216.75/files/original/87bd93ec24687bebaa262161f2c0830d.jpg 1886ed34f65dca9fe79c4a88afa0c829 http://128.111.216.75/files/original/a13d1b77155fc7b4c5a90993bc0a5b8f.jpg 20503f375239398f96fb8b518323d69d http://128.111.216.75/files/original/81fae1ed8bae5adefe7f2855c2b083e7.jpg f102ff62b624c158ba2de77ceea4004b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Hilton Kahala (Honolulu, HI) Description An account of the resource The Kahala Hilton was one of Killingsworth's first luxury hotels. With 300 rooms and suites, all air conditioned, surrounded on three sides by golf courses and direct beach access, the hotel featured state of the art luxury amenities. The ten story building, with two rectangular wings, was set on its own private man-made lagoon, and catered to an upscale clientele. The location was key to the sense of exclusivity-- the hotel was located away from the main tourist areas and contained no convention facilities, which gave the property a more intimate appeal. Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1960-1963 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_b45 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Honolulu, HI http://128.111.216.75/files/original/1e770bfcefdbf7e5c30b289444a5408d.jpg c7798f9d9dcafb90ade7f3e4515508ed http://128.111.216.75/files/original/ca499fe75a0831969989f8c2f514152f.jpg b53d92b3ed174f54e4f0ed3676b2da39 http://128.111.216.75/files/original/13d0f4c79e5b020b92a9bc659ddae0e1.jpg e2bc29b46782d2d7dead09e97732132b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Hilton Jakarta (Jakarta, Indonesia) Creator An entity primarily responsible for making the resource Edward Killlingsworth, architect Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1974 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_b45 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Jakarta, Indonesia Description An account of the resource The Jakarta Hilton was built using indigenous craftspeople to add traditional cultural elements to the design of the hotel. The 14 story hotel included 406 rooms, with long-term rental cottages also available on the 32 acre hotel property. The hotel resort also included multiple swimming pools, shopping center, ballroom and meeting areas, restaurants, and many different options for outdoor recreation. A re-created Balinese village along the shores of a man-made lagoon on the property featured different architectural designs from various facets of Indonesian culture. The hotel was such a success that Killingsworth was asked to design an additional 200 room hotel on the property in 1984, and another sixteen-story, 200 room addition in 1991. With these additions, the Hilton Hotel Jakarta became Killlingsworths' largest hotel complex of his career. http://128.111.216.75/files/original/9aca89bc7e63ffaa074952407ab5bc26.jpg 2111791dcaee9180408719a4e0c21153 http://128.111.216.75/files/original/0169599e7766c834c9959fa95de607c4.jpg c04cec8813817ca9af924125665bf485 http://128.111.216.75/files/original/63869d42cfad035edca6eaa025811ef7.jpg 5413af39b80443891b1b8f1c245461b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Boca Beach Club (Boca Raton, Fla.) Description An account of the resource The Boca Beach Club was a luxury resort in Boca Raton, Florida, perched on a piece of land surrounded by the Atlantic Ocean and the Intercoastal waterway. The hotel featured 212 rooms, 147 oceanfront cabanas, 5 lounges, and two restaurants on site. Creator An entity primarily responsible for making the resource Edward Killilngsworth, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1981 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_b41 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boca Raton, Fla. http://128.111.216.75/files/original/023360dc6559fecf0476fd8955ad3274.jpg f59f69c5c9e8687ceb7bfb4ca667ea17 http://128.111.216.75/files/original/26c1697945d7cfdbb09543772218a042.jpg 8fb133a0c3907650f2d260b3cbe2cf62 http://128.111.216.75/files/original/b16eb530ea0d976d7a21a069a92c15c7.jpg 61f99a1cff2925ea68bb20b6b8e082a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic priint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Phoenician Hotel (Phoenix, Ariz.) Description An account of the resource The Phoenician Resort, at the base of Camelback Mountain just outside of Phoenix, was designed as a very high end luxury hotel and spa. It initially had 604 rooms, 132 casitas, 9 Steinway grand pianos, and exterior tropical landscaping designed by plant specialists from the island of Tonga. By the early 1980s, the architecture practice had evolved into the firm Killingsworth, Stricker, Lindgren, Wilson and Associates. As a main component of their work, the firm designed large-scale, high-end luxury resorts throughout the world. Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1985 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_b51 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Phoenix, Ariz. http://128.111.216.75/files/original/ea1d759bf1073db143464185da392631.jpg 10db19ceaf0a6873adb82e948450a497 http://128.111.216.75/files/original/1a4c2e67030552e2d1cbeef59b3e56f5.jpg 80be544cc44db82c6c397fa6a0183ebe http://128.111.216.75/files/original/f3bc435e08b76211f4044394bcdfea78.jpg 4d4a6894870e28da210778ddfb5c8271 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Princess Reforma Hotel (Mexico City, Mexico) Description An account of the resource The Princess Reforma hotel was an unbuilt design that reached the stage of having a scale model built and photographed by renown architectural photographer Julius Shulman. The hotel was to feature a tall, thin tower to house the majority of the hotel rooms, with lower buildings including parking and conference services. The street-level interface included a large drop-off area and entrance/exit to the lower levels of the parking garage. Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1971 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_b51 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City, Mexico; Long Beach, Calif. http://128.111.216.75/files/original/cea2354504cae50190473843df725f01.jpg f3d66b18b3512750ecb9061c859ce0f6 http://128.111.216.75/files/original/c53dcb31c45d47adf27c0e17cf33b878.jpg 5f450425bad82c55e4e8e202d2dc8e21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Computer-generated ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Marriott Airport Hotel (Long Beach, Calif.) Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1985 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_ff20 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Description An account of the resource The firm Killingsworth, Stricker, Lindgren, Wilson & Associates designed and built many high-end luxury hotels throughout the world during the 1980s. This Marriott was built close to their home office in Long Beach. It was also conveniently located next to the Long Beach Airport, with abundant parking, conference facilities, an outdoor pool and other water features, along with restaurants and other luxury amenities. http://128.111.216.75/files/original/5c6dbaa0ccc3d5845510ff4719df9129.jpg 5438154c4314267c727846860ab7bd1d http://128.111.216.75/files/original/3b1d4742b94243a0c7d4436f95af267b.jpg 26535c1a9ef123fef0d047c0cf13650f http://128.111.216.75/files/original/e757c5de4a5adba9fa5dd44e84bc20f9.jpg ac3aa7df7b805af876c7c73c2371aa54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Halekulani Hotel (Honolulu, HI) Description An account of the resource The Halekulani Hotel's name means "House Befitting Heaven" in the native Hawaiian language of the people of the Waikiki beach area. The location for the hotel had been the site of various guest accommodations and hotels since the early 1900s. The 453 room hotel built by Killingsworth featured a beach side location, multiple restaurants, pools, suites, and other amenities. Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1982-1984 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_b57f918 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Honolulu, HI http://128.111.216.75/files/original/671fcda6df761e6657720da3b3ee2d43.jpg a3cec670a95285458026a4a59febf2be http://128.111.216.75/files/original/a2f8bf5a836f5df6c8f04a6ec919312a.jpg 5bf62032816d63c561739658a05ef6f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killlingsworth: Mauna Lani Bay Hotel (Big Island, Hawaii) Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1980-1981 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Honolulu, HI Description An account of the resource The Mauna Lani Bay Hotel on the Big Island of Hawaii was designed to be one of the top luxury resort hotels in the world. The 345 room hotel also contained separate bungalows designed by the firm, which were each 4000 square feet in size and were adjacent to the main hotel, but contained separate private pools, a spa, and ocean views. The main hotel complex featured a tropical atrium with extensive indoor and outdoor water features, multiple restaurants, and luxury amenities. http://128.111.216.75/files/original/0c8d760adb1269aba9546947f9076438.jpg 5642b03147992eb329a0510c14e0b454 http://128.111.216.75/files/original/eaec04d2f8bafe20d495a0a026744185.jpg 2587dc2b2e2a63de513adcb9fdb62a09 http://128.111.216.75/files/original/08737d810586ed95e2db26d586fc57aa.jpg 209f9c221a013a26ba02cd660294478e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Del Ray Hotel (San Diego, Calif.) Description An account of the resource The Del Ray Hotel / Apartments / Shopping center complex in San Diego, was one of Killingsworth's first multi-family dwelling projects. It was designed to provide for all of the necessities in one location. With a large outdoor pool area, landscaped lawn, and covered parking, the complex was a self-contained community, set well back from the surrounding streets. This un-built development was a precursor to the mixed-use retail/residential buildings of today. Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1954 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_delrey Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/2b3e0d619d659f9391691f9f8ec252c8.jpg d9ada792e4481e4ccae19fb064ef32bf http://128.111.216.75/files/original/8257441a20c670c5a58d31ed9dc7edd5.jpg a1a344f8cd34648c47ac7549f664a705 http://128.111.216.75/files/original/075a84a6c74d3804113bcc8a8fd70489.jpg 2b19dd90f048dfc1c636a71bfb80e422 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Maverick house (San Antonio, Tex.) Description An account of the resource This house for Robert VanWyck Maverick was one of only two houses Smith built in Texas. It was considered one of the best examples of a courtyard-centered house at the time of its construction. The plan for the house was U-shaped, with a fourth wall enclosing the courtyard. The bedrooms were along one wing, the kitchen and service areas the other, and the main living area connected the two wings. As with many of Smith's houses, the Maverick files contain many preliminary sketches and elevations, along with renderings by Riggs. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_maverick Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Antonio, Tex. http://128.111.216.75/files/original/f23352dd32a16170d430bef982733386.jpg 20ac274127c22a6893044cfa8e72c33f http://128.111.216.75/files/original/eaecdc226205ffae4bebf671f992cfe8.jpg 126392715faaab7a5efd311269383da4 http://128.111.216.75/files/original/306458302c7a6ae9f877d5c8be3290a0.jpg 5591dea5fb3d7275466ed6e28ead232b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Jackling house (Woodside, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925-1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_jackling Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Woodside, Calif. Description An account of the resource This large Spanish Colonial Revival mansion in the small town of Woodside was built for copper mining magnate Daniel Cowan Jackling and his family. The 17,000 square foot house sat on a 194 acre parcel of land. The property was subdivided and all but 6 acres was sold off in the late 1950s. The house was purchased by Apple co-founder Steve Jobs in 1984; in 2007 he petitioned to have the home razed so he could build a smaller house. After lengthy legal appeals, the house was destroyed in 2011. http://128.111.216.75/files/original/5191a4cb1b5ee773b8e2c37f4f36504e.jpg 9580d65c96faf84b8d0f6c8deda440a1 http://128.111.216.75/files/original/416befd0152be38453885cc7b91da31c.jpg 621ff94ac4668c42db73eabed3cbdafe http://128.111.216.75/files/original/140067e20c089394485016b62c2f85a7.jpg dcb1c6cae1765c214502f9b8b481697d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Isham beach house (Carpenteria, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_ff229 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Carpenteria, Calif. Description An account of the resource The Carpenteria beach house for Albert Keep Isham was a Moorish inspired estate directly on the beach. Smith also constructed a natatorium, which was done in an "Islamic" style and contained a large number of decorative tiles around the swimming pool and a retractable roof. The beach house and natatorium are currently part of a gated community with private beach access in the Carpenteria area. http://128.111.216.75/files/original/e6c8c10cb9c46ab325ddc71968f82328.jpg 70208cc7eca5a65d7d8a0c82ed0e923b http://128.111.216.75/files/original/d764a0bb825fe44c559fb2783b2879ca.jpg 765a3b31d0836d748c622540d261c154 http://128.111.216.75/files/original/51b1635aade36a3ecbf7bd0a601422a8.jpg 42a96cf6c1782ac793275d98568e150e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Gallagher house (Montecito, Calif.) Description An account of the resource The Wesley Gallagher house was a Smith commission just prior to his death in 1930. The Smith files contain these sketches and drawings (most done in Riggs' hand) for preliminary elevations for the house. The Riggs files contain the actual working drawings used for construction of the house. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_176_ff184 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/af38cdea2555776576a3eb4cdf57a1e6.jpg d5ff650b4f9dac8f50237415cb694d9e http://128.111.216.75/files/original/08b53a01226b62aef2d86f5cc0a02458.jpg 536fc584fd8d1e9458fcbe626a171d32 http://128.111.216.75/files/original/2e2a7860d6649c66cddf66f42086684a.jpg d1e7fbd1c6176a7b9b6caa8ce2ec390d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Dietrich house (Montecito, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_ff172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource George Washington Smith was commissioned by Alfred Dietrich, an heir to an oil manufacturing fortune who also owned a railroad line, to design servants quarters and a garage for his property on Park Lane. This smaller house was built prior to the large main house for Dietrich, who secured Addison Mizner to be the architect for the main portion of the estate. These drawings and renderings are for a three bedroom, three bathroom house, with two car garage, and living quarters for chauffeur. http://128.111.216.75/files/original/5b87c587b123a4f3e952a620e0b87885.jpg d59a55a26aae7b983f599ffeee5be36b http://128.111.216.75/files/original/5d396c3c860c2f0a7927f82848020940.jpg 36ff6802cd1c798d2347ced4c4934e2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Portland Performing Arts Center (Portland, Ore.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Timothy Hursley, photographer Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1982 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portland, Ore. Description An account of the resource The Portland Performing Arts Center was designed in association with BOOR/A and ELS Design Group. Myers designed two theaters, the 900-seat Newmark Theatre and the 360-seat Dolores Winningstad Theater, as well as offices, ticketing area, and support spaces. The Spectral Light dome by artist James Carpenter sits above the lobby of the building. Myers also renovated and converted a 1927 theater into a 2750-seat concert hall. All of the theaters were designed to be versatile in their varied uses-- from intimate theater to large concert hall. http://128.111.216.75/files/original/e39e1c07f24989efed7d213ef972a12b.jpg bac2fe1331745efde3f767a650666ef5 http://128.111.216.75/files/original/2bda5370b0b1769b375a0a0a7b42e33c.jpg 053de429992580a8982095dcc740bad6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Seagram Museum (Waterloo, Ont.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Timothy Hursley, photographer Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1979-1983 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Waterloo, Ontario, Canada Description An account of the resource For the Seagram Museum, Myers used the original nineteenth-century barrel warehouse, which had held up to 6000 barrels of whiskey, as part of the exhibition space. He also used wood beams from the warehouse to clad the new structures. At the time of the construction of the Museum, the distillery was still in use by the Seagram company. Unfortunately, the museum closed in 1997 and the building has since been turned into office space. http://128.111.216.75/files/original/4d9cc297491031cc6604755d0eeb3c1d.jpg 95c13adb4799d35a11152c4c0f6d7b7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: A Grand Avenue proposal (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Carlos Diniz, renderer Maguire Partners, developers Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource In 1980, the Los Angeles Community Redevelopment Agency was planning to demolish the Bunker Hill area of the city and organized a competition for a team of architects to design a new urban center. A Grand Avenue proposal was created by developer Robert Maguire and led by Barton Myers Associates and the Urban Innovations Group. Barton Myers and Edgardo Contini designed a mixed-use development with housing, shops, hotels, parks, and offices. Myers designed two residential towers, both containing ample outdoor space for residents. The plan was to integrate the new development into the surrounding area, bridging the older neighborhood to the east with the newer areas of the downtown core. Their plan did not win the competition, but was widely admired by architects and the public. http://128.111.216.75/files/original/47040121f6665939f8da8f4d965e6a35.jpg 4ddc2bdf24c8e89b200e2bd3d7519efb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; computer-generated rendering Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Phoenix Municipal Government Center (Phoenix, Ariz.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Phoenix, Ariz. Description An account of the resource The design competition for the civic center of Phoenix placed the main municipal buildings at the center of the city; the Myers plan incorporates the main arteries into how the architecture works with the surrounding area. The low-rise buildings were joined together by a series of walkways, parks, courts, and an aqueduct. The reddish-brown and pink sandstone wall color connected the building and the city to the desert. http://128.111.216.75/files/original/7f10852198a7a8428a2f0e3b19929db0.jpg f92e18f1e320f4bb666c301b8be42a38 http://128.111.216.75/files/original/528913180e8451e96d6b7a00c38def84.jpg 98e850297c984674757ffc023b15e6b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Computer-generated print-outs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Cerritos Center for the Performing Arts (Cerritos, Calif.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Timothy Street-Porter, photographer Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cerritos, Calif. Description An account of the resource The Cerritos Center for the Performing Arts was the initial phase of building for the Cerritos Town Center development. The arts center was a grouping of buildings designed for theater performances, meetings, receptions, and other gatherings. The main focus is the theater, which was designed by Myers to have five different configurations, which could be changed based on the type of performance. The buildings were carefully massed to work with the surroundings-- a hotel complex, shopping center, and freeways. http://128.111.216.75/files/original/432111f16d2707826bec29e49531d0b2.jpg 4e4905b712a04ec8cd66b03906c4ac42 http://128.111.216.75/files/original/9de8207c797016733793f99b87a7f0ca.jpg 686317a681c53dd8858446809885b368 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper; computer-generated print-outs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Art Gallery of Ontario (Toronto, Ont.) Description An account of the resource Myers renovated and expanded the Art Gallery-- renovating the existing 190,000 square feet of museum and adding another 100,000 square feet. The renovations included the re-working of buildings dating back to 1817, and to connect the various new and old spaces to each other with courtyards, sculpture gardens, and the use of mass and voids. Myers created a sculpture garden in the midst of the expanded buildings, to be utilized as a site for dining, exhibition openings, concerts, and other events. The expanded Art Gallery is one of the largest museums in North America. Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects KMPB, associates Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Ontario, Canada http://128.111.216.75/files/original/7c1667b322e716ad054f0ddf0124d20b.jpg b415a37491e317c555d03eebb5da9c3f http://128.111.216.75/files/original/b7262ead44c34a471882146711c4a946.jpg 892eb58a54092dfa44ff139887350ed1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; computer-generated print-outs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: New Jersey Performing Arts Center (Newark, NJ) Description An account of the resource With the New Jersey Performing Arts Center (NJ PAC), Myers created a multi-building center with theaters, conference rooms, and restaurants to connect existing parts of Newark (a Military Park and the Passaic River) with each other and the new venue. The theaters included the 2700-seat Prudential hall and the 500-seat Victoria Theater. The complex was designed to be an urban revitalization project for downtown Newark. Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1997-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newark, NJ http://128.111.216.75/files/original/7c7a1750eab55f080b6500b339e9e59a.jpg c1a24ca3ecd1b83f1d6327d2da64abd4 http://128.111.216.75/files/original/7d30ca7ff7d78014e97410cbdd864c02.jpg 15427aaebdbe7dd379675aae520a4249 http://128.111.216.75/files/original/b8ea265a12db162a2a10f4047949f538.jpg fb024f6da09ad7518101ca17f18e84a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Computer-generated ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: U.S Pavilion for the World Expo in Seville (Seville, Spain) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Arquitectura Langdon, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Seville, Spain Description An account of the resource For the United States Pavillion at the Universal Exposition of Seville (Expo 92) competition, Myers created a series of buildings connected by courtyards, with theaters, exhibition space, and a water wall, all capped by three 'shade sails' to provide vertical interest and relief from the sun. Myers design was not the winner of the competition, so this design was never built. http://128.111.216.75/files/original/2df3c43bfe819ee12c42bc14932a5a80.jpg 143b4357532f5c5a114f018f2c16ac19 http://128.111.216.75/files/original/f7d07b8d0121abc86df32ccfbbffba28.jpg 75725c5bc08dfa31a4a783ba20f80622 http://128.111.216.75/files/original/a8bf9d3e0f15efdc1b162d966e21ed2d.jpg edfbbf5763778008273577fc8085eb6c http://128.111.216.75/files/original/75bb97e2c8dcfed73c054e727cf30c50.jpg 6126e03052185e7941039713b204b719 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Von Romberg house (Montecito, Calif.) plans Description An account of the resource The drawings of the Von Romberg house were commissioned for Baron Maximilian Edmund Hugo Wilhelm Von Romberg and his wife Emily Hall Von Romberg. The floor plans show how the design for the house changed over time. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1936-1938 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. http://128.111.216.75/files/original/0979abeb611a2053a90a6c512db1c619.jpg 4798ab4631c4f2a2cad5d3fb5724670a http://128.111.216.75/files/original/ac19442f349305e360bd93f401c5aa2b.jpg f6851a65f82854e52e5a530ae3f04646 http://128.111.216.75/files/original/c72a2b1c4da7972af56e831286e2c9a5.jpg b035df5e06e274c5006fd6dd801f4812 http://128.111.216.75/files/original/c9694ade5080089e9faaa0eebf07ac25.jpg ef33c53576f14a89ddbe8217c22dbaa5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Von Romberg house (Montecito, Calif.) elevations Description An account of the resource The renderings of the exterior, details, and sections of the Von Romberg house also show how the exterior changed as Riggs and Emily Von Romberg worked together to create a house that would suit all involved. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1938 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. http://128.111.216.75/files/original/1ac587777e68d2751bfec06c2dec57f3.jpg bea8e6cc6c0df8548305ffb9242b63c4 http://128.111.216.75/files/original/f474aa6c028a44c927a6f15df7842ada.jpg 013a4fa7dc09af7545ffa81ccb256d21 http://128.111.216.75/files/original/bd49a4f244db9cfcd7b2a166ea4cdff6.jpg bc5a98a84571d2e794bafabf0a8f4220 http://128.111.216.75/files/original/05057fd8b58d7a5da6634918aa6bd7e2.jpg 2185b6c02249416e68c4a01e9cb788a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Von Romberg house (Montecito, Calif.) exterior photographs Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect George Hurrell, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1938 - circa 1939 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The three exterior photographs were taken by George Hurrell. http://128.111.216.75/files/original/9ca76b3c12598a1984c59a1913f3584d.jpg b5c0b6b51204f64e50a83a84900c0188 http://128.111.216.75/files/original/759a6f74c513e32af993cb5a0319670b.jpg 28b048d58db156ecaad7e4c89d1b692f http://128.111.216.75/files/original/ae0efbe2675e7126ff8d2e9c4a7fd1cd.jpg 6b678937d88ddf22c762521927e5cedc http://128.111.216.75/files/original/821e8387bdeb6b7f1c65a15cb2d4899a.jpg a2b9c6fd463766db9c3652e5f076f38d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Von Romberg house (Montecito, Calif.) interior photographs Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Paul T. Frankl, interior designer George Hurrell, photographer Stuart O'Brien, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1938 - circa 1939 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource Lutah Maria Riggs worked with interior designer Paul T. Frankl to furnish the Von Romberg house. Photographs were taken by both George Hurrell and Stuart O'Brien. http://128.111.216.75/files/original/306dfa8d6f38cacb091d626f21d550af.jpg e64cfd860990473c4f0cf96acc2df8ab http://128.111.216.75/files/original/0e57076108b4a1b02412381f58654cb9.jpg 757853ac7eb55e1c5bb57f09309e15a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and crayon on paper; photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Riggs and Shaw: Tremaine ranch house (Meteor Crater, Ariz.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin B. Shaw III, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Meteor Crater, Ariz. Description An account of the resource Burton and Emily Tremaine commissioned Riggs and Shaw to design a ranch house on the Tremaine family ranch near Winslow, Arizona. The circular shape was reminiscent of the nearby Meteor Crater Natural landmark. http://128.111.216.75/files/original/8e2e666ff84d2f97ecac76494ad368c7.jpg 5ec73c37d1cef1229adf49ab2c1aa633 http://128.111.216.75/files/original/3d657032d0c143c4da8071c54d146c34.jpg 8f2b1e906bf8f0207df81d93303def91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Riggs and Shaw: Tremaine beach house (Sandyland Cove, Carpenteria, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1946 - circa 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Carpenteria, Calif. Description An account of the resource These are two designs for an un-built beach house in the Sandyland Cove beach community of Carpenteria, Calif. for Burton and Emily Tremaine. The designs by Riggs and Shaw are for two very different stylistic conceptions. http://128.111.216.75/files/original/ba05ac2e6349fd0a608a2bf70d809132.jpg 12db485f78785f51bffc60e4bef9e09d http://128.111.216.75/files/original/84ff9e18a4db8f2c74b33a2bb10ef817.jpg 446ea29f6772fcd63b20cc638d8b69ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Printed ink on paper; Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Riggs and Shaw: Serena Beach Club (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The Serena Beach Club was to be built on property adjacent to the Burton and Emily Tremaine house that was designed by Oscar Niemeyer. Neither project was realized. http://128.111.216.75/files/original/32355cc10fd24615aaf079f6c8b31d4b.jpg 132f00e340f833eb6b23fb0e20767ef4 http://128.111.216.75/files/original/e2bd934845ebae5e76048f6617dfd479.jpg b541dee3c9f417ad93a9873d0e380a3d http://128.111.216.75/files/original/b13dfddcbe43f1bd56c45475765f630e.jpg 46bd3552a7a52ee68e0cdbb5c8d7a010 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; graphite and ink on paper; photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Tremaine ranch house (Donadea, Ireland) Creator An entity primarily responsible for making the resource Cliff May, architect Donal O'Neill Flanagan, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Donadea, county Kildare, Ireland Description An account of the resource This ranch house was designed by California architect Cliff May, with a local architect from Ireland, Donal O'Neill Flanagan. The architects collaborated to design a house for Warren and Katherine Tremaine and their manager of the Loughtown stud farm for horses, John Alexander. Only a portion of the planned house was built, and Alexander lived in the house while managing the horse farm. http://128.111.216.75/files/original/3a164b9047049b93290b8fc9d9bf2fa5.jpg 618c61bf1e0b46a9a30c16f621b4fe5a http://128.111.216.75/files/original/2bb1c2cdd71fdf75da0c666ea3b747eb.jpg 9cf296be9ce673ef357a87a9addfb338 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paul Soderburg: Tremaine house (Montecito, Calif.) Creator An entity primarily responsible for making the resource Paul L. Soderburg, architect Source A related resource from which the described resource is derived Paul Lawrence Soderburg papers. Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1971-1972, 1977 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource Katherine Tremaine commissioned Paul Soderburg to design a house for her after her divorce from Warren Tremaine. The house was built in the hills of Montecito in 1972, and extensively remodeled by Soderburg for Tremaine in 1977. http://128.111.216.75/files/original/1e19f5623db9a81bab141a97a98c9260.jpg eef4893dc0c610648317850251e4db73 http://128.111.216.75/files/original/30dcc60678098601c5ab9810aa4615f2.jpg 281efe529682ea239f6d0458e411ae6d http://128.111.216.75/files/original/31d905aa62278e5f3c4de1374289d812.jpg f8d3f89c2f849bf11fe8d9b778d48300 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Fudger house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Roland E. Coate Sr., architect W.M. Clarke, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. Description An account of the resource This house was built for Eva J.K. Fudger, daughter of a citrus rancher and wife of a Toronto businessman. Fudger had been living across the street when she commissioned Coate to build this house with a view towards the adjacent Wilshire Country Club. Coate designed the house in a Monterey style, with second floor balconies, ample connection to the outdoors, and a rambling, sprawling floor plan which included a large servant's wing and separate owners' wings. Fudger only lived in the house for two years before moving out and renting it to industrialist and aviator Howard Hughes, who lived in the house until 1942. The estate's extensive grounds were designed by Florence Yoch and Lucile Council., which received an AIA award. http://128.111.216.75/files/original/5fbe79cf39765a99db87d351a4140e7b.jpg 80f4723f34dd08d46e132201fe7c2268 http://128.111.216.75/files/original/e4118949c448913423df0c6157acb9c7.jpg 30f2de5c119c40d9f1d01ac5d20b2f2d http://128.111.216.75/files/original/b0bfc875f936b91aff5863b0ac4f46f1.jpg d41a2dd287c47db118bc0416d640ed32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Bryner house (Pasadena, Calif.) Description An account of the resource This house is a departure from Coate's Spanish and Monterey Revival style. Built for industrialist Ira L. Bryner and his wife Margaret, the house was sited on an irregular hillside lot and bore the hallmarks of a Georgian Revival, with some Colonial influences. The steep and angled site allowed for views of the Arroyo Seco and the mountains; Coate sited the house to take best advantage of the view. The extensive gardens were designed by Florence Yoch and Lucile Council. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect Haight, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena, Calif. http://128.111.216.75/files/original/6c91e4c21522294361793edc5e7019ff.jpg f4c8b06129d7d6ecd98dcb6452bd512a http://128.111.216.75/files/original/824694c684aa50f9c94b03497d1d100c.jpg 0cd7350f2dd70d6db4504420cbc6558b http://128.111.216.75/files/original/2fc267a42ed9c0854e728c10ffd2bc1b.jpg c144cbf444d1af2818ac539278303cc1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Bixby house (Pasadena, Calif.) Description An account of the resource This house, an interpretation of a Monterey style house, was one of Coate's earliest commissions as a solo architect, after the dissolution of the Johnson, Kaufmann, and Coate partnership. Stafford W. Bixby was a descendant of early California settlers, which might have been an inspiration for the architectural style. The two-story house features a second floor balcony which stretches almost the length of the facade. The design earned Coate an AIA honor award and the Medalla de Plata y Diploma in the United States section of the Third Pan-American Congress of Architects in Buenos Aires. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena, Calif. http://128.111.216.75/files/original/047ba96234f08e35cab0aa1d4e2766e3.jpg 3ce59e0aeccb79ee94b1bb7d12be969a http://128.111.216.75/files/original/c6370fd93643ece4ab6edfd18933b5d3.jpg 25eb104f20eb1534c16ae0c51587dc20 http://128.111.216.75/files/original/9ec289f491e6f8efcbb7f9320a047a33.jpg 60cbcae8724f1ecd3b9a1f87ea9c6737 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Cowlishaw ranch house (Nogales, Ariz.) Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Nogales, Ariz. Description An account of the resource The owners of a successful furniture business, Frank and Ruth Wilmot Cowlishaw commissioned Coate to design a large ranch house and stables for their 640 acre working ranch in Arizona. The house was L shaped and centered around a pool in the back of the house. It is a blend of many different styles, and quite different from Coates' other commissions. The rambling design incorporated many different levels, heights, and masses of various parts of the building to create a single structure that gives the appearance of many different buildings. http://128.111.216.75/files/original/a109aaa8e25e2863612910ae5f2800cd.jpg 00f68a96e696d519e2e48106b0e501d1 http://128.111.216.75/files/original/4f8590ff8bb954fcb4509f0ddbff63ab.jpg c9debe69bb1cbc8138b394e01e6374f6 http://128.111.216.75/files/original/fab217c31b66279168be5d40fb50538c.jpg 542f0fdbbfc0f95e82c39e5bfbe7f172 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Barber house (Pasadena, Calif.) Description An account of the resource The John E. Barber house is an early example of Coate's Monterey Revival style-- a second story balcony, center hall, with the majority of rooms opening onto outside space. Grayson C. and John Edwin Barber were a well-to-do and prominent Pasadena couple, and the property was a prime lot with views along the Arroyo Seco. Landscape architecture design was completed by Katherine Bashford. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect William Clarke, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925-1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena, Calif. http://128.111.216.75/files/original/849dcb20ddc3f587a93886f38a4859a8.jpg d5b8ab2ae04ff86b471a97d46501e674 http://128.111.216.75/files/original/704ab0ee3b0560ae62edadf0c8495191.jpg 71805028e1abcc1723060dcd07ad7b79 http://128.111.216.75/files/original/f40c64c443141f991705ecad02b306ab.jpg 2db847ed4c765e2150ee4c67f3306e36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Norcross house (Bel Air, Calif.) Description An account of the resource This large house, on a prominent hill overlooking the Bel Air Country Club was commissioned by petroleum executive David C. and Irene Norcross. The house features many Monterey Revival influences, as well as some intricate ironwork on a double-height balcony which references the architectural styles in New Orleans. The landscape plan was designed by A.E. Hanson. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect George Haight, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1927-1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Calif.; Los Angeles, Calif. http://128.111.216.75/files/original/fb27203b94769eae8453d34c2f057098.jpg 2693d4fcebe1aa41aa836abca895c4f9 http://128.111.216.75/files/original/471a5b0d9395e9dd24ed9f0f7298f9e5.jpg be35a72e42069ed72f25229b3a7bd7a5 http://128.111.216.75/files/original/78402040988044633a509d5a67d39d4c.jpg a733a39644fb0679adf5ef85ccc10384 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Selznick house (Beverly Hills, Calif.) Description An account of the resource Irene Mayer and David C. Selznick, a well-known movie producer, commissioned this house from Coate at the height of the great depression. The house was a Georgian Revival on a large lot in the center of Beverly Hills, surrounded by other movie moguls. Irene Mayer took a hands-on approach to working with Coate on her house-- she even assisted in designing the kitchens, bathrooms, and service wing. Subsequent owners of the property included Edward Doheny, Sammy Davis Jr., and Ed McMahon. The original landscape design was by Florence Yoch and Lucile Council. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect George Haight, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. http://128.111.216.75/files/original/bd5946596f3fec1e0fb4ed11ef1053a1.jpg d556db4e823457890cb2dbaffd1393b6 http://128.111.216.75/files/original/ebb1ff579971618a328b1f36327f8242.jpg b03cdedd17fb6d22a12a1872cd082f0f http://128.111.216.75/files/original/4d910921aded324aecd27cad68190fa7.jpg 88ffb8d4223af83267d98d707be9f20d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Stern house (Holmby Hills, Calif.) Description An account of the resource Real estate investor Jacob Stern commissioned this house from Coate in 1928. The over 9000 square foot estate was designed in the Mediterranean Revival style, on a 2.2 acre parcel of land. The 30 room mansion was sited on the crown of a hill, overlooking some of Holmby Hills' prime real estate. The house was later owned by Alfred and Betty Bloomingdale; it was recently sold and is undergoing extensive renovation of house and grounds. The estate landscape design was by A.E. Hanson. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect George Haight, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Holmby Hills, Calif.; Los Angeles, Calif.