4 100 865 http://128.111.216.75/files/original/3caccbd1e9295691f2d374a61692d972.jpg cfb7546b60292e88b15ee97957daa718 http://128.111.216.75/files/original/35665273f07763d883cc21aff8332171.jpg f2fd734912788120bf5d2ae99e45bc78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Stothart House (Santa Monica, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource Photographs of the exterior of the Stothart House; one of the driveway entrance and one of the side patio. The design emphasis on horizontal and flat forms, along with uniform windows and parapets echoed the International Style. http://128.111.216.75/files/original/130b6870d556279d64ba379af4806d65.jpg a180b383ab35e9e40dbb8d41e4c03f2a http://128.111.216.75/files/original/81b7c791d7738f910428076b239f3021.jpg 5d8840450cc375bf6d40f078de23b0ab http://128.111.216.75/files/original/93fbf3ba70b7b3b4a23822f4ce5cd25f.jpg 4ba6d9a45fcb66ece98a43b8f8cd3330 http://128.111.216.75/files/original/9886a32c4097c310ade25086f7bbf1a6.jpg 490fb143519c6b6f2bf589fa5e492d1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Gretna Green apartments (Brentwood, Calif.) Subject The topic of the resource California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1940 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brentwood, Los Angeles, Calif. Description An account of the resource Photographs of the exterior of the apartments. The plans reflected the Bauhaus concept of utilizing limited space. Each of the four apartments has an exterior space such as a patio or sundeck to provide private outside access- a luxury usually only available to single-family homes. http://128.111.216.75/files/original/349738696474caba561cb6dce0f2bbe8.jpg a32ae0921e4c5af446c318cebaef0d03 http://128.111.216.75/files/original/491a3bf4bf944f966421244c2e8eac06.jpg e4ae67ae40ebae5a5a942d41ecad0db1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data watercolor and pen on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Foster Project (Bishop Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1944 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bishop, Calif. Identifier An unambiguous reference to the resource within a given context adc_127 Description An account of the resource Built in the single-story"ranch style", the Walter Foster House project was one of Davidson's new designs bearing a departure from the International Style in favor of Soft Modernism. The house's plan incorporated local building styles and materials, a hallmark of the related concept of Regionalism. Sadly, it was never built. http://128.111.216.75/files/original/e41a5fcee589056d49d949bbd0e81634.jpg 813f92c426025bfd8fdfc470cc8beb11 http://128.111.216.75/files/original/162aae7b7acaf71b3d86e5a049d687db.jpg f8f719ae6dc228aacad072e2084aa2fb http://128.111.216.75/files/original/7320716ad1d739e05acc66d4a75f364c.jpg dc1823168c7d921716b2b4dd94d8125a http://128.111.216.75/files/original/57222be67fd0eeec64755cc14b167d48.jpg 6287ccf6517df1d6d9b24752b32d7f78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Feingold and Harris medical building (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles. Calif. Description An account of the resource These photographs document the narrow medical building that housed the practices of Dr. B.F. Feingold and and Dr. J.M. Harris. The spaces were designed to be modern and expansive, with scattered lighting and noise insulation. http://128.111.216.75/files/original/31bffbb0077c432e0dd35ca063fda2dc.jpg fa2fa228219dcc1e6efc653b336cdf8f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pastel on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: California Sport Magazine cover Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Description An account of the resource Davidson's design for the cover of California Sport Magazine. http://128.111.216.75/files/original/c00577563cea50292a19cd3d8144c4c9.jpg fcc077134e368ce536f4913452924842 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Vigeveno #1 (Ojai, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ojai, Calif. Description An account of the resource Exterior photograph of the Vigeveno #1 House, a ranch-style vacation home for art dealer James Vigeveno and his family. Another design was made for Vigeveno alongside the first, although this second house featured a completely different architectural style. http://128.111.216.75/files/original/a29a59451d94f57027891f6d4846bb12.jpg dfc09de11eb7f8295d4e9ff00f8e3e0c http://128.111.216.75/files/original/2b0788268adbbd077e527b434d39daee.jpg b73fcaf3f93fea31f2cab41d7d386909 http://128.111.216.75/files/original/75e1d84413c44828b090cc5c44cbc0f5.jpg b38c9a39767fd37c92b93bc90e378faa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R Davidson: Rabinowitz House (Bel Air, Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J. R. Davidson, architect Martin Rand, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Los Angeles, Calif. Description An account of the resource Photographs of the interior and a floor plan of the Rabinowitz House. The design featured a panoramic view of Bel Air from its secluded position on a hill. http://128.111.216.75/files/original/98c483d1aac583d6d577f031e460d301.jpg 0c7903fd4cfd1c3639cdc3f2114f83b5 http://128.111.216.75/files/original/c074a1ee2a36ddac6279becdd06a5694.jpg 977c1ab2a94f14e74562c06273cb5aaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Hi-Hat Restaurant (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Willard, Morgan, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Photographs of the interior of the Hi-Hat restaurant. The owner originally requested an English style tavern, to which Davidson created a design that reflected his wishes but through a modernist's sensibilities. http://128.111.216.75/files/original/bca215d08d2ac7133e770ec951751ef4.jpg cba3a7b4b7408fce23b190637cc0a73a http://128.111.216.75/files/original/073ca8850722808dc75857390b173b60.jpg 0407b1cd2a474c4946676534afb8c51b http://128.111.216.75/files/original/9d028b27ea34c662e9ca0204232dbcc0.jpg f9bc585b34ac3b765bfe304bbc27e048 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Office (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photos and plan of the entrance to Davidson's office in Los Angeles. The facade echoes the stylistic influences of Rudolph Schindler and Frank Lloyd Wright. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/8695cb860ae3b0c6022ee9a1a9666288.jpg e6d8734d46effa2aa8171169df94aaf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print: gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: portrait Subject The topic of the resource Southern California Architecture Description An account of the resource A portrait of J.R. Davidson in his later years. Creator An entity primarily responsible for making the resource Valeska, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1952 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 http://128.111.216.75/files/original/f950a7dd9097aaef748ce93e87c5f7bd.jpg cb1910679f2aff469d1d9f8f66f3e1e2 http://128.111.216.75/files/original/a090fc6d30fc9550c127118ba3798fbc.jpg 88bcadfa7acb9b6cedf2e03db1ae8fdb http://128.111.216.75/files/original/6cf2c2add261b10673f847d541fd67eb.jpg 3360157358e74082830de229e3c90b72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Bilicke-Satyr Books (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photographs of the exterior and interior of the Bilicke-Satyr Bookstore, featuring special strip lights. Many of Davidson's early commercial projects incorporate Art Deco elements, calculating geometric shapes, sleek forms, and straight lines. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Willard Morgan, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929-1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1ab7ffda5091e38069edb6b20f99efe1.jpg e4c6e7c10e981aae0654ad4f4ca28352 http://128.111.216.75/files/original/fbfe8358eb4db5bece3731d14d69d4cd.jpg 3cb08d6c7356d42a0bb89703a3748128 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Schilling's Flower Store (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photograph of the interior and front entrance of the Schilling's Flower Store. It was later replaced by Bachelor's Haberdashery Shop. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/f376414edfc96d12ebe873f4fc5f12d3.jpg 73d6a614d4cf16493ed571da46e73da0 http://128.111.216.75/files/original/da9e99ea1764a3875b0312173d587557.jpg a9d52bb70bc8a3d537c6cbb56cb903dd http://128.111.216.75/files/original/4091c57aada4d5d422b1dacd7e7b070f.jpg 6c212e3a9c770c6f0961eef5f39bcbc8 http://128.111.216.75/files/original/db970272b0feb4e69d20b7dc7ba966ba.jpg 33fe43f0e7129868bf71822252635178 http://128.111.216.75/files/original/70d731b372fc6ae82cdef8c6f7de8b35.jpg 73ffb9b804585bd5195c2ab956cb31cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Bachelor's Haberdashery Shop (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photographs of the entrance and interior of the Haberdashery (a men's clothing store). This business replaced the earlier Schilling's Flowers. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/825aab13d0b05ab614160ba882c4516b.jpg 0a70ec9da042c3efcf8142a76de5e232 http://128.111.216.75/files/original/55d240ab3bca6608c2bbadb72755e7ce.jpg c1b994545afd312b297d4c9faffedbb7 http://128.111.216.75/files/original/62dde8e499d27a0046a9571222074147.jpg 93a48e21b7cd586c0f043142ec4cb60f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Drive-in Curb Market (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Renderings and floor plan of the Drive-in Curb Market. Designs like this clearly anticipated the increasing importance of automobiles in the modern age. http://128.111.216.75/files/original/ad7c981096adaedd860d2dc990fc78f9.jpg 74118dde770f2fd4cc89ce5d90821519 http://128.111.216.75/files/original/79b4c9f3078d6255559faeef44566325.jpg f9d17fc117d49db298ce1a44bfbb8916 http://128.111.216.75/files/original/1d7d6de1816d6c20d653e1408c10633b.jpg ce660013b136fe59294fc2ffbaff8380 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Hotel Knickerbocker Bar and Tavern (Chicago, Illinois) Subject The topic of the resource California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Kaufman-Fabry, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Illinois Description An account of the resource Photographs of the remodeled bar and tavern of the Hotel Knickerbocker. The resulting shape of the space results from the combination of "several existing odd rooms". http://128.111.216.75/files/original/c7bcced17873dea440ae7c8c61aceff5.jpg fbfccdd24e4f3d66528618779572f7aa http://128.111.216.75/files/original/ade2dbcbb33e983995feca09ff08afc7.jpg ca6d19c40159fed810ea45710c48bf40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. R. Davidson: The Golden Lion Inn, Sheridan Plaza Hotel (Chicago, Illinois) Subject The topic of the resource California Modernism Description An account of the resource Photographs of the exterior entrance, bar, and lunch counter of the Golden Lion Inn. The facade echoed tavern aesthetics, yet the inside was incredibly spacious and well lit. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Hedrich-Blessing Studio, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Illinois http://128.111.216.75/files/original/ed2e141c7de36ede45662728f7020e22.jpg 60db8403140761f246ac380441c62902 http://128.111.216.75/files/original/680f8df403e48ff6652e90e241a4db2a.jpg 4da105b1309f10c8d65ead2162d0f5ea http://128.111.216.75/files/original/49f7539cb48dc41ed5e2d0d774f99a5b.jpg 79d1a145005ee48057f134582ddd68fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Lamp Designs Subject The topic of the resource California Modernism Description An account of the resource Schematics of lamp designs. Davidson was inspired by Bauhaus furniture, which were streamlined, stainless steel constructions. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/3494db05b21ae41b05e4141192fa5346.jpg 609cf0b2a79007c4d5b726af4a69a831 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Blake G. Smith House (Laguna Beach, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Sketches of the vacation house designed for Blake g Smith. The house was situated on the top of the cliffs, with a staircase leading down to a "natural sea pool". Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1944 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Laguna Beach. Calif. http://128.111.216.75/files/original/ee7fc1dee3ca241666125f2694026825.jpg 4570aa1f3bd652fecdfc0003b81f38cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: View of Klopstockstrase (Berlin) Subject The topic of the resource European Studies Description An account of the resource Watercolor sketch of Davidson's hometown of Berlin. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1903 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English/ German Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin, Germany http://128.111.216.75/files/original/85502f0f4fcc7feb8e48b8e48fa23c31.jpg 949be57fc2e7fcdbd67924ed16d626b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Sketches of Objects in the Musee des Arts Decoratifs (Paris, France) Subject The topic of the resource European Studies Description An account of the resource An early sketchbook of Davidson's studies of furniture and other objects from a decorative arts and design museum in Paris. Note the attention to detail and pattern. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1912 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris, Germany http://128.111.216.75/files/original/99649caa4a58c088000d21e7cc15b5f1.jpg 154dced4d7cac8773cdc44a1a3cef283 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Church Steeple (Posen, Poland) Subject The topic of the resource European Studies Description An account of the resource Watercolor sketch of a church steeple when Davidson probably still lived in Posen, Poland. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1907 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Posen, Poland http://128.111.216.75/files/original/5b2826da8a8c44141c3cc811c3921c58.jpg d67ba6100a51ddeb108d6599400203d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Sketch of Sommer im Schutzengraben Subject The topic of the resource European Studies Description An account of the resource Watercolor sketch from one of Davidson's sketchbooks. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1916 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 http://128.111.216.75/files/original/77c7aa3391b85d22ae3f37d9e4499210.jpg 066dee99b9519f1a7e59d0e0adc39e29 http://128.111.216.75/files/original/b954ce0ebfbe3a6c0da708e0f7409493.jpg 697c6d499c41d51c4a3a376dfe744d24 http://128.111.216.75/files/original/869eb8159b7f2480a472d00e0f1ca9a7.jpg b231c6f7dcd22d7f57f2f2dd6329909f http://128.111.216.75/files/original/5fcdb983f21cbee7062a524c167a8fe6.jpg 3f1a31621c3f377e51d14df174a1c7eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Converted Apartment (Berlin, Germany) Subject The topic of the resource European Architecture Description An account of the resource Photographs of the former servants' quarters that Davidson retrofitted into his five-bedroom apartment in Berlin. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1919 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin, Germany http://128.111.216.75/files/original/2e56da0fa13f57e02dca003e5836934b.jpg a5887452e63f635a513b4cdf33339dc9 http://128.111.216.75/files/original/ce0a0828acd1c8ec1a3adcca506b48b6.jpg 98786e5da00585716888e95cbe578800 http://128.111.216.75/files/original/34ade5bb7d0a4e8e4dbffc32062f51b7.jpg 7b1eccd8591e0c437d30ee2f66329e5b http://128.111.216.75/files/original/6c23aab5adc52baa124c8314fe28bd8a.jpg 8ca9a837a6e2031150b3282dfbe3341c http://128.111.216.75/files/original/05939eacab33e21c030d49b4bafc5d3d.jpg 0d376b3c29a2d862fe5d93ea90152242 http://128.111.216.75/files/original/d28e63abb891a4433c7574764f9c0ee0.jpg c88acbac382e2847ff861248f7d48bfb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Davidson House (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Floor plan and photographs of the residence Davidson designed for himself and his wife on South Barrington Avenue in Los Angeles. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Robert Cleveland, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/0579d35ad0f2770f1e7bd70150bcd5a2.jpg 361580dfa1ba32050a41a8329079fced http://128.111.216.75/files/original/4b90b272fc74008ce89eed5e5b0d9811.jpg f24528de450bab49a68139ffde770a40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Cocoanut Grove, Ambassador Hotel (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Mott Studios, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Photographs of the interior of the coconut grove courtyard and lamp details. Davidson emphasized unique lighting designs, with the lamps here incorporating vegetal or "oriental" star elements. http://128.111.216.75/files/original/0662267abbc7f364938574af8c0e10dc.jpg 0f0e1fbdfc5331a960f3e4cc0b1f6c43 http://128.111.216.75/files/original/da4aa6d107cc476bac3cfa2ccadd7c9a.jpg 30a1ce39068ce3c10ac24db1ad63a639 http://128.111.216.75/files/original/fd51138adf1bbeb6322cb26f311a65f4.jpg 0469414720eed5fac6dff93919c31438 http://128.111.216.75/files/original/901bfa5243cddaad44fc3257bd9b1a8a.jpg c4916cc1d75f959df796780cb93e284b http://128.111.216.75/files/original/54dbad43fa33baf0c7dc90736676aa3d.jpg d9f92db4383e795fc2f542dbbfa1aad2 http://128.111.216.75/files/original/4a6529c7c0130ac470e086703d9d5c98.jpg b51f22de7bc584ff48baf358186e62ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Sardi's Restaurant (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Davidson was commissioned to refurbish Sardi's Restaurant, which originally had interior design work done by Rudolph Schindler. Davidson reorganized the inside and added new features, opening up the space by cleverly incorporating partitions and changing the color scheme. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1036f720a542391ede0314cd244359fb.jpg c36d028407ac63537d334613a91f5775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pastel and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Tierney and Co. Restaurant and Cafe-Bar (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Concept for the Tierney and Co. Restaurant. Note the bold Art Deco inspired interior. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles http://128.111.216.75/files/original/8d0c48df313585f36a9fbfff4dafa538.jpg f1b8b7a37b9177a3bcac9b3bce53d4cc http://128.111.216.75/files/original/d112cab0ffa9dc02fc0899ad52bed695.jpg 04873627fa3d0c2fbc99ec9dc0e9fbaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Bransten House (San Francisco, Calif.) Subject The topic of the resource California Modernism Description An account of the resource Davidson was asked to design a family home for Richard Bransten, son of a wealthy coffee manufacturer from San Francisco. The window design reflects De-Stijl sensibilities, focusing on large geometric shapes. The three story residence was built on a slope to provide abundant opportunities for sunshine, outside terracing, and views of the city. The multiple levels also provided more locations for social and family interaction. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg. Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/2b0fee189d49a335eade4c6b2df8ceb5.jpg 07b8ead40d776ed3e0df52f90f969ede http://128.111.216.75/files/original/8d511e0cf016ea9b32415b9edad611c2.jpg 5d163005eb4c7a403fe098bd1e4811a4 http://128.111.216.75/files/original/ccf4d40296fcc2ae776b177f15a81f4a.jpg 772505661fd77fb3ad9fbf21fcf86c91 http://128.111.216.75/files/original/8c6d4ac7e6759e3e28d4cd003f59674e.jpg 7735ea39af928a3f01c2568b27b7ae6e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Maitland Residence (Bel Air, Los Angeles, Calif.) Subject The topic of the resource California Modernism Description An account of the resource Davidson retrofitted this Georgian home to better house the owner's modern art collection. He replaced wall space with larger windows and a glass enclosed porch to allow more light in and open up the space. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Los Angeles, Calif. http://128.111.216.75/files/original/a424dfc99dff8dda1607504eb5b24ab6.jpg d408de8e35696e73ca3657c32d789396 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Cellarette on Wheels (Chicago, Illinois) Subject The topic of the resource California Modernism Description An account of the resource Davidson's furniture and restaurant supply designs expressed both Art Deco and modernist sensibilities. His "cellarette" concept for a pullout bar on wheels echoes the same simple, functional design of his patent for an easy open cigarette container. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Illinois http://128.111.216.75/files/original/1e16f04a1016b40f296e0dd8a2d67108.jpg 86c44c619f5220993d9a647ce741bad1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Berlin Armchair Design (Berlin, Germany) Subject The topic of the resource Furniture Description An account of the resource Originally designed in Berlin, Davidson brought this drawing with him to America. The slightly curved armrests are reminiscent of Bruno Paul's own armchair designs. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin, Germany http://128.111.216.75/files/original/ab9678cf191d7497dc548c1bcf540cf9.jpg 93bc0fab8b6ad1a71737fb49e5c754e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Crosby House (Los Angeles, Calif.) Subject The topic of the resource California Modernism Description An account of the resource The plan of the Floyd D. Crosby Residence is actually the same floor plan Davidson used for the design of his own home, though the interior design choices of the homes differed widely. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/0a7f76a27283a2d75e57e0d6dba70041.jpg 4e4bba5481fea6940831b3e68d32a2ee http://128.111.216.75/files/original/481e481a7f2d0c3504c9e08a1603ca11.jpg 3609faf4eefa5a73e30c5f9885beceea http://128.111.216.75/files/original/61f90f2799ad03735b3fcb61fe46419f.jpg 101f3d4a2aa43eff611e8989838b5faf http://128.111.216.75/files/original/f3e452bd2345750117a84cfdb7539885.jpg f201997337a621b8256d45c33c9ac754 http://128.111.216.75/files/original/cbcd33ad9c0c8e8a16789f3b1ba4a4d9.jpg d7e23fe7165469c38ad2468d0afeee7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Taylor House (Los Angeles, Calif.) Subject The topic of the resource California Modernism Description An account of the resource This house was designed not unlike the Crosby residence and Davidson's own home, although in the Taylor house the kitchen plan is more open and a glass vitrine provides views into the living room. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/50387e217f29db23d79b9cf28d025569.jpg 7f992d9f31d594c80955c4ee0708d0ad http://128.111.216.75/files/original/1ceb7b20fbf4486475822287e3bad1c9.jpg e4989b723b41416eeff09fb169bbfbd1 http://128.111.216.75/files/original/5e9ce80ff81598c4379120bcf6d204aa.jpg b62b80579ae8574610cf83fa063dac46 http://128.111.216.75/files/original/8febaff743b18327b2a3fa558c90e836.jpg 58fb36f60243fa0df0d8f77ee3beff85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Joseph Kingsley House (Pacific Palisades, Los Angeles, Calif.) Subject The topic of the resource California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Description An account of the resource After supposedly being turned down by Richard Neutra to design their home, clients Joseph and Lore Kingsley commissioned Davidson to design a unique home to fit their needs. This design was then mirrored next door in the house built for Joseph Kingsley's mother. Both houses provided southern exposure to a lemon grove and beyond, the ocean. http://128.111.216.75/files/original/ccd3f439c34904a67c71e117eb718d07.jpg 782f5ca8c38888f0da9669988abcf8c2 http://128.111.216.75/files/original/56bbc0d60f3fcd40466b6c0b557f9c7c.jpg f7f2407afcea583488e3638b2a69465c http://128.111.216.75/files/original/b5ec95faf03609fe9747a3cd8da010ed.jpg 17d6321331202eaf78bef421d7c79469 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Rattan and Bamboo Furniture Subject The topic of the resource Furniture Description An account of the resource Davidson designed a whole line of outdoor furniture crafted from rattan and bamboo materials, which are flexible and durable enough to withstand the elements. He was inspired by Asian modes of craft-making, classic wooden furniture, and the designs of Paul T. Frankl, an industrial artist. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource late 1920's Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 http://128.111.216.75/files/original/78bbca7499503b1b53c205a8801a5ef0.png 75482fafc7eb48e19783748bd9c91f02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: S.A. Temple house Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource This presentation drawing is similar to other Byers drawings-- with a Spanish Colonial Revival house set amongst lush landscaping. The house features a loggia running the length of the front of the house, with a second story balcony, and all under a classic red tile roof. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/00c9bb061dceb6f802ca6cc28f488a5f.jpg c0f3d33e7ea790f54de6e5c917bccfeb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: McLaughlin house Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource The McLaughlin house, though its location is unknown, is very similar to many of the adobe and Monterey Revival houses Byers designed in the Santa Monica area. With an exterior staircase leading to a second floor balcony, red tile roof, and colorful landscaping, the house is a good example of the Byers style. The design of the house allowed for it to be sited either on a suburban or rural property. http://128.111.216.75/files/original/2f8e1b4feddd260dead8153e9b4eeed9.jpg ace3452bdcb57ba01cb6345ed0f60853 http://128.111.216.75/files/original/6924dba2fe7c1ac10144e26515784a93.jpg eb38e8db86770876c5d018984d0b54bb http://128.111.216.75/files/original/1561581125f5a044d5c37fa20ee5d828.jpg 8d724e7e175a65f68bec6c5ca863accb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: Unitarian Church (Santa Monica, Calf.) Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource The two very different renderings of the Unitarian Church of Santa Monica highlight the range of styles that John Byers was capable of designing. The first image, a more Spanish Colonial style, was the ultimate choice of the building, which is shown in the third image, a photograph taken after construction. The second image shows a much more traditional church, with high pointed steeple, instead of the smaller tower with bell. http://128.111.216.75/files/original/e899f2b9fecba13a634dbe9601a97b90.jpg 9d210f317f1ecf22822c15726d62f9d7 http://128.111.216.75/files/original/34d3e9c0acf9d5f777c7ebadff03099e.jpg e3c438ae3e3308fd0651b982f78aca01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: Frederick Laue Restaurant (Santa Monica, Calif.) Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.? Description An account of the resource The rendering for the Frederick Laue restaurant is an example of Byers' commercial work. While known specifically for residences, he did design a few commercial and civic buildings. A Laue Restaurant was located near the corner of Santa Monica Boulevard and Ocean Avenue from 1927 until 1936. This rendering, circa 1932, might have been a possible expansion in another location, or an unbuilt project rendering. The street view poses a facade very close to the sidewalk and street, while the back view highlights a patio with grassy area, and a two story massing. http://128.111.216.75/files/original/f1960d999653f5b89b70206e1f8d5114.jpg b0c7facabd30b7809b8b8b59a3878e9b http://128.111.216.75/files/original/c9df2e50305be720160081e3d06f3845.jpg 7825dd293814cbf74116f3ef1dc371c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: John Byers house (Santa Monica, Calif,) Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource These images are for the first and second floor plans for an early house for Mrs. John Byers. The plans are not dated, and there is no address listed anywhere on the sheets. The thick-lined walls for the living room and first floor bedroom indicate this house might have been partially constructed from adobe. The second floor bedrooms open onto a balcony, which would have assisted with cross-breezes and done away with the need for a sleeping porch. http://128.111.216.75/files/original/4fc2e6bc559f5f6a38e03fcba009987f.jpg 834c3078748450d2471819ed81821b63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on trace Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: William Nelson landscape (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Carleton Winslow, Sr., architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource As with many of Lockwood de Forest's commissions, the houses were designed by some of the top architects in Southern California, and de Forest's landscaping was a harmonious compliment to their work. The formality of the house lent itself to the grounds as well, as seen in this geometric fan-shaped garden for William P. Nelson. http://128.111.216.75/files/original/0a793caf0dcabefa7cc6c5a826fdddcc.jpg ac8e489fe66da8db154f307eec9e7949 http://128.111.216.75/files/original/e2a1279fd7519942b80f7164064e7581.jpg 9dd946599a533f9a82f1a2ff4eff7467 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: Stanley McCormick estate (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1931-1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The 84 acre "Riven Rock" estate belonged to the McCormick family, the inventors of the grain reaper and founders of the International Harvester company. The original house was constructed in 1898 (demolished after the 1925 Santa Barbara earthquake), and was home to Stanley McCormick. The estate also contained many other guest houses, servants quarters, a nine hole golf course, orchards, a dairy, and many exotic plants. Stanley McCormick struggled with mental illness, and his wife Katherine (one of the first female graduates of MIT) fought with his family over access to Stanley and the estate. After Stanley's death in 1947, the estate was subdivided and sold to create many smaller land holdings. http://128.111.216.75/files/original/e40a2dfd2f99e62e9311c221a3769874.jpg ccc68a4d6c56eca203f41d31296e531d http://128.111.216.75/files/original/f27dedd79b766d59559a3df3949dee23.jpg ac96bf985f2553a646c36bd2e61e43eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: Santa Barbara Museum of Art (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource The plaza at the corner of State Street and Anapamu in downtown Santa Barbara was designed by Lockwood de Forest and architect Lutah Maria Riggs. The seating area with trees and benches allows for a brief respite prior to or just after visiting the museum. The Museum was established in 1941 in the old United States Post Office building; the facade was altered by Chicago-based architect David Adler, and financial support was given by many prominent people, including Wright Ludington and Stanley and Katherine McCormick (all were clients of de Forest). http://128.111.216.75/files/original/f42d9ea9ad8dc7b89eeddd6424243d63.jpg 60197530f19c7c8b58d1ffb0cd1e5084 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on trace Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: Chalifoux garden (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1945 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource This extremely colorful and detailed design for a garden was for Elizabeth and Harold Chalifoux, who were well-known orchid growers in the Santa Barbara area. The Chalifoux were from Boston, and Elizabeth Chalifoux was the daughter of Albert Burrage, the well-respected horticulturist. http://128.111.216.75/files/original/7f3be57486a449b811422d13a6e4074f.jpg 68164a03ede80918484bd76d8ad7b8e1 http://128.111.216.75/files/original/54a840b520597f3a09ec5268ae22e204.jpg 30d6cc2c8658804a3880c6ed91fa8572 http://128.111.216.75/files/original/bfcef4224c4d51bf7078aefe436f1388.jpg 3d8526b6f3c50826de5914d0b31a263b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: Bothin tea garden (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif.; Santa Barbara, Calif. Description An account of the resource San Francisco industrialist Henry Bothin and his wife Ellen Chabot Bothin purchased 350 acres of mountain and foothill land above Montecito in 1916. The property was named Mar Y Cel, but was commonly referred to as the Tea Garden; it was adjacent to the property which included their house, Piranhurst. Lockwood de Forest was commissioned in 1932 to add to the landscaping around the tea house, amphitheater, aqueducts, and gardens. After Ellen Bothin's death in 1965, the property fell into disrepair, and the Tea House was the starting point for the 2008 Tea Fire, which destroyed a large number of residences in Montecito. http://128.111.216.75/files/original/a0555215efcc0386a809d37701fe6c0d.jpg 64db62febc19f8af7cd1332778621b3a http://128.111.216.75/files/original/dccef74c3ad5c60c73cae9ec7781a906.jpg e0cbfe58bfb2bd3969315d7dfbe76e7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: unidentified house Description An account of the resource In the John Byers collection, many items are unidentified. Some of the drawings have dates or locations, however the vast majority do not. This pair of images shows the front of an adobe-style house in the first image, and the back of the house in the second. Both drawings bear the hallmarks of the Byers style-- red tile roofs, lush landscaping, and an exterior staircase leading to a second floor balcony. Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. http://128.111.216.75/files/original/eb2afbb3c790f21b23c5d79593caccf9.jpg 9a786f45c63b53fc535e7738ba5bb1b2 http://128.111.216.75/files/original/f2a4b064ca1c7283e6f526002c2fce15.jpg 4123d5630818f9c82d603342ffeb1026 http://128.111.216.75/files/original/3a8356663c8cf1b8e674d7ac9703a883.jpg 73d13508676956e90c215d7ab486ef43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: de Forest garden (Santa Barbara, Calif.) Description An account of the resource Lockwood de Forest was not just a landscape architect, but also designed and built houses, including his own on Todos Santos Lane in Santa Barbara. The house and landscaping were oriented towards a view of the Santa Ynez Mountains and included many native plants, which were drought-tolerant for the dry Santa Barbara climate. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_184b; adc_347 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_184; adc_347 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/15140a01c4cc96ca21118c9c30028d13.jpg 074fbc301d1dc68dc06e5ae2095a104b http://128.111.216.75/files/original/590a39aa586db127f9da6a729f319441.jpg 908adaf4af020bfe5aef399256f5daaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper; photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Central Block (Minot, ND) Description An account of the resource Robert Stacy-Judd worked for the railroad in England, then moved to the United States and worked for the Great Northern Railroad in North Dakota. After a couple of years, he started his own practice in Minot. The Central Block was originally designed as a six-story building, with shops on the first floor, and apartments above. The client was Dr. H.L. Kermott, a well-known physician. The buildings Stacy-Judd designed in North Dakota, and later in Alberta, Canada were in the local vernacular-- brick, two or three story, and limited ornamentation. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1917 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Minot, ND http://128.111.216.75/files/original/ee8ababca26390b5afb358594c41d008.jpg 0dc2c1f98b7b5f6f5887c22c67ced1ae http://128.111.216.75/files/original/8ada80d1bfcadd5ce62db2f5419f952e.jpg ef7d64bbed901818a303042c943a9150 http://128.111.216.75/files/original/03d70344c84e6c78645a225c09eb4b3a.jpg 7c19da95021624e40a515c7810ca347c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Philosophical Research Society (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The founder of the Philosophical Research Society, Manely P. Hall, had commissioned buildings by Stacy-Judd previously, due to their shared interest in Mayan design. The Library in the Philosophical Research Society was designed to hold the many rare and unique books in the Hall collection. http://128.111.216.75/files/original/5ab35680b87bf707abd6b526dd89f829.jpg 4690c7b65b53e3bec1658560835a1533 http://128.111.216.75/files/original/8c9f74c6a1a5ac0c8332335f623e8058.jpg e263b2223a294f09af4eb50cec19a2e7 http://128.111.216.75/files/original/8eb8c235e9f31ebea9f627b9fcef6be3.jpg a409a0f23303f528f05715a08cbed9d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Colorized postcards Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Soboba Hot Springs Hotel (San Jacinto, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Jacinto, Calif. Description An account of the resource As travel by personal car became more feasible during the 1920s, the mountains surrounding Los Angeles on the east became weekend getaways for residents. The use of hot springs for relaxation and to cure various ailments was a popular attraction. The Soboba Hot Springs Hotel filled both of those requirements for Los Angeles residents. Stacy-Judd combined his vast interest in Native American, Mexican, and Central American cultures with an Americanized version of different types of dwelling units. The cultural appropriation of native housing styles created a 'village' of native peoples who did not inhabit the same locations. While the hotel was popular for many years, it was eventually demolished and a hotel run by the local Native American tribe now bears its name. http://128.111.216.75/files/original/5fabf0e3b671d07dd5cac7cbdd16dd6d.jpg d34ca16240b317ad3264f2d97619d594 http://128.111.216.75/files/original/112b3fe4f0cb5da669d3e33eadfd6ac2.jpg a1ae232001557baebead40893c6f02cf http://128.111.216.75/files/original/3de4026f167478fe5e3a68213587166e.jpg 08d7c3e12386d462c6907d1295f9fd96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; colorized postcard Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Atwater bungalows (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1930-1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The pair of bungalows for Dr. H. Gale Atwater were part of a larger swath of land owned by Atwater along Avon Park Terrace, adjacent to Elysian Park. Atwater had previously built another "Hopi-style" house on the property, and commissioned Stacy-Judd to build two bungalows in the same style. Now referred to as Pueblo-style, the rough-hewn stucco on the exterior is punctuated by protruding downspouts and wooden rafter ends. Spindly balconies and rustic ladders complete the unique properties. http://128.111.216.75/files/original/d14ea1261ce017241d1ca988023d2050.jpg 4159c899e6630da59ce56fd9362dbb6a http://128.111.216.75/files/original/6dfefb3d1d9e538f46ef9a3a8c9fee80.jpg 80297f7a0ee3ebcc4b1aee55f2a06608 http://128.111.216.75/files/original/7e3303154a8df543ae85256a90b99a42.jpg e058ae9fdc73604808e7114fbb65201b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Carey house (Hollywood, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect R.H. Stone, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hollywood, Calif.; Los Angeles, Calif. Description An account of the resource The Carey house is a fascinating study of architectural vision versus reality. The rendering of the house is in the "Mayan" style, reminiscent of Stacy-Judd's Aztec Hotel. The photographs of the completed house show a much more subdued and modest Pueblo style stucco-covered abode. http://128.111.216.75/files/original/01f86dfb781d8ceba4616d5a0038ae40.jpg ab969c585aad56a731c6851e1854bc28 http://128.111.216.75/files/original/28587b08e2a9cf7c8af6f791af040bbf.jpg cf8f719dc326abe40dcbf086224f0ece http://128.111.216.75/files/original/17d22db295a83ead943b97a7eb01ab92.jpg 9ff159d61532f56976fd917972cd148f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: First Baptist Church (Ventura, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1928-1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ventura, Cailf. Description An account of the resource This church building is widely regarded as one of the premier examples of Mayan Revival style architecture. It was declared a city landmark in 1975, and placed on the National Register of Historic Places in 2009. The exterior steeple is stepped up with Stacy-Judd's signature triangle shaped accents and windows, which create a sense of verticality to the structure. The architect noted on the bottom of the photograph, "First ecclesiastic example utilizing Ancient Mayan Art Motifs." Stacy-Judd was very much a showman, and was married in the church in 1931. http://128.111.216.75/files/original/3ca1fef0d5ede10ce7a868912205faf6.jpg 49d772cfb68fe92a3163aafd711a3990 http://128.111.216.75/files/original/769e59bbe125d708c70652f8a318a8d5.jpg 03a9ab610580ce956db60b5635e2126e http://128.111.216.75/files/original/ee1cc4d6fc6cd213ea1de42db76fde18.jpg 96834ec7f7b9da61e4988fd09746aadb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Krotona Institute of Theosophy (Ojai, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect R.H. Stone, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1924-1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ojai, Calif. Description An account of the resource Theosophy was a religion that began in the United States in the late 1800s as a mix of esoteric Spiritualism, occult influences, and adaptation various Asian religions. The Krotona Institute started in the Beechwood Canyon area of Los Angeles in 1912, and included structures designed by Mead and Requa, and Arthur and Alfred Heinemen. By 1924, the Los Angeles area had become too crowded, and the Krotona Institute moved to Ojai, a small town about 75 miles northwest. Robert Stacy-Judd was commissioned to build a large number of buildings including an administration building, library, lecture hall, and bungalows for the members. Designed in the Spanish Colonial Revival style with white stucco walls and red tile roofs, the buildings blended in with the overarching style of the town of Ojai. http://128.111.216.75/files/original/32de8d25c5868906ec347045842bc040.jpg 2e26e4222bab121a1306c482d149887a http://128.111.216.75/files/original/64bd27546b27bbcf3492bbcfd0f9b0be.jpg efafa113cc589d2558c5c52aa46d83af http://128.111.216.75/files/original/424d8c84862e6f8b917f78554bbd7092.jpg 3b684f575f05b77d2a8f8536b7bfda1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: La Jolla Beach and Yacht Club (La Jolla, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect R.H. Stone, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1926-1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. Description An account of the resource The La Jolla Beach and Yacht Club was a large-scale commission for Stacy-Judd after his success with the Aztec Hotel in Monrovia. For the Club, he created a more subdued theme, with triangular shaped window openings, adobe-style exterior walls, and arched doorways. The main Club building was 200 feet long, with a covered promenade stretching the length of the building, and a 1000 foot sea wall protected the building from high tide. The interior of the building featured exposed wood beams, arched doorways leading into lounges, a dining room, kitchen, Club offices, and dressing rooms for Club members. http://128.111.216.75/files/original/5f35f7f6b21c254c28fa8765e3bd4e6c.jpg 8fc0ea6e88b76f3386d368c98c0a686e http://128.111.216.75/files/original/55b5360db121a9f66314942d086b05c7.jpg 0efec8502b3d2c26f7b58740b4f8cdcd http://128.111.216.75/files/original/a30fd6f80a46fda14feb2900cce19061.jpg a1ac556f25630c458bc94c04bbc09b34 http://128.111.216.75/files/original/d151ce1923b23ba78ac9ef1da8b81ec5.jpg e6a22b008822474d35854ca4bcb851ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Merrick & Ruddick housing project (San Fernando Valley, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Johnson, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Fernando Valley, Calif. Description An account of the resource As the population of the Los Angeles region grew in the early 1920s, developers purchased land that was formerly ranches to turn into housing developments. Merrick & Ruddick developed the San Fernando Valley area, and asked Stacy-Judd to design and build houses for speculation and for their clients. Most of the houses in the Hollywood Foothill subdivision near Ventura Boulevard were in the Spanish Revival or traditional styles. But some were designed in the Pueblo Revival style that Stacy-Judd made famous. http://128.111.216.75/files/original/2f3e2ff7088542b17b05d37e2141eae0.jpg 760a66c5be688351356b9db24cddf26f http://128.111.216.75/files/original/3c6ef8a7adc9daea404782fdce3a5c9d.jpg ba05dd7bbda5afc060ab67bd1230f401 http://128.111.216.75/files/original/475ec8e041657db4a64eec911356b1b2.jpg cb7be976dd7dc6ab587bfaa33b92bec5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Monroe house (Lake Sherwood, Calif,.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Donald Biddle Keyes, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1929-1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lake Sherwood, Calif. Description An account of the resource The small community of Lake Sherwood is situated in the mountains of Ventura County, northwest of Los Angeles. The man-made lake and surrounding forest land was used in the 1922 filming of Robin Hood, and as the setting for many subsequent movies. The house designed by Stacy-Judd for Neal Monroe contains many of his signature "Mayan" influences. With triangular windows, ornamental landscaping, and ornate interior details, this is one of Stacy-Judds' larger and most expensive private home commissions. http://128.111.216.75/files/original/7f85e7b606b6932370777736dab67f0c.jpg ad7d3947c3f16806eecdfabe8b755071 http://128.111.216.75/files/original/b5d68859fc7afe78258b6cdfaf0a9805.jpg 1821dcfaea76d810153242abd9e9de0d http://128.111.216.75/files/original/6f2b54114c00e5f744790bb354ab9d14.jpg ccc591b22ec916d6d45da3b3884b94ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Panama-California Exposition (San Diego, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Bertram Goodhue, architect Harold Taylor, photographer Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1915; photographs 1938 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. Description An account of the resource The Panama-California Exposition opened in 1915 in Balboa Park, San Diego, as a celebration of the opening and of the Panama Canal a few years prior. The Expo originally picked architect John Galen Howard to design the site, but due to his unavailability, Bertram Goodhue was chosen, along with local architect Irving Gill. Carleton Winslow was working in the Goodhue office in New York, and was called out to replace Gill in 1911. The Spanish Colonial Revival and Churrigueresque style buildings designed by Goodhue and Winslow set the architectural style for the exposition. While some of the structures built for the Expo were designed to be temporary, others were to be permanent and are still in use today in Balboa Park. http://128.111.216.75/files/original/3e2bf203a4f79bd98031aad4ac3a6afd.jpg dd4fb2fc666286377d9d75e0fe20485a http://128.111.216.75/files/original/7fda634c642d2ee61ec8cdc40a113a7d.jpg d40dc019fff6faffb01d5d16c760b953 http://128.111.216.75/files/original/8ec25f9e8cc4f8cb36d4d52825f1926c.jpg 1f233dce8f1940fdacf9a7de2327c864 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; ink on linen; graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Bliss house (Montecito, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1916-1920 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The Bliss house was one of Winslow's largest private commissions. The 80 room mansion for William and Anna Dorinda Bliss, at the corner of Olive Mill and Hot Springs Roads in Montecito, was to be their summer residence. The 45 acre estate, named Casa Dorinda, contained the main house, servant's quarters, garages, various outbuildings, and extensive gardens. The Bliss' were quite wealthy and they hosted many large parties, including for European royalty. After Anna Bliss died in 1935, her daughter inherited the property and allowed the Navy to use it as a hospital during World War Two. It subsequently became a boarding school, then in the 1970s, a retirement communnity. http://128.111.216.75/files/original/c4765f1568817f5e6f7196d769fa563a.jpg 78fdafae8d94af38937f0c7e0dbcb170 http://128.111.216.75/files/original/c255a4d165580a58e52a311f0c54fc19.jpg 990f56f92060d03d51ef75f78a0fc00d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Santa Barbara Museum of Natural History (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource The Santa Barbara Museum of Natural History was designed in a Spanish Colonial Revival style and built along the banks of Mission Creek, just a few blocks from the Santa Barbara Mission. Winslow designed a series of buildings interconnected with covered walkways, courtyards, decorative fountains, and red tile roofs. http://128.111.216.75/files/original/959a68c8944387708abd69ae98fcac79.jpg 65879fcf400cd3fb29e07b5fa28f6758 http://128.111.216.75/files/original/fea73adca880ae90cbf999a1ab053e99.jpg 19a23b392174ff80b1dc566fef21a212 http://128.111.216.75/files/original/4cc101f8b5c9754afe15e6ef75c5f8d3.jpg 46bb2783eed7836328ef6c1646cadcaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Chapman Park Hotel (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Mott Studios, photographer Loomis and Fisher, photographer Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Winslow altered the Chapman Park Hotel and Bungalows, which were located on Wilshire Boulevard, in 1936. The hotel had been in business since the early 1900s, and Winslow added details to make the walled garden with bungalow cottages feel more like a Mexican village with white stucco walls and red tile roofs. The Hotel was located along the rapidly expanding Wilshire Boulevard, near the Ambassador Hotel, Bullocks Wilshire department store, and the Brown Derby restaurant. The hotel was demolished in the 1960s to make way for an office building. http://128.111.216.75/files/original/09a508da71f2e2387acbc256c0f77e67.jpg 562d71c41dba8d87f4099049d37f4187 http://128.111.216.75/files/original/d7a60e5888c1b099abceaacd6aa93253.jpg 000e183b51e3bc5f170180b089cf8e87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Valley Club (Montecito, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The Valley Club is a golf course originally designed by renown course designers Alister MacKenzie and Robert Hunter and the American Golf Course Construction Company. The main club building featured a main dining room, men's and women's lounges, as well as locker rooms, and support facilities for the kitchen and staff. It is still used today as a premier golf and country club. http://128.111.216.75/files/original/0e25214a4d5171850b162cb882cfca5d.jpg 0be0032e53150ae415a4cde82afb85ed http://128.111.216.75/files/original/c8b948da74d11a8eb2dcbb63a4a9f0dd.jpg cfb9c1f4ec4223e3cab265775120f7c3 http://128.111.216.75/files/original/3e40d72539b1a68fe2f54ecbdeba5180.jpg 94dc476f916cd177eb0245ff819369be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Los Angeles Central Library (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Bertram Goodhue, architect Mott Studios, photographer Lee Lawrie, sculptor Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The Los Angeles Central Library was one of Bertram Goodhue's final projects, which he was working on when he died in 1924. Winslow took over and finished the project in 1926. The early Art Deco building featured Egyptian friezes and inscriptions on the exterior, as well as large murals and metalwork on the interior. The building was threatened with demolition in the 1960s, but a large public outcry saved the building. It was expanded in 1983, and is a Los Angeles Historic-Cultural Landmark, and on the National Register of Historic Places. http://128.111.216.75/files/original/918aa4cdcb4d6aa5e5182d049746c7aa.jpg 716b876b4dab84d1311c7a0fa8cf3aa6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Neighborhood Center (Chicago, Ill.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1914 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Ill. Description An account of the resource In 1914, the Chicago Architectural Club held a competition to design a neighborhood civic complex. This was Schindler's entry, featuring a very clean lines and a rectilinear plan. http://128.111.216.75/files/original/e83c7ab7aafa6c35697674a0b5e1e160.jpg 52ae473a59c1c2643d93860e87ec5f7d http://128.111.216.75/files/original/82b67dd43c4c444134b3e1057b1c6601.jpg 3bdbe978cf228d32f0e7b7b12c4a3fcd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on linen; Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Bennati Cabin (Lake Arrowhead, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lake Arrowhead, Calif. Description An account of the resource The distinctive A-frame shape of the Gisela Bennati cabin is possibly one of the earliest uses of the style as a residence in the United States. The steeply pitched roof is a very good choice for the Lake Arrowhead region, since the lake is at a high elevation which receives many inches of heavy, wet snow each winter. The shape helps to shed snow while providing walls of windows to look out on the view. http://128.111.216.75/files/original/0664fd173abbd83dd7a4effadb903e56.jpg 96a6dda2f34775ed13b436d116fc31d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Gould and Bandini Workmen''s Colony housing development (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The housing development for Gould and Bandini was a series of small houses for single workers or small families. This project was never built. http://128.111.216.75/files/original/b668fd1e00083f24d5f7fed2987669cf.jpg bffab5d349c217e6dcf1ecb3d54bd0dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Harriman's Colony Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1924-1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Gabriel, Calif.? Description An account of the resource This rendering of Harriman's Colony is a birds-eye view of a planned community, possibly in San Gabriel. The client, Job Harriman was a lawyer and ran for mayor of Los Angeles in 1911 as a socialist. After his failed mayoral bid, Harriman started a utopian socialist community called Llano del Rio, just outside of Palmdale, California. The short lived (1915-1917) community was self-sufficient, growing their own food, creating building materials, and living a communal lifestyle. Schindler had an interest in alternative lifestyles, so it is not surprising that Harriman would commission Schindler to design a colony. http://128.111.216.75/files/original/9b6fb95da2058770d0fa677a7e1c3e14.jpg 22863cc8e9b5d4b5a65b3a7cccfc91bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Korsen bungalow court (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1921-1922 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource In the 1920s the 'bungalow court' was a common form of affordable housing in the Los Angeles region. With small units lining the sides of a city lot, perpendicular to the street, a courtyard is formed between the units. This style allowed each unit to have a bit of open space, and to fill in a lot with small individual units. Many of the bungalow courts in the city of Los Angeles were built by contractors, with no architect input, in a Spanish Revival or more traditional style. This unbuilt project for Mr. and Mrs. Jacob Korsen was designed by Schindler in a much more modern style. http://128.111.216.75/files/original/dacd50b2f084f0cbd8b8ef5ec2edefff.jpg 97e9372241cf26fd31341d785a240aae http://128.111.216.75/files/original/f43984ef092caa1964600c41fa3d4dac.jpg b1809ba3121007f051efc9a943882e10 http://128.111.216.75/files/original/a1fac1f4b173a92c5453c99cb0254781.jpg ed89576bd94f29665fbadf2b66736696 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Falk apartments (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1943 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The apartment complex for Ted Falk at the corner of Lucile and Carnation avenues in Los Angeles, is one of the more complex designs for a Schindler apartment building. The four apartments are set on an irregular-shaped lot, on a steeply sloping hill. Schindler placed the two one-bedroom apartments and the two two-bedroom apartments above and set back from the streets to give each apartment a private outdoor space and a view of the city. http://128.111.216.75/files/original/0b509e156b02f7da42ff33941e4fdefa.jpg 9bef18e4bdebac7a43e67efce45009cb http://128.111.216.75/files/original/b722f4ea9b2814cb00def06937fd0924.jpg 85838789b32632786d983a035bc15e19 http://128.111.216.75/files/original/4b298570cb699270b5df5222fef8d23b.jpg f909edf9c44d824e8e660615f129ca7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: L.P. Hollander store (New York, NY) Creator An entity primarily responsible for making the resource Jock Peters, designer Eleanor LeMaire, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York, NY Description An account of the resource Jock Peters worked with Eleanor LeMaire on the interiors of the women's clothing store. The architectural firm who designed the building was Shreve, Lamb & Harmon, and it is located on East 57th Street in Manhattan. The store was laid out 'boutique style' with many different areas or shops for the customer to browse. LeMaire was a New York based interior designer, and had worked with Peters on the Bullocks Wilshire store http://128.111.216.75/files/original/3a492fafcc43ea08f08ff935c10a6c5a.jpg 1f91641b81bf530d64341d2cf913f90c http://128.111.216.75/files/original/c506a2d70781d8338528a280fdd4eb4b.jpg 0ae86fb2eeba01ae0ffcfd54fd24656c http://128.111.216.75/files/original/722e9ff7366f649cc53ce20834bfdb0a.jpg e23f3c95d37f6add8a77f943a37fffe8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Shepard house (San Marino, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, architect and designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Marino, Calif. Description An account of the resource This house for L.E. Shepard in the Los Angeles suburb of San Marino is one of the few houses designed by Peters. The style is a Streamline Moderne, with some hints of International Style and Art Deco. The images highlight the indoor-outdoor living, with patios, decks, and sliding doors. http://128.111.216.75/files/original/5c2c5e9404d61d452a4c297da134b75c.jpg df127642853b15e3fe9f370f6f353ef3 http://128.111.216.75/files/original/924f8b261cac0315a07d967b1cd5f18a.jpg 9ad5f7059ab5674e780f0c9977e053e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Gilks house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, architect and designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource This two-story modern house for the cinematographer Alfred Gilks is in the Los Feliz neighborhood of Los Angeles, just a short distance from Griffith Park. The house features multiple decks, an outdoor fireplace on the patio, and a mural in one of the bedrooms by Buckley MacGurrin. http://128.111.216.75/files/original/1fee98a613e212a8c4f138d894cbaaf6.jpg afdf1e527c5a306b575f76c5fe1c8228 http://128.111.216.75/files/original/0616d2baa37f21a193966f2872f71a8f.jpg c53ba6ffb535025ff1c1aafabfaedc97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Peters house project (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, architect Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The renderings for a proposed Jock Peters residence along College View Avenue in the Eagle Rock section of Los Angeles show a very modern house, sited on a hill, with a studio and garage at street level. As with his other residential works, this house was to have multiple outside decks, patios, and balconies, as well as ample entertaining space, and a view of the city. http://128.111.216.75/files/original/57221eae6b95f49f92fb71725a69b0dd.jpg bd7fd02156d9e34094ad3e4f40412ddb http://128.111.216.75/files/original/ed6066880a527e5ae15270431f19563e.jpg 67e067d293abfc4976fc3d52874842c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Peters Brothers Furniture Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif,. Description An account of the resource After working for the movie industry for a few years, in 1927 Peters began working with his brother George as Peters by Jock, Brothers Modern American Design Office. They designed furniture and other interior pieces. http://128.111.216.75/files/original/7c586831145513239136b873bc426230.jpg d16674bab152dcb51e285a6a2d75b026 http://128.111.216.75/files/original/75153a7cee5a420823e31b26036bbf54.jpg bee597e46d30f06f30946c45c38db60e http://128.111.216.75/files/original/4dc7156baf32ab64f9f067faa125b675.jpg 4b305e8451b6c19d98d529b7a83a8575 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: set designs Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1924 - circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource After working with an architect in Germany, Peters emigrated to the United States in 1922 and settled in Los Angeles. By 1924 he was working with Famous Players- Lasky Corporation, one of the largest silent film production companies in the city. Peters worked on set designs until 1927 when he opened a design company with his brother George. http://128.111.216.75/files/original/b909b0b921d984137389fd9651da87d8.jpg 089750821515eebf28d6af5e046eb19c http://128.111.216.75/files/original/78212ae9d7df1674e93ea886feb56aba.jpg b4a51d1fbd441630760221a42ef5d95d http://128.111.216.75/files/original/42b66a9dc9fde25e80ba08dcfc477f24.jpg 3f75fed041d69f4e6615d2f828549c02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Bullocks Wilshire store (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, designer Eleanor Lemaire, designer Parkinson and Parkinson, architects Mott Studios, photographer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929-1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The Bullocks Wilshire department store was one of the first to cater to customers in automobiles. The large Art Deco edifice was easily recognizable, and customers were able to drive up, have a valet securely park their car at the rear of the building, then shop or dine inside the 230,000 square foot building. The building was designed by father and son architecture firm Parkinson and Parkinson. Jock Peters and Eleanor Lemaire worked for the Fiel & Paradise Company as interior designers and were responsible for the first few floors of the store. Each of the departments was designed to be a luxurious retreat, where live mannequins and low display cases featured items for sale, not racks of clothes, which would obscure the architecture and interior details of the room. Bullocks department store was eventually bought out by Macy's, which rebranded the location as an I Magnin store. By the early 1990s, the chain had folded and the building was purchased by the Southwestern Law School. http://128.111.216.75/files/original/79c36d3c8804a6b31c770fa967360e5e.jpg 95fcd0bea4149fb97446211092ee2075 http://128.111.216.75/files/original/3bd5e23a85b84468af57855e7c7ab80f.jpg 5ce7b91d696a7d3d6f5dcafa0282f985 http://128.111.216.75/files/original/1ce039dd3bc0956c2f271ad3eef49892.jpg 8c639b8c395e0b20c65e1923bfc652db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic negatives Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Aluminaire house (Syosset, NY) Creator An entity primarily responsible for making the resource Albert Frey, architect A. Lawrence Kocher, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930-1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York City, NY; Syosset, NY Description An account of the resource The architect A. Lawrence Kocher was asked to design a house for the Architectural League of New York City and the Allied Arts of Industries bi-annual exhibition. Kocher hired Frey to help design a house that used new materials, like steel and glass as a low cost construction alternative. After the exhibition, the house was purchased by architect Wallace Harrison, who moved the house to his property in Syosset, on Long Island in New York. The house remains on the property until 1987, when a new owner decided to demolish the house and build a subdivision. The New York Institute of Technology agreed to dismantle the house and reconstruct it on their campus. Teams of architecture students spend the next six years carefully dismantling the house and re-assembling it at the School of Architecture on the Central Islip campus. In 2012, the campus was closed, the house was transferred to a group called the Aluminaire House Foundation, which dismantled the structure and stored it in a shipping container. In 2015, the container was shipped to Palm Springs and is currently awaiting re-assembly. http://128.111.216.75/files/original/5a75db7eaa90a1b2dae9fa31be0387bc.jpg e7ef05fdc91d841bdf904d7ee3f4da46 http://128.111.216.75/files/original/d7e869d8417c36128b4c9534e4e5abb6.jpg 04cbb9d06e4fe9463dbfd561e0e41c29 http://128.111.216.75/files/original/ce18177062add5235c727950fa42ddb4.jpg ff1047e663a46e97ad56a4cd58254b15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Tramway Gas Station (Palm Springs, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect Robson Chambers, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Description An account of the resource Frey and Chambers designed the Palm Springs Aerial Tramway station house (the building at the base of the mountain) in 1963. The Tramway Gas Station, at the corner of Tramway Road and Highway 111, was constructed in 1965 with a distinctive hyperbolic paraboloid roof, which gives the building an instantly recognizable appearance. It was used as a gas station until the 1990s, when it was turned into an art gallery. In 2015, the building was placed on the National Register of Historic Places, and was converted to the Palm Springs Visitor Center. http://128.111.216.75/files/original/1d379d75bef124ec582bdbe4741242af.jpg 8a796217b2f827c2a135d803c88bd74f http://128.111.216.75/files/original/3bd5fa45639509d2ccc5946359c467b4.jpg 29e5c4db2e7f4e3d0d13cef257ff70ef http://128.111.216.75/files/original/34d41316be91785d382a0d127fe31321.jpg ed9f4cade6e67fb37bb85448932e083d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Kocher-Samson office and apartment (Palm Springs, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect A. Lawrence Kocher, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934-1935 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Description An account of the resource In 1934, Frey was sent to Palm Springs to design and build an office building, with an apartment above, for Dr. J.J. Kocher, the brother of A. Lawrence Kocher. The building was designed to take advantage of the climate and featured a courtyard between the two offices on the ground floor, and the apartment had a large terrace on the shady north side of the building. The photographs, taken just after construction, show how the building was the only structure in the area, surrounded by sand and sagebrush. Today, the building still stands along busy Palm Canyon drive, surrounded by other businesses and concrete. http://128.111.216.75/files/original/881f0e144de7c9be085dc63ec7d32800.jpg 79a19d06cb00a678b45ecc5eade47cf9 http://128.111.216.75/files/original/05449e947e5a5538718e49d7be3b933e.jpg 9db0e6e57956e7239d8ccfa70dd053a6 http://128.111.216.75/files/original/3f50ee435d6e79eafa91c91f459e61a4.jpg 9ece980ade0692e2f7f782ea52a09089 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic negatives Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Kocher weekend house (Northport, NY) Creator An entity primarily responsible for making the resource Albert Frey, architect A. Lawrence Kocher, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Northport, Long Island, NY Description An account of the resource Architects A. Lawrence Kocher and Albert Frey worked together in 1933-1934 to design low-cost structures, like the Aluminaire House. Kocher was the managing editor of Architectural Record, faculty at the University of Virginia and Black Mountain College, and responsible for helping bring Walter Gropius to the United States. With this weekend house on Long Island, Kocher and Frey designed the house with a redwood frame, then stretched Marine canvas over the walls. The canvas was sealed and painted, and lined with aluminum for insulation on the inside. The ground level was parking and a playground, the second level was the main living level (with kitchen and large living room which had curtains to separate the space into bedrooms at night), and the top level was for sun bathing and sleeping areas during warm weather. The house was demolished in the 1950s to make way for a new subdivision. http://128.111.216.75/files/original/5c12c9411c4713f5996786aa1ba5c4a1.jpg 61dbbc3e27f9e672d47bbc48124cd65c http://128.111.216.75/files/original/3c43bf6d57467b46b5030e3a9f975ccf.jpg 7329740cd3a5d4135db45797144fcfa8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Bel Vista tract housing (Palm Springs, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect John Porter Clark, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1945 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Description An account of the resource The Bel Vista affordable housing tract was built in 1945 as housing for War workers. The subdivision of 15 homes was designed by Albert Frey and John Porter Clark for the developers Sallie Stevens and Culver Nichols. This was the first subdivision in Palm Springs to feature modern-style houses, and the only Frey housing tract. http://128.111.216.75/files/original/41f6f1558c72214011d282136d70f99d.jpg 58b1c88f3d65db9035c4e6cb2d11dfe6 http://128.111.216.75/files/original/9f5cbfc59881e49b2fb27dc47789b071.jpg 6e8bf76b063648904805bdc9435309c4 http://128.111.216.75/files/original/752ff512ab5dba93f9778876391dd62c.jpg 0ff827c0ab3e496f742d7a707640c9b1 http://128.111.216.75/files/original/7e241d595e267c50763159cb0647c86f.jpg cf071046154cb16aeee3e9110d94ae45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: North Shore Beach and Yacht Club (Salton Sea, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect Robson Chambers, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1959 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Salton Sea, Calif. Description An account of the resource The Salton Sea was a formerly dry lake bed located southeast of Palm Springs. The area was flooded as part of an effort to irrigate the surrounding area in the early 1900s, and is one of the largest lakes in California. It is also one of the saltiest and most polluted, due to agricultural run-off. During the 1950s, the North Shore area was a very popular vacation spot, and the marina was one of the largest in the state. The Club was in operation until 1984, when it closed after being damaged in a flood. In 2010, the county of Riverside operated the Salton Sea Museum and community center from the main building. It was placed on the National Register of Historic Places in 2015. http://128.111.216.75/files/original/32c16bed15431db91feaf033dd035a84.jpg 7fbc3c76ff0b11b9bf89ab465386d327 http://128.111.216.75/files/original/3e8cd0df6805076a2f59ef88c4e827a7.jpg 203c8061252c60e9172c25e11c234190 http://128.111.216.75/files/original/ef2383e2c844e4d28acab853ff313ed3.jpg 3b7373f4ffd6c9de27669dc541569321 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Loewy house (Palm Springs, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1947 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Description An account of the resource The industrial designer Raymond Loewy commissioned Frey to design a bachelor pad and winter getaway in 1947, in Palm Springs. The small (1100 square feet) house features walls of sliding glass doors opening onto a patio and pool. The outdoor living area contains multiple eating areas, a shaded trellis, and spots for pool-side lounging. As shown in the photos by Julius Shulman, the amoeba-shaped pool even extends under the glass doors and into the living room. http://128.111.216.75/files/original/a7879a76087bbf818f284b0c548613dc.jpg a15e01c86943c601cbc8c4ded3556ca3 http://128.111.216.75/files/original/f23e55f8bca3fac1f9da5698ab826b6d.jpg 4f13d746b8637f7010c1f3160adfde2a http://128.111.216.75/files/original/f04894840d8db30aa411887226ef2f81.jpg bf3f5daaad904dae9885849423c8e5fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Sardi's Restaurant (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect and designer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Schindler designed the interior of the restaurant for Adolph Edward Brandstatter, including the furnishings. The restaurant, on Hollywood Boulevard near Vine, was popular with the Hollywood movie stars. It was originally open 24 hours per day and contained separate bar and restaurant areas. A kitchen fire in 1936 destroyed the building. http://128.111.216.75/files/original/5c8ee9ee83d630a8134b97328a43a47d.jpg 332fe80a05414a1093f62f805d8c20b6 http://128.111.216.75/files/original/2c35155c77d78c4407d43406766d7e32.jpg 2293f2bb74f1d7dc3053459fe104c315 http://128.111.216.75/files/original/ae6deb37b52ef8ee138dc2622a50bdd0.jpg f13694bcd719af4c925b1ca87db2df20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite and watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Wolfe house (Avalon, Santa Catalina Island, Calif.) Description An account of the resource The Charles H. and Ethel Wolfe house was a single-family house with views of Avalon Bay, ocean, and natural landscapes. The mezzanine level was the street level and included the garage, small bedroom with full bath, kitchen, terrace, and living room with fireplace. The second floor was one below the mezzanine, and contained an ample guest room, with its own entry, kitchen, dressing room, multi-purpose living area and terrace. The house was torn down in 2002, and a house with a similar street facade was erected in its place. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1928-1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Avalon, Santa Catalina Island, Calif. http://128.111.216.75/files/original/aad3d3c5e011df06c6bf3a1014a93427.jpg 9165fa544d1becd0f49dd5f08aa6b461 http://128.111.216.75/files/original/599c85a2c7118e79b1355dfd7f447fd7.jpg 6ad5634ce8b6c9aa38e2a67fb36ebed3 http://128.111.216.75/files/original/edea233299d8a49f66e087d02abe2228.jpg 25ae9f84fde19c86f9c038215114ebd6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: El Pueblo Ribera Court (La Jolla, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1923 - circa 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. Description An account of the resource This twelve unit complex of duplexes, built for San Diego dentist W.L. Lloyd, showcased how Schindler was able to incorporate many of his modern plans into a multi-unit complex. Each unit had a ground floor living area, outdoor garden space, and an upper terrace and sleeping area. The units also have a view of Windansea Beach and the Pacific Ocean. Only one of the units is still relatively intact, two others burned, and the rest have been altered in various ways (mostly to inclose the upper floor to make more living space). http://128.111.216.75/files/original/54a2c6be33ec784c82eb7e570a07340c.jpg 80d0d700500732f6f07ba80c90dbd34a http://128.111.216.75/files/original/03dc2fe84b595e51d3587a8e320da6f6.jpg f2fbc1aa57b5f510363e5d6b730fcb88 http://128.111.216.75/files/original/03c8795c577713c210c953fe737ed6d9.jpg a311453ebb8b741a647499fae8245654 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Toole house (Palm Desert, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Shirley Burden, photographer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1948 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Desert, Calif.; Palm Village, Calif. Description An account of the resource This desert house for Maryon (also listed as Marian) Toole, is located in Palm Desert, which at the time was an unincorporated area known as Palm Village. It features stone walls with wood framing, large glass walls and clerestory windows to let in light, and a large overhanging roof to keep the hot desert sun from heating up the inside. http://128.111.216.75/files/original/6b69fcee4687bec5bf0204ca99e81ead.jpg df64304b81a01d0da0f2b7286936c987 http://128.111.216.75/files/original/7644f26e1be281bd460d129e7b2de44b.jpg a7393d6946cbb9d37bc2f39b7dc8f771 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Buena Shore Club (Chicago, Ill.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Ottenheim, Stern, and Reichert, architects Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1917-1918 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Ill. Description An account of the resource This very early work of Schindler was done while he was still in the employ of the Chicago architecture firm Otternheim, Stern, and Reichert, just prior to Schindler leaving to work for Frank Lloyd Wright at Taliesin. Built at Buena Avenue and Lakeshore Drive, the L-shaped clubhouse was part of the Buena Park neighborhood of upscale homes and apartment buildings. http://128.111.216.75/files/original/90f18b376bb248bb040725c921437f49.jpg c1f733f1bd66fe9b0ac61abacaac38df http://128.111.216.75/files/original/8ef1694d24a03765a3c96a473bc31862.jpg c4eb6fd7228f2fcbc6adf65b5d625588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Blueprints Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Irving house (Wilmette, Ill.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Wilmette, Ill. Description An account of the resource The James B. Irving house was a temporary home designed by Schindler while he was employed by Frank Lloyd Wright. Schindler designed the home quickly, after Irving requested a temporary home since his had been destroyed by a tornado. The Irvings lived in this small home until 1928, when they commissioned John Van Bergen (another former associate of Wright) to design a Prairie style home. The Bergen house was on the same parcel of land as the Schindler/Wright temporary house. Both houses were extant until 2014 when the Bergen house was moved to Evanston and the Schindler/Wright house was dismantled and put into storage to make way for a new development. http://128.111.216.75/files/original/57bdda9227acd1429ec283c43bbe6cb3.jpg 0d6aa335462c44ec845c151635eee64a http://128.111.216.75/files/original/86a654b16651558652f25213cb78fc21.jpg 2d3d1a84c0f7e53c21044958485f2533 http://128.111.216.75/files/original/dcdf23b9abdf288ae4179858fc2e43e6.jpg c1204a58c280075829346d82287c280a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Riggs house (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Frederick Dapprich, photographer Hal Bouchex, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource Riggs designed this house on Middle Road in Montecito for herself in the mid-twenties; she lived there until her death in 1984. The house, named Clavelitos or "little carnation," contained two bedrooms, ample outdoor space, and large fireplaces. The Spanish Colonial Revival style was championed by George Washington Smith, who was Riggs' mentor; she worked for Smith up until his death in 1930. http://128.111.216.75/files/original/4fc49addc2365c079d7f5b9eda889910.jpg cbc5ed9a3f1c5f583377559ea43956ba http://128.111.216.75/files/original/ced1fac8a1e0777fddd712645377688f.jpg 8e75b919907e62185fe050dfb21d20d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Santa Barbara Botanic Garden library (Santa Barbara,Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Marvin Rand, photographer Frederick Dapprich, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1942 Rights Information about rights held in and over the resource © Marvin Rand Estate Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource The Santa Barbara Botanic Garden was started in 1926 as a partnership between the Carnegie Institution and the Santa Barbara Museum of Natural History, with land in Mission Canyon donated by Anna Dorinda Bliss. The Garden grew from the initial 13 acres, up to 78 acres today, and is filled with native and regional plants. In 1942, space was needed for the growing library of books on horticulture in the Garden's collection. Riggs was commissioned to design a structure for education and research named the Blaksley Library. The exterior courtyard was a collaboration between Riggs and landscape architect Beatrix Farrand. Additional landscape designs in the garden were created by Lockwood de Forest and Elizabeth de Forest. http://128.111.216.75/files/original/49f62f301eb39525984d7f792d0aa852.jpg 62925db83db744fbbb3a6c55e5a0cade http://128.111.216.75/files/original/c0a9a9cc02dd9e590f5f4a47e67bdced.jpg febeb703dc1e67b709f3d58dd7fae303 http://128.111.216.75/files/original/d0f6687b20888d223731bc278b6be271.jpg 2976f9e3c87139a84c50588fb2bc97cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Suski building alterations (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Ray Borges, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1963-1966 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource The large, multi-story commercial and retail building on State Street in downtown Santa Barbara had exterior alterations by Riggs. The T.C. Suski Building was a Joseph Magnin department store in the 1960s and is currently retail and offices. The building is adjacent to the Casa de la Guerra, the historic adobe dating from the 1820s, and the El Paseo shopping area. http://128.111.216.75/files/original/de7273f9f85ed12b3f92c04c793e8198.jpg dfa514040d3f03749f0d8abd4d1fe24a http://128.111.216.75/files/original/7ff09e52228be2d8a4818afe75568470.jpg 4ab8f7cb6528da7631364a11eb1fa20d http://128.111.216.75/files/original/e79cf84d3900bea3104f48ddf18dc4e4.jpg 42490a250daeeb7b35cedda4e5132aee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Baer house (Lompoc, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect William Aplin, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1947-1948 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lompoc, Calif. Description An account of the resource The alterations to the Herman Baer house in rural Lompoc show the modern style of architecture that Riggs was moving towards in the late 1940s. A marked departure from her Spanish Colonial Revival work of the 20s, this house shows her growth as an architect and ability to adapt to changing needs of her clients. http://128.111.216.75/files/original/39d35f4f3c07f9bf429dbd2cb30a59ed.jpg 33cd8ca4c8523e9215ec4ea575b68e8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Nelson medical offices (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource This medical office building was one of three commissions by dermatologist Lawrence Nelson. It is a typical small medical office building, with parking in the rear of the property, and access from the street. The present occupants of the building are a local architecture firm. http://128.111.216.75/files/original/0dc5ed37c10b1aeab5915d1b406fe9f9.jpg 0148405ffaec4a8e47b9f7bafa1a9f5b http://128.111.216.75/files/original/ac6b0b8a6f8d3971a54c1d375316ef8a.jpg e19fd1b9b12f927b1681d7386a517d8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Colville house (Isla Vista, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Isla Vista, Calif.; Goleta, Calif. Description An account of the resource In 1954, the University of California opened a new campus on a former Marine Air Base, about ten miles west of Santa Barbara. This sparsely populated area, called Isla Vista, did not have the housing or infrastructure to support the influx of students, faculty, and staff. This small ocean-side house for Physical Education department faculty member Francis Colville is a two-bedroom, one bath modern house on Del Playa Drive. It is on the far west side of Isla Vista, since the properties closer to campus were zoned for multiple units to house students. http://128.111.216.75/files/original/ba3fc7e66b2c1daf4747e152e36cad6d.jpg 565fde764a820dbdcd5d3b98d70c3ab4 http://128.111.216.75/files/original/126ff6e8bd2531f781bfa57730ab06b3.jpg 9935dce7b0f8ea15ca0fedab8e42efd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs portraits Description An account of the resource These two photographs, taken approximately 30 years apart, show Lutah as a student at Berkeley and as a well-established architect at her drafting table. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920, circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. portrait http://128.111.216.75/files/original/265b415df7b791a4cf275e464d85f5e3.jpg 76d4382198d59636e3ca2351864a161a http://128.111.216.75/files/original/f2ca3fd5c0d3a952bb8d595958e595e1.jpg 0194733d6f1213d2528ffb5dc3bc0920 http://128.111.216.75/files/original/122448c540ba37dbf51d7025b620ec16.jpg fb17f8e349c99f966f490f360b7e4eb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters portraits Description An account of the resource These undated portraits of Peters highlight his personal style and attitude in line with his interior designs. Creator An entity primarily responsible for making the resource Jock Peters, architect and designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/4e15de1581ef64442a5f2b74ff002a5a.jpg c818449ff40740c891e737c3d533602d http://128.111.216.75/files/original/07a3ebce2a6ec9f6e741e3c8aeafb10e.jpg ec3d96bd0bd07c5da291885fa1fa6736 http://128.111.216.75/files/original/9d304794fcb019953e61d717277684cc.jpg 500e64fe837d66a8ebd1fa700186366d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler portraits Description An account of the resource These photographs capture Schindler at the construction site for the Walker house and in a more composed setting later in life. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1935, circa 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/bfa69f1cf96a12b02d73e6c91bd061ec.jpg e32ccb321ad9c9134ed105118b20dbbb http://128.111.216.75/files/original/f2e21f97e793b80717d46754f2e86b85.jpg 27f2ffdd492b5c7e83023e256b579965 http://128.111.216.75/files/original/fa7914ff518e9fe0898968ae80fb8b1e.jpg f060bc9345e00ce11513ed6771cea7b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow portraits Description An account of the resource This grouping of portraits shows the serious nature of Winslow. Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925, 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/baaa74348b571412366d1d54c28448be.jpg 1e479a0b0d8aff49c35fadf6597878e3 http://128.111.216.75/files/original/21a77d699089df03836d149463f0fc29.jpg 226846988922ffe97527ef7e0049e382 http://128.111.216.75/files/original/e29ebdccf4f7bc9d44529826a291ea44.jpg 53a1b7a5595878f3fad31b25dd457b58 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd portraits Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Robert Stacy-Judd was an architect, archeologist, and tireless promoter of himself and his work. These portraits exhibit how his persona of Mayan explorer informed his architectural explorations. portrait