5 100 865 http://128.111.216.75/files/original/ad4977ae9782b89d7ae6430394062cf1.jpg 24e5925ae8a897d16671acfeb52e13e3 http://128.111.216.75/files/original/a8379962c84aa1a65b73746f522e6473.jpg 07912da5743345452d8a76eb790e389a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Smith and Williams Creator An entity primarily responsible for making the resource Whitney Smith, architect Wayne Williams, architect Smith and Williams, architects Julius Shulman, photographer Garrett Eckbo, landscape architect Source A related resource from which the described resource is derived Smith & Williams records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940 - circa 1980s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_175 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_175 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena (California), Los Angeles (California) Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Smith and Williams: Dunn house (Pasadena, Calif.) Creator An entity primarily responsible for making the resource Whitney Smith, architect Smith and Williams, architects Julius Shulman, photographer William Rudolph, associate architect Source A related resource from which the described resource is derived Smith & Williams records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1953 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_175 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_175 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena, Calif. Description An account of the resource This house may be the strongest example of Smith’s and Williams’s belief in the architect as a solver of problems. Smith convinced the Dunns not to tear down their Greene and Greene-designed James Culbertson house. The Dunns wanted a smaller, less formal house with more light and fewer stairs. Smith and Williams took off the second floor and opened up the first level to the site. As a native son of Pasadena, Smith knew Greene and Greene’s buildings well. His 1941-1942 letters to Charles S. Greene convey his admiration for and the influence of their work. http://128.111.216.75/files/original/dbef386a37dc0486e210efa1ecdb5079.jpg 3598508829f608c3c25efaea32fa3b2b http://128.111.216.75/files/original/0db8b0f8dd398f5b93a0267cf2248d6b.jpg 15cb1bcb76186b9eae2f14de2a953ed2 http://128.111.216.75/files/original/7b82ec27b004b75b815ba936444a96b8.jpg 544626f472d14897ca314a0306981684 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Smith and Williams Creator An entity primarily responsible for making the resource Whitney Smith, architect Wayne Williams, architect Smith and Williams, architects Julius Shulman, photographer Garrett Eckbo, landscape architect Source A related resource from which the described resource is derived Smith & Williams records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940 - circa 1980s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_175 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_175 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena (California), Los Angeles (California) Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Smith and Williams: Smith house (Pasadena, Calif.) Creator An entity primarily responsible for making the resource Whitney Smith, architect Smith and Williams, architects Julius Shulman, photographer Source A related resource from which the described resource is derived Smith & Williams records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1948-1951 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_175 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_175 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena, Calif. Description An account of the resource Smith’s own house began as a garage on a piece of land that had been part of a larger residential property. He wrote about the house in a letter to an editor at the Ladies Home Journal in 1948: “The garden walls and landscaping positively define the total limits of view so that. . . the actual view is about 75 feet, interrupted only by vertical columns and planting. . . .Space means nothing unless defined. Openness means little unless there also is closure.” http://128.111.216.75/files/original/85f541955596acebfa6d4fee53550d21.jpg fdf2f37ed7e8a469e28c7afe5f729aa5 http://128.111.216.75/files/original/b1e486dc6c0619c57605d1f7d19110c5.jpg 9127ec54d864f9fa35e5fe2e785b23a2 http://128.111.216.75/files/original/a69a6d120304b83164c36d94a2193353.jpg b4bb5ca30e18078bdfa8ccbf1dc50bae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Van Dekker house (Canoga Park, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1940-1945 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canoga Park, Calif. Description An account of the resource This large (3700 square feet) house was built in Canoga Park for actor Albert Van Dekker and his family. The three-level house sits under an unusual copper roof. The Van Dekker house was declared a Los Angeles Historic-Cultural Monument in 2009. http://128.111.216.75/files/original/59ba2d4fc7c8f57125067fb9599577ea.jpg df64b4846c0508b0abbdfd03f3f0d3a4 http://128.111.216.75/files/original/49e68df027048809a63494ad1dbc6cf8.jpg c162f2fafaeb53b5312954635c1cd1fc http://128.111.216.75/files/original/c8c144fb3ad2fb795046910d4abaa477.jpg 158fb51181e01765ebb19dab5db2053d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Kaun beach house (Richmond, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Stil Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Richmond, Calif. Description An account of the resource The beach house for Alexander "Sasha" Kaun and his wife Valeria was featured in many architecture magazines in the 1930s as an example of a small, inexpensive house. Kaun was a professor of Slavic languages at UC Berkeley and his wife was a famous artist; they both knew Schindler from their time in Chicago. The house was torn down in 2010. http://128.111.216.75/files/original/b87ba1ae64be63d245262cddb9b12480.jpg 6e0383b0f15cfcbd7f61b4152df192ee http://128.111.216.75/files/original/cf6b6ce81ab822e3631de286fef286b3.jpg bf3722c08d15f7d2b801dc7fa22eb25e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Hiler house and studio (Los Angeles, Calif,) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Hilaire Hiler was a well-known artist in the United States and Europe in the 1920s and 1930s. He commissioned Schindler to build this house and studio, just off of Sunset Boulevard. The house was torn down in the 1960s. http://128.111.216.75/files/original/6822dd4adfaffb279a9b7ae2ab7eb9c2.jpg 3c4a5a92d1eefb7d62284ff1b7cccbf9 http://128.111.216.75/files/original/44ea1b838ad787e3418a48bd4b310dc7.jpg df0fe8a2c0c2d89b318cfc4ed5550ed0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Erlik house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1951 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Hollywood, Calif. Description An account of the resource The Robert and Mariana Erlik house was built in the Hollywood Hills section of Los Angeles in the early 1950s. http://128.111.216.75/files/original/45eb27bc4cac6788bb7fd70c3f15f820.jpg e3c2b99d9d6599a433f716c1eec0a58a http://128.111.216.75/files/original/89051637caa4da5cf99b962119c6717a.jpg c4821c6c059ef26086302508f730e582 http://128.111.216.75/files/original/a4fdeddcb0900ab56778ec6edd53265b.jpg a0e05e0ba451d582d6d50995d7230d44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: DeKeyser duplex (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Woodcock, photographer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The house for John DeKeyser (also spelled de Keysor), is a duplex with a two bedroom unit on the top floor and a one bedroom unit on the lower floor. This house is just one house away from the Frank Lloyd Wright Freeman house, on the hill above. http://128.111.216.75/files/original/e1887d88bca4669ecc5f0de672c2d502.jpg 49bdba170fac57747706a1ffcb0c5669 http://128.111.216.75/files/original/532b02c5e3e0c50b6eec91217e5a9238.jpg 9b614fa87490d6cc25387b8f9761c78c http://128.111.216.75/files/original/92f0f258950ad53b2abcee45508a13b1.jpg c68d228a3c59c25f128c2975f864e792 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: How house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The James Eads How house in the Silverlake area of Los Angeles, is sited on top of a ridge, with views of the San Fernando Valley. The house at 2400 square feet, is large for a Schindler, and is built with center-cut redwood and poured concrete. Richard Neutra designed the landscaping for the house. The How house was named a Los Angeles Historic-Cultural Monument in 2007. http://128.111.216.75/files/original/dce519cbc2028dfe706097fa4b9c33f8.jpg 61206f3d3c7b1bc97dc23ca6f17a5193 http://128.111.216.75/files/original/c636beb0bc14863c72b8fa2a32ab8d3c.jpg a548444b737c60421f50f9105d749512 http://128.111.216.75/files/original/48f538ead042befe98808ff45af46984.jpg 35dc3c964db7a98194bf477324109071 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Kallis house (Studio City, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Robert Cleveland, photographer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1951 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Studio City, Calif. Description An account of the resource The Maurice Kallis house is sited on a north-facing slope in Studio City, with a wide view of the San Fernando Valley. The house originally contained a separate apartment and detached artist studio, but is now a single family home. http://128.111.216.75/files/original/3ea9d2d352f047ac158d23577c46ba64.jpg 336ccecdb1c093f7a7e9a269cc89f245 http://128.111.216.75/files/original/fef17b707de5bdff642adf7a4d6d0dc7.jpg 4146d5fc19622f28db3a99effcd0e969 http://128.111.216.75/files/original/88826949a3ebb2b9a615f30d36518545.jpg 09f89bdcfffa0fdb0b05445f3ede46b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Janson house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource This house for poet Ellen Janson, is perched on the edge of a cliff, high in the Hollywood Hills area of Los Angeles. Janson was a modernist poet, and is widely considered Schindler's last girlfriend. http://128.111.216.75/files/original/8d847abf766fabfec82f38a9b4e409ad.jpg cab7a5ced131497ff1282dc55aeb4d15 http://128.111.216.75/files/original/3a8d85c4a8b7890b2fa5c0463713e57e.jpg 7723e1bcf9ab60f5f7fb0c8f29c64893 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Shep house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The house for Milton and Ruth Shep was designed to sit on a steep slope in the Silverlake area of Los Angeles. Ruth Shep also commissioned Schindler to design furniture for the house. http://128.111.216.75/files/original/1dd9aa8f4f37be78a0d5c39af7586d2b.jpg d99177e048a74d6f691b580d522f6ee5 http://128.111.216.75/files/original/a5a66166d0df8f6bb84d4b624b3bc5ef.jpg ee1117d088ddd1f4cb2eccfe29b39dc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Photographic negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Lee house alterations (Maywood, Ill.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1916 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Maywood, Ill. Description An account of the resource This house alteration for J.B. Lee was in the Chicago suburb of Maywood. The project was completed by Schindler when he worked for the architecture firm Ottenheimer Stern and Reichert. http://128.111.216.75/files/original/813bee7811d6aa8e8cd38fede59d8de2.jpg c41b51102e00f7969a05cdcaeb3a040c http://128.111.216.75/files/original/1bfaec8e9ec70384eed5e01c4a2ebd38.jpg 493ed5b99759243acabfa5fccff29d4b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Walker house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The house Schindler designed for Ralph G. Walker overlooks the Silverlake reservoir on a steeply sloping site. The three bedroom, two bath house is a series of interlocking planes and cubes, with clerestory windows and expansive views. Schindler designed the built-in furniture, as well as other furniture pieces for the home. http://128.111.216.75/files/original/b707b089455cd1a1cdc6a13c33a86d3e.jpg 5f1219de4adf678909c638c9be67e82a http://128.111.216.75/files/original/a1a2843a3592baf4740decc6cb7ba98e.jpg 6c4e81c69d3efb0116d1e1d4f6b44106 http://128.111.216.75/files/original/379afad75c4a9981b61248b40acf84dc.jpg 5b38008b3f5fe0b795eb15dae6cb487f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Roth house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Studio City, Calif. Description An account of the resource Roxy Roth was a screenwriter and actor who commissioned Schindler to design a house in the Studio City area of Los Angeles. The house is on an irregular-shaped lot, with a curved driveway/covered garage with an entrance and exit. The house is sited along the street, to give a wide area for a yard and outdoor living space. http://128.111.216.75/files/original/ba878d20ef65ef9c239bafe3b740ada2.jpg 78ad0c2329514ba4338b623bf99f5b52 http://128.111.216.75/files/original/7f4fd607de0f0a731a371c77219249f6.jpg 7fd857847f93fdef3221de218d630672 http://128.111.216.75/files/original/14e27f8a19346ba0071ae601ae1583bc.jpg 868960a81c86149b352ea88592d9df6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper; Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Goodwin house (Los Angeles, Calif.) Description An account of the resource This house in the Studio City area of Los Angeles, was built in 1941 for Samuel and Yolanda Goodwin. The two-bedroom plus den house is sited on a street-to-street lot, with views of the valley. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Julius Shulman, photographer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-1941 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Studio City, Calif. http://128.111.216.75/files/original/98ede966826ff3ecded83a98984e3820.jpg aa10840c787439b3c6a91025ec925792 http://128.111.216.75/files/original/bd535afcfeef844630c7b27a4d883b3e.jpg a527fd86db93cd571a9e121649ba4faa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Van Patten house (Los Angeles, Calif.) Description An account of the resource This hillside house in the Silverlake area of Los Angeles was built for Elizabeth Van Patten and two other women, as three separate apartments with communal areas. Schindler also designed the furniture for the house. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/c88abbb19b7d298ee3d1a4e7431decb7.jpg 46b4f38594ddaecdbcfea65fa27eeb92 http://128.111.216.75/files/original/b47a3900e1fe3530031015d342c05c46.jpg 5f421af7291bcaf5f140ebcbbccbf84c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Rose beach colony (Santa Monica, Calif.?) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.? Description An account of the resource The beach colony with semi-circular beach cottages was planned for Santa Monica and possibly named the "Cabania City Project" by A.E. Rose. One prototype beach cottage was built, but the rest of the colony was not constructed. http://128.111.216.75/files/original/2205c6a967b62a53ad9f90724dad52e4.jpg 51f039107a54dd3d7589adc49e672695 http://128.111.216.75/files/original/562d4741083b0ef1ef8fd0b0e98e76d1.jpg fe796d96d112d2071716398d3b8d9f1e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Oliver house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1933-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The house for William Oliver in the Silverlake area of Los Angeles is set on a steep lot, with views to the ocean and mountains. The garage is at street level, and the house is above, at a 45 degree angle to take advantage of the views and access the yard. http://128.111.216.75/files/original/d62b48856ecb446d4da69e80140207da.jpg 61f0651dd4def242b8ce0afe096bf3b3 http://128.111.216.75/files/original/01883b39db25616d42be150ce013d171.jpg 9862d9daab71dc75d91411de364482c0 http://128.111.216.75/files/original/5654fa303ec8d2c4e911ea1b9f091a15.jpg f70410f19c9945da6ba848c48f8503cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Tischler house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Lotte Nossaman, photographer Marvin Rand, photographer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1949-1950 Rights Information about rights held in and over the resource © Marvin Rand Estate Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Westwood, Calif. Description An account of the resource The Adolphe Tischler house, on a sloping hillside in the Westwood area of Los Angeles, has a street facade that is reminiscent of the prow of a ship. The street level contained a carport and artist's workshop, while the main entrance and living space was two floors above, facing the back of the lot. The house was declared a Los Angeles Historic-Cultural Monument in 1991. http://128.111.216.75/files/original/5a062e8df2541f5ab83797177e0a92b8.jpg 7c5406e0f763d5468d436342549040c8 http://128.111.216.75/files/original/69a8c17349020fdeaa05bfeb35a4b3eb.jpg 7e1f947b98f55354285dca7274570c78 http://128.111.216.75/files/original/7fe579d97058a49b26c56bb4db046169.jpg ea3706adaf96e0c0cd66f98957f6685f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Harris house (Los Angeles, Calif.) Description An account of the resource The house designed for writer Rose Harris was built on top of a rocky ridge in the Laurel Canyon area of Los Angeles. The steep hillside site provided an unobstructed view down the canyon, but the footprint of the house was small, due to the restrictive building site. The house was demolished in the early 1970s. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Julius Shulman, photographer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1942 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/89c58dca66bf0730107f192aab3cfe01.jpg 9fba61de2e6bcbfaecc63a0215e4eb20 http://128.111.216.75/files/original/68fef57eac9c56f93ca35ddb07eff4c8.jpg 99eae558cfd3ce843a9a8123719a033e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Braxton beach house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Venice Beach, Calif. Description An account of the resource The beach house for Henry Braxton and his wife Viola Brothers Shore was to be sited along the ocean in the Venice Beach area of Los Angeles. The three story house (with sleeping porch and deck on the roof) was never built. Braxton was an art dealer and Schindler had previously worked with him on an interior for his art gallery. http://128.111.216.75/files/original/e43bdff67e5ca51efce15481d6d9657b.jpg 83a9cb4fc8059f5178cf2fddc2b5b744 http://128.111.216.75/files/original/d486e0f584925245dd1b51409d3aeda7.jpg 781623665941b873268c3691681afc57 http://128.111.216.75/files/original/60a8531be53672fdc924ee865a291ff6.jpeg a8ffce38a9fb03e0f5ec99139cbea724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Martin country home (Taos, NM) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1915 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Taos, NM Description An account of the resource This "Country house in adobe" for Dr. Thomas P. Martin was one of Schindler's earliest designs in the United States. After spending one week touring Taos, Schindler was influenced by the adobe and pueblo structures in the town. http://128.111.216.75/files/original/348edd39a0451d351ffc5e31a3fb27bf.jpg 55d7120a425adb2c25511d35d7c0df95 http://128.111.216.75/files/original/2cdc8c1cd5f436b239310ef5d0b2123a.jpg e9916237970a5d0a728ca196db06a795 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Barnsdall Translucent house (Palos Verdes, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1927-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palos Verdes, Calif. Description An account of the resource Rudolph Schindler first worked with Aline Barnsdall on the Hollyhock House, when Frank Lloyd Wright sent Schindler to California from Illinois to supervise the construction while Wright went to Japan to work on the Imperial Hotel. Schindler continued to work with Barnsdall, even after she had a falling-out with Wright. The Translucent house was designed to be set along a cliff-top overlooking the Pacific Ocean in Palos Verdes. It was never built, and has been named one of the greatest unfinished projects of the twentieth century. http://128.111.216.75/files/original/1749b01c064f4756d1491b2f2c72e60b.jpg 6fefda32262822050aea9609ab6b93d7 http://128.111.216.75/files/original/23770acc602c9e3ecaa08b25ede545f8.jpg bf9a627121a8132cf024e59776930abb http://128.111.216.75/files/original/5241a853e3635e4e4052a59406b94ba5.jpg b48e32a85ed4a9a970b8a8897338229f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Sachs Apartments (Los Angeles, Calif.) Description An account of the resource The Manola Court apartments were designed by Schindler for his friend Herman Sachs, on a steep hillside in the Silverlake area of Los Angeles. Sachs was the muralist and painter of the interiors for LA landmarks such as City Hall, Union Station, and Bullocks Wilshire. He started purchasing land on Lucille Avenue in 1926 and had Schindler eventually design three buildings, and add to two others that were already existing, eventually finishing the 16 apartments in 1940. The apartment complex was named a Los Angeles Historic-Cultural Landmark in 2016. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926-1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/57b17920c6ce361b33f6d9c18946aa79.jpg d48d098a7dd29e860751af3a73731ec5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Mackey apartments (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1939 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The Mackey apartments were designed in 1939 for Pearl Mackey. Three apartments were rented out, with the fourth, a two-story penthouse, was for Mrs. Mackey herself. Each unit had a different layout, and included built-in furniture, outdoor spaces, and Schindler's characteristic modernist shapes and volumes of indoor space. The apartment building is owned by the Austrian government and run as residential apartments and event space for artists who are part of the MAK Center for Art and Architecture. http://128.111.216.75/files/original/ab20e29874c8f407b1df903c80d5f857.jpg 786b2412c1d741c20ad4b2b4e3e66b4f http://128.111.216.75/files/original/619b1e7d2dee37ac8965b4471634510d.jpg a04161c0eb763c7a49a165a80cc030d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper; Colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Meline Photoplay building (Los Angeles, Calif.) Description An account of the resource Schindler designed preliminary sketches for this high-rise office tower for the Frank Meline Company. The Photoplay building featured a top floor clubhouse for the Photoplayers, which included a ballroom/dining room, men's and women's lounges, a library, multiple small card playing rooms, and a billiard room. Photoplay magazine was a movie industry magazine in the 1920s. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1922 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/f944bf21082e1bd426313cc4f8372490.jpg 43d95535d3ca2f4fa6b2c4178fed53ed http://128.111.216.75/files/original/99a5e823656ab2c3207a61ae0caa8dcc.jpg c984a6f392b8eb8fba72888c29c8c889 http://128.111.216.75/files/original/ef4636c2546d169d26b8ce1b179268c6.jpg fbab2a627419c80bd4bcb08ba49d55de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Rubinstein reception room (Hollywood, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Viroque Baker, photographer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hollywood, Calif. Description An account of the resource The reception room / salon interior design for Helena Rubinstein by Schindler was for a building on the corner of Hollywood Boulevard and Highland Avenue. Helena Rubinstein, the cosmetics entrepreneur, also commissioned Shindler to design a salon in New York City. http://128.111.216.75/files/original/4fdfadf808f6592e81c7c25285ea5198.jpg 4e67c3fa26e5ea7dc21edeeaa51bdadb http://128.111.216.75/files/original/c41efc4ba38c7ab3b82f0657af1e4d50.jpg 42843bbf06a6f5c02f279b9d324a25b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Cliff May house #5 (Brentwood, Calif.) Description An account of the resource Cliff May house 5 represents the final stage in his design of the custom ranch house in its scale, large areas of glass, and high ceilings. The large central living space (over 1,600 square feet and 53 feet long) was a combination of living room, dining room, and music room separated by a kitchen from the bedrooms. Enclosed on three sides by the house and carport, the terrace had radiant heating so it could be used for entertaining. Elizabeth Gordon declined to publish this house in House Beautiful, saying that the size, over 7,000 square feet with nine outdoor living areas, was out of scale for her readers. May brought it to House and Garden, where it was published as the first “Hallmark House.” The magazine described how the Mays lived in the house and its innovative features, such as kitchen island counter with sink and a sprinkler system for the skylight. Creator An entity primarily responsible for making the resource Cliff May, architect Maynard Parker, photographer Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1955-1961 Rights Information about rights held in and over the resource Maynard L. Parker, photographer. Courtesy of The Huntington Library, San Marino, Calif. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brentwood, Calif. http://128.111.216.75/files/original/d42b9af72cf1164d4b15ce9bc84d140e.jpg 7599a48b782d0130bc1e67e4b1c89168 http://128.111.216.75/files/original/a5f43028033e146c43c274e62ea2f74c.jpg adadfa97c8f6b66c1c67e4de168f0dd0 http://128.111.216.75/files/original/ea89d2755ad77868ee5c01edb033767e.jpg b2ed34a09e4d8cb664d2e32c97f846fa http://128.111.216.75/files/original/d73ed3138d3f5c220cc966b7c69a4045.jpg fa52bdb5a7097cae45a6fb986e07bad3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Cliff May house #4 (Los Angeles, Calif.) Description An account of the resource Cliff May house 4, or the Skylight house, illustrates May’s eagerness to experiment, something he was particularly willing to do in the houses he designed for his family. Christian (Chris) Choate and May together designed it, with landscaping by Thomas Church. Choate, a licensed architect, worked in May’s office and became a partner with May in Cliff May Homes, producing prefabricated tract housing. The experimentation in this house clearly came out of their discussions about low-cost housing. The house was unusual, especially for Riviera Ranch, because it did not sprawl but was rectangular and compact in its plan. May and Choate brought the patio inside the dwelling and covered it with a large skylight, about 30 feet by 50 feet, which had a retractable glass cover that was opened and closed by a motor. May collapsed most of the rooms into a single space that could be customized by moving around cabinets on wheels that served as temporary walls. Creator An entity primarily responsible for making the resource Cliff May, architect Chris Choate, architect Maynard Parker, photographer Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1949 Rights Information about rights held in and over the resource Maynard L. Parker, photographer. Courtesy of The Huntington Library, San Marino, Calif. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/dd4295a30d528d6a96fa74c1f9cf899a.jpg 525f34f9dfef7db61fbcca3ced54ce43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Cliff May Homes low cost house Description An account of the resource This promotional image highlights the suburban nature of the Cliff May Homes tracts, with lush landscaping and ample parking. Creator An entity primarily responsible for making the resource Cliff May, architect Chris Choate, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1954 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/cf99dc9e6ebc5bed6fc4cf980b78338d.jpg b3b2f1d3bfc22e74a6394e7777828b7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Cliff May Homes prefabricated house Description An account of the resource Cliff May Homes rationallized the building process and used elements of prefabricated building parts to lower costs. This very colorful presentation drawing highlights the attractive exterior of the home. Creator An entity primarily responsible for making the resource Cliff May, architect Chris Choate, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1954 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/eaa1bc1f1503c9f4dd818d608f8e38bc.jpg 1cff79dccecc260702709c46940c4262 http://128.111.216.75/files/original/0df6c305db91e3794c660a7a86037c31.jpg 3bdc0fc495fa79bf7df4392d40bd74da http://128.111.216.75/files/original/20e23fd6ff449ba3db35c5952a2f3742.jpg 5a03c015234db7f7e8373886e8bd9bd2 http://128.111.216.75/files/original/6321bb3e0db0d9eee46b7c8cbb85520c.jpg 1c942d3fb4962447ec25e2c5f7423dda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Norlie Construction tract (Chico, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Chris Choate, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chico, Calif. Description An account of the resource As the Cliff May Homes distribution of prefabricated housing supplies expanded across the nation, the speed with which a house could be constructed was still a major selling point. In this series of photos, a clock is prominently displayed to show how quickly construction progresses at the site. http://128.111.216.75/files/original/156de8547af6dc3a877f3b24972b8147.jpg 5f6173c0f26a107f9ca72f10d2eb76ee http://128.111.216.75/files/original/909d938e1dd6afeb4a8b9c6114060a88.jpg 0d6e7db090763b91340ab3223b8b0019 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: "Magic Money" ranch house Creator An entity primarily responsible for making the resource Cliff May, architect Chris Choate, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1952 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The house plans for the "Magic Money" ranch houses could vary between two and three bedroom models, as well as with or without two-car detached garage. The emphasis in these plans is on indoor-outdoor living, as exemplified by the large patio areas and lush landscaping. http://128.111.216.75/files/original/3a39e429f072d3bf26f0df16b65aa037.jpg 04ade157421db25268b9c87780c67e2e http://128.111.216.75/files/original/81c2ecf24c3308151df76d803aab3eaa.jpg 2c7ebee148e20ec4a80ee6d0ce8d52a7 http://128.111.216.75/files/original/8bd03a5d88218cec1032e2febffe0e9d.jpg a551f6ce593515dda2826667d8794921 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Cliff May Homes Factory Model home (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Chris Choate, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1951 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The idea for Cliff May Homes, a business of selling designs for prefabricated tract houses, was born in 1950 out of discussions between Cliff May and Chris Choate, an architect working in May’s office. May and Choate did field research, visiting other low-cost housing developments throughout California and in Arizona to assess their competition. They named the first prototype of the panel system the “Factory Model” and built it on a plot of land May owned in Sullivan Canyon, above Riviera Ranch. By the end of the day, a group of about ten skilled laborers had assembled the shell of a two-bedroom house using both post-and-beam construction and a system of pre-assembled panels http://128.111.216.75/files/original/535dafbafce41d6ce0968405eee88971.jpg 857ad0447ca8324ccedbb2da10a0701b http://128.111.216.75/files/original/c1af05d0a76bf30cd5d3e7b269e34e60.jpg e7eda58993ff01271ddce8e446a4ed34 http://128.111.216.75/files/original/a411fe6a2214c00d1570f4bce19dfe05.jpg 8f9feec0ed82dddc61b13746348a37b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: "Pace-Setter" model house (Brentwood, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946-1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brentwood, Calif. Description An account of the resource May first took the plans for his postwar demonstration house to Sunset, asking the magazine to sponsor the building of the house. When Sunset declined, House Beautiful agreed to partner with May on the house. First National Finance Corporation financed the construction in Riviera Ranch and Elizabeth Gordon and her staff designed the colorful interiors with furniture and fixtures supplied by advertisers. This model house was opened as the first House Beautiful Pace Setter house, promoted by two months of public tours, a cover shot and accompanying lavish spread in the magazine’s February 1948 issue. Gordon published a new Pace Setter house annually until the mid-1960s to spotlight ideal modern villas for the suburban middle-class. http://128.111.216.75/files/original/94affca85837b544143229e088b8642e.jpg 4993af6964bb1f158264cc5ffbbd5d41 http://128.111.216.75/files/original/9f0ec95848993802b0c7310af69a7131.jpg e397441e2ff8fb3ed2e2178db8b45490 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Lakewood Rancho Estates (Long Beach, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Chris Choate, architect Pacific Air Industries, photographer Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1954 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Description An account of the resource In 1950 Cliff May partnered with Chris Choate to form Cliff May Homes to distribute ranch house plans to developers throughout the country. In Long Beach, they partnered with Ross Cortese, who built Lakewood Rancho Estates. Over 17,000 homes in 36 different variations were built in this suburban tract. http://128.111.216.75/files/original/1d1c71c73387e7a141c46901ea2dfa75.jpg d11587dd5f6c309b5edb6e5dcef11052 http://128.111.216.75/files/original/36211ba0eb589f0912553a75ad808bd9.jpg 94c95d21bed5774469f3599e96d304a4 http://128.111.216.75/files/original/513d7d2b646ab7d2fb037e5eee23dcbb.jpg b1aeff435d37a1ab045c86e278a7bbf0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Woodacres demonstration house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1946 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource May worked on his postwar demonstration model home intended for the Woodacres development, with Elizabeth Gordon, the editor of House Beautiful, who designed these interiors. This model was to be a U- shaped plan. Rooms were to be arranged around a patio area that, in one of the renderings, is taken up by a lagoon-like body of water that provided a spectacular view from the lanai or open-sided porch and its associated corridor, as well as from the living room. The site, as depicted in the rendering, was lushly and tropically landscaped. Letters between May and Smith in the archive indicate that the land on which they planned to build Woodacres was in fact not so attractive and was in need of clearing. http://128.111.216.75/files/original/c42f7acd36f67ec651e9f8055f094067.jpg 8d88dc3388d68977d66f5e5b6b87d739 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Postwar Demonstration house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The plan that evolved into May’s widely publicized Pace Setter house for House Beautiful was first designed by May during the war as a Postwar Demonstration house, in anticipation of an expanding upper middle-class housing market. He wanted to build the Postwar Demonstration house (he also called it the “After the War house”) in a planned community of luxury homes called Woodacres. This was a parcel of land north of San Vicente Boulevard near the extension of 14th Street in Santa Monica that he and John A. Smith had purchased around 1940. http://128.111.216.75/files/original/3b09ea54c1c0ee01bba40576d54af6e9.jpg a9d5d204e7eb5933a83589e1cb9ce8ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Printed ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Good Housekeeping house Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946-1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource In 1947, Good Housekeeping magazine published May’s design of a small ranch house for a 60 x 120- foot lot, with the tag line, “Five rooms indoors—five outdoors.” The article boasts that the house is only 42 feet wide and “[t]here is no front or back—the house is livable on all sides.” Illustrated with a photograph of a model and a plan, the writer describes the modernity of the house: “Our ranch spreads out for light, air and view...Its design shows early Spanish influence, but in plan and flexibility it is thoroughly modern.” A sketch plan, with landscaping by Douglas Baylis, was offered to readers for 10 cents. The compact L-shaped plan would form the basis of May’s work for precut houses and housing developments in the mid-1950s. http://128.111.216.75/files/original/56b40c93a069d8f3e427540bdec3706c.jpg 942cc74cd2e2118b904a6fe319ff67c3 http://128.111.216.75/files/original/101bdee36d6c7813c076aecd98361a2b.jpg a0bab3b80cfb2bfa08305ccba4f447ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Sunset Minimum homes Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1945-1946 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource May designed these unbuilt minimum houses, a large set of model plans for low-cost ranch houses, for Sunset magazine. May’s strategy was to create garden-oriented, two-wing plans. The entrance was indirect and understated. Thin partitions defined the interior spaces. The houses were oriented away from street lines and toward an interior open space, and the rear facades were punctuated by terraces, porches, or courts. http://128.111.216.75/files/original/427aa9fecc61cc856e50ea972dd058de.jpeg 7eef39dfbcfc58868c5a46ecdfe64990 http://128.111.216.75/files/original/a1afd85a7dd525e5d6038f2113485bc4.jpg 2885064db2f3fc5330274c2bb7862b67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Lomita Square housing tract (Wilmington, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1942 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Wilmington, Calif. Description An account of the resource This wartime emergency housing tract was Cliff May's first development to use production-line and prefabrication of materials to construct a large number of houses in a short amount of time. Originally planned with developer John A. Smith and his First National Finance Corporation, on land owned by Smith near San Pedro Bay, this tract was not built. http://128.111.216.75/files/original/eddaec6a04144d86b245040d072af288.jpg 228e408d13f096990bb8527260605e3e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: May house #3 (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1938-1939 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource When the house was built in 1938–1939, the interior was connected to the outdoors visually through windows facing a sun terrace. In 1949, May changed some of those windows to glass doors. He also added heating under the concrete floor of the outdoor area adjacent to the living and dining rooms, as well as a sunken fire pit just outside the heated area. These changes allowed the sun terrace to be used for activities in the living and dining rooms. Though the pool was seen in the early plans, it wasn’t built until 1956. http://128.111.216.75/files/original/822131470ee953fde48f6466c358a245.jpg 71717c3d91e68502adef2944fd509858 http://128.111.216.75/files/original/10623de91db854b400ff792f15bf542a.jpg 74617959a4633e13db14e045b99cb014 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Riviera Ranch drawings (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1938 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource These unbuilt entrance gates indicate May’s vision for Riviera Ranch as a secluded world. The imagined landscaping is a fanciful mixture of cacti and palm trees. The building on the left is an architectural office with drafting and reception rooms. Cliff May did eventually build an office for himself here in 1949, at 13151 Sunset Boulevard, though of a different design. http://128.111.216.75/files/original/8daf1b924ad8af8624520ac5db2a8405.jpg 71bddf646de7d0a13f9c1bedde8bfb4c http://128.111.216.75/files/original/76ff05e752880e69b07c09d4952c9e46.jpg c01bb8ddc6dcb895a453cf5b68505c5e http://128.111.216.75/files/original/b0ebef88df3560f41d770b676ba542bc.jpg ddd06c19bde44895b97f4337d4cc2ab5 http://128.111.216.75/files/original/949b1899c39f7c5bb41d0cc23aaa2f9a.jpg 6ab284288d697048f8e9e2e58e07be26 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Riviera Ranch photographs (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1938 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource May evoked the mystique of California’s past and the proximity to the Riviera Country Club’s polo field to market his houses, as seen in his ideas to promote his Riviera Ranch development. He named his model house the “Urban Ranch.” Though Riviera Ranch now sits in the middle of west Los Angeles, surrounded by houses and bordered by busy Sunset Boulevard, these images from 1938 show how rural and undeveloped the area was when May began construction. http://128.111.216.75/files/original/fed8397eed2d6d88a99c0a2eea685502.jpg 9b17d31f83ad496d42e765820436ac42 http://128.111.216.75/files/original/f7c632aad5b005df4abae1dd3b70f5b2.jpg eab38beb523dbc40f6831f149613521b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: May house #2 (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource His second house for his family, Cliff May house 2, was built in Mandeville Canyon. This area of west Los Angeles would remain the epicenter of May’s work and life for the rest of his long career. The wings of Cliff May house 2 enclose the outdoor living space. The street façade is straightforwardly modest and gives no hint of the expansiveness of the courtyard side. http://128.111.216.75/files/original/7e7475bfb4ad6a5612a0aef0e11c19c3.jpg 1acd236b525509c7aa3d8de62ca90909 http://128.111.216.75/files/original/77a6c2995e2591b619eeb216e8909829.jpg 07696e6e90a1410f4f89ef191131913b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Blow house #1 (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect William F. Cody, renderer Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1937 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brentwood, Calif. Description An account of the resource Cliff May and John A. Smith formalized their relationship in a contractual partnership to “jointly undertake the construction of dwellings for sale in the vicinity of Los Angeles,” naming May as builder and designer and Smith as financier through his First National Finance Corporation. By the summer of 1937 they were aggressively promoting and publishing their houses, one of which is the first house May designed for Frederick Blow and his wife. Frederick Blow commissioned May, left money in an account for him, and then left for Europe. This house has all the hallmarks of the best of May’s ranch houses. It spreads on the site, encloses outdoor rooms, and looks, with its uneven roof line, as though it grew on the site over decades. http://128.111.216.75/files/original/790a2d90fb162299bad729827abda03c.jpg 21851da5de6e12e8740e72d2376d8d0e http://128.111.216.75/files/original/c5e371de260af1db8013c6a584940a8d.jpg f5e3ff912ebb7ada6db23b4a3fd2eed8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Smith speculative house (Bel Air, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect W.P. Woodcock, photographer Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1937 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Calif. Description An account of the resource The Hollywood Citizen-News reported that though the grand speculative house May built for John A. Smith resembled an “ancient ‘dobe ranch house,” the walls were actually hollow tile and filled with plumbing, electricity, and other modern conveniences. On the photographs of this house, May wrote, “Rancho goes moderne.” May saw no conflict between making a house look old (a “rancho”) and filling it with the newest appliances and fixtures (“going moderne”). The same Citizen-News article noted that the 5,000-square-foot house had sold to Mrs. W. H. Lyman Jr. of Beverly Hills for $39,500. The average cost of a new home in the U.S. in 1935 was $3,450. http://128.111.216.75/files/original/3b89525a0c837921b4732abd2a795338.jpg c6875e02410a8023091dcb97fc3c26f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Horton development (La Jolla, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1935 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. Description An account of the resource Hiram and Violetta Lee Horton built four of the six speculative houses May designed for them on Hillside Drive in La Jolla, a seaside community in northern San Diego. Violetta Horton also commissioned May to build the Sweetwater Women’s clubhouse in nearby Bonita. Where May had the chance to work on a corner lot or to orchestrate a number of dwellings together, he was less constrained by the need to separate the porch and court from the sight of neighbors, and began to find more varied ways to organize the house plans. Once out on more spacious exurban sites, May varied the shape and orientation of the courtyard with splayed and open plans. http://128.111.216.75/files/original/3897a554dea0820fac7e125501f259d9.jpg 0e2a11deae8131a5cbf46944da407538 http://128.111.216.75/files/original/a55ed4197b191b96c06d51a7594ee978.jpg 52efad9baf6f765be2c5e69cba031648 http://128.111.216.75/files/original/413152dfe3cbaac1df313cb351ded723.jpg d0e7f9677878d3a02851308e7ff289ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: O'Leary house (San Diego, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1931-1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. Description An account of the resource Cliff May’s future father-in-law, Roy C. Lichty, gave May a lot in the Talmadge Park subdivision, where Lichty was general manager, and financed his first speculative house, which May designed and built in 1931–1932 with the help of master carpenter William F. Hale. The house sold to Colonel Arthur O’Leary, who also purchased the Mission-style furniture that May had built and placed in the house to help sell it. http://128.111.216.75/files/original/8fa55a942213395d94bfda4e571a8ae4.jpg c6627fc12eac7f1bc5e3c6623cc9f6b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Lindstrom house (San Diego, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. Description An account of the resource Cliff May built his first speculative house in Talmadge Park in 1931, and his second in 1933, bought by Captain William Lindstrom. The Lindstrom house and furniture cost $7,710.42 to build. The $1,636.65 profit was split evenly between Cliff May and the contractor O. U. (Oliver Ulysses) Miracle. http://128.111.216.75/files/original/9cc4955e2a0a6b8532ba4ec6dd28ce3d.jpg 3cc5d3a55c5c11f83b0b339a4f586f0f http://128.111.216.75/files/original/2080102eca6c245b98851cda7785a81f.jpg a799612864ca57166d11d30559ce28f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: May house #1 (San Diego, Calif.) Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. Description An account of the resource For Cliff May's first house for himself and his wife, Jean Lichty, he designed a house which surrounds a courtyard in an asymmetrical fashion. Cliff May house 1 is a modest hacienda house in the Talmadge Park neighborhood and the first of five houses May designed for himself and his family. After building the house and moving in, May opened it for public visits and advertised it for sale. http://128.111.216.75/files/original/4b85ef3447067099b775290e77390475.jpg 5c19472ed16b844a28051a88fab1ef01 http://128.111.216.75/files/original/cca3376b7c2cd6634fda8caaa9f0b172.jpg fa22ae7d80f7ebac38f47c8ac327152a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Free Public Library (Jersey City, NJ) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Jersey City, NJ Description An account of the resource At the time Schindler submitted a design for the Bergen Branch of the Free Public Library Competition in Jersey City, New Jersey, he was working for Frank Lloyd Wright in Oak Park, Illinois. Schindler did not win the competition, and was not even mentioned as a contender. He did not follow the competition instructions by designing a smaller building, siting the library on a different portion of the lot than required, and declaring the required fireplaces unnecessary. http://128.111.216.75/files/original/c0bb3af882fff038a0bfff1d671c4daf.jpg 22d8809a798d7b4afdbfb520fb2ce258 http://128.111.216.75/files/original/57b314f547b5a6724792cc907e59a2f6.jpg 5a510d9a5c2169abda7b2dce42f80970 http://128.111.216.75/files/original/d684f581c4e7fcbdc0922d045040e99c.jpg a6784934b55152b6045fa4650c9408f8 http://128.111.216.75/files/original/e339aa80bcc392e6a2474172c517c03f.jpg f982e0ee6074e15494bd81f6c403577c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Bethlehem Baptist Church (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Julius Shulman, photographer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1944-1945 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The Bethlehem Baptist Church on South Compton Avenue in Los Angeles is Schindler's only religious structure. It is one of very few examples of modern architecture in South Los Angeles. The African-American church congregation commissioned Schindler to design the building in 1944, most likely due to his ability to work with small budgets and be his own contractor. The church was declared a Los Angeles Historic Cultural Monument in 2009, and is still in use today by a new religious organization. http://128.111.216.75/files/original/ef692d6828a78349d74ba014ad8112e7.jpg a929db52bb83b8fdcea12526d241275d http://128.111.216.75/files/original/bd67a25d873f58832a4c9cc241f46587.jpg 4e617aa6a632cfd736844706f7259209 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and watercolor on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Laurelwood apartments (Studio City, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946-1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Studio City, Calif. Description An account of the resource The Laurelwood Apartments were the last grouping of apartments Schindler designed before he died. The complex of twenty two-bedroom, one-bath apartments is set on a sloping lot, with each apartment having either a private patio or terrace and a private entrance. The International Style apartments were one of the first courtyard apartment complexes in the Los Angeles area in this modern style. The complex was designated a Los Angeles Historic Cultural Monument in 1980, after a developer threatened to tear it down. http://128.111.216.75/files/original/b973706fffd4bfae302e6245f2f04e17.jpg 466b365c83174a9b3c05edc828c315ac http://128.111.216.75/files/original/25f1937e6753825bb55d144c72ddba70.jpg c212ac7dd52c374d65bef0bbcda405ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler Lovell cabin (Wrightwood, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Wrightwood, Calif. Description An account of the resource Dr. Philip Lovell was a doctor who commissioned multiple projects from Schindler, including his beach house in Newport Beach. This cabin in Wrightwood was to be a simple weekend getaway cabin for the doctor and his wife Leah and their family. The cabin was assembled using prefabricated panels with a flat roof and the structure only withstood one year of snow at its high elevation before it collapsed. http://128.111.216.75/files/original/3c1ea3dffb28e031254b2f8deea0a3a4.jpg 6ed39efeb45eee351891ac166d953521 http://128.111.216.75/files/original/1fa24c962507b61689526858d9dd960a.jpg 29fd3a53fd56b8315dd2a5bddf274c6d http://128.111.216.75/files/original/deef6230d3584285aba5ce7fe0067c5f.jpg a143cc712ab385f02bdec1a214080f69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Popenoe cabin (Coachella, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1922 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Coachella, Calif. Description An account of the resource The small, square house for Paul Popenoe and his wife contained two bedrooms, a bathroom, and the exterior walls were ringed with porches that could be covered to act as sleeping porches and an extension of the living space. A central living area with large fireplace separated the two bedrooms from each other. http://128.111.216.75/files/original/d915956f3741db2946a6982ac935e3e0.jpg e03a5e3696479e6d8b52b1bde9cd3869 http://128.111.216.75/files/original/074066811e74c2e2ef0c37c408e19a20.jpg 45a0fd8f5b1a25e3a7616ea168651c77 http://128.111.216.75/files/original/03bbe8bde9ece7eca276d7967effa5f2.jpg a6038c8b01a851e964fff1499305314f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Walter S. White (1917-2002): Miles C. Bates house Description An account of the resource The Miles C. Bates house by Walter White in Palm Desert, California is also known as the "wave" house for it's uniquely shaped roof. The house blends the curving roof lines, reminiscent of the nearby mountains, with glass walls and indoor/outdoor living. The house was recently listed on the National Register of Historic Places. Creator An entity primarily responsible for making the resource Walter S. White (1917-2002), architect Source A related resource from which the described resource is derived Walter S. White papers, Architecture and Design Collection; Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection; Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1953-1955 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Desert, Calif. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Subject The topic of the resource Southern California Architecture California Modern Architecture Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context adc_193 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Walter White portraits Description An account of the resource The Walter White archive contains a few photographs of White at various stages in his career. Creator An entity primarily responsible for making the resource Walter White, architect Source A related resource from which the described resource is derived Walter S. White papers, Architecture and Design Collection; Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection; Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950s - circa 1980s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_191 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_191 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. portrait http://128.111.216.75/files/original/237ee935be42348056720e2643ce4f10.jpg 7de91259c511d5c6df07270cad950227 http://128.111.216.75/files/original/b9f134ab9201107956ff2741e05c4972.jpg 8e547592f4962676bd38e8e24527556e http://128.111.216.75/files/original/86f982da52949d4d708cf29e7e30e84c.jpg 2aebcf2ac2283919e527928873e8bb2e http://128.111.216.75/files/original/e7761a6c80bf53cd3ddca17e549fce0b.jpg 37cad94113b664001e5a63d1b1cb53ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Smith and Williams Creator An entity primarily responsible for making the resource Whitney Smith, architect Wayne Williams, architect Smith and Williams, architects Julius Shulman, photographer Garrett Eckbo, landscape architect Source A related resource from which the described resource is derived Smith & Williams records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940 - circa 1980s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_175 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_175 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena (California), Los Angeles (California) Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Smith and Williams portraits Description An account of the resource Portraits of both Whitney Smith and Wayne Williams can be found in both the Smith and Williams collection as well as the Wayne Williams collection. Whitney Rowland Smith was born in Pasadena in 1911 and lived there most of his life. He entered the School of Architecture at the University of Southern California (USC) in 1929, graduating in 1934. Between 1934 and 1940, Smith picked up drafting and design projects from several different architects and worked as a renderer for Universal Studios. He designed subsistence housing for the Farm Security Administration in 1936 and housing for the war effort with the Public Housing Administration in the early 1940s. Smith considered Harwell Hamilton Harris, for whom he worked briefly, his teacher Kem Weber, and Charles and Henry Greene to be the great influences on his work. He opened an office in Pasadena in 1944, and in 1949 founded Smith and Williams with Wayne R. Williams. Smith taught at USC in 1941-1942 and at Scripps College in Pomona from 1945-1962. In 1973, Smith left Smith and Williams and returned to an individual practice. He died in 2002 in Bend, Oregon. Wayne Richard Williams was born in Los Angeles, October 17, 1919. He attended John H. Francis Polytechnic, a vocational high school that offered drafting classes, and in 1941 entered USC, where Whitney Smith was one of his instructors. When the war ended, Williams worked in Smith’s office while finishing his architecture studies at USC. He graduated in 1947 and probably earned his license in 1949, the year he and Smith formed Smith and Williams. Williams developed an interest and specialty in planning recreational facilities and wrote the book Recreation Places in 1958. It was his idea to form the collaborative Community Facilities Planners in order to compete for large jobs that needed planning, landscape, and architecture. When Smith left the partnership in 1973, Williams retained the firm name, changing it at some point to the Smith-Williams Group. By 2003 he had moved to the Washington, D.C. area to work with International Development, Inc. (IDI) on high-rise apartment buildings and leisure world complexes. Williams died in Leesburg, Virginia in 2007. Source A related resource from which the described resource is derived Smith & Williams records, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950s - circa 1970s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_175; adc_211 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_175; adc_211 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena, Calif. Creator An entity primarily responsible for making the resource Smith and Williams, architects; Whitney Smith, architect Wayne Williams, architect portrait http://128.111.216.75/files/original/95230f329057cc8d0dfbe976d4b023ca.jpg 586f7718a1e2bf6ca7028987346cc8ca http://128.111.216.75/files/original/5661875d537fc3599a348a7815af8091.jpg 37d4453dc90ff43065b0b791d10fcded http://128.111.216.75/files/original/b7a9dd5f92bd6e2bb0d54dbbcb361237.jpg 4a749bf5b59fd895da5f59d569e32d7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May (1908-1989): Custom Ranch Houses Subject The topic of the resource Cliff May, architect Description An account of the resource Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country. His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools. These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950 - circa 1980 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant California Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May portraits Description An account of the resource The Cliff May archive contains many personal and professional portraits and publicity images of Cliff May. The second image was published in House and Garden in February 1957 and shows Cliff May, daughter Marilyn, son-in-law Lawrence Philips, grandchildren, wife Jean, daughters Melany and Hillary, and son Mike. Images of May’s family occasionally illustrated articles about his houses and ranch house living. Creator An entity primarily responsible for making the resource Cliff May, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/345389e4c3e6624a741ad516acdcb045.jpg 6a0d091cf63b4d6aea3bb11c5a1a7fda http://128.111.216.75/files/original/b16f983260f42fb76c940060960ee772.jpg 5c09a75d38b6eb71fddf2877012cd482 http://128.111.216.75/files/original/e5146321d905a5e777937a92a28151f3.jpg 2e2ced31f4bd6134cc0b6683ccd5909d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kem Weber (1889-1963): Interiors Description An account of the resource Architect and designer Karl Emanuel Martin Weber was born in Germany, and apprenticed as a cabinet and furniture maker. He emigrated to the United States, where he eventually established himself in Los Angeles and Santa Barbara, and worked for furniture companies and individuals on commissions across the country. Weber's designs for homes, commercial interiors and exteriors, as well as his hotel and retail work, ushered in an era of modern design in the 1920s through the 1940s. His interior designs also encompass his furniture designs, with his most famous being the Airline Chair and Disney Studios in Burbank. Creator An entity primarily responsible for making the resource Kem Weber, architect and designer Source A related resource from which the described resource is derived Karl Emanuel Martin (Kem) Weber papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920- circa 1959 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_191 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_191 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Barbara, Calif.; Kansas City, Kan.; Chicago, Ill.; Banning, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kem Weber portraits Description An account of the resource The Kem Weber archive contains quite a few photographs of Weber in meetings and posed for portraits. Creator An entity primarily responsible for making the resource Kem Weber, architect and designer Source A related resource from which the described resource is derived Karl Emanuel Martin (Kem) Weber papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_191 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_191 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/01e82ba428a859dcf199d37d234747ed.jpg 34d0d6c144946516df7bbdc1440a1f5d http://128.111.216.75/files/original/ea5637a6523c0d64afdf4582a01ec901.jpg 6d65e01166dd15ddd5fca1e590d23ca6 http://128.111.216.75/files/original/a96f73d22ab90df99a72662f56ecd7fa.jpg 730ef7a7f227bce4350af3702d99c329 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf (1908-1980): Hollywood Regency style houses Description An account of the resource John Elgin Woolf was trained as an architect at the Georgia Institute of Technology, and moved to Los Angeles in 1936, hoping to get into the movie business. He did not become an actor, but became acquainted with George Cukor, who introduced him to a wide range of celebrity clients for his design and architecture firm. The vast majority of buildings designed by Woolf were private residences, either additions, alterations, or entire houses. Hollywood Regency as an architectural style encompassed some aspects of French Normandie and English Regency styles, but with a decidedly theatrical flair in image-conscious Hollywood. With mansard roofs, oversize 'Pullman' doors, oval windows, Doric columns, and large swaths of color (both inside and out), Woolf's Hollywood Regency style stands out among the more traditional houses, and in sharp contrast to the newer mid-century modern. These residences were mostly located in Beverly Hills, along with a few in Montecito and country club commissions in Palm Desert. Creator An entity primarily responsible for making the resource John Elgin Woolf, designer and architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1940- circa 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Beverly Hills, Calif.; Montecito, Calif.; Palm Desert, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Elgin Woolf portraits Description An account of the resource The Woolf archive contains quite a few portraits of John Elgin Woolf, including these color photos. Creator An entity primarily responsible for making the resource John Elgin Woolf, architect Source A related resource from which the described resource is derived John E. Woolf papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1960s - circa 1980s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_197 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_197 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/b1382ecad67e9458d7c79c5b13863cc2.jpg 84d69d5b1b3202413be2b4999243316e http://128.111.216.75/files/original/0919b2698337894a084ee064a37cfdaa.jpg 1e8be957f3e78afe28b01df1fa369c85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith portraits Description An account of the resource The George Washington Smith portraits are archived in the Lutah Maria Riggs collection; since she was his protege who worked in his firm up until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. portrait http://128.111.216.75/files/original/6c958b34a22ae1f773929929dc4b1c81.jpg f038bc00cb8ae6326163a3404386ee13 http://128.111.216.75/files/original/019400e63f68f2e15fba7302b5478826.jpg 578caba89a1ffd3af956d68865f26b87 http://128.111.216.75/files/original/bf52d44112c8aad7a4dd9f52582b20eb.jpg 277b3d71b22764abe93793f0c38f2849 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell (1906-1984): Mid-century modern Description An account of the resource Thornton Abell graduated from the University of Southern California with a degree in architecture, and worked for the well-known firm Marsh, Smith & Powell throughout the 1930s. During the 1940s and 1950s, Abell taught at the Chouinard Art Institute and at the University of Southern California’s School of Architecture. In 1948 Abell was asked by John Entenza to design Case Study House #7 for the magazine Arts and Architecture. He was not as well known as some of his peers, however his residential work in the mid-century modern style is a superb blend of indoor-outdoor living, glass walls, and natural accents. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Santa Monica, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thornton Abell portraits Description An account of the resource The Thornton Abell archive contains a number of studio portraits of the architect. Creator An entity primarily responsible for making the resource Thornton Abell, architect Source A related resource from which the described resource is derived Thornton M. Abell papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1950s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_102 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_102 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/d2111719d9989144af81c3177e8d5327.jpg 216a4765cb0e6c27afa4180e1c46f8ea http://128.111.216.75/files/original/1f8d6e938e1c05bc8ecb69c91b1e792c.jpg e2bc29b46782d2d7dead09e97732132b http://128.111.216.75/files/original/eb098d5487339f425cff9616b524bb6a.jpg f7613b5a852b45670ea0b157f75b5eb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth portraits Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1950s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Description An account of the resource The Killingsworth collection contains many photographs of Edward Killingsworth at job sites, ground breaking ceremonies, and discussing projects with groups of people. portrait http://128.111.216.75/files/original/5bb0cd05a5c550ad2f51becd01841d1b.jpg a84d2daa8a91febcd0e197dcb5d8c91b http://128.111.216.75/files/original/b034be7cea52fa5680bd9155f2048d89.jpg 94806978577fb6d8a10cb689c21fa54c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic prints Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest portraits Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930s Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_184b; adc_347 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_184b; adc_347 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource The de Forest archive contains a large amount of personal papers, including many photographs of Lockwood and Elizabeth de Forest. The photos document their extensive camping trips in the Sierra Nevada mountain range in the 1930s. portrait http://128.111.216.75/files/original/baaa74348b571412366d1d54c28448be.jpg 1e479a0b0d8aff49c35fadf6597878e3 http://128.111.216.75/files/original/21a77d699089df03836d149463f0fc29.jpg 226846988922ffe97527ef7e0049e382 http://128.111.216.75/files/original/e29ebdccf4f7bc9d44529826a291ea44.jpg 53a1b7a5595878f3fad31b25dd457b58 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd portraits Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Robert Stacy-Judd was an architect, archeologist, and tireless promoter of himself and his work. These portraits exhibit how his persona of Mayan explorer informed his architectural explorations. portrait http://128.111.216.75/files/original/bfa69f1cf96a12b02d73e6c91bd061ec.jpg e32ccb321ad9c9134ed105118b20dbbb http://128.111.216.75/files/original/f2e21f97e793b80717d46754f2e86b85.jpg 27f2ffdd492b5c7e83023e256b579965 http://128.111.216.75/files/original/fa7914ff518e9fe0898968ae80fb8b1e.jpg f060bc9345e00ce11513ed6771cea7b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow portraits Description An account of the resource This grouping of portraits shows the serious nature of Winslow. Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925, 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/4e15de1581ef64442a5f2b74ff002a5a.jpg c818449ff40740c891e737c3d533602d http://128.111.216.75/files/original/07a3ebce2a6ec9f6e741e3c8aeafb10e.jpg ec3d96bd0bd07c5da291885fa1fa6736 http://128.111.216.75/files/original/9d304794fcb019953e61d717277684cc.jpg 500e64fe837d66a8ebd1fa700186366d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler portraits Description An account of the resource These photographs capture Schindler at the construction site for the Walker house and in a more composed setting later in life. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1935, circa 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/265b415df7b791a4cf275e464d85f5e3.jpg 76d4382198d59636e3ca2351864a161a http://128.111.216.75/files/original/f2ca3fd5c0d3a952bb8d595958e595e1.jpg 0194733d6f1213d2528ffb5dc3bc0920 http://128.111.216.75/files/original/122448c540ba37dbf51d7025b620ec16.jpg fb17f8e349c99f966f490f360b7e4eb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters portraits Description An account of the resource These undated portraits of Peters highlight his personal style and attitude in line with his interior designs. Creator An entity primarily responsible for making the resource Jock Peters, architect and designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. portrait http://128.111.216.75/files/original/ba3fc7e66b2c1daf4747e152e36cad6d.jpg 565fde764a820dbdcd5d3b98d70c3ab4 http://128.111.216.75/files/original/126ff6e8bd2531f781bfa57730ab06b3.jpg 9935dce7b0f8ea15ca0fedab8e42efd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs portraits Description An account of the resource These two photographs, taken approximately 30 years apart, show Lutah as a student at Berkeley and as a well-established architect at her drafting table. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920, circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. portrait http://128.111.216.75/files/original/0dc5ed37c10b1aeab5915d1b406fe9f9.jpg 0148405ffaec4a8e47b9f7bafa1a9f5b http://128.111.216.75/files/original/ac6b0b8a6f8d3971a54c1d375316ef8a.jpg e19fd1b9b12f927b1681d7386a517d8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Colville house (Isla Vista, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Isla Vista, Calif.; Goleta, Calif. Description An account of the resource In 1954, the University of California opened a new campus on a former Marine Air Base, about ten miles west of Santa Barbara. This sparsely populated area, called Isla Vista, did not have the housing or infrastructure to support the influx of students, faculty, and staff. This small ocean-side house for Physical Education department faculty member Francis Colville is a two-bedroom, one bath modern house on Del Playa Drive. It is on the far west side of Isla Vista, since the properties closer to campus were zoned for multiple units to house students. http://128.111.216.75/files/original/39d35f4f3c07f9bf429dbd2cb30a59ed.jpg 33cd8ca4c8523e9215ec4ea575b68e8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Nelson medical offices (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource This medical office building was one of three commissions by dermatologist Lawrence Nelson. It is a typical small medical office building, with parking in the rear of the property, and access from the street. The present occupants of the building are a local architecture firm. http://128.111.216.75/files/original/de7273f9f85ed12b3f92c04c793e8198.jpg dfa514040d3f03749f0d8abd4d1fe24a http://128.111.216.75/files/original/7ff09e52228be2d8a4818afe75568470.jpg 4ab8f7cb6528da7631364a11eb1fa20d http://128.111.216.75/files/original/e79cf84d3900bea3104f48ddf18dc4e4.jpg 42490a250daeeb7b35cedda4e5132aee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Baer house (Lompoc, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect William Aplin, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1947-1948 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lompoc, Calif. Description An account of the resource The alterations to the Herman Baer house in rural Lompoc show the modern style of architecture that Riggs was moving towards in the late 1940s. A marked departure from her Spanish Colonial Revival work of the 20s, this house shows her growth as an architect and ability to adapt to changing needs of her clients. http://128.111.216.75/files/original/49f62f301eb39525984d7f792d0aa852.jpg 62925db83db744fbbb3a6c55e5a0cade http://128.111.216.75/files/original/c0a9a9cc02dd9e590f5f4a47e67bdced.jpg febeb703dc1e67b709f3d58dd7fae303 http://128.111.216.75/files/original/d0f6687b20888d223731bc278b6be271.jpg 2976f9e3c87139a84c50588fb2bc97cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Suski building alterations (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Ray Borges, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1963-1966 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource The large, multi-story commercial and retail building on State Street in downtown Santa Barbara had exterior alterations by Riggs. The T.C. Suski Building was a Joseph Magnin department store in the 1960s and is currently retail and offices. The building is adjacent to the Casa de la Guerra, the historic adobe dating from the 1820s, and the El Paseo shopping area. http://128.111.216.75/files/original/4fc49addc2365c079d7f5b9eda889910.jpg cbc5ed9a3f1c5f583377559ea43956ba http://128.111.216.75/files/original/ced1fac8a1e0777fddd712645377688f.jpg 8e75b919907e62185fe050dfb21d20d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Santa Barbara Botanic Garden library (Santa Barbara,Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Marvin Rand, photographer Frederick Dapprich, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1942 Rights Information about rights held in and over the resource © Marvin Rand Estate Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource The Santa Barbara Botanic Garden was started in 1926 as a partnership between the Carnegie Institution and the Santa Barbara Museum of Natural History, with land in Mission Canyon donated by Anna Dorinda Bliss. The Garden grew from the initial 13 acres, up to 78 acres today, and is filled with native and regional plants. In 1942, space was needed for the growing library of books on horticulture in the Garden's collection. Riggs was commissioned to design a structure for education and research named the Blaksley Library. The exterior courtyard was a collaboration between Riggs and landscape architect Beatrix Farrand. Additional landscape designs in the garden were created by Lockwood de Forest and Elizabeth de Forest. http://128.111.216.75/files/original/57bdda9227acd1429ec283c43bbe6cb3.jpg 0d6aa335462c44ec845c151635eee64a http://128.111.216.75/files/original/86a654b16651558652f25213cb78fc21.jpg 2d3d1a84c0f7e53c21044958485f2533 http://128.111.216.75/files/original/dcdf23b9abdf288ae4179858fc2e43e6.jpg c1204a58c280075829346d82287c280a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs (1896-1984) Description An account of the resource Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D. Taylor in Susanville. One year later in 1921, Riggs began to work for architect George Washington Smith. She remained in his office until his unexpected death in 1930. Before his death, Smith apparently treated Riggs as a surrogate daughter, taking her on architectural study trips to Mexico and Europe. Riggs became an important member of the office--her renderings can be found in almost every project file. She contributed significantly to the Lobero Theatre, El Paso historical complex, and Casa del Herrero, among other projects. After Smith’s death Riggs established a short-lived partnership with William Horning. Horning and Riggs and dissolved in 1931. In 1931 Riggs became the principal of her own firm. In 1946 she formed a partnership with Arvin Shaw (who had worked for the New York firm, Harrison & Abramovitz), which lasted until 1950. Riggs continued her practice until 1981, when she closed her office due to declining health. The numerous residential and public buildings designed by Riggs include houses for Wright Luddington, Alice Erving, and for E. Palmer Black; the Vedanta Temple and the library and herbarium of the botanical Garden in Santa Barbara. While most of her work was in the Santa Barbara area, she received several commissions in Los Angeles and in smaller cities south of Los Angeles. In 1966 she was named women of year by the Los Angeles Times; she served on the state Board of Architectural Examiners and the Santa Barbara city and county Landmarks Advisory Committees. She was a charter member of the Montecito Foundation for the History Committee and active in the preservation of Santa Barbara’s historic architecture. Lutah Maria Riggs died in 1984 in Montecito, California at the age of 87. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 - circa 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Riggs house (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Frederick Dapprich, photographer Hal Bouchex, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource Riggs designed this house on Middle Road in Montecito for herself in the mid-twenties; she lived there until her death in 1984. The house, named Clavelitos or "little carnation," contained two bedrooms, ample outdoor space, and large fireplaces. The Spanish Colonial Revival style was championed by George Washington Smith, who was Riggs' mentor; she worked for Smith up until his death in 1930. http://128.111.216.75/files/original/90f18b376bb248bb040725c921437f49.jpg c1f733f1bd66fe9b0ac61abacaac38df http://128.111.216.75/files/original/8ef1694d24a03765a3c96a473bc31862.jpg c4eb6fd7228f2fcbc6adf65b5d625588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Blueprints Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Irving house (Wilmette, Ill.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Frank Lloyd Wright, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Wilmette, Ill. Description An account of the resource The James B. Irving house was a temporary home designed by Schindler while he was employed by Frank Lloyd Wright. Schindler designed the home quickly, after Irving requested a temporary home since his had been destroyed by a tornado. The Irvings lived in this small home until 1928, when they commissioned John Van Bergen (another former associate of Wright) to design a Prairie style home. The Bergen house was on the same parcel of land as the Schindler/Wright temporary house. Both houses were extant until 2014 when the Bergen house was moved to Evanston and the Schindler/Wright house was dismantled and put into storage to make way for a new development. http://128.111.216.75/files/original/6b69fcee4687bec5bf0204ca99e81ead.jpg df64304b81a01d0da0f2b7286936c987 http://128.111.216.75/files/original/7644f26e1be281bd460d129e7b2de44b.jpg a7393d6946cbb9d37bc2f39b7dc8f771 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Buena Shore Club (Chicago, Ill.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Ottenheim, Stern, and Reichert, architects Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1917-1918 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Ill. Description An account of the resource This very early work of Schindler was done while he was still in the employ of the Chicago architecture firm Otternheim, Stern, and Reichert, just prior to Schindler leaving to work for Frank Lloyd Wright at Taliesin. Built at Buena Avenue and Lakeshore Drive, the L-shaped clubhouse was part of the Buena Park neighborhood of upscale homes and apartment buildings. http://128.111.216.75/files/original/54a2c6be33ec784c82eb7e570a07340c.jpg 80d0d700500732f6f07ba80c90dbd34a http://128.111.216.75/files/original/03dc2fe84b595e51d3587a8e320da6f6.jpg f2fbc1aa57b5f510363e5d6b730fcb88 http://128.111.216.75/files/original/03c8795c577713c210c953fe737ed6d9.jpg a311453ebb8b741a647499fae8245654 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Toole house (Palm Desert, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Shirley Burden, photographer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1948 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Desert, Calif.; Palm Village, Calif. Description An account of the resource This desert house for Maryon (also listed as Marian) Toole, is located in Palm Desert, which at the time was an unincorporated area known as Palm Village. It features stone walls with wood framing, large glass walls and clerestory windows to let in light, and a large overhanging roof to keep the hot desert sun from heating up the inside. http://128.111.216.75/files/original/aad3d3c5e011df06c6bf3a1014a93427.jpg 9165fa544d1becd0f49dd5f08aa6b461 http://128.111.216.75/files/original/599c85a2c7118e79b1355dfd7f447fd7.jpg 6ad5634ce8b6c9aa38e2a67fb36ebed3 http://128.111.216.75/files/original/edea233299d8a49f66e087d02abe2228.jpg 25ae9f84fde19c86f9c038215114ebd6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: El Pueblo Ribera Court (La Jolla, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1923 - circa 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. Description An account of the resource This twelve unit complex of duplexes, built for San Diego dentist W.L. Lloyd, showcased how Schindler was able to incorporate many of his modern plans into a multi-unit complex. Each unit had a ground floor living area, outdoor garden space, and an upper terrace and sleeping area. The units also have a view of Windansea Beach and the Pacific Ocean. Only one of the units is still relatively intact, two others burned, and the rest have been altered in various ways (mostly to inclose the upper floor to make more living space). http://128.111.216.75/files/original/5c8ee9ee83d630a8134b97328a43a47d.jpg 332fe80a05414a1093f62f805d8c20b6 http://128.111.216.75/files/original/2c35155c77d78c4407d43406766d7e32.jpg 2293f2bb74f1d7dc3053459fe104c315 http://128.111.216.75/files/original/ae6deb37b52ef8ee138dc2622a50bdd0.jpg f13694bcd719af4c925b1ca87db2df20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite and watercolor on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Wolfe house (Avalon, Santa Catalina Island, Calif.) Description An account of the resource The Charles H. and Ethel Wolfe house was a single-family house with views of Avalon Bay, ocean, and natural landscapes. The mezzanine level was the street level and included the garage, small bedroom with full bath, kitchen, terrace, and living room with fireplace. The second floor was one below the mezzanine, and contained an ample guest room, with its own entry, kitchen, dressing room, multi-purpose living area and terrace. The house was torn down in 2002, and a house with a similar street facade was erected in its place. Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1928-1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Avalon, Santa Catalina Island, Calif. http://128.111.216.75/files/original/a7879a76087bbf818f284b0c548613dc.jpg a15e01c86943c601cbc8c4ded3556ca3 http://128.111.216.75/files/original/f23e55f8bca3fac1f9da5698ab826b6d.jpg 4f13d746b8637f7010c1f3160adfde2a http://128.111.216.75/files/original/f04894840d8db30aa411887226ef2f81.jpg bf3f5daaad904dae9885849423c8e5fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Sardi's Restaurant (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect and designer Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Schindler designed the interior of the restaurant for Adolph Edward Brandstatter, including the furnishings. The restaurant, on Hollywood Boulevard near Vine, was popular with the Hollywood movie stars. It was originally open 24 hours per day and contained separate bar and restaurant areas. A kitchen fire in 1936 destroyed the building. http://128.111.216.75/files/original/32c16bed15431db91feaf033dd035a84.jpg 7fbc3c76ff0b11b9bf89ab465386d327 http://128.111.216.75/files/original/3e8cd0df6805076a2f59ef88c4e827a7.jpg 203c8061252c60e9172c25e11c234190 http://128.111.216.75/files/original/ef2383e2c844e4d28acab853ff313ed3.jpg 3b7373f4ffd6c9de27669dc541569321 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Loewy house (Palm Springs, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1947 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Description An account of the resource The industrial designer Raymond Loewy commissioned Frey to design a bachelor pad and winter getaway in 1947, in Palm Springs. The small (1100 square feet) house features walls of sliding glass doors opening onto a patio and pool. The outdoor living area contains multiple eating areas, a shaded trellis, and spots for pool-side lounging. As shown in the photos by Julius Shulman, the amoeba-shaped pool even extends under the glass doors and into the living room. http://128.111.216.75/files/original/41f6f1558c72214011d282136d70f99d.jpg 58b1c88f3d65db9035c4e6cb2d11dfe6 http://128.111.216.75/files/original/9f5cbfc59881e49b2fb27dc47789b071.jpg 6e8bf76b063648904805bdc9435309c4 http://128.111.216.75/files/original/752ff512ab5dba93f9778876391dd62c.jpg 0ff827c0ab3e496f742d7a707640c9b1 http://128.111.216.75/files/original/7e241d595e267c50763159cb0647c86f.jpg cf071046154cb16aeee3e9110d94ae45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: North Shore Beach and Yacht Club (Salton Sea, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect Robson Chambers, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1959 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Salton Sea, Calif. Description An account of the resource The Salton Sea was a formerly dry lake bed located southeast of Palm Springs. The area was flooded as part of an effort to irrigate the surrounding area in the early 1900s, and is one of the largest lakes in California. It is also one of the saltiest and most polluted, due to agricultural run-off. During the 1950s, the North Shore area was a very popular vacation spot, and the marina was one of the largest in the state. The Club was in operation until 1984, when it closed after being damaged in a flood. In 2010, the county of Riverside operated the Salton Sea Museum and community center from the main building. It was placed on the National Register of Historic Places in 2015. http://128.111.216.75/files/original/5c12c9411c4713f5996786aa1ba5c4a1.jpg 61dbbc3e27f9e672d47bbc48124cd65c http://128.111.216.75/files/original/3c43bf6d57467b46b5030e3a9f975ccf.jpg 7329740cd3a5d4135db45797144fcfa8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Bel Vista tract housing (Palm Springs, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect John Porter Clark, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1945 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Description An account of the resource The Bel Vista affordable housing tract was built in 1945 as housing for War workers. The subdivision of 15 homes was designed by Albert Frey and John Porter Clark for the developers Sallie Stevens and Culver Nichols. This was the first subdivision in Palm Springs to feature modern-style houses, and the only Frey housing tract. http://128.111.216.75/files/original/881f0e144de7c9be085dc63ec7d32800.jpg 79a19d06cb00a678b45ecc5eade47cf9 http://128.111.216.75/files/original/05449e947e5a5538718e49d7be3b933e.jpg 9db0e6e57956e7239d8ccfa70dd053a6 http://128.111.216.75/files/original/3f50ee435d6e79eafa91c91f459e61a4.jpg 9ece980ade0692e2f7f782ea52a09089 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic negatives Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Kocher weekend house (Northport, NY) Creator An entity primarily responsible for making the resource Albert Frey, architect A. Lawrence Kocher, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Northport, Long Island, NY Description An account of the resource Architects A. Lawrence Kocher and Albert Frey worked together in 1933-1934 to design low-cost structures, like the Aluminaire House. Kocher was the managing editor of Architectural Record, faculty at the University of Virginia and Black Mountain College, and responsible for helping bring Walter Gropius to the United States. With this weekend house on Long Island, Kocher and Frey designed the house with a redwood frame, then stretched Marine canvas over the walls. The canvas was sealed and painted, and lined with aluminum for insulation on the inside. The ground level was parking and a playground, the second level was the main living level (with kitchen and large living room which had curtains to separate the space into bedrooms at night), and the top level was for sun bathing and sleeping areas during warm weather. The house was demolished in the 1950s to make way for a new subdivision. http://128.111.216.75/files/original/1d379d75bef124ec582bdbe4741242af.jpg 8a796217b2f827c2a135d803c88bd74f http://128.111.216.75/files/original/3bd5fa45639509d2ccc5946359c467b4.jpg 29e5c4db2e7f4e3d0d13cef257ff70ef http://128.111.216.75/files/original/34d41316be91785d382a0d127fe31321.jpg ed9f4cade6e67fb37bb85448932e083d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Kocher-Samson office and apartment (Palm Springs, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect A. Lawrence Kocher, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934-1935 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Description An account of the resource In 1934, Frey was sent to Palm Springs to design and build an office building, with an apartment above, for Dr. J.J. Kocher, the brother of A. Lawrence Kocher. The building was designed to take advantage of the climate and featured a courtyard between the two offices on the ground floor, and the apartment had a large terrace on the shady north side of the building. The photographs, taken just after construction, show how the building was the only structure in the area, surrounded by sand and sagebrush. Today, the building still stands along busy Palm Canyon drive, surrounded by other businesses and concrete. http://128.111.216.75/files/original/5a75db7eaa90a1b2dae9fa31be0387bc.jpg e7ef05fdc91d841bdf904d7ee3f4da46 http://128.111.216.75/files/original/d7e869d8417c36128b4c9534e4e5abb6.jpg 04cbb9d06e4fe9463dbfd561e0e41c29 http://128.111.216.75/files/original/ce18177062add5235c727950fa42ddb4.jpg ff1047e663a46e97ad56a4cd58254b15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Tramway Gas Station (Palm Springs, Calif.) Creator An entity primarily responsible for making the resource Albert Frey, architect Robson Chambers, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Description An account of the resource Frey and Chambers designed the Palm Springs Aerial Tramway station house (the building at the base of the mountain) in 1963. The Tramway Gas Station, at the corner of Tramway Road and Highway 111, was constructed in 1965 with a distinctive hyperbolic paraboloid roof, which gives the building an instantly recognizable appearance. It was used as a gas station until the 1990s, when it was turned into an art gallery. In 2015, the building was placed on the National Register of Historic Places, and was converted to the Palm Springs Visitor Center. http://128.111.216.75/files/original/79c36d3c8804a6b31c770fa967360e5e.jpg 95fcd0bea4149fb97446211092ee2075 http://128.111.216.75/files/original/3bd5e23a85b84468af57855e7c7ab80f.jpg 5ce7b91d696a7d3d6f5dcafa0282f985 http://128.111.216.75/files/original/1ce039dd3bc0956c2f271ad3eef49892.jpg 8c639b8c395e0b20c65e1923bfc652db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey (1903-1998) Description An account of the resource Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York. Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark & Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95. Creator An entity primarily responsible for making the resource Albert Frey, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource English Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palm Springs, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic negatives Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Frey: Aluminaire house (Syosset, NY) Creator An entity primarily responsible for making the resource Albert Frey, architect A. Lawrence Kocher, architect Source A related resource from which the described resource is derived Albert Frey papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930-1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_134 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_134 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York City, NY; Syosset, NY Description An account of the resource The architect A. Lawrence Kocher was asked to design a house for the Architectural League of New York City and the Allied Arts of Industries bi-annual exhibition. Kocher hired Frey to help design a house that used new materials, like steel and glass as a low cost construction alternative. After the exhibition, the house was purchased by architect Wallace Harrison, who moved the house to his property in Syosset, on Long Island in New York. The house remains on the property until 1987, when a new owner decided to demolish the house and build a subdivision. The New York Institute of Technology agreed to dismantle the house and reconstruct it on their campus. Teams of architecture students spend the next six years carefully dismantling the house and re-assembling it at the School of Architecture on the Central Islip campus. In 2012, the campus was closed, the house was transferred to a group called the Aluminaire House Foundation, which dismantled the structure and stored it in a shipping container. In 2015, the container was shipped to Palm Springs and is currently awaiting re-assembly. http://128.111.216.75/files/original/b909b0b921d984137389fd9651da87d8.jpg 089750821515eebf28d6af5e046eb19c http://128.111.216.75/files/original/78212ae9d7df1674e93ea886feb56aba.jpg b4a51d1fbd441630760221a42ef5d95d http://128.111.216.75/files/original/42b66a9dc9fde25e80ba08dcfc477f24.jpg 3f75fed041d69f4e6615d2f828549c02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Bullocks Wilshire store (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, designer Eleanor Lemaire, designer Parkinson and Parkinson, architects Mott Studios, photographer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929-1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The Bullocks Wilshire department store was one of the first to cater to customers in automobiles. The large Art Deco edifice was easily recognizable, and customers were able to drive up, have a valet securely park their car at the rear of the building, then shop or dine inside the 230,000 square foot building. The building was designed by father and son architecture firm Parkinson and Parkinson. Jock Peters and Eleanor Lemaire worked for the Fiel & Paradise Company as interior designers and were responsible for the first few floors of the store. Each of the departments was designed to be a luxurious retreat, where live mannequins and low display cases featured items for sale, not racks of clothes, which would obscure the architecture and interior details of the room. Bullocks department store was eventually bought out by Macy's, which rebranded the location as an I Magnin store. By the early 1990s, the chain had folded and the building was purchased by the Southwestern Law School. http://128.111.216.75/files/original/7c586831145513239136b873bc426230.jpg d16674bab152dcb51e285a6a2d75b026 http://128.111.216.75/files/original/75153a7cee5a420823e31b26036bbf54.jpg bee597e46d30f06f30946c45c38db60e http://128.111.216.75/files/original/4dc7156baf32ab64f9f067faa125b675.jpg 4b305e8451b6c19d98d529b7a83a8575 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: set designs Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1924 - circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource After working with an architect in Germany, Peters emigrated to the United States in 1922 and settled in Los Angeles. By 1924 he was working with Famous Players- Lasky Corporation, one of the largest silent film production companies in the city. Peters worked on set designs until 1927 when he opened a design company with his brother George. http://128.111.216.75/files/original/57221eae6b95f49f92fb71725a69b0dd.jpg bd7fd02156d9e34094ad3e4f40412ddb http://128.111.216.75/files/original/ed6066880a527e5ae15270431f19563e.jpg 67e067d293abfc4976fc3d52874842c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Peters Brothers Furniture Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif,. Description An account of the resource After working for the movie industry for a few years, in 1927 Peters began working with his brother George as Peters by Jock, Brothers Modern American Design Office. They designed furniture and other interior pieces. http://128.111.216.75/files/original/1fee98a613e212a8c4f138d894cbaaf6.jpg afdf1e527c5a306b575f76c5fe1c8228 http://128.111.216.75/files/original/0616d2baa37f21a193966f2872f71a8f.jpg c53ba6ffb535025ff1c1aafabfaedc97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Peters house project (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, architect Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The renderings for a proposed Jock Peters residence along College View Avenue in the Eagle Rock section of Los Angeles show a very modern house, sited on a hill, with a studio and garage at street level. As with his other residential works, this house was to have multiple outside decks, patios, and balconies, as well as ample entertaining space, and a view of the city. http://128.111.216.75/files/original/5c2c5e9404d61d452a4c297da134b75c.jpg df127642853b15e3fe9f370f6f353ef3 http://128.111.216.75/files/original/924f8b261cac0315a07d967b1cd5f18a.jpg 9ad5f7059ab5674e780f0c9977e053e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Gilks house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, architect and designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource This two-story modern house for the cinematographer Alfred Gilks is in the Los Feliz neighborhood of Los Angeles, just a short distance from Griffith Park. The house features multiple decks, an outdoor fireplace on the patio, and a mural in one of the bedrooms by Buckley MacGurrin. http://128.111.216.75/files/original/3a492fafcc43ea08f08ff935c10a6c5a.jpg 1f91641b81bf530d64341d2cf913f90c http://128.111.216.75/files/original/c506a2d70781d8338528a280fdd4eb4b.jpg 0ae86fb2eeba01ae0ffcfd54fd24656c http://128.111.216.75/files/original/722e9ff7366f649cc53ce20834bfdb0a.jpg e23f3c95d37f6add8a77f943a37fffe8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: Shepard house (San Marino, Calif.) Creator An entity primarily responsible for making the resource Jock Peters, architect and designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Marino, Calif. Description An account of the resource This house for L.E. Shepard in the Los Angeles suburb of San Marino is one of the few houses designed by Peters. The style is a Streamline Moderne, with some hints of International Style and Art Deco. The images highlight the indoor-outdoor living, with patios, decks, and sliding doors. http://128.111.216.75/files/original/0b509e156b02f7da42ff33941e4fdefa.jpg 9bef18e4bdebac7a43e67efce45009cb http://128.111.216.75/files/original/b722f4ea9b2814cb00def06937fd0924.jpg 85838789b32632786d983a035bc15e19 http://128.111.216.75/files/original/4b298570cb699270b5df5222fef8d23b.jpg f909edf9c44d824e8e660615f129ca7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters (1889-1934) Description An account of the resource Jock Peters, born Jacob Jock Peters, was born on March 16, 1889 in Jarrenwisch, Schleswig Holstein, a region of farmland near the Danish border. At age 14, Peters apprenticed under a stonemason in Hamburg. Three years later, in 1907, Peters attended the Baugewerksschule, a building trade school in Germany. By 1912, Peters was a draftsman in an office in Dusseldorf. In 1913, he worked in the office of K.G. Bensel. From 1913 to 1914 Jock Peters worked in the office of Peter Behrens in Berlin, until he was drafted. In 1920, shortly after Peters was released from duty, he was appointed the director of the U. Kunstgewerbeschule, a state school for the applied arts in Altona near Hamburg. Due to poor heath, Peters decided to emigrate to the United States to join his brother in 1923. From 1924-1927 Peters worked as the art director at Famous Players/Lasky (later Paramount). In 1927, Peters founded the firm Peters by Jock, Brothers Modern American Design Office. Sometime before 1929, Peters started working for the store planners Neil Paradise, an association that led to the Bullock’s Wilshire commission for which Peters designed the first three floors of the department store. In 1931 Peters was commissioned to design a club house and swimming pool for the Park Modern subdivision in Calabasas, which stills stands today. He also designed two houses built in Los Feliz and San Marino, California. Jock Peters died at the age of 45 on March 31, 1934. Creator An entity primarily responsible for making the resource Jock Peters, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920-1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jock Peters: L.P. Hollander store (New York, NY) Creator An entity primarily responsible for making the resource Jock Peters, designer Eleanor LeMaire, designer Source A related resource from which the described resource is derived Jock Peters papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_164 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_164 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York, NY Description An account of the resource Jock Peters worked with Eleanor LeMaire on the interiors of the women's clothing store. The architectural firm who designed the building was Shreve, Lamb & Harmon, and it is located on East 57th Street in Manhattan. The store was laid out 'boutique style' with many different areas or shops for the customer to browse. LeMaire was a New York based interior designer, and had worked with Peters on the Bullocks Wilshire store http://128.111.216.75/files/original/dacd50b2f084f0cbd8b8ef5ec2edefff.jpg 97e9372241cf26fd31341d785a240aae http://128.111.216.75/files/original/f43984ef092caa1964600c41fa3d4dac.jpg b1809ba3121007f051efc9a943882e10 http://128.111.216.75/files/original/a1fac1f4b173a92c5453c99cb0254781.jpg ed89576bd94f29665fbadf2b66736696 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Falk apartments (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1943 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The apartment complex for Ted Falk at the corner of Lucile and Carnation avenues in Los Angeles, is one of the more complex designs for a Schindler apartment building. The four apartments are set on an irregular-shaped lot, on a steeply sloping hill. Schindler placed the two one-bedroom apartments and the two two-bedroom apartments above and set back from the streets to give each apartment a private outdoor space and a view of the city. http://128.111.216.75/files/original/9b6fb95da2058770d0fa677a7e1c3e14.jpg 22863cc8e9b5d4b5a65b3a7cccfc91bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Korsen bungalow court (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1921-1922 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource In the 1920s the 'bungalow court' was a common form of affordable housing in the Los Angeles region. With small units lining the sides of a city lot, perpendicular to the street, a courtyard is formed between the units. This style allowed each unit to have a bit of open space, and to fill in a lot with small individual units. Many of the bungalow courts in the city of Los Angeles were built by contractors, with no architect input, in a Spanish Revival or more traditional style. This unbuilt project for Mr. and Mrs. Jacob Korsen was designed by Schindler in a much more modern style. http://128.111.216.75/files/original/b668fd1e00083f24d5f7fed2987669cf.jpg bffab5d349c217e6dcf1ecb3d54bd0dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Harriman's Colony Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1924-1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Gabriel, Calif.? Description An account of the resource This rendering of Harriman's Colony is a birds-eye view of a planned community, possibly in San Gabriel. The client, Job Harriman was a lawyer and ran for mayor of Los Angeles in 1911 as a socialist. After his failed mayoral bid, Harriman started a utopian socialist community called Llano del Rio, just outside of Palmdale, California. The short lived (1915-1917) community was self-sufficient, growing their own food, creating building materials, and living a communal lifestyle. Schindler had an interest in alternative lifestyles, so it is not surprising that Harriman would commission Schindler to design a colony. http://128.111.216.75/files/original/0664fd173abbd83dd7a4effadb903e56.jpg 96a6dda2f34775ed13b436d116fc31d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Gould and Bandini Workmen''s Colony housing development (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The housing development for Gould and Bandini was a series of small houses for single workers or small families. This project was never built.