6 100 865 http://128.111.216.75/files/original/e83c7ab7aafa6c35697674a0b5e1e160.jpg 52ae473a59c1c2643d93860e87ec5f7d http://128.111.216.75/files/original/82b67dd43c4c444134b3e1057b1c6601.jpg 3bdbe978cf228d32f0e7b7b12c4a3fcd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on linen; Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Bennati Cabin (Lake Arrowhead, Calif.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lake Arrowhead, Calif. Description An account of the resource The distinctive A-frame shape of the Gisela Bennati cabin is possibly one of the earliest uses of the style as a residence in the United States. The steeply pitched roof is a very good choice for the Lake Arrowhead region, since the lake is at a high elevation which receives many inches of heavy, wet snow each winter. The shape helps to shed snow while providing walls of windows to look out on the view. http://128.111.216.75/files/original/918aa4cdcb4d6aa5e5182d049746c7aa.jpg 716b876b4dab84d1311c7a0fa8cf3aa6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph M. Schindler (1887-1953) Creator An entity primarily responsible for making the resource Rudolph M. Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1920-1953 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Rudolph Michael Schindler (1887-1953) was born in Vienna, Austria. Schindler trained in Vienna at the Technische Hochschule, from which he graduated in 1911 and at the Akademie der bildenden Kunsteunder where he studied under Otto Wagner. He also came under the influence of Adolf Loos and his informal salons in Vienna. Schindler emigrated to the U.S. in 1914. He worked for the Chicago firm of Ottenheimer, Stern and Reichert. Between 1917-1921, he worked with Frank Lloyd Wright, first in Chicago and Taliesin, then in Los Angeles where he moved in 1920 to help supervise the Barnsdall Hollyhock house. In Los Angeles he set up his own architectural practice, working briefly with the engineer, Claude Chase (1921-1923), and as a partner with Richard Neutra in The Architecture Group for Industry and Commerce (AGIC) (1926-1927). In his lifetime he completed about 150 buildings, most of them in Los Angeles. His uncanny ability to design three-dimensional spaces (he called himself a “space architect”) sets him apart from most other modern architects. His house, which he designed and built on Kings Road in Los Angeles in 1921-1922, is considered by some historians to be the “first modern house.” Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rudolph Schindler: Neighborhood Center (Chicago, Ill.) Creator An entity primarily responsible for making the resource Rudolph Schindler, architect Source A related resource from which the described resource is derived R. M. Schindler papers, Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture & Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1914 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_100 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_100 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Ill. Description An account of the resource In 1914, the Chicago Architectural Club held a competition to design a neighborhood civic complex. This was Schindler's entry, featuring a very clean lines and a rectilinear plan. http://128.111.216.75/files/original/0e25214a4d5171850b162cb882cfca5d.jpg 0be0032e53150ae415a4cde82afb85ed http://128.111.216.75/files/original/c8b948da74d11a8eb2dcbb63a4a9f0dd.jpg cfb9c1f4ec4223e3cab265775120f7c3 http://128.111.216.75/files/original/3e40d72539b1a68fe2f54ecbdeba5180.jpg 94dc476f916cd177eb0245ff819369be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Los Angeles Central Library (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Bertram Goodhue, architect Mott Studios, photographer Lee Lawrie, sculptor Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The Los Angeles Central Library was one of Bertram Goodhue's final projects, which he was working on when he died in 1924. Winslow took over and finished the project in 1926. The early Art Deco building featured Egyptian friezes and inscriptions on the exterior, as well as large murals and metalwork on the interior. The building was threatened with demolition in the 1960s, but a large public outcry saved the building. It was expanded in 1983, and is a Los Angeles Historic-Cultural Landmark, and on the National Register of Historic Places. http://128.111.216.75/files/original/09a508da71f2e2387acbc256c0f77e67.jpg 562d71c41dba8d87f4099049d37f4187 http://128.111.216.75/files/original/d7a60e5888c1b099abceaacd6aa93253.jpg 000e183b51e3bc5f170180b089cf8e87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Valley Club (Montecito, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The Valley Club is a golf course originally designed by renown course designers Alister MacKenzie and Robert Hunter and the American Golf Course Construction Company. The main club building featured a main dining room, men's and women's lounges, as well as locker rooms, and support facilities for the kitchen and staff. It is still used today as a premier golf and country club. http://128.111.216.75/files/original/959a68c8944387708abd69ae98fcac79.jpg 65879fcf400cd3fb29e07b5fa28f6758 http://128.111.216.75/files/original/fea73adca880ae90cbf999a1ab053e99.jpg 19a23b392174ff80b1dc566fef21a212 http://128.111.216.75/files/original/4cc101f8b5c9754afe15e6ef75c5f8d3.jpg 46bb2783eed7836328ef6c1646cadcaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Chapman Park Hotel (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Mott Studios, photographer Loomis and Fisher, photographer Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Winslow altered the Chapman Park Hotel and Bungalows, which were located on Wilshire Boulevard, in 1936. The hotel had been in business since the early 1900s, and Winslow added details to make the walled garden with bungalow cottages feel more like a Mexican village with white stucco walls and red tile roofs. The Hotel was located along the rapidly expanding Wilshire Boulevard, near the Ambassador Hotel, Bullocks Wilshire department store, and the Brown Derby restaurant. The hotel was demolished in the 1960s to make way for an office building. http://128.111.216.75/files/original/c4765f1568817f5e6f7196d769fa563a.jpg 78fdafae8d94af38937f0c7e0dbcb170 http://128.111.216.75/files/original/c255a4d165580a58e52a311f0c54fc19.jpg 990f56f92060d03d51ef75f78a0fc00d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Santa Barbara Museum of Natural History (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource The Santa Barbara Museum of Natural History was designed in a Spanish Colonial Revival style and built along the banks of Mission Creek, just a few blocks from the Santa Barbara Mission. Winslow designed a series of buildings interconnected with covered walkways, courtyards, decorative fountains, and red tile roofs. http://128.111.216.75/files/original/3e2bf203a4f79bd98031aad4ac3a6afd.jpg dd4fb2fc666286377d9d75e0fe20485a http://128.111.216.75/files/original/7fda634c642d2ee61ec8cdc40a113a7d.jpg d40dc019fff6faffb01d5d16c760b953 http://128.111.216.75/files/original/8ec25f9e8cc4f8cb36d4d52825f1926c.jpg 1f233dce8f1940fdacf9a7de2327c864 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; ink on linen; graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Bliss house (Montecito, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1916-1920 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The Bliss house was one of Winslow's largest private commissions. The 80 room mansion for William and Anna Dorinda Bliss, at the corner of Olive Mill and Hot Springs Roads in Montecito, was to be their summer residence. The 45 acre estate, named Casa Dorinda, contained the main house, servant's quarters, garages, various outbuildings, and extensive gardens. The Bliss' were quite wealthy and they hosted many large parties, including for European royalty. After Anna Bliss died in 1935, her daughter inherited the property and allowed the Navy to use it as a hospital during World War Two. It subsequently became a boarding school, then in the 1970s, a retirement communnity. http://128.111.216.75/files/original/7f85e7b606b6932370777736dab67f0c.jpg ad7d3947c3f16806eecdfabe8b755071 http://128.111.216.75/files/original/b5d68859fc7afe78258b6cdfaf0a9805.jpg 1821dcfaea76d810153242abd9e9de0d http://128.111.216.75/files/original/6f2b54114c00e5f744790bb354ab9d14.jpg ccc591b22ec916d6d45da3b3884b94ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Monroe Winslow, Sr. (1876-1946) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1915- circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif. Description An account of the resource Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue & Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carleton Winslow: Panama-California Exposition (San Diego, Calif.) Creator An entity primarily responsible for making the resource Carleton Winslow, architect Bertram Goodhue, architect Harold Taylor, photographer Source A related resource from which the described resource is derived Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1915; photographs 1938 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_196 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. Description An account of the resource The Panama-California Exposition opened in 1915 in Balboa Park, San Diego, as a celebration of the opening and of the Panama Canal a few years prior. The Expo originally picked architect John Galen Howard to design the site, but due to his unavailability, Bertram Goodhue was chosen, along with local architect Irving Gill. Carleton Winslow was working in the Goodhue office in New York, and was called out to replace Gill in 1911. The Spanish Colonial Revival and Churrigueresque style buildings designed by Goodhue and Winslow set the architectural style for the exposition. While some of the structures built for the Expo were designed to be temporary, others were to be permanent and are still in use today in Balboa Park. http://128.111.216.75/files/original/2f3e2ff7088542b17b05d37e2141eae0.jpg 760a66c5be688351356b9db24cddf26f http://128.111.216.75/files/original/3c6ef8a7adc9daea404782fdce3a5c9d.jpg ba05dd7bbda5afc060ab67bd1230f401 http://128.111.216.75/files/original/475ec8e041657db4a64eec911356b1b2.jpg cb7be976dd7dc6ab587bfaa33b92bec5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Monroe house (Lake Sherwood, Calif,.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Donald Biddle Keyes, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1929-1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lake Sherwood, Calif. Description An account of the resource The small community of Lake Sherwood is situated in the mountains of Ventura County, northwest of Los Angeles. The man-made lake and surrounding forest land was used in the 1922 filming of Robin Hood, and as the setting for many subsequent movies. The house designed by Stacy-Judd for Neal Monroe contains many of his signature "Mayan" influences. With triangular windows, ornamental landscaping, and ornate interior details, this is one of Stacy-Judds' larger and most expensive private home commissions. http://128.111.216.75/files/original/5f35f7f6b21c254c28fa8765e3bd4e6c.jpg 8fc0ea6e88b76f3386d368c98c0a686e http://128.111.216.75/files/original/55b5360db121a9f66314942d086b05c7.jpg 0efec8502b3d2c26f7b58740b4f8cdcd http://128.111.216.75/files/original/a30fd6f80a46fda14feb2900cce19061.jpg a1ac556f25630c458bc94c04bbc09b34 http://128.111.216.75/files/original/d151ce1923b23ba78ac9ef1da8b81ec5.jpg e6a22b008822474d35854ca4bcb851ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Merrick & Ruddick housing project (San Fernando Valley, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Johnson, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Fernando Valley, Calif. Description An account of the resource As the population of the Los Angeles region grew in the early 1920s, developers purchased land that was formerly ranches to turn into housing developments. Merrick & Ruddick developed the San Fernando Valley area, and asked Stacy-Judd to design and build houses for speculation and for their clients. Most of the houses in the Hollywood Foothill subdivision near Ventura Boulevard were in the Spanish Revival or traditional styles. But some were designed in the Pueblo Revival style that Stacy-Judd made famous. http://128.111.216.75/files/original/32de8d25c5868906ec347045842bc040.jpg 2e26e4222bab121a1306c482d149887a http://128.111.216.75/files/original/64bd27546b27bbcf3492bbcfd0f9b0be.jpg efafa113cc589d2558c5c52aa46d83af http://128.111.216.75/files/original/424d8c84862e6f8b917f78554bbd7092.jpg 3b684f575f05b77d2a8f8536b7bfda1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: La Jolla Beach and Yacht Club (La Jolla, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect R.H. Stone, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1926-1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant La Jolla, Calif. Description An account of the resource The La Jolla Beach and Yacht Club was a large-scale commission for Stacy-Judd after his success with the Aztec Hotel in Monrovia. For the Club, he created a more subdued theme, with triangular shaped window openings, adobe-style exterior walls, and arched doorways. The main Club building was 200 feet long, with a covered promenade stretching the length of the building, and a 1000 foot sea wall protected the building from high tide. The interior of the building featured exposed wood beams, arched doorways leading into lounges, a dining room, kitchen, Club offices, and dressing rooms for Club members. http://128.111.216.75/files/original/3ca1fef0d5ede10ce7a868912205faf6.jpg 49d772cfb68fe92a3163aafd711a3990 http://128.111.216.75/files/original/769e59bbe125d708c70652f8a318a8d5.jpg 03a9ab610580ce956db60b5635e2126e http://128.111.216.75/files/original/ee1cc4d6fc6cd213ea1de42db76fde18.jpg 96834ec7f7b9da61e4988fd09746aadb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Krotona Institute of Theosophy (Ojai, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect R.H. Stone, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1924-1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ojai, Calif. Description An account of the resource Theosophy was a religion that began in the United States in the late 1800s as a mix of esoteric Spiritualism, occult influences, and adaptation various Asian religions. The Krotona Institute started in the Beechwood Canyon area of Los Angeles in 1912, and included structures designed by Mead and Requa, and Arthur and Alfred Heinemen. By 1924, the Los Angeles area had become too crowded, and the Krotona Institute moved to Ojai, a small town about 75 miles northwest. Robert Stacy-Judd was commissioned to build a large number of buildings including an administration building, library, lecture hall, and bungalows for the members. Designed in the Spanish Colonial Revival style with white stucco walls and red tile roofs, the buildings blended in with the overarching style of the town of Ojai. http://128.111.216.75/files/original/01f86dfb781d8ceba4616d5a0038ae40.jpg ab969c585aad56a731c6851e1854bc28 http://128.111.216.75/files/original/28587b08e2a9cf7c8af6f791af040bbf.jpg cf8f719dc326abe40dcbf086224f0ece http://128.111.216.75/files/original/17d22db295a83ead943b97a7eb01ab92.jpg 9ff159d61532f56976fd917972cd148f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: First Baptist Church (Ventura, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1928-1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ventura, Cailf. Description An account of the resource This church building is widely regarded as one of the premier examples of Mayan Revival style architecture. It was declared a city landmark in 1975, and placed on the National Register of Historic Places in 2009. The exterior steeple is stepped up with Stacy-Judd's signature triangle shaped accents and windows, which create a sense of verticality to the structure. The architect noted on the bottom of the photograph, "First ecclesiastic example utilizing Ancient Mayan Art Motifs." Stacy-Judd was very much a showman, and was married in the church in 1931. http://128.111.216.75/files/original/d14ea1261ce017241d1ca988023d2050.jpg 4159c899e6630da59ce56fd9362dbb6a http://128.111.216.75/files/original/6dfefb3d1d9e538f46ef9a3a8c9fee80.jpg 80297f7a0ee3ebcc4b1aee55f2a06608 http://128.111.216.75/files/original/7e3303154a8df543ae85256a90b99a42.jpg e058ae9fdc73604808e7114fbb65201b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Carey house (Hollywood, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect R.H. Stone, photographer Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hollywood, Calif.; Los Angeles, Calif. Description An account of the resource The Carey house is a fascinating study of architectural vision versus reality. The rendering of the house is in the "Mayan" style, reminiscent of Stacy-Judd's Aztec Hotel. The photographs of the completed house show a much more subdued and modest Pueblo style stucco-covered abode. http://128.111.216.75/files/original/5fabf0e3b671d07dd5cac7cbdd16dd6d.jpg d34ca16240b317ad3264f2d97619d594 http://128.111.216.75/files/original/112b3fe4f0cb5da669d3e33eadfd6ac2.jpg a1ae232001557baebead40893c6f02cf http://128.111.216.75/files/original/3de4026f167478fe5e3a68213587166e.jpg 08d7c3e12386d462c6907d1295f9fd96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print, gelatin silver; colorized postcard Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Atwater bungalows (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1930-1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The pair of bungalows for Dr. H. Gale Atwater were part of a larger swath of land owned by Atwater along Avon Park Terrace, adjacent to Elysian Park. Atwater had previously built another "Hopi-style" house on the property, and commissioned Stacy-Judd to build two bungalows in the same style. Now referred to as Pueblo-style, the rough-hewn stucco on the exterior is punctuated by protruding downspouts and wooden rafter ends. Spindly balconies and rustic ladders complete the unique properties. http://128.111.216.75/files/original/5ab35680b87bf707abd6b526dd89f829.jpg 4690c7b65b53e3bec1658560835a1533 http://128.111.216.75/files/original/8c9f74c6a1a5ac0c8332335f623e8058.jpg e263b2223a294f09af4eb50cec19a2e7 http://128.111.216.75/files/original/8eb8c235e9f31ebea9f627b9fcef6be3.jpg a409a0f23303f528f05715a08cbed9d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Colorized postcards Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Soboba Hot Springs Hotel (San Jacinto, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Jacinto, Calif. Description An account of the resource As travel by personal car became more feasible during the 1920s, the mountains surrounding Los Angeles on the east became weekend getaways for residents. The use of hot springs for relaxation and to cure various ailments was a popular attraction. The Soboba Hot Springs Hotel filled both of those requirements for Los Angeles residents. Stacy-Judd combined his vast interest in Native American, Mexican, and Central American cultures with an Americanized version of different types of dwelling units. The cultural appropriation of native housing styles created a 'village' of native peoples who did not inhabit the same locations. While the hotel was popular for many years, it was eventually demolished and a hotel run by the local Native American tribe now bears its name. http://128.111.216.75/files/original/ee8ababca26390b5afb358594c41d008.jpg 0dc2c1f98b7b5f6f5887c22c67ced1ae http://128.111.216.75/files/original/8ada80d1bfcadd5ce62db2f5419f952e.jpg ef7d64bbed901818a303042c943a9150 http://128.111.216.75/files/original/03d70344c84e6c78645a225c09eb4b3a.jpg 7c19da95021624e40a515c7810ca347c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Philosophical Research Society (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1936 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource The founder of the Philosophical Research Society, Manely P. Hall, had commissioned buildings by Stacy-Judd previously, due to their shared interest in Mayan design. The Library in the Philosophical Research Society was designed to hold the many rare and unique books in the Hall collection. http://128.111.216.75/files/original/15140a01c4cc96ca21118c9c30028d13.jpg 074fbc301d1dc68dc06e5ae2095a104b http://128.111.216.75/files/original/590a39aa586db127f9da6a729f319441.jpg 908adaf4af020bfe5aef399256f5daaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd (1884-1975) Description An account of the resource Robert Stacy-Judd was born in London, England on June 21, 1884. He attended Acton College, Regent Street Polytechnic Institute, and the South Kensington Science and Art Institute in London, graduating in 1905. Stacy-Judd apprenticed under architect James Thompson for four years. From 1906-1907, he was an architect with the surveying department for the Great Northern Railway Company in London. From 1907-1908, he was the architect in charge of ground office construction for the Franco-British Expedition in London. Between 1911 and 1922, Stacy-Judd traveled and worked in Minot, North Dakota as well as the Canadian province of Alberta. In 1922, he made an exploratory trip to California and before the end of the year had moved and started an architecture practice in Los Angeles. In 1923, he encountered the pre-Columbian architecture of Mexico and Central America through the 1841 book Incidents of Travel in Central America, Chiapas and Yucatan by John L. Stephens, which significantly influenced his architectural work. A year later, in 1924, Stacy-Judd designed the Aztec Hotel in Monrovia, near Los Angeles, which was his first design in pre-Columbian revival. Other notable built projects include: the First Baptist Church in Ventura, California; the Philosophical Research Society Building in Hollywood California; the Krotona Institute of Theosophy in the Ojai Valley; and the Masonic Temple in North Hollywood California. Stacy-Judd wrote and lectured on Mayan architecture, and during the depression embarked on a book project concerning the lost City of Atlantis. Robert Stacy-Judd died in 1975. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1917 - circa 1950 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Minot, ND; Ojai, Calif.; Ventura, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper; photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Stacy-Judd: Central Block (Minot, ND) Description An account of the resource Robert Stacy-Judd worked for the railroad in England, then moved to the United States and worked for the Great Northern Railroad in North Dakota. After a couple of years, he started his own practice in Minot. The Central Block was originally designed as a six-story building, with shops on the first floor, and apartments above. The client was Dr. H.L. Kermott, a well-known physician. The buildings Stacy-Judd designed in North Dakota, and later in Alberta, Canada were in the local vernacular-- brick, two or three story, and limited ornamentation. Creator An entity primarily responsible for making the resource Robert Stacy-Judd, architect Source A related resource from which the described resource is derived Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1917 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_180 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_180 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Minot, ND http://128.111.216.75/files/original/eb2afbb3c790f21b23c5d79593caccf9.jpg 9a786f45c63b53fc535e7738ba5bb1b2 http://128.111.216.75/files/original/f2a4b064ca1c7283e6f526002c2fce15.jpg 4123d5630818f9c82d603342ffeb1026 http://128.111.216.75/files/original/3a8356663c8cf1b8e674d7ac9703a883.jpg 73d13508676956e90c215d7ab486ef43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: de Forest garden (Santa Barbara, Calif.) Description An account of the resource Lockwood de Forest was not just a landscape architect, but also designed and built houses, including his own on Todos Santos Lane in Santa Barbara. The house and landscaping were oriented towards a view of the Santa Ynez Mountains and included many native plants, which were drought-tolerant for the dry Santa Barbara climate. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_184b; adc_347 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_184; adc_347 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/a0555215efcc0386a809d37701fe6c0d.jpg 64db62febc19f8af7cd1332778621b3a http://128.111.216.75/files/original/dccef74c3ad5c60c73cae9ec7781a906.jpg e0cbfe58bfb2bd3969315d7dfbe76e7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: unidentified house Description An account of the resource In the John Byers collection, many items are unidentified. Some of the drawings have dates or locations, however the vast majority do not. This pair of images shows the front of an adobe-style house in the first image, and the back of the house in the second. Both drawings bear the hallmarks of the Byers style-- red tile roofs, lush landscaping, and an exterior staircase leading to a second floor balcony. Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. http://128.111.216.75/files/original/7f3be57486a449b811422d13a6e4074f.jpg 68164a03ede80918484bd76d8ad7b8e1 http://128.111.216.75/files/original/54a840b520597f3a09ec5268ae22e204.jpg 30d6cc2c8658804a3880c6ed91fa8572 http://128.111.216.75/files/original/bfcef4224c4d51bf7078aefe436f1388.jpg 3d8526b6f3c50826de5914d0b31a263b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: Bothin tea garden (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif.; Santa Barbara, Calif. Description An account of the resource San Francisco industrialist Henry Bothin and his wife Ellen Chabot Bothin purchased 350 acres of mountain and foothill land above Montecito in 1916. The property was named Mar Y Cel, but was commonly referred to as the Tea Garden; it was adjacent to the property which included their house, Piranhurst. Lockwood de Forest was commissioned in 1932 to add to the landscaping around the tea house, amphitheater, aqueducts, and gardens. After Ellen Bothin's death in 1965, the property fell into disrepair, and the Tea House was the starting point for the 2008 Tea Fire, which destroyed a large number of residences in Montecito. http://128.111.216.75/files/original/f42d9ea9ad8dc7b89eeddd6424243d63.jpg 60197530f19c7c8b58d1ffb0cd1e5084 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on trace Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: Chalifoux garden (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1945 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource This extremely colorful and detailed design for a garden was for Elizabeth and Harold Chalifoux, who were well-known orchid growers in the Santa Barbara area. The Chalifoux were from Boston, and Elizabeth Chalifoux was the daughter of Albert Burrage, the well-respected horticulturist. http://128.111.216.75/files/original/e40a2dfd2f99e62e9311c221a3769874.jpg ccc68a4d6c56eca203f41d31296e531d http://128.111.216.75/files/original/f27dedd79b766d59559a3df3949dee23.jpg ac96bf985f2553a646c36bd2e61e43eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: Santa Barbara Museum of Art (Santa Barbara, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. Description An account of the resource The plaza at the corner of State Street and Anapamu in downtown Santa Barbara was designed by Lockwood de Forest and architect Lutah Maria Riggs. The seating area with trees and benches allows for a brief respite prior to or just after visiting the museum. The Museum was established in 1941 in the old United States Post Office building; the facade was altered by Chicago-based architect David Adler, and financial support was given by many prominent people, including Wright Ludington and Stanley and Katherine McCormick (all were clients of de Forest). http://128.111.216.75/files/original/0a793caf0dcabefa7cc6c5a826fdddcc.jpg ac8e489fe66da8db154f307eec9e7949 http://128.111.216.75/files/original/e2a1279fd7519942b80f7164064e7581.jpg 9dd946599a533f9a82f1a2ff4eff7467 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: Stanley McCormick estate (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1931-1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The 84 acre "Riven Rock" estate belonged to the McCormick family, the inventors of the grain reaper and founders of the International Harvester company. The original house was constructed in 1898 (demolished after the 1925 Santa Barbara earthquake), and was home to Stanley McCormick. The estate also contained many other guest houses, servants quarters, a nine hole golf course, orchards, a dairy, and many exotic plants. Stanley McCormick struggled with mental illness, and his wife Katherine (one of the first female graduates of MIT) fought with his family over access to Stanley and the estate. After Stanley's death in 1947, the estate was subdivided and sold to create many smaller land holdings. http://128.111.216.75/files/original/4fc2e6bc559f5f6a38e03fcba009987f.jpg 834c3078748450d2471819ed81821b63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest (1896-1949): Landscape designs Description An account of the resource Lockwood de Forest III was born in New York City in 1896. His father was a well-known landscape painter, and as a teenager, Lockwood was sent to the Thacher School in Ojai, California. There he fell in love with Southern California and after a brief stay at Williams College for a semester and a Grand Tour of Europe, Lockwood settled in Santa Barbara. After working for landscape architect Ralph Stevens, de Forest started his own landscape architecture firm, where he worked mainly on residential properties in Santa Barbara and Montecito. In 1925, Lockwood de Forest married Elizabeth Kellam and together they wrote and published The Santa Barbara Gardener magazine. Elizabeth assisted with the landscape designs and took over the practice after Lockwood's death in 1949. Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1949 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on trace Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lockwood de Forest: William Nelson landscape (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lockwood de Forest, landscape architect Carleton Winslow, Sr., architect Source A related resource from which the described resource is derived Lockwood de Forest, Jr. landscape drawings, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_184b Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_184b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource As with many of Lockwood de Forest's commissions, the houses were designed by some of the top architects in Southern California, and de Forest's landscaping was a harmonious compliment to their work. The formality of the house lent itself to the grounds as well, as seen in this geometric fan-shaped garden for William P. Nelson. http://128.111.216.75/files/original/f1960d999653f5b89b70206e1f8d5114.jpg b0c7facabd30b7809b8b8b59a3878e9b http://128.111.216.75/files/original/c9df2e50305be720160081e3d06f3845.jpg 7825dd293814cbf74116f3ef1dc371c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: John Byers house (Santa Monica, Calif,) Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource These images are for the first and second floor plans for an early house for Mrs. John Byers. The plans are not dated, and there is no address listed anywhere on the sheets. The thick-lined walls for the living room and first floor bedroom indicate this house might have been partially constructed from adobe. The second floor bedrooms open onto a balcony, which would have assisted with cross-breezes and done away with the need for a sleeping porch. http://128.111.216.75/files/original/e899f2b9fecba13a634dbe9601a97b90.jpg 9d210f317f1ecf22822c15726d62f9d7 http://128.111.216.75/files/original/34d3e9c0acf9d5f777c7ebadff03099e.jpg e3c438ae3e3308fd0651b982f78aca01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: Frederick Laue Restaurant (Santa Monica, Calif.) Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1932 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.? Description An account of the resource The rendering for the Frederick Laue restaurant is an example of Byers' commercial work. While known specifically for residences, he did design a few commercial and civic buildings. A Laue Restaurant was located near the corner of Santa Monica Boulevard and Ocean Avenue from 1927 until 1936. This rendering, circa 1932, might have been a possible expansion in another location, or an unbuilt project rendering. The street view poses a facade very close to the sidewalk and street, while the back view highlights a patio with grassy area, and a two story massing. http://128.111.216.75/files/original/2f8e1b4feddd260dead8153e9b4eeed9.jpg ace3452bdcb57ba01cb6345ed0f60853 http://128.111.216.75/files/original/6924dba2fe7c1ac10144e26515784a93.jpg eb38e8db86770876c5d018984d0b54bb http://128.111.216.75/files/original/1561581125f5a044d5c37fa20ee5d828.jpg 8d724e7e175a65f68bec6c5ca863accb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: Unitarian Church (Santa Monica, Calf.) Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource The two very different renderings of the Unitarian Church of Santa Monica highlight the range of styles that John Byers was capable of designing. The first image, a more Spanish Colonial style, was the ultimate choice of the building, which is shown in the third image, a photograph taken after construction. The second image shows a much more traditional church, with high pointed steeple, instead of the smaller tower with bell. http://128.111.216.75/files/original/00c9bb061dceb6f802ca6cc28f488a5f.jpg c0f3d33e7ea790f54de6e5c917bccfeb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: McLaughlin house Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource The McLaughlin house, though its location is unknown, is very similar to many of the adobe and Monterey Revival houses Byers designed in the Santa Monica area. With an exterior staircase leading to a second floor balcony, red tile roof, and colorful landscaping, the house is a good example of the Byers style. The design of the house allowed for it to be sited either on a suburban or rural property. http://128.111.216.75/files/original/78bbca7499503b1b53c205a8801a5ef0.png 75482fafc7eb48e19783748bd9c91f02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers (1875-1966): Adobe houses Description An account of the resource Born in Grand Rapids, Michigan in 1875, Byers studied to become an electrical engineer at the University of Michigan. He went on to complete one year of graduate work at Harvard University before leaving to work as an electrical engineer for the U.S. Commission at the Paris Exposition, from 1900 to 1901. Byers then left Europe to teach linguistics at the North American Academy in Montevideo, Uruguay. By 1910 Byers was back in the United States, employed by Santa Monica High School, as the head of the Modern Language Department. 1919 was a pivotal year for Byers. That year Byers was asked to supervise the construction of an adobe house for his wife’s cousin, Harry Johnson. After Johnson had observed a crew of Mexican craftsman build an adobe church in Ojai, California, he had hired the same builders to construct a house for his family in Brentwood, California. Not being able to speak Spanish posed a challenge for Johnson, so he asked John Byers to oversee the construction. Byers agreed, oversaw the project, and became fascinated with adobes. After this project, at the age of 44, Byers took a leave of absence from Santa Monica High School and began devoting all of his time and energy to studying and building adobe structures. That same year Byers established a kiln and work yard on the Johnson's property in Brentwood, California. There Byers and his crew of craftsman (the same men who built the Johnson adobe) manufactured floor and roof tiles as well as iron and woodwork - all products that were then used in the houses he designed and built. Byers named this operation the John Byers Mexican Handmade Tile Company. By spring of 1922, Byers had officially stepped down from his position at Santa Monica High School and began pursuing architecture full time, advertising his services as John Byers Organization for Design and Building of Latin Homes. That same year, some of the adobe houses he and his craftsman had designed and built were featured in an article entitled "A Revival of Adobe Buildings" published in the April 1922 issue of The Architect and Engineer. Between 1923 and 1925, Byers enlarged his staff, hired a construction manager and promoted Elda Muir to draftswomen. Elda Muir had been working with Byers since the age of 13, starting as his secretary and as time progressed worked her way up, eventually becoming Byers' associate. By 1926, Byers had earned his architectural license, dropped all building activities and concentrated only on design. To compensate for this shift in responsibilities, Byers enlarged his staff again. At this time Byers residential design also became more diversified. He began to design period homes, such as Spanish Colonial Revival, Monterey Colonial, and French Provincial, among others. By 1934, Elda Muir, after receiving her license, became Byers' associate. Between 1934 and 1942, the two worked together as Byers and Muir Associated Architects. For the duration of the firm, according to Muir, Byers kept strict control over all design but did little drawing. Usually Byers would execute the preliminary sketches, and after approval from the clients Muir and the rest of Byers's staff completed the rest of the plans. Over the course of his career, Byers designed and built over 200 homes in the southern California region, many in Santa Monica. Before his death in 1966, according to Elda Muir, Byers burned most of his papers and drawings in the early 1960s. What remained was given to the Architecture and Design Collection by Elda Muir. Creator An entity primarily responsible for making the resource John Byers, architect Edla Muir, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1919- circa 1940 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif.; Los Angeles, Calif.; Brentwood, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on board Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Byers: S.A. Temple house Creator An entity primarily responsible for making the resource John Byers, architect Source A related resource from which the described resource is derived John Byers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Relation A related resource add_115 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context add_115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource This presentation drawing is similar to other Byers drawings-- with a Spanish Colonial Revival house set amongst lush landscaping. The house features a loggia running the length of the front of the house, with a second story balcony, and all under a classic red tile roof. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. http://128.111.216.75/files/original/ccd3f439c34904a67c71e117eb718d07.jpg 782f5ca8c38888f0da9669988abcf8c2 http://128.111.216.75/files/original/56bbc0d60f3fcd40466b6c0b557f9c7c.jpg f7f2407afcea583488e3638b2a69465c http://128.111.216.75/files/original/b5ec95faf03609fe9747a3cd8da010ed.jpg 17d6321331202eaf78bef421d7c79469 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Rattan and Bamboo Furniture Subject The topic of the resource Furniture Description An account of the resource Davidson designed a whole line of outdoor furniture crafted from rattan and bamboo materials, which are flexible and durable enough to withstand the elements. He was inspired by Asian modes of craft-making, classic wooden furniture, and the designs of Paul T. Frankl, an industrial artist. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource late 1920's Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 http://128.111.216.75/files/original/50387e217f29db23d79b9cf28d025569.jpg 7f992d9f31d594c80955c4ee0708d0ad http://128.111.216.75/files/original/1ceb7b20fbf4486475822287e3bad1c9.jpg e4989b723b41416eeff09fb169bbfbd1 http://128.111.216.75/files/original/5e9ce80ff81598c4379120bcf6d204aa.jpg b62b80579ae8574610cf83fa063dac46 http://128.111.216.75/files/original/8febaff743b18327b2a3fa558c90e836.jpg 58fb36f60243fa0df0d8f77ee3beff85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Joseph Kingsley House (Pacific Palisades, Los Angeles, Calif.) Subject The topic of the resource California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pacific Palisades, Los Angeles, Calif. Description An account of the resource After supposedly being turned down by Richard Neutra to design their home, clients Joseph and Lore Kingsley commissioned Davidson to design a unique home to fit their needs. This design was then mirrored next door in the house built for Joseph Kingsley's mother. Both houses provided southern exposure to a lemon grove and beyond, the ocean. http://128.111.216.75/files/original/0a7f76a27283a2d75e57e0d6dba70041.jpg 4e4bba5481fea6940831b3e68d32a2ee http://128.111.216.75/files/original/481e481a7f2d0c3504c9e08a1603ca11.jpg 3609faf4eefa5a73e30c5f9885beceea http://128.111.216.75/files/original/61f90f2799ad03735b3fcb61fe46419f.jpg 101f3d4a2aa43eff611e8989838b5faf http://128.111.216.75/files/original/f3e452bd2345750117a84cfdb7539885.jpg f201997337a621b8256d45c33c9ac754 http://128.111.216.75/files/original/cbcd33ad9c0c8e8a16789f3b1ba4a4d9.jpg d7e23fe7165469c38ad2468d0afeee7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Taylor House (Los Angeles, Calif.) Subject The topic of the resource California Modernism Description An account of the resource This house was designed not unlike the Crosby residence and Davidson's own home, although in the Taylor house the kitchen plan is more open and a glass vitrine provides views into the living room. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/ab9678cf191d7497dc548c1bcf540cf9.jpg 93bc0fab8b6ad1a71737fb49e5c754e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Crosby House (Los Angeles, Calif.) Subject The topic of the resource California Modernism Description An account of the resource The plan of the Floyd D. Crosby Residence is actually the same floor plan Davidson used for the design of his own home, though the interior design choices of the homes differed widely. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1946 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1e16f04a1016b40f296e0dd8a2d67108.jpg 86c44c619f5220993d9a647ce741bad1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Berlin Armchair Design (Berlin, Germany) Subject The topic of the resource Furniture Description An account of the resource Originally designed in Berlin, Davidson brought this drawing with him to America. The slightly curved armrests are reminiscent of Bruno Paul's own armchair designs. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin, Germany http://128.111.216.75/files/original/a424dfc99dff8dda1607504eb5b24ab6.jpg d408de8e35696e73ca3657c32d789396 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Cellarette on Wheels (Chicago, Illinois) Subject The topic of the resource California Modernism Description An account of the resource Davidson's furniture and restaurant supply designs expressed both Art Deco and modernist sensibilities. His "cellarette" concept for a pullout bar on wheels echoes the same simple, functional design of his patent for an easy open cigarette container. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Illinois http://128.111.216.75/files/original/2b0fee189d49a335eade4c6b2df8ceb5.jpg 07b8ead40d776ed3e0df52f90f969ede http://128.111.216.75/files/original/8d511e0cf016ea9b32415b9edad611c2.jpg 5d163005eb4c7a403fe098bd1e4811a4 http://128.111.216.75/files/original/ccf4d40296fcc2ae776b177f15a81f4a.jpg 772505661fd77fb3ad9fbf21fcf86c91 http://128.111.216.75/files/original/8c6d4ac7e6759e3e28d4cd003f59674e.jpg 7735ea39af928a3f01c2568b27b7ae6e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Maitland Residence (Bel Air, Los Angeles, Calif.) Subject The topic of the resource California Modernism Description An account of the resource Davidson retrofitted this Georgian home to better house the owner's modern art collection. He replaced wall space with larger windows and a glass enclosed porch to allow more light in and open up the space. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Los Angeles, Calif. http://128.111.216.75/files/original/8d0c48df313585f36a9fbfff4dafa538.jpg f1b8b7a37b9177a3bcac9b3bce53d4cc http://128.111.216.75/files/original/d112cab0ffa9dc02fc0899ad52bed695.jpg 04873627fa3d0c2fbc99ec9dc0e9fbaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Bransten House (San Francisco, Calif.) Subject The topic of the resource California Modernism Description An account of the resource Davidson was asked to design a family home for Richard Bransten, son of a wealthy coffee manufacturer from San Francisco. The window design reflects De-Stijl sensibilities, focusing on large geometric shapes. The three story residence was built on a slope to provide abundant opportunities for sunshine, outside terracing, and views of the city. The multiple levels also provided more locations for social and family interaction. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg. Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1036f720a542391ede0314cd244359fb.jpg c36d028407ac63537d334613a91f5775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pastel and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Tierney and Co. Restaurant and Cafe-Bar (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Concept for the Tierney and Co. Restaurant. Note the bold Art Deco inspired interior. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles http://128.111.216.75/files/original/0662267abbc7f364938574af8c0e10dc.jpg 0f0e1fbdfc5331a960f3e4cc0b1f6c43 http://128.111.216.75/files/original/da4aa6d107cc476bac3cfa2ccadd7c9a.jpg 30a1ce39068ce3c10ac24db1ad63a639 http://128.111.216.75/files/original/fd51138adf1bbeb6322cb26f311a65f4.jpg 0469414720eed5fac6dff93919c31438 http://128.111.216.75/files/original/901bfa5243cddaad44fc3257bd9b1a8a.jpg c4916cc1d75f959df796780cb93e284b http://128.111.216.75/files/original/54dbad43fa33baf0c7dc90736676aa3d.jpg d9f92db4383e795fc2f542dbbfa1aad2 http://128.111.216.75/files/original/4a6529c7c0130ac470e086703d9d5c98.jpg b51f22de7bc584ff48baf358186e62ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Sardi's Restaurant (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Davidson was commissioned to refurbish Sardi's Restaurant, which originally had interior design work done by Rudolph Schindler. Davidson reorganized the inside and added new features, opening up the space by cleverly incorporating partitions and changing the color scheme. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/0579d35ad0f2770f1e7bd70150bcd5a2.jpg 361580dfa1ba32050a41a8329079fced http://128.111.216.75/files/original/4b90b272fc74008ce89eed5e5b0d9811.jpg f24528de450bab49a68139ffde770a40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Cocoanut Grove, Ambassador Hotel (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Mott Studios, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Photographs of the interior of the coconut grove courtyard and lamp details. Davidson emphasized unique lighting designs, with the lamps here incorporating vegetal or "oriental" star elements. http://128.111.216.75/files/original/2e56da0fa13f57e02dca003e5836934b.jpg a5887452e63f635a513b4cdf33339dc9 http://128.111.216.75/files/original/ce0a0828acd1c8ec1a3adcca506b48b6.jpg 98786e5da00585716888e95cbe578800 http://128.111.216.75/files/original/34ade5bb7d0a4e8e4dbffc32062f51b7.jpg 7b1eccd8591e0c437d30ee2f66329e5b http://128.111.216.75/files/original/6c23aab5adc52baa124c8314fe28bd8a.jpg 8ca9a837a6e2031150b3282dfbe3341c http://128.111.216.75/files/original/05939eacab33e21c030d49b4bafc5d3d.jpg 0d376b3c29a2d862fe5d93ea90152242 http://128.111.216.75/files/original/d28e63abb891a4433c7574764f9c0ee0.jpg c88acbac382e2847ff861248f7d48bfb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Davidson House (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Floor plan and photographs of the residence Davidson designed for himself and his wife on South Barrington Avenue in Los Angeles. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Robert Cleveland, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/77c7aa3391b85d22ae3f37d9e4499210.jpg 066dee99b9519f1a7e59d0e0adc39e29 http://128.111.216.75/files/original/b954ce0ebfbe3a6c0da708e0f7409493.jpg 697c6d499c41d51c4a3a376dfe744d24 http://128.111.216.75/files/original/869eb8159b7f2480a472d00e0f1ca9a7.jpg b231c6f7dcd22d7f57f2f2dd6329909f http://128.111.216.75/files/original/5fcdb983f21cbee7062a524c167a8fe6.jpg 3f1a31621c3f377e51d14df174a1c7eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Converted Apartment (Berlin, Germany) Subject The topic of the resource European Architecture Description An account of the resource Photographs of the former servants' quarters that Davidson retrofitted into his five-bedroom apartment in Berlin. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1919 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin, Germany http://128.111.216.75/files/original/5b2826da8a8c44141c3cc811c3921c58.jpg d67ba6100a51ddeb108d6599400203d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Sketch of Sommer im Schutzengraben Subject The topic of the resource European Studies Description An account of the resource Watercolor sketch from one of Davidson's sketchbooks. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1916 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 http://128.111.216.75/files/original/99649caa4a58c088000d21e7cc15b5f1.jpg 154dced4d7cac8773cdc44a1a3cef283 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Church Steeple (Posen, Poland) Subject The topic of the resource European Studies Description An account of the resource Watercolor sketch of a church steeple when Davidson probably still lived in Posen, Poland. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1907 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Posen, Poland http://128.111.216.75/files/original/85502f0f4fcc7feb8e48b8e48fa23c31.jpg 949be57fc2e7fcdbd67924ed16d626b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Sketches of Objects in the Musee des Arts Decoratifs (Paris, France) Subject The topic of the resource European Studies Description An account of the resource An early sketchbook of Davidson's studies of furniture and other objects from a decorative arts and design museum in Paris. Note the attention to detail and pattern. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1912 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris, Germany http://128.111.216.75/files/original/ee7fc1dee3ca241666125f2694026825.jpg 4570aa1f3bd652fecdfc0003b81f38cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: View of Klopstockstrase (Berlin) Subject The topic of the resource European Studies Description An account of the resource Watercolor sketch of Davidson's hometown of Berlin. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1903 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English/ German Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Berlin, Germany http://128.111.216.75/files/original/3494db05b21ae41b05e4141192fa5346.jpg 609cf0b2a79007c4d5b726af4a69a831 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Colored pencil and graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Blake G. Smith House (Laguna Beach, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Sketches of the vacation house designed for Blake g Smith. The house was situated on the top of the cliffs, with a staircase leading down to a "natural sea pool". Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1944 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Laguna Beach. Calif. http://128.111.216.75/files/original/ed2e141c7de36ede45662728f7020e22.jpg 60db8403140761f246ac380441c62902 http://128.111.216.75/files/original/680f8df403e48ff6652e90e241a4db2a.jpg 4da105b1309f10c8d65ead2162d0f5ea http://128.111.216.75/files/original/49f7539cb48dc41ed5e2d0d774f99a5b.jpg 79d1a145005ee48057f134582ddd68fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Lamp Designs Subject The topic of the resource California Modernism Description An account of the resource Schematics of lamp designs. Davidson was inspired by Bauhaus furniture, which were streamlined, stainless steel constructions. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/c7bcced17873dea440ae7c8c61aceff5.jpg fbfccdd24e4f3d66528618779572f7aa http://128.111.216.75/files/original/ade2dbcbb33e983995feca09ff08afc7.jpg ca6d19c40159fed810ea45710c48bf40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. R. Davidson: The Golden Lion Inn, Sheridan Plaza Hotel (Chicago, Illinois) Subject The topic of the resource California Modernism Description An account of the resource Photographs of the exterior entrance, bar, and lunch counter of the Golden Lion Inn. The facade echoed tavern aesthetics, yet the inside was incredibly spacious and well lit. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Hedrich-Blessing Studio, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Illinois http://128.111.216.75/files/original/ad7c981096adaedd860d2dc990fc78f9.jpg 74118dde770f2fd4cc89ce5d90821519 http://128.111.216.75/files/original/79b4c9f3078d6255559faeef44566325.jpg f9d17fc117d49db298ce1a44bfbb8916 http://128.111.216.75/files/original/1d7d6de1816d6c20d653e1408c10633b.jpg ce660013b136fe59294fc2ffbaff8380 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Hotel Knickerbocker Bar and Tavern (Chicago, Illinois) Subject The topic of the resource California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Kaufman-Fabry, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago, Illinois Description An account of the resource Photographs of the remodeled bar and tavern of the Hotel Knickerbocker. The resulting shape of the space results from the combination of "several existing odd rooms". http://128.111.216.75/files/original/825aab13d0b05ab614160ba882c4516b.jpg 0a70ec9da042c3efcf8142a76de5e232 http://128.111.216.75/files/original/55d240ab3bca6608c2bbadb72755e7ce.jpg c1b994545afd312b297d4c9faffedbb7 http://128.111.216.75/files/original/62dde8e499d27a0046a9571222074147.jpg 93a48e21b7cd586c0f043142ec4cb60f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Drive-in Curb Market (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1931 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Renderings and floor plan of the Drive-in Curb Market. Designs like this clearly anticipated the increasing importance of automobiles in the modern age. http://128.111.216.75/files/original/f376414edfc96d12ebe873f4fc5f12d3.jpg 73d6a614d4cf16493ed571da46e73da0 http://128.111.216.75/files/original/da9e99ea1764a3875b0312173d587557.jpg a9d52bb70bc8a3d537c6cbb56cb903dd http://128.111.216.75/files/original/4091c57aada4d5d422b1dacd7e7b070f.jpg 6c212e3a9c770c6f0961eef5f39bcbc8 http://128.111.216.75/files/original/db970272b0feb4e69d20b7dc7ba966ba.jpg 33fe43f0e7129868bf71822252635178 http://128.111.216.75/files/original/70d731b372fc6ae82cdef8c6f7de8b35.jpg 73ffb9b804585bd5195c2ab956cb31cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Bachelor's Haberdashery Shop (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photographs of the entrance and interior of the Haberdashery (a men's clothing store). This business replaced the earlier Schilling's Flowers. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/1ab7ffda5091e38069edb6b20f99efe1.jpg e4c6e7c10e981aae0654ad4f4ca28352 http://128.111.216.75/files/original/fbfe8358eb4db5bece3731d14d69d4cd.jpg 3cb08d6c7356d42a0bb89703a3748128 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Schilling's Flower Store (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photograph of the interior and front entrance of the Schilling's Flower Store. It was later replaced by Bachelor's Haberdashery Shop. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/f950a7dd9097aaef748ce93e87c5f7bd.jpg cb1910679f2aff469d1d9f8f66f3e1e2 http://128.111.216.75/files/original/a090fc6d30fc9550c127118ba3798fbc.jpg 88bcadfa7acb9b6cedf2e03db1ae8fdb http://128.111.216.75/files/original/6cf2c2add261b10673f847d541fd67eb.jpg 3360157358e74082830de229e3c90b72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Bilicke-Satyr Books (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photographs of the exterior and interior of the Bilicke-Satyr Bookstore, featuring special strip lights. Many of Davidson's early commercial projects incorporate Art Deco elements, calculating geometric shapes, sleek forms, and straight lines. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Willard Morgan, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929-1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/8695cb860ae3b0c6022ee9a1a9666288.jpg e6d8734d46effa2aa8171169df94aaf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print: gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: portrait Subject The topic of the resource Southern California Architecture Description An account of the resource A portrait of J.R. Davidson in his later years. Creator An entity primarily responsible for making the resource Valeska, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1952 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 http://128.111.216.75/files/original/bca215d08d2ac7133e770ec951751ef4.jpg cba3a7b4b7408fce23b190637cc0a73a http://128.111.216.75/files/original/073ca8850722808dc75857390b173b60.jpg 0407b1cd2a474c4946676534afb8c51b http://128.111.216.75/files/original/9d028b27ea34c662e9ca0204232dbcc0.jpg f9bc585b34ac3b765bfe304bbc27e048 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Office (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Description An account of the resource Photos and plan of the entrance to Davidson's office in Los Angeles. The facade echoes the stylistic influences of Rudolph Schindler and Frank Lloyd Wright. Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1927 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. http://128.111.216.75/files/original/98c483d1aac583d6d577f031e460d301.jpg 0c7903fd4cfd1c3639cdc3f2114f83b5 http://128.111.216.75/files/original/c074a1ee2a36ddac6279becdd06a5694.jpg 977c1ab2a94f14e74562c06273cb5aaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Hi-Hat Restaurant (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Willard, Morgan, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Photographs of the interior of the Hi-Hat restaurant. The owner originally requested an English style tavern, to which Davidson created a design that reflected his wishes but through a modernist's sensibilities. http://128.111.216.75/files/original/a29a59451d94f57027891f6d4846bb12.jpg dfc09de11eb7f8295d4e9ff00f8e3e0c http://128.111.216.75/files/original/2b0788268adbbd077e527b434d39daee.jpg b73fcaf3f93fea31f2cab41d7d386909 http://128.111.216.75/files/original/75e1d84413c44828b090cc5c44cbc0f5.jpg b38c9a39767fd37c92b93bc90e378faa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R Davidson: Rabinowitz House (Bel Air, Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J. R. Davidson, architect Martin Rand, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Los Angeles, Calif. Description An account of the resource Photographs of the interior and a floor plan of the Rabinowitz House. The design featured a panoramic view of Bel Air from its secluded position on a hill. http://128.111.216.75/files/original/c00577563cea50292a19cd3d8144c4c9.jpg fcc077134e368ce536f4913452924842 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Vigeveno #1 (Ojai, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ojai, Calif. Description An account of the resource Exterior photograph of the Vigeveno #1 House, a ranch-style vacation home for art dealer James Vigeveno and his family. Another design was made for Vigeveno alongside the first, although this second house featured a completely different architectural style. http://128.111.216.75/files/original/31bffbb0077c432e0dd35ca063fda2dc.jpg fa2fa228219dcc1e6efc653b336cdf8f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pastel on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: California Sport Magazine cover Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Description An account of the resource Davidson's design for the cover of California Sport Magazine. http://128.111.216.75/files/original/e41a5fcee589056d49d949bbd0e81634.jpg 813f92c426025bfd8fdfc470cc8beb11 http://128.111.216.75/files/original/162aae7b7acaf71b3d86e5a049d687db.jpg f8f719ae6dc228aacad072e2084aa2fb http://128.111.216.75/files/original/7320716ad1d739e05acc66d4a75f364c.jpg dc1823168c7d921716b2b4dd94d8125a http://128.111.216.75/files/original/57222be67fd0eeec64755cc14b167d48.jpg 6287ccf6517df1d6d9b24752b32d7f78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Feingold and Harris medical building (Los Angeles, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles. Calif. Description An account of the resource These photographs document the narrow medical building that housed the practices of Dr. B.F. Feingold and and Dr. J.M. Harris. The spaces were designed to be modern and expansive, with scattered lighting and noise insulation. http://128.111.216.75/files/original/349738696474caba561cb6dce0f2bbe8.jpg a32ae0921e4c5af446c318cebaef0d03 http://128.111.216.75/files/original/491a3bf4bf944f966421244c2e8eac06.jpg e4ae67ae40ebae5a5a942d41ecad0db1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data watercolor and pen on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Foster Project (Bishop Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1944 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bishop, Calif. Identifier An unambiguous reference to the resource within a given context adc_127 Description An account of the resource Built in the single-story"ranch style", the Walter Foster House project was one of Davidson's new designs bearing a departure from the International Style in favor of Soft Modernism. The house's plan incorporated local building styles and materials, a hallmark of the related concept of Regionalism. Sadly, it was never built. http://128.111.216.75/files/original/130b6870d556279d64ba379af4806d65.jpg a180b383ab35e9e40dbb8d41e4c03f2a http://128.111.216.75/files/original/81b7c791d7738f910428076b239f3021.jpg 5d8840450cc375bf6d40f078de23b0ab http://128.111.216.75/files/original/93fbf3ba70b7b3b4a23822f4ce5cd25f.jpg 4ba6d9a45fcb66ece98a43b8f8cd3330 http://128.111.216.75/files/original/9886a32c4097c310ade25086f7bbf1a6.jpg 490fb143519c6b6f2bf589fa5e492d1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Gretna Green apartments (Brentwood, Calif.) Subject The topic of the resource California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1940 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brentwood, Los Angeles, Calif. Description An account of the resource Photographs of the exterior of the apartments. The plans reflected the Bauhaus concept of utilizing limited space. Each of the four apartments has an exterior space such as a patio or sundeck to provide private outside access- a luxury usually only available to single-family homes. http://128.111.216.75/files/original/3caccbd1e9295691f2d374a61692d972.jpg cfb7546b60292e88b15ee97957daa718 http://128.111.216.75/files/original/35665273f07763d883cc21aff8332171.jpg f2fd734912788120bf5d2ae99e45bc78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson (1889-1977): A European Contribution to California Modernism Subject The topic of the resource Southern California Architecture California Modernism Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource Julius Ralph Davidson was born in 1889 in Berlin. Beginning at the age of 18, J.R. Davidson worked in architectural offices in Berlin, London at the office of Frank Stuart Murray, and Paris. During the years 1919 to 1923, Davidson had his own practice in Berlin before relocating to Los Angeles in 1923, at the age of 34. In Los Angeles, Davidson went to work for the office of David Farquhar, then worked as a set designer under contract with Cecil B. De Mille, and then begun remodeling houses for a firm of builders. In 1927, Davidson opened up his own office in Los Angeles, though he never became a licensed architect. His commercial buildings of the 1920s, for which he often designed the interiors, fixtures and furniture, were widely published, including those for the popular Coconut Grove restaurant/nightclub and the High Hat restaurants. Davidson’s house designs date primarily from the late 1930s through the 1940s. Invited by John Entenza, editor of Arts and Architecture magazine, Davidson designed Case Study House 1, which was finally realized in 1948. He also designed Case Study House 11, the first of the Case Study houses to be built, and Case Study House 15. Although many of Davidson's designs were published during his lifetime, Esther McCoy helped bring international attention to his work when she included him in her book, The Second Generation. Davidson died at his home in Ojai, California on May 2, 1977. Date A point or period of time associated with an event in the lifecycle of the resource circa 1920 - circa 1960 Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.R. Davidson: Stothart House (Santa Monica, Calif.) Subject The topic of the resource Southern California Architecture Creator An entity primarily responsible for making the resource J.R. Davidson, architect Source A related resource from which the described resource is derived Julius Ralph Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_127 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_127 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Monica, Calif. Description An account of the resource Photographs of the exterior of the Stothart House; one of the driveway entrance and one of the side patio. The design emphasis on horizontal and flat forms, along with uniform windows and parapets echoed the International Style. http://128.111.216.75/files/original/bd5946596f3fec1e0fb4ed11ef1053a1.jpg d556db4e823457890cb2dbaffd1393b6 http://128.111.216.75/files/original/ebb1ff579971618a328b1f36327f8242.jpg b03cdedd17fb6d22a12a1872cd082f0f http://128.111.216.75/files/original/4d910921aded324aecd27cad68190fa7.jpg 88ffb8d4223af83267d98d707be9f20d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Stern house (Holmby Hills, Calif.) Description An account of the resource Real estate investor Jacob Stern commissioned this house from Coate in 1928. The over 9000 square foot estate was designed in the Mediterranean Revival style, on a 2.2 acre parcel of land. The 30 room mansion was sited on the crown of a hill, overlooking some of Holmby Hills' prime real estate. The house was later owned by Alfred and Betty Bloomingdale; it was recently sold and is undergoing extensive renovation of house and grounds. The estate landscape design was by A.E. Hanson. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect George Haight, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Holmby Hills, Calif.; Los Angeles, Calif. http://128.111.216.75/files/original/fb27203b94769eae8453d34c2f057098.jpg 2693d4fcebe1aa41aa836abca895c4f9 http://128.111.216.75/files/original/471a5b0d9395e9dd24ed9f0f7298f9e5.jpg be35a72e42069ed72f25229b3a7bd7a5 http://128.111.216.75/files/original/78402040988044633a509d5a67d39d4c.jpg a733a39644fb0679adf5ef85ccc10384 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Selznick house (Beverly Hills, Calif.) Description An account of the resource Irene Mayer and David C. Selznick, a well-known movie producer, commissioned this house from Coate at the height of the great depression. The house was a Georgian Revival on a large lot in the center of Beverly Hills, surrounded by other movie moguls. Irene Mayer took a hands-on approach to working with Coate on her house-- she even assisted in designing the kitchens, bathrooms, and service wing. Subsequent owners of the property included Edward Doheny, Sammy Davis Jr., and Ed McMahon. The original landscape design was by Florence Yoch and Lucile Council. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect George Haight, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. http://128.111.216.75/files/original/849dcb20ddc3f587a93886f38a4859a8.jpg d5b8ab2ae04ff86b471a97d46501e674 http://128.111.216.75/files/original/704ab0ee3b0560ae62edadf0c8495191.jpg 71805028e1abcc1723060dcd07ad7b79 http://128.111.216.75/files/original/f40c64c443141f991705ecad02b306ab.jpg 2db847ed4c765e2150ee4c67f3306e36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Norcross house (Bel Air, Calif.) Description An account of the resource This large house, on a prominent hill overlooking the Bel Air Country Club was commissioned by petroleum executive David C. and Irene Norcross. The house features many Monterey Revival influences, as well as some intricate ironwork on a double-height balcony which references the architectural styles in New Orleans. The landscape plan was designed by A.E. Hanson. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect George Haight, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1927-1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bel Air, Calif.; Los Angeles, Calif. http://128.111.216.75/files/original/a109aaa8e25e2863612910ae5f2800cd.jpg 00f68a96e696d519e2e48106b0e501d1 http://128.111.216.75/files/original/4f8590ff8bb954fcb4509f0ddbff63ab.jpg c9debe69bb1cbc8138b394e01e6374f6 http://128.111.216.75/files/original/fab217c31b66279168be5d40fb50538c.jpg 542f0fdbbfc0f95e82c39e5bfbe7f172 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Barber house (Pasadena, Calif.) Description An account of the resource The John E. Barber house is an early example of Coate's Monterey Revival style-- a second story balcony, center hall, with the majority of rooms opening onto outside space. Grayson C. and John Edwin Barber were a well-to-do and prominent Pasadena couple, and the property was a prime lot with views along the Arroyo Seco. Landscape architecture design was completed by Katherine Bashford. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect William Clarke, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925-1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena, Calif. http://128.111.216.75/files/original/047ba96234f08e35cab0aa1d4e2766e3.jpg 3ce59e0aeccb79ee94b1bb7d12be969a http://128.111.216.75/files/original/c6370fd93643ece4ab6edfd18933b5d3.jpg 25eb104f20eb1534c16ae0c51587dc20 http://128.111.216.75/files/original/9ec289f491e6f8efcbb7f9320a047a33.jpg 60cbcae8724f1ecd3b9a1f87ea9c6737 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Cowlishaw ranch house (Nogales, Ariz.) Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Nogales, Ariz. Description An account of the resource The owners of a successful furniture business, Frank and Ruth Wilmot Cowlishaw commissioned Coate to design a large ranch house and stables for their 640 acre working ranch in Arizona. The house was L shaped and centered around a pool in the back of the house. It is a blend of many different styles, and quite different from Coates' other commissions. The rambling design incorporated many different levels, heights, and masses of various parts of the building to create a single structure that gives the appearance of many different buildings. http://128.111.216.75/files/original/6c91e4c21522294361793edc5e7019ff.jpg f4c8b06129d7d6ecd98dcb6452bd512a http://128.111.216.75/files/original/824694c684aa50f9c94b03497d1d100c.jpg 0cd7350f2dd70d6db4504420cbc6558b http://128.111.216.75/files/original/2fc267a42ed9c0854e728c10ffd2bc1b.jpg c144cbf444d1af2818ac539278303cc1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Bixby house (Pasadena, Calif.) Description An account of the resource This house, an interpretation of a Monterey style house, was one of Coate's earliest commissions as a solo architect, after the dissolution of the Johnson, Kaufmann, and Coate partnership. Stafford W. Bixby was a descendant of early California settlers, which might have been an inspiration for the architectural style. The two-story house features a second floor balcony which stretches almost the length of the facade. The design earned Coate an AIA honor award and the Medalla de Plata y Diploma in the United States section of the Third Pan-American Congress of Architects in Buenos Aires. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena, Calif. http://128.111.216.75/files/original/5fbe79cf39765a99db87d351a4140e7b.jpg 80f4723f34dd08d46e132201fe7c2268 http://128.111.216.75/files/original/e4118949c448913423df0c6157acb9c7.jpg 30f2de5c119c40d9f1d01ac5d20b2f2d http://128.111.216.75/files/original/b0bfc875f936b91aff5863b0ac4f46f1.jpg d41a2dd287c47db118bc0416d640ed32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Bryner house (Pasadena, Calif.) Description An account of the resource This house is a departure from Coate's Spanish and Monterey Revival style. Built for industrialist Ira L. Bryner and his wife Margaret, the house was sited on an irregular hillside lot and bore the hallmarks of a Georgian Revival, with some Colonial influences. The steep and angled site allowed for views of the Arroyo Seco and the mountains; Coate sited the house to take best advantage of the view. The extensive gardens were designed by Florence Yoch and Lucile Council. Creator An entity primarily responsible for making the resource Roland E. Coate, Sr., architect Haight, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Pasadena, Calif. http://128.111.216.75/files/original/1e19f5623db9a81bab141a97a98c9260.jpg eef4893dc0c610648317850251e4db73 http://128.111.216.75/files/original/30dcc60678098601c5ab9810aa4615f2.jpg 281efe529682ea239f6d0458e411ae6d http://128.111.216.75/files/original/31d905aa62278e5f3c4de1374289d812.jpg f8d3f89c2f849bf11fe8d9b778d48300 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland E. Coate, Sr. (1890-1958): Estates Description An account of the resource Roland Eli Coate, Sr. (1890-1958) was born in Richmond, Indiana. After attending Earlham College for two years, he transferred to Cornell University where he completed his degree in architecture in 1914. Upon finishing school, Coate settled in New York and found work at the Trowbridge and Ackerman architectural firm. During WWI, Coate served as a 1 st Lieutenant with the American Expeditionary Forces. In 1919, Coate moved to Los Angeles and joined Reginald Johnson and Gordon Kaufmann, in the architectural firm, Johnson, Kaufmann and Coate. While he was a junior partner in the firm, Coate helped to design St. Paul’s Episcopal Cathedral in downtown Los Angeles and All Saints Episcopal Church in Pasadena. By 1925, the firm had disbanded and Coate opened his own office in Los Angeles and continued to design until his death in 1958. His first solo project was the All Saints Episcopal church in Beverly Hills. He went on to design many homes in the greater Pasadena area and in West Los Angeles. Coate was one of the early exponents of Monterey Revival, the style for which he is best known, though he also designed Colonial Revival and California ranch houses. Creator An entity primarily responsible for making the resource Roland Coate, architect Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1957 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif.; Pasadena, Calif.; Beverly Hills, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roland Coate: Fudger house (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Roland E. Coate Sr., architect W.M. Clarke, photographer Source A related resource from which the described resource is derived Roland Eli Coate, Sr. papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_120 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Beverly Hills, Calif. Description An account of the resource This house was built for Eva J.K. Fudger, daughter of a citrus rancher and wife of a Toronto businessman. Fudger had been living across the street when she commissioned Coate to build this house with a view towards the adjacent Wilshire Country Club. Coate designed the house in a Monterey style, with second floor balconies, ample connection to the outdoors, and a rambling, sprawling floor plan which included a large servant's wing and separate owners' wings. Fudger only lived in the house for two years before moving out and renting it to industrialist and aviator Howard Hughes, who lived in the house until 1942. The estate's extensive grounds were designed by Florence Yoch and Lucile Council., which received an AIA award. http://128.111.216.75/files/original/3a164b9047049b93290b8fc9d9bf2fa5.jpg 618c61bf1e0b46a9a30c16f621b4fe5a http://128.111.216.75/files/original/2bb1c2cdd71fdf75da0c666ea3b747eb.jpg 9cf296be9ce673ef357a87a9addfb338 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paul Soderburg: Tremaine house (Montecito, Calif.) Creator An entity primarily responsible for making the resource Paul L. Soderburg, architect Source A related resource from which the described resource is derived Paul Lawrence Soderburg papers. Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection, Art Design & Architecture Museum, UC Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1971-1972, 1977 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource Katherine Tremaine commissioned Paul Soderburg to design a house for her after her divorce from Warren Tremaine. The house was built in the hills of Montecito in 1972, and extensively remodeled by Soderburg for Tremaine in 1977. http://128.111.216.75/files/original/32355cc10fd24615aaf079f6c8b31d4b.jpg 132f00e340f833eb6b23fb0e20767ef4 http://128.111.216.75/files/original/e2bd934845ebae5e76048f6617dfd479.jpg b541dee3c9f417ad93a9873d0e380a3d http://128.111.216.75/files/original/b13dfddcbe43f1bd56c45475765f630e.jpg 46bd3552a7a52ee68e0cdbb5c8d7a010 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on board; graphite and ink on paper; photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cliff May: Tremaine ranch house (Donadea, Ireland) Creator An entity primarily responsible for making the resource Cliff May, architect Donal O'Neill Flanagan, architect Source A related resource from which the described resource is derived Cliff May papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1960 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_156 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_156 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Donadea, county Kildare, Ireland Description An account of the resource This ranch house was designed by California architect Cliff May, with a local architect from Ireland, Donal O'Neill Flanagan. The architects collaborated to design a house for Warren and Katherine Tremaine and their manager of the Loughtown stud farm for horses, John Alexander. Only a portion of the planned house was built, and Alexander lived in the house while managing the horse farm. http://128.111.216.75/files/original/ba05ac2e6349fd0a608a2bf70d809132.jpg 12db485f78785f51bffc60e4bef9e09d http://128.111.216.75/files/original/84ff9e18a4db8f2c74b33a2bb10ef817.jpg 446ea29f6772fcd63b20cc638d8b69ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Printed ink on paper; Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Riggs and Shaw: Serena Beach Club (Montecito, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The Serena Beach Club was to be built on property adjacent to the Burton and Emily Tremaine house that was designed by Oscar Niemeyer. Neither project was realized. http://128.111.216.75/files/original/8e2e666ff84d2f97ecac76494ad368c7.jpg 5ec73c37d1cef1229adf49ab2c1aa633 http://128.111.216.75/files/original/3d657032d0c143c4da8071c54d146c34.jpg 8f2b1e906bf8f0207df81d93303def91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on tracing paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Riggs and Shaw: Tremaine beach house (Sandyland Cove, Carpenteria, Calif.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1946 - circa 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Carpenteria, Calif. Description An account of the resource These are two designs for an un-built beach house in the Sandyland Cove beach community of Carpenteria, Calif. for Burton and Emily Tremaine. The designs by Riggs and Shaw are for two very different stylistic conceptions. http://128.111.216.75/files/original/306dfa8d6f38cacb091d626f21d550af.jpg e64cfd860990473c4f0cf96acc2df8ab http://128.111.216.75/files/original/0e57076108b4a1b02412381f58654cb9.jpg 757853ac7eb55e1c5bb57f09309e15a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and crayon on paper; photographic print, gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Riggs and Shaw: Tremaine ranch house (Meteor Crater, Ariz.) Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin B. Shaw III, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1947 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Meteor Crater, Ariz. Description An account of the resource Burton and Emily Tremaine commissioned Riggs and Shaw to design a ranch house on the Tremaine family ranch near Winslow, Arizona. The circular shape was reminiscent of the nearby Meteor Crater Natural landmark. http://128.111.216.75/files/original/9ca76b3c12598a1984c59a1913f3584d.jpg b5c0b6b51204f64e50a83a84900c0188 http://128.111.216.75/files/original/759a6f74c513e32af993cb5a0319670b.jpg 28b048d58db156ecaad7e4c89d1b692f http://128.111.216.75/files/original/ae0efbe2675e7126ff8d2e9c4a7fd1cd.jpg 6b678937d88ddf22c762521927e5cedc http://128.111.216.75/files/original/821e8387bdeb6b7f1c65a15cb2d4899a.jpg a2b9c6fd463766db9c3652e5f076f38d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Von Romberg house (Montecito, Calif.) interior photographs Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Paul T. Frankl, interior designer George Hurrell, photographer Stuart O'Brien, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1938 - circa 1939 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource Lutah Maria Riggs worked with interior designer Paul T. Frankl to furnish the Von Romberg house. Photographs were taken by both George Hurrell and Stuart O'Brien. http://128.111.216.75/files/original/1ac587777e68d2751bfec06c2dec57f3.jpg bea8e6cc6c0df8548305ffb9242b63c4 http://128.111.216.75/files/original/f474aa6c028a44c927a6f15df7842ada.jpg 013a4fa7dc09af7545ffa81ccb256d21 http://128.111.216.75/files/original/bd49a4f244db9cfcd7b2a166ea4cdff6.jpg bc5a98a84571d2e794bafabf0a8f4220 http://128.111.216.75/files/original/05057fd8b58d7a5da6634918aa6bd7e2.jpg 2185b6c02249416e68c4a01e9cb788a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Von Romberg house (Montecito, Calif.) exterior photographs Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect George Hurrell, photographer Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1938 - circa 1939 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource The three exterior photographs were taken by George Hurrell. http://128.111.216.75/files/original/0979abeb611a2053a90a6c512db1c619.jpg 4798ab4631c4f2a2cad5d3fb5724670a http://128.111.216.75/files/original/ac19442f349305e360bd93f401c5aa2b.jpg f6851a65f82854e52e5a530ae3f04646 http://128.111.216.75/files/original/c72a2b1c4da7972af56e831286e2c9a5.jpg b035df5e06e274c5006fd6dd801f4812 http://128.111.216.75/files/original/c9694ade5080089e9faaa0eebf07ac25.jpg ef33c53576f14a89ddbe8217c22dbaa5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Von Romberg house (Montecito, Calif.) elevations Description An account of the resource The renderings of the exterior, details, and sections of the Von Romberg house also show how the exterior changed as Riggs and Emily Von Romberg worked together to create a house that would suit all involved. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1938 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. http://128.111.216.75/files/original/2df3c43bfe819ee12c42bc14932a5a80.jpg 143b4357532f5c5a114f018f2c16ac19 http://128.111.216.75/files/original/f7d07b8d0121abc86df32ccfbbffba28.jpg 75725c5bc08dfa31a4a783ba20f80622 http://128.111.216.75/files/original/a8bf9d3e0f15efdc1b162d966e21ed2d.jpg edfbbf5763778008273577fc8085eb6c http://128.111.216.75/files/original/75bb97e2c8dcfed73c054e727cf30c50.jpg 6126e03052185e7941039713b204b719 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremaine Houses Description An account of the resource This collection features images used in the book <em>Tremaine Houses: One family's patronage of domestic architecture in midcentury America</em> by Professor Volker Welter. The book explores the commissions of two brothers, Burton G. Tremaine and Warren D. Tremaine, and their wives Emily Hall Tremaine and Katherine Williams Tremaine. <br /><br />Professor Welter utilized the Architecture &amp; Design Collection (ADC) extensively and many of the photographs and architectural renderings from the book are from the ADC. <br /><br />Please contact the ADC for information about rights and reproductions: adc@museum.ucsb.edu Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Arvin Shaw, architect Cliff May, architect Source A related resource from which the described resource is derived Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1936-1956 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169; adc_156; adc_333 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169; adc_156; adc_333 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lutah Maria Riggs: Von Romberg house (Montecito, Calif.) plans Description An account of the resource The drawings of the Von Romberg house were commissioned for Baron Maximilian Edmund Hugo Wilhelm Von Romberg and his wife Emily Hall Von Romberg. The floor plans show how the design for the house changed over time. Creator An entity primarily responsible for making the resource Lutah Maria Riggs, architect Source A related resource from which the described resource is derived Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1936-1938 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_169 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_169 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. http://128.111.216.75/files/original/7c7a1750eab55f080b6500b339e9e59a.jpg c1a24ca3ecd1b83f1d6327d2da64abd4 http://128.111.216.75/files/original/7d30ca7ff7d78014e97410cbdd864c02.jpg 15427aaebdbe7dd379675aae520a4249 http://128.111.216.75/files/original/b8ea265a12db162a2a10f4047949f538.jpg fb024f6da09ad7518101ca17f18e84a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Computer-generated ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: U.S Pavilion for the World Expo in Seville (Seville, Spain) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Arquitectura Langdon, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Seville, Spain Description An account of the resource For the United States Pavillion at the Universal Exposition of Seville (Expo 92) competition, Myers created a series of buildings connected by courtyards, with theaters, exhibition space, and a water wall, all capped by three 'shade sails' to provide vertical interest and relief from the sun. Myers design was not the winner of the competition, so this design was never built. http://128.111.216.75/files/original/7c1667b322e716ad054f0ddf0124d20b.jpg b415a37491e317c555d03eebb5da9c3f http://128.111.216.75/files/original/b7262ead44c34a471882146711c4a946.jpg 892eb58a54092dfa44ff139887350ed1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; computer-generated print-outs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: New Jersey Performing Arts Center (Newark, NJ) Description An account of the resource With the New Jersey Performing Arts Center (NJ PAC), Myers created a multi-building center with theaters, conference rooms, and restaurants to connect existing parts of Newark (a Military Park and the Passaic River) with each other and the new venue. The theaters included the 2700-seat Prudential hall and the 500-seat Victoria Theater. The complex was designed to be an urban revitalization project for downtown Newark. Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1997-1998 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newark, NJ http://128.111.216.75/files/original/432111f16d2707826bec29e49531d0b2.jpg 4e4905b712a04ec8cd66b03906c4ac42 http://128.111.216.75/files/original/9de8207c797016733793f99b87a7f0ca.jpg 686317a681c53dd8858446809885b368 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper; computer-generated print-outs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Art Gallery of Ontario (Toronto, Ont.) Description An account of the resource Myers renovated and expanded the Art Gallery-- renovating the existing 190,000 square feet of museum and adding another 100,000 square feet. The renovations included the re-working of buildings dating back to 1817, and to connect the various new and old spaces to each other with courtyards, sculpture gardens, and the use of mass and voids. Myers created a sculpture garden in the midst of the expanded buildings, to be utilized as a site for dining, exhibition openings, concerts, and other events. The expanded Art Gallery is one of the largest museums in North America. Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects KMPB, associates Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Ontario, Canada http://128.111.216.75/files/original/7f10852198a7a8428a2f0e3b19929db0.jpg f92e18f1e320f4bb666c301b8be42a38 http://128.111.216.75/files/original/528913180e8451e96d6b7a00c38def84.jpg 98e850297c984674757ffc023b15e6b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Computer-generated print-outs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Cerritos Center for the Performing Arts (Cerritos, Calif.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Timothy Street-Porter, photographer Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cerritos, Calif. Description An account of the resource The Cerritos Center for the Performing Arts was the initial phase of building for the Cerritos Town Center development. The arts center was a grouping of buildings designed for theater performances, meetings, receptions, and other gatherings. The main focus is the theater, which was designed by Myers to have five different configurations, which could be changed based on the type of performance. The buildings were carefully massed to work with the surroundings-- a hotel complex, shopping center, and freeways. http://128.111.216.75/files/original/47040121f6665939f8da8f4d965e6a35.jpg 4ddc2bdf24c8e89b200e2bd3d7519efb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; computer-generated rendering Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Phoenix Municipal Government Center (Phoenix, Ariz.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Phoenix, Ariz. Description An account of the resource The design competition for the civic center of Phoenix placed the main municipal buildings at the center of the city; the Myers plan incorporates the main arteries into how the architecture works with the surrounding area. The low-rise buildings were joined together by a series of walkways, parks, courts, and an aqueduct. The reddish-brown and pink sandstone wall color connected the building and the city to the desert. http://128.111.216.75/files/original/4d9cc297491031cc6604755d0eeb3c1d.jpg 95c13adb4799d35a11152c4c0f6d7b7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: A Grand Avenue proposal (Los Angeles, Calif.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Carlos Diniz, renderer Maguire Partners, developers Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles, Calif. Description An account of the resource In 1980, the Los Angeles Community Redevelopment Agency was planning to demolish the Bunker Hill area of the city and organized a competition for a team of architects to design a new urban center. A Grand Avenue proposal was created by developer Robert Maguire and led by Barton Myers Associates and the Urban Innovations Group. Barton Myers and Edgardo Contini designed a mixed-use development with housing, shops, hotels, parks, and offices. Myers designed two residential towers, both containing ample outdoor space for residents. The plan was to integrate the new development into the surrounding area, bridging the older neighborhood to the east with the newer areas of the downtown core. Their plan did not win the competition, but was widely admired by architects and the public. http://128.111.216.75/files/original/e39e1c07f24989efed7d213ef972a12b.jpg bac2fe1331745efde3f767a650666ef5 http://128.111.216.75/files/original/2bda5370b0b1769b375a0a0a7b42e33c.jpg 053de429992580a8982095dcc740bad6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Seagram Museum (Waterloo, Ont.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Timothy Hursley, photographer Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1979-1983 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Waterloo, Ontario, Canada Description An account of the resource For the Seagram Museum, Myers used the original nineteenth-century barrel warehouse, which had held up to 6000 barrels of whiskey, as part of the exhibition space. He also used wood beams from the warehouse to clad the new structures. At the time of the construction of the Museum, the distillery was still in use by the Seagram company. Unfortunately, the museum closed in 1997 and the building has since been turned into office space. http://128.111.216.75/files/original/5b87c587b123a4f3e952a620e0b87885.jpg d59a55a26aae7b983f599ffeee5be36b http://128.111.216.75/files/original/5d396c3c860c2f0a7927f82848020940.jpg 36ff6802cd1c798d2347ced4c4934e2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers (1934- ) Description An account of the resource Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods. In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University. In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara. Creator An entity primarily responsible for making the resource Barton Myers, architect A. J. Diamond and Barton Myers Architects Barton Myers Associates, architects Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1956 - circa 2010 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto, Canada; Los Angeles, Calif.; Montecito, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barton Myers: Portland Performing Arts Center (Portland, Ore.) Creator An entity primarily responsible for making the resource Barton Myers, architect Barton Myers Associates, architects Timothy Hursley, photographer Source A related resource from which the described resource is derived Barton Myers papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1982 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_161 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portland, Ore. Description An account of the resource The Portland Performing Arts Center was designed in association with BOOR/A and ELS Design Group. Myers designed two theaters, the 900-seat Newmark Theatre and the 360-seat Dolores Winningstad Theater, as well as offices, ticketing area, and support spaces. The Spectral Light dome by artist James Carpenter sits above the lobby of the building. Myers also renovated and converted a 1927 theater into a 2750-seat concert hall. All of the theaters were designed to be versatile in their varied uses-- from intimate theater to large concert hall. http://128.111.216.75/files/original/af38cdea2555776576a3eb4cdf57a1e6.jpg d5ff650b4f9dac8f50237415cb694d9e http://128.111.216.75/files/original/08b53a01226b62aef2d86f5cc0a02458.jpg 536fc584fd8d1e9458fcbe626a171d32 http://128.111.216.75/files/original/2e2a7860d6649c66cddf66f42086684a.jpg d1e7fbd1c6176a7b9b6caa8ce2ec390d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Dietrich house (Montecito, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_ff172 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Montecito, Calif. Description An account of the resource George Washington Smith was commissioned by Alfred Dietrich, an heir to an oil manufacturing fortune who also owned a railroad line, to design servants quarters and a garage for his property on Park Lane. This smaller house was built prior to the large main house for Dietrich, who secured Addison Mizner to be the architect for the main portion of the estate. These drawings and renderings are for a three bedroom, three bathroom house, with two car garage, and living quarters for chauffeur. http://128.111.216.75/files/original/e6c8c10cb9c46ab325ddc71968f82328.jpg 70208cc7eca5a65d7d8a0c82ed0e923b http://128.111.216.75/files/original/d764a0bb825fe44c559fb2783b2879ca.jpg 765a3b31d0836d748c622540d261c154 http://128.111.216.75/files/original/51b1635aade36a3ecbf7bd0a601422a8.jpg 42a96cf6c1782ac793275d98568e150e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Gallagher house (Montecito, Calif.) Description An account of the resource The Wesley Gallagher house was a Smith commission just prior to his death in 1930. The Smith files contain these sketches and drawings (most done in Riggs' hand) for preliminary elevations for the house. The Riggs files contain the actual working drawings used for construction of the house. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context adc_176_ff184 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif. http://128.111.216.75/files/original/5191a4cb1b5ee773b8e2c37f4f36504e.jpg 9580d65c96faf84b8d0f6c8deda440a1 http://128.111.216.75/files/original/416befd0152be38453885cc7b91da31c.jpg 621ff94ac4668c42db73eabed3cbdafe http://128.111.216.75/files/original/140067e20c089394485016b62c2f85a7.jpg dcb1c6cae1765c214502f9b8b481697d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Isham beach house (Carpenteria, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_ff229 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Carpenteria, Calif. Description An account of the resource The Carpenteria beach house for Albert Keep Isham was a Moorish inspired estate directly on the beach. Smith also constructed a natatorium, which was done in an "Islamic" style and contained a large number of decorative tiles around the swimming pool and a retractable roof. The beach house and natatorium are currently part of a gated community with private beach access in the Carpenteria area. http://128.111.216.75/files/original/f23352dd32a16170d430bef982733386.jpg 20ac274127c22a6893044cfa8e72c33f http://128.111.216.75/files/original/eaecdc226205ffae4bebf671f992cfe8.jpg 126392715faaab7a5efd311269383da4 http://128.111.216.75/files/original/306458302c7a6ae9f877d5c8be3290a0.jpg 5591dea5fb3d7275466ed6e28ead232b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Jackling house (Woodside, Calif.) Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1925-1926 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_jackling Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Woodside, Calif. Description An account of the resource This large Spanish Colonial Revival mansion in the small town of Woodside was built for copper mining magnate Daniel Cowan Jackling and his family. The 17,000 square foot house sat on a 194 acre parcel of land. The property was subdivided and all but 6 acres was sold off in the late 1950s. The house was purchased by Apple co-founder Steve Jobs in 1984; in 2007 he petitioned to have the home razed so he could build a smaller house. After lengthy legal appeals, the house was destroyed in 2011. http://128.111.216.75/files/original/2b3e0d619d659f9391691f9f8ec252c8.jpg d9ada792e4481e4ccae19fb064ef32bf http://128.111.216.75/files/original/8257441a20c670c5a58d31ed9dc7edd5.jpg a1a344f8cd34648c47ac7549f664a705 http://128.111.216.75/files/original/075a84a6c74d3804113bcc8a8fd70489.jpg 2b19dd90f048dfc1c636a71bfb80e422 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith (1876-1930): Renderings and elevations Description An account of the resource George Washington Smith began his career as an artist, then a move to Montecito from Paris in 1916 gave him the chance to build his own house. The Andalusian style was instantly popular, and he began a new career as an architect, designing predominantly Spanish Colonial homes and commercial properties in the Santa Barbara area. Along with his associate, Lutah Maria Riggs, they designed many of the most recognizable Spanish Colonial Revival residences in Santa Barbara. Born in Pennsylvania on February 22, 1876, George Washington Smith began his education with the study of art and painting at the Pennsylvania Academy of fine arts, and later attended Harvard University (1895-1987) where he studied architecture, but never graduated. After leaving Harvard, Smith took a position supervising construction with Newman, Woodman and Harris, but, unhappy with the work, left to join the Francis R. Welsh bond company, where he made enough money to retire to a life of painting by 1912. After marrying, he travelled through Europe, eventually settling in Paris where he studied painting at the Académie Julian of the Ecole des Beaux Arts. Smith and his wife left Europe in 1914 at the outbreak of World War I, and settled in New York, where he continued to paint and exhibit his work. In 1915, Smith and his wife traveled to California to see one of his paintings exhibited at the Panama Pacific Exposition in San Francisco. While in California, the two decided to take a trip to Santa Barbara. After seeing Santa Barbara, Smith and his wife made the decision to settle temporarily there to wait out the war, until they could return to Europe. They rented a house in Montecito while Smith built a house for them, later known as the Heberton house, designed to resemble the Spanish farmhouses he had seen in Europe. This house brought George Washington Smith national attention when it appeared in the 1920 issue of Architectural Forum. As his neighbors asked him to build similar houses for them, Smith developed an architectural practice, with the help of Lutah Maria Riggs who joined his office in 1921. Smith became very well known nationally for his Spanish Colonial Revival style. He continued to practice architecture in Santa Barbara until his death in 1930. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, architect and renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource circa 1916-1930 Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Santa Barbara, Calif.; Montecito, Calif.; Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and colored pencil on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Smith: Maverick house (San Antonio, Tex.) Description An account of the resource This house for Robert VanWyck Maverick was one of only two houses Smith built in Texas. It was considered one of the best examples of a courtyard-centered house at the time of its construction. The plan for the house was U-shaped, with a fourth wall enclosing the courtyard. The bedrooms were along one wing, the kitchen and service areas the other, and the main living area connected the two wings. As with many of Smith's houses, the Maverick files contain many preliminary sketches and elevations, along with renderings by Riggs. Creator An entity primarily responsible for making the resource George Washington Smith, architect Lutah Maria Riggs, renderer Source A related resource from which the described resource is derived George Washington Smith papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Date A point or period of time associated with an event in the lifecycle of the resource 1926-1928 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_176 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_176_maverick Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Antonio, Tex. http://128.111.216.75/files/original/0c8d760adb1269aba9546947f9076438.jpg 5642b03147992eb329a0510c14e0b454 http://128.111.216.75/files/original/eaec04d2f8bafe20d495a0a026744185.jpg 2587dc2b2e2a63de513adcb9fdb62a09 http://128.111.216.75/files/original/08737d810586ed95e2db26d586fc57aa.jpg 209f9c221a013a26ba02cd660294478e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Del Ray Hotel (San Diego, Calif.) Description An account of the resource The Del Ray Hotel / Apartments / Shopping center complex in San Diego, was one of Killingsworth's first multi-family dwelling projects. It was designed to provide for all of the necessities in one location. With a large outdoor pool area, landscaped lawn, and covered parking, the complex was a self-contained community, set well back from the surrounding streets. This un-built development was a precursor to the mixed-use retail/residential buildings of today. Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1954 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_delrey Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego, Calif. http://128.111.216.75/files/original/671fcda6df761e6657720da3b3ee2d43.jpg a3cec670a95285458026a4a59febf2be http://128.111.216.75/files/original/a2f8bf5a836f5df6c8f04a6ec919312a.jpg 5bf62032816d63c561739658a05ef6f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killlingsworth: Mauna Lani Bay Hotel (Big Island, Hawaii) Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1980-1981 Rights Information about rights held in and over the resource © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10) Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Honolulu, HI Description An account of the resource The Mauna Lani Bay Hotel on the Big Island of Hawaii was designed to be one of the top luxury resort hotels in the world. The 345 room hotel also contained separate bungalows designed by the firm, which were each 4000 square feet in size and were adjacent to the main hotel, but contained separate private pools, a spa, and ocean views. The main hotel complex featured a tropical atrium with extensive indoor and outdoor water features, multiple restaurants, and luxury amenities. http://128.111.216.75/files/original/5c6dbaa0ccc3d5845510ff4719df9129.jpg 5438154c4314267c727846860ab7bd1d http://128.111.216.75/files/original/3b1d4742b94243a0c7d4436f95af267b.jpg 26535c1a9ef123fef0d047c0cf13650f http://128.111.216.75/files/original/e757c5de4a5adba9fa5dd44e84bc20f9.jpg ac3aa7df7b805af876c7c73c2371aa54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Halekulani Hotel (Honolulu, HI) Description An account of the resource The Halekulani Hotel's name means "House Befitting Heaven" in the native Hawaiian language of the people of the Waikiki beach area. The location for the hotel had been the site of various guest accommodations and hotels since the early 1900s. The 453 room hotel built by Killingsworth featured a beach side location, multiple restaurants, pools, suites, and other amenities. Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1982-1984 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_b57f918 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Honolulu, HI http://128.111.216.75/files/original/cea2354504cae50190473843df725f01.jpg f3d66b18b3512750ecb9061c859ce0f6 http://128.111.216.75/files/original/c53dcb31c45d47adf27c0e17cf33b878.jpg 5f450425bad82c55e4e8e202d2dc8e21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Computer-generated ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Marriott Airport Hotel (Long Beach, Calif.) Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1985 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_ff20 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Description An account of the resource The firm Killingsworth, Stricker, Lindgren, Wilson & Associates designed and built many high-end luxury hotels throughout the world during the 1980s. This Marriott was built close to their home office in Long Beach. It was also conveniently located next to the Long Beach Airport, with abundant parking, conference facilities, an outdoor pool and other water features, along with restaurants and other luxury amenities. http://128.111.216.75/files/original/ea1d759bf1073db143464185da392631.jpg 10db19ceaf0a6873adb82e948450a497 http://128.111.216.75/files/original/1a4c2e67030552e2d1cbeef59b3e56f5.jpg 80be544cc44db82c6c397fa6a0183ebe http://128.111.216.75/files/original/f3bc435e08b76211f4044394bcdfea78.jpg 4d4a6894870e28da210778ddfb5c8271 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward A. Killingsworth (1917-2004): Hotels Description An account of the resource Edward Abel Killingsworth was born in Taft, California in 1917. He attended the University of Southern California where he began his academic career studying painting but after a year, decided to switch his course of study to architecture. Killingsworth graduated cum laude with a Bachelor’s degree in Architecture in 1940. He served in WWII as a Captain in the Army Corps of Engineers where he supervised the production of more than 8 million photo-maps in preparation of the allied invasion of Europe. After being discharged from the military in 1946, Killingsworth got a job as a draftsman at the Kenneth S. Wing architectural firm, a job he kept until 1953. In 1953, Killingsworth partnered with Jules Brady and Waugh Smith to form Killingsworth, Brady and Smith Associates. The firm designed Case Study House 25 also known as the Frank House, the Richard Opdahl House, and the Case Study House Triad. Killingsworth, Brady and Smith Associates dissolved in 1962. In 1963, Killingsworth continued his partnership with Brady as Killingsworth, Brady and Associates. Then in 1984 Killingsworth became a partner in Killingsworth, Stricker, Lindgren, Wilson and Associate Incorporated. Over his career, Killingsworth won over 42 American Institute of Architects awards. His projects became known for their tall doors, glass walls, association with exterior planting, and the integration of his buildings with the environment. As time progressed Killingsworth’s projects grew in size from residential buildings in Southern California to luxury hotels in Hawaii, Guam, Japan, South Korea, Malaysia and Indonesia. He served as the master planning architect for California State Long Beach for more than 40 years. Edward A. Killingsworth died on July 6, 2004, at the age of 86. Creator An entity primarily responsible for making the resource Edward A. Killingsworth, architect Jules Brady, architect Waugh Smith, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource circa 1940-2006 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Long Beach, Calif. Architect person or firm responsible for design of building or proposed building Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print; gelatin silver Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Killingsworth: Princess Reforma Hotel (Mexico City, Mexico) Description An account of the resource The Princess Reforma hotel was an unbuilt design that reached the stage of having a scale model built and photographed by renown architectural photographer Julius Shulman. The hotel was to feature a tall, thin tower to house the majority of the hotel rooms, with lower buildings including parking and conference services. The street-level interface included a large drop-off area and entrance/exit to the lower levels of the parking garage. Creator An entity primarily responsible for making the resource Edward Killingsworth, architect Julius Shulman, photographer Source A related resource from which the described resource is derived Edward A. Killingsworth papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Publisher An entity responsible for making the resource available Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Date A point or period of time associated with an event in the lifecycle of the resource 1971 Rights Information about rights held in and over the resource Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents. Relation A related resource adc_148 Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context adc_148_b51 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City, Mexico; Long Beach, Calif.