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&#13;
After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. &#13;
&#13;
In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans.</text>
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                <text>This is a photograph of a model of the Biological Sciences II building, looking at the north-west corner of the building, with Parking Lot #1 on the left side of the image. The building houses numerous laboratories, offices, and other research spaces. Jones &amp; Emmons had previously designed Theater &amp; Dance East and Noble Hall in the "early campus standard" style, with patterned cinnamon colored concrete blocks, covered walkways, and patterned wind-walls. Biological Sciences II references more of the "late campus standard" style, with horizontal re-enforced concrete, prominent vertical utility shafts, and one story covered entryway to the multi-story building. </text>
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&#13;
After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. &#13;
&#13;
In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans.</text>
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&#13;
A. Quincy Jones (1913-1979) and Fredrick Emmons (1907-1999) were partners in an architectural firm for almost 20 years. Prior to their partnership, they both worked for well-regarded architects: Jones for Paul Revere Williams in Los Angeles, and Emmons for William Wurster in the San Francisco area. Together they designed many housing tracts and commercial buildings throughout California. At UCSB they also designed the West Campus Family Student Housing (1963), Noble Hall (1959),  and Biological Sciences 2 (1969).</text>
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                  <text>The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. &#13;
&#13;
After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. &#13;
&#13;
In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans.</text>
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&#13;
A. Quincy Jones (1913-1979) and Fredrick Emmons (1907-1999) were partners in an architectural firm for almost 20 years. Prior to their partnership, they both worked for well-regarded architects: Jones for Paul Revere Williams in Los Angeles, and Emmons for William Wurster in the San Francisco area. Together they designed many housing tracts and commercial buildings throughout California. At UCSB they also designed the Theater and Dance Building/Snidecor Hall (1964), Noble Hall (1959), and Biological Sciences 2 (1969).</text>
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                <text>Box 4, Folder 02</text>
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                  <text>A.E. Hanson (1893-1986): Landscape Designs</text>
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                  <text>A. E. Hanson, landscape architect and land developer, was born in Chino, California on December 20, 1893. After two years of high school, Hanson left to assist his family monetarily, and began working for landscape architect Theodore Payne, and then in 1915 for landscape architect Paul Howard in Los Angeles. Despite his lack of formal training, Hanson started his own firm in 1916 and by the end of the 1920’s he was designing and constructing many of the largest private gardens in Southern California. During the 1930s he developed Rolling Hills in Rancho Palos Verdes, as well as Hidden Hills in the San Fernando Valley. In 1932, Hanson became the general manager of the Palos Verdes Corporation and held this position until 1944. His more notable projects include the Harold Lloyd estate in Beverly Hills, the Kirk Johnson residence, and the Spanish Andalusian garden of A. B. Young in Pasadena. Archibald E. Hanson died on February 21, 1986 in Los Angeles, at the age of 93.</text>
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                  <text>A. E. Hanson papers, Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara. </text>
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Albert Frey's personal houses are where he tried out a number of building and design techniques. In Frey House 1, he suspended the dining room table from the ceiling, and clad the exterior in metal. For Frey House 2, he spent one year at the site on a hill above Palm Springs to find the perfect placement of the house and pool.</text>
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The New York Institute of Technology agreed to dismantle the house and reconstruct it on their campus. Teams of architecture students spend the next six years carefully dismantling the house and re-assembling it at the School of Architecture on the Central Islip campus. In 2012, the campus was closed, the house was transferred to a group called the Aluminaire House Foundation, which dismantled the structure and stored it in a shipping container. In 2015, the container was shipped to Palm Springs and is currently awaiting re-assembly.</text>
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&#13;
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                  <text>Rex Lotery was born on August 19, 1930 in London, England. Lotery’s family immigrated to Manhattan in 1939 and later moved to Scarsdale, New York. He received his Bachelor of Architecture from Rensselear Polytechnic Institute, Troy, New York in 1952. After graduating, Lotery worked as a draftsman for William Stevenson from 1953 to 1954. Between 1954 and 1955 he was a draftsman for the firm Barienbrock and Murry, before opening his own firm, which he established in Los Angeles in 1957. &#13;
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                <text>This brochure is for the Assistance League of Southern California's benefit showing of the "Trousdale Quintet," a set of 5 estate homes by the Trousdale Development Company in Los Angeles, California. This brochure features four homes located on Carla Ridge and one on Clinton Place in Beverly Hills, California. Architects William R. Stevenson, A. Quincy Jones, Rex Lotery, Richard L. Dorman, Edward H. Fickett, along with several interior designers, are credited for their work on the Trousdale Estate homes.</text>
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                <text>Rex Lotery papers, Architecture and Design Collection. Art, Design, &amp; Architecture Museum; University of California, Santa Barbara. </text>
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                <text>Los Angeles, Calif. </text>
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                  <text>Barton Myers was born in 1934 in Norfolk, Virginia. From 1952-1956 he attended the U.S. Naval Academy at Annapolis where he graduated with a Bachelor’s degree in Science. After serving as a pilot, stationed in the UK, Myers went back to school in architecture at the University of Pennsylvania and graduated in 1964. Afer school, Myers found work as a draftsman for his former teacher, Louis I. Kahn, in Philadelphia. Two years later, in 1968, Myers launched his architectural career in Toronto, Canada, in partnership with A. J. Diamond. A. J. Diamond and Barton Myers became known especially for projects that promoted urbanism that preserved the life and scale of neighborhoods.&#13;
&#13;
In 1975 Myers moved to Los Angeles, where he established the office of Barton Myers and Associates. He taught at the University of California, Los Angeles, beginning in 1980 and was a visiting professor at the Graduate School of Design at Harvard University, at the University of Pennsylvania, and at Arizona State University.&#13;
&#13;
In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara.</text>
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                  <text>Toronto, Canada; Los Angeles, Calif.; Montecito, Calif.</text>
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&#13;
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                <text>This interior drawing is one of Barton Myers' early student projects. Myers went to the University of Pennsylvania School of Architecture and studied under Louis Kahn. He graduated in 1964.</text>
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In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara.</text>
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                  <text>Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents.</text>
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                  <text>Toronto, Canada; Los Angeles, Calif.; Montecito, Calif.</text>
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                <text>The Moses Myers House is a historic house museum in Norfolk, Virginia. Barton Myers' ancestors built the house in 1792 and maintained the house through the years. </text>
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                <text>Norfolk, Vir.</text>
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                  <text>Lucile Lloyd (1894-1941): A Life in Murals</text>
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                  <text>During the Great Depression, Lucile Lloyd (1894-1941) built an active career as a mural decorator.  Her colorful scenes and stenciled patterns adorned the interiors of numerous homes, schools, restaurants, shops, and public buildings throughout the Los Angeles area.  Lloyd lived and worked at a time when murals were at a height of popularity. Hand-painted ornament was fashionable in homes and public buildings alike, and the Works Progress Administration (WPA) provided government funding for public murals to ease unemployment during the Depression.  In 1935, Lloyd became the first woman artist in Southern California to receive a prestigious WPA commission. The resultant mural, California’s Name, was her last major project. Since Lloyd’s death in 1941, many of her works have been lost. Drawn from the Lucile Lloyd papers at the University of California Santa Barbara Architecture and Design Collection, Lucile Lloyd: A Life in Murals provides a rare look at a prolific but understudied artist.</text>
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                  <text>Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents.</text>
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                  <text>Pasadena, Calif.; Los Angeles, Calif.; Hollywood, Calif.</text>
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                <text>Photograph showing a view of the Los Angeles Central Library rotunda</text>
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                <text>Bertram Goodhue, architect; Dean Cornwell and Julian Garnsey, muralists; Mott Studios, photographer</text>
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                <text>Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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                <text>ca. 1933</text>
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After Anna Bliss died in 1935, her daughter inherited the property and allowed the Navy to use it as a hospital during World War Two. It subsequently became a boarding school, then in the 1970s, a retirement communnity.</text>
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                  <text>Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue &amp; Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. &#13;
In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946.</text>
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                  <text>The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. &#13;
&#13;
After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. &#13;
&#13;
In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans.</text>
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The 860 seat theater is the largest venue on campus and is the site for large lecture classes, concerts, and public events (through Arts and Lectures series). Prior to Campbell Hall's construction in 1961, the largest performance venue on campus was a Marine Base era "movie house." In justifying a new building, the committee cited: "the flat floor makes viewing excruciatingly uncomfortable... the discomfort of the metal folding chairs destroys attention after thirty minutes... the structure would not pass present building codes-- in fact, firemen must be physically present at all performances."</text>
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                <text>Charles Luckman Associates, executive architects</text>
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                <text>Box 4, Folder 01</text>
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="957">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="958">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="959">
                <text>adc_186_b4_03</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="960">
                <text>Santa Barbara, Calif.; Goleta, Calif.</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
  </item>
</itemContainer>
