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                  <text>Cliff May (1908-1989): Custom Ranch Houses</text>
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                  <text>Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country.  His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools.   These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs.</text>
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                <text>The Bel Vista affordable housing tract was built in 1945 as housing for War workers. The subdivision of 15 homes was designed by  Albert Frey and John Porter Clark for the developers Sallie Stevens and Culver Nichols. This was the first subdivision in Palm Springs to feature modern-style houses, and the only Frey housing tract.  </text>
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                  <text>Albert Frey was born in Zurich, Switzerland on October 18, 1903. Frey received his formal architectural training at the Institute of Technology in Winterthur, Switzerland. During his education at the Institute of Technology, Frey apprenticed for two years under the architect A. J. Arter in Zurich. Graduating in 1924, Frey traveled around Europe and settled by 1925 in Brussels where he worked for Jean-Jules Eggericx and Raphael Verwilghen. Leaving Eggericx and Verwilghen in 1927, Frey moved to France where he worked as a draftsman for Le Corbusier and Pierre Jeanneret. In 1930, Frey’s visa application was approved and he relocated to New York.&#13;
Shortly after arriving in New York, Frey found work with A. Lawrence Kocher with whom he worked until 1935. Kocher and Frey completed four buildings and co-authored many articles on urban planning, the modern aesthetic, and technology for Architectural Record during their partnership. By 1935, Frey had relocated to Palm Springs and began working with architect John Porter Clark. The two formed a partnership, which lasted twenty years. At the beginning of their partnership Clark and Frey operated under the name Van Pelt and Lind Architects, since neither Clark nor Frey was licensed at the time. By 1943, Clark and Frey had become licensed and were able to obtain public commissions which included schools, hospitals and a library. In 1952, Robson C. Chambers who had been an employee with the firm since 1946 was made a partner, and the firm was renamed Clark, Frey and Chambers. During his 63 years in Palm Springs, Frey’s most notable projects include: the Raymond Loewy house, the Guthrie house, the Clark &amp; Frey Office building, the Aerial Tramway and Gas Station, Palm Springs City Hall, the Desert Hospital, the North Shore Yacht Club, Villa Hermosa, Frey House I and II. Frey continued to design buildings into the late 1980s. Albert Frey died on November 14, 1998, at the age of 95.</text>
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Robson Chambers, architect</text>
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                <text>Frey and Chambers designed the Palm Springs Aerial Tramway station house (the building at the base of the mountain) in 1963. The Tramway Gas Station, at the corner of Tramway Road and Highway 111, was constructed in 1965 with a distinctive hyperbolic paraboloid roof, which gives the building an instantly recognizable appearance. It was used as a gas station until the 1990s, when it was turned into an art gallery. In 2015, the building was placed on the National Register of Historic Places, and was converted to the Palm Springs Visitor Center.  </text>
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                  <text>University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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                  <text>Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents.</text>
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                  <text>The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. &#13;
&#13;
After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. &#13;
&#13;
In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans.</text>
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                <text>A watercolor rendering of the Arts Building, from an aerial birds-eye perspective. This shows the Spanish Colonial Revival influence on the design, with a focus on the red tile roof, courtyards, and patio spaces. Additionally, wind screens made of the patterned block walls provide wind protection (due to the lack of trees on campus at the time), and create outdoor rooms for classes and relaxing.</text>
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                <text>University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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                  <text>Steven Ehrlich was born on June 12th, 1946, in New York City and grew up in Radburn (Fair Lawn), New Jersey. In 1969 he graduated from Rensselaer Polytechnic Institute with Bachelor of Science and Bachelor of Architecture degrees. Ehrlich spent the next six years working in Africa, serving first in the Peace Corps for two years as an architect for the Moroccan Government in Marrakech. He taught architecture at Ahmadu Bello University in Nigeria from 1974 to 1977, returning to the United States and founding his Los Angeles-based firm in 1979. His work ranges from residential projects such as the Kalfus Studio and the Schulman and 700 Palms residences, to educational and research buildings including the 675 W. Kendall St. Biotech Research Laboratory and the Walter Cronkite School of Journalism, as well as multiple libraries, theaters and other cultural and civic buildings. (In 2015, the firm became a partnership, Ehrlich Yanai Rhee Chaney Architects (EYRC).&#13;
Steven Ehrlich cites the lessons of indigenous architecture as formative influences on his approach to design. He coined the term “multicultural modernism,” which advocates sensitivity to local culture and embraces the sustainable wisdom of the vernacular.&#13;
&#13;
Additional archives of Steven Ehrlich are located at The Getty Research Institute. </text>
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&#13;
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&#13;
In addition to his sensitive urban design projects, many of them competition entries, Myers established a reputation for his theater designs, including the Tempe Center for the Arts, the Cerritos Center for the Performing Arts, the New Jersey Performing Arts Center, and a series of steel houses, including his own home in Santa Barbara.</text>
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&#13;
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&#13;
In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans.</text>
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&#13;
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&#13;
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&#13;
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&#13;
After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. &#13;
&#13;
In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans.</text>
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                  <text>Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue &amp; Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. &#13;
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                <text>The Santa Barbara Museum of Natural History was designed in a Spanish Colonial Revival style and built along the banks of Mission Creek, just a few blocks from the Santa Barbara Mission. Winslow designed a series of buildings interconnected with covered walkways, courtyards, decorative fountains, and red tile roofs. </text>
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                  <text>Santa Barbara, Calif.; Montecito, Calif.; Los Angeles, Calif.; San Diego, Calif.</text>
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                  <text>Carleton Monroe Winslow Sr. was born in Maine on December 12, 1876. He studied architecture at the Art Institute of Chicago and at the Ecole des Beaux-Arts in Paris, studying in the Atelier Pascal and in the Atelier Stelier Chiffot Greres. Just out of school, Winslow secured a job with Cram, Goodhue &amp; Ferguson in New York. He was promoted within the firm in 1911 as the supervising architect of the Panama-California Exposition in San Diego, a project on which he worked for four years. Once in San Diego, Winslow decided to stay and opened an office in 1915, when he received his state license to practice. &#13;
In 1917, Winslow moved to Los Angeles to work with Goodhue on the design of the Los Angeles Public Library headquarters, which he completed after Goodhue’s death in 1924. In 1918, Winslow opened up a second office in Santa Barbara where he designed Cottage Hospital and worked with Floyd E. Brewster on the Santa Barbara Museum of Natural History. Other noteworthy commissions that Winslow received in Santa Barbara include: the Bliss, Billings, and Wilder residences. In Santa Barbara, Winslow also worked with Edward Fisher Brown on Small House Designs published by the Community Arts Association. Throughout his career Winslow was best known for the churches his designed including: Community Presbyterian Church in Beverly Hills, the First Baptist Church in Pasadena, and Mary Star of the Sea Church in La Jolla, California. Carleton Monroe Winslow died in Los Angeles on October 16, 1946.</text>
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                <text>Carleton Winslow: Valley Club (Montecito, Calif.)</text>
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                <text>Carleton Winslow, architect</text>
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                <text>Carleton Monroe Winslow Sr. papers, Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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              <elementText elementTextId="5897">
                <text>Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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            <name>Date</name>
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                <text>1929</text>
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            <elementTextContainer>
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                <text>Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents.</text>
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                <text>Montecito, Calif.</text>
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                <text>The Valley Club is a golf course originally designed by renown course designers Alister MacKenzie and Robert Hunter and the American Golf Course Construction Company. The main club building featured a main dining room, men's and women's lounges, as well as locker rooms, and support facilities for the kitchen and staff. It is still used today as a premier golf and country club.</text>
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                  <text>University of California, Santa Barbara: Campus Buildings</text>
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                  <text>University of California, Santa Barbara Campus Building records, Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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                  <text>Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents.</text>
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                  <text>The University of California, Santa Barbara was founded on July 1, 1944 and located in Santa Barbara proper, where the University took over the facilities of Santa Barbara State College. It was not until 1954 that the University moved to a 406-acre tract of land about nine miles west of the city, where it stands today. A portion of the 406-acre site was a World War II Marine air base, the barracks and other structures and facilities were renovated and adapted for instructional and dormitory uses. &#13;
&#13;
After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. &#13;
&#13;
In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans.</text>
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                <text>A rendering of the Chemistry Building, taken from the southern edge of the East Lawn, looking north. This building echoes some of the extended architectural vocabulary of the late campus standard, with patterned concrete block, dentil mouldings under the concrete roof lines, angular arches, and the use of the one-story building to give a more human scale to the larger building. &#13;
&#13;
The architectural firm Albert C. Martin and Associates was formed in 1906, and is still managed today by the same family. The firm was one of the most prolific designers of commercial structures in downtown Los Angeles in the mid-twentieth century.  Some of their notable buildings include the Los Angeles Department of Water and Power headquarters, ARCO Plaza, and the master plan for Westlake Village. The firm also designed the Woodhouse laboratory at UCSB in 1963.</text>
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&#13;
After the Regents acquired the land, two permanent buildings were subsequently constructed, the library and the science building, designed in 1952 by Chester Carjola and Windsor Soule, respectively. A year later in 1953, the architectural firm of Pereira and Luckman of Los Angeles (later to become Charles Luckman and Associates in 1958) as well as landscape architect Eric Armstrong were chosen to create a master plan for the University. The construction of Santa Rosa Hall marked the establishment of a new architectural style, which consisted of patterned cinnamon colored concrete block (colored by volcanic ash) and flat tile roofs, intended to be a blending of modern and Spanish aesthetics. It was followed by the Arts Complex, Residence Halls, Dining Commons, Music Building, and Library additions. &#13;
&#13;
In 1968 the Faculty Club, which was designed by Moore and Turnbull, was completed. A year later in 1969, Storke Tower and Communications Plaza, designed by Clark and Morgan, were built. Over the history of the University there have been nine Campus and Master plans undertaken to guide its growth. Recent additions to the collection include computer-generated renderings of newly constructed buildings, preliminary renderings and correspondence pertaining to the design and construction of Henley Gate, and additional working drawings and master plans.</text>
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&#13;
Norman Marsh (1871-1955), David Smith (1886-1964), and Herbert Powell (1898-1996) designed many commercial and educational buildings throughout Southern California; the firm were also university architects at the University of Southern California. After this rendering of Girvetz Hall was completed, they changed their name to Smith, Powell &amp; Morgridge, and the firm completed the original Girvetz as well as its addition in 1966. The firm changed its name again to Powell, Morgridge, Richards &amp; Coghlan and designed Buchanan Hall (1967), Phelps Hall (1968), Ellison Hall (1969), and South Hall (1971). Each of the later buildings carries some of the stylistic design features of the original campus standards. </text>
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            <name>Rights</name>
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                  <text>Cliff May (1908-1989): Custom Ranch Houses</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                  <text>Cliff May, known as 'the father of the ranch house,' was an early proponent of the California style ranch house. He first built hacienda style houses in San Diego in the 1930s, then moved to Los Angeles to create some of the most widely recognized ranch-style houses in the country.  His early custom ranch houses of the 1930s follow the compact designs of his hacienda-style houses, but with central courtyards and face inwards. After the WWII years and the boom in tract housing through the 1950s, the custom houses Cliff May designed became larger, more open to the outside world, and sprawled through the home site with large motor courts and swimming pools.   These changes reflected the needs of a different clientele-- as land prices increased, the wealthy wanted grand homes on large, expensive lots and the later houses reflect the changing wants and needs.</text>
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                  <text>Cliff May, architect</text>
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              <name>Source</name>
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                <elementText elementTextId="2476">
                  <text>Cliff May papers, Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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                  <text>Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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                  <text>circa 1950 - circa 1980</text>
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              <name>Format</name>
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                  <text>California</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2486">
                  <text>Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents.</text>
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              <text>Photographic print, gelatin silver</text>
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            <name>Title</name>
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                <text>Cliff May: "Pace-Setter" model house (Brentwood, Calif.)</text>
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            <name>Creator</name>
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                <text>Cliff May, architect</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="6940">
                <text>Cliff May papers, Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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            <name>Publisher</name>
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              <elementText elementTextId="6941">
                <text>Architecture and Design Collection. Art, Design &amp; Architecture Museum; University of California, Santa Barbara.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1946-1947</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6943">
                <text>Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Copyright restrictions also apply to digital representations of the original materials. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. University of California Regents.</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>adc_156</text>
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            <name>Format</name>
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                <text>image/jpg</text>
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                <text>Still Image</text>
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                <text>Brentwood, Calif.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>May first took the plans for his postwar demonstration house to Sunset, asking the magazine to sponsor the building of the house. When Sunset declined, House Beautiful agreed to partner with May on the house. First National Finance Corporation financed the construction in Riviera Ranch and Elizabeth Gordon and her staff designed the colorful interiors with furniture and fixtures supplied by advertisers.&#13;
&#13;
This model house was opened as the first House Beautiful Pace Setter house, promoted by two months of public tours, a cover shot and accompanying lavish spread in the magazine’s February 1948 issue. Gordon published a new Pace Setter house annually until the mid-1960s to spotlight ideal modern villas for the suburban middle-class.</text>
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