These images are for the first and second floor plans for an early house for Mrs. John Byers. The plans are not dated, and there is no address listed anywhere on the sheets. The thick-lined walls for the living room and first floor bedroom indicate…
The McLaughlin house, though its location is unknown, is very similar to many of the adobe and Monterey Revival houses Byers designed in the Santa Monica area. With an exterior staircase leading to a second floor balcony, red tile roof, and colorful…
This presentation drawing is similar to other Byers drawings-- with a Spanish Colonial Revival house set amongst lush landscaping. The house features a loggia running the length of the front of the house, with a second story balcony, and all under a…
In the John Byers collection, many items are unidentified. Some of the drawings have dates or locations, however the vast majority do not. This pair of images shows the front of an adobe-style house in the first image, and the back of the house in…
The two very different renderings of the Unitarian Church of Santa Monica highlight the range of styles that John Byers was capable of designing. The first image, a more Spanish Colonial style, was the ultimate choice of the building, which is shown…
Case Study House #17 was built in 1956 by Craig Ellwood on a lot along Hidden Valley Road in Beverly Hills. It was a modern design, of plywood, steel, brick, and glass, like many of the other Case Study houses. But in 1962, John Woolf purchased the…
The L. Wayne Beal house in Scottsdale, Arizona highlights the stark contrast between the white house and the darker desert hills. The house is perched on the side of a hill, with a view of the valley.
Lyricist Ira Gershwin commissioned Woolf to remodel the house on Roxbury Drive in Beverly Hills in the Hollywood Regency style. The house was torn down in 2013.
The Guasti residence, perched high in the hills of Montecito, was designed and built by Woolf. With sweeping views of the Santa Ynez mountains to the rear of the property, and views from downtown Santa Barbara out to the Channel Islands from the…
With a front entrance relatively close to the public street, the Hornburg house allowed Woolf to create a walled entrance area, with a large imposing front wall, private courtyard, and then a classic Hollywood Regency front door, with a symmetrical…
The community of Palm Desert was the desert retreat for many Hollywood celebrities, and the Marrakesh Country Club was one of many golf resorts that catered to that clientele. John Woolf was commissioned by John Dawson, an amateur golfer and real…
The Menefee house, near Santa Monica Boulevard, is another example of Woolf's signature front facade. With a tall entry door, large covered windows flanking either side, and a circular driveway, the alterations to the house are classic Hollywood…
The personal office and studio of John Elgin Woolf on Melrose Place in Los Angeles, was a multi-building compound with an imposing entrance door, secluded courtyards, and light-filled rooms. The office allowed Woolf to bring his specific design…
The house for Pendleton in Beverly Hills was one of the first and most complete realizations of Woolf's Hollywood Regency style. With the large front entrance door, mansard roof, and symmetrical oval windows flanking the front door, the residence…
Winemakers Louis and Flori Petri commissioned Woolf to design a house in the Pacific Heights neighborhood of San Francisco. Woolf also designed an apartment in San Francisco, a house in Napa, and a condominium in Palm Springs for the couple.
The design work on the Jack and Effie Potts home on Benedict Canyon Drive in Beverly Hills consisted of detail work in the living room, and exterior work to the house and front gate.
The house for James Vance on Hillcrest Road in Beverly Hills is considered another residence with significant Hollywood Regency style and attributes. With a tall brick privacy wall, leading to an oversize entry door, topped with an octagonal standing…
Kem Weber continuously designed and re-designed his furniture pieces to fit changing consumer needs and updating with new materials. One of his most innovative designs was the Airline Chair. With sleek, modern lines, a streamlined and cantilevered…
Weber taught classes at the Art Center School in Los Angeles for many years; each year he had his students work on a group project to design a multi-building complex. For 1938, the students designed a new campus for the Art Center. Weber also…
The Walter E. Bixby house in Kansas City, Kansas was designed by local architect Edward W. Tanner, and the interiors of the large house were designed by Weber. With sleek Modern, even Moderne, lines on the outside, and a large budget, Weber designed…
Kem Weber worked with architect Roy Cheesman to design the Art Deco-inspired Christian Science Reading room on State Street in Santa Barbara. It occupies a prominent corner near the Arlington Theater.
The Colburn Fur Store on Wilshire Boulevard near downtown Los Angeles, was an up-scale shop specializing in women's fur coats. The large windows brought in lots of natural light, and the full-length mirrors allowed the customers to view themselves…
For the Dabney ranch house in the Santa Ynez Valley, just north of Santa Barbara, Weber utilized outdoor living areas around the pool and wood tones on the interior.
This house for Stanford University English professor John Wendell Dodds sits in the hills above the university. The two-story house with redwood siding and many exterior angles, spread out along the hillside.
Elizabeth Franklin was a teacher at the Art Center School and a friend of Weber's when she asked him to design a house for her in west central Los Angeles. The house was sited on a hilly lot, with the garage placed underneath the main living area.
Both the house and interiors were designed by Weber for the physician Dr. Joseph C. Friedman in the dry high desert of Banning, Calif. Friedman specialized in lung diseases, and the dry air of Banning was thought to help alleviate symptoms of…
Weber designed this house in Glendale for the jewelry designer and painter Eduard Andrew Gisler. The house was sleek and modern, with horizontal lines and nautically inspired railings.
This house for David Gray was Y-shaped, and included large trusses to create a wide living room. The house was sited on a hilly plot, with many trees and exterior levels.
The Kerr Sport Shop on Wilshire Boulevard in Beverly Hills, catered to the rich and famous celebrities who were also avid outdoorsmen. For image-conscious Hollywood celebrities, the store catered to their desire for high-end sporting equipment and…
This house for Mrs. D. Kimball was a ranch-style design, with two wings spreading out from a central core. It also featured a unique curved loggia to take advantage of the view.
Weber designed the ballroom for the Mayfair Hotel-- a 13-story, 350 room hotel near downtown Los Angeles. Known as the "Rainbow Isle" for its raised dance floor with multi-colored glass tiles (lit from underneath), it was a Modern design success for…
The 2500 seat Palace Theater was part of the Bismark Hotel complex on West Randolph Street in downtown Chicago. Weber worked with the owners to refresh the building into a more modern design. Weber re-imagined not only the theater, but the hotel room…
In the 1930s, Weber designed the interiors for the Maynard Parker house in the Echo Park neighborhood of Los Angeles. It is unclear if Maynard Parker was the photographer of these images.
In the late 1940s, Weber shifted his practice to designing and building houses. The George Peters house in Santa Barbara is one of his earlier houses; a ranch style house with a cantilevered roof.
The interiors for the Sommer & Kaufmann Shoe Store were designed by Weber; he worked with architect Alfred F. Roller on the building design. Additional design elements, under the direction of Weber, were created by sculptor Eugene Maier-Krieg and…
During World War Two, Weber worked with Otto Eitel and the Douglas Fir Plywood Association in Tacoma, Washington to build a model home using Weber's system. The model home took two carpenters only two days to build the home, after the foundation…
Weber and his wife Erika found a plot of land in Santa Barbara's Mission Canyon area in 1946 and built the house in 1948. The sloping, heavily wooded site influenced the design-- a stone walkway leads up from the carport to the entry of the house,…
The head of the art department at Pasadena Junior College, Archibald Wedemeyer, asked Weber to design a house in Altadena. The small two-story house featured ribbon windows and a trellised back patio for outdoor living.
Weber had first worked on the interior of the Zacho's store in Los Angeles in 1937. For the 1945 alterations, he brought in the Scandinavian Modern style-- smooth ceilings and floors, textured walls, and the use of different materials-- to update the…
This is the second Case Study Apartment project, and it was never built. Killingsworth designed the 10 unit apartment complex to be a mix of four standard two bedroom apartments and six 'studio' two bedroom apartments which were two stories tall, and…
Case Study House #25, also known as the Edward Frank house, was built in the Naples area of Long Beach, Calif., and sited on a narrow lot, facing a canal. The main entrance to the house is on the canal side and enters into an enclosed, two story…
This un-built Case Study House #26 is also known as the Nugent Pavillion, for the original client who had chosen a site overlooking the ocean near San Diego, Calif. The house was to be built using prefabricated construction system, designed by the…
The Case Study House Triad (#23) was designed by Edward Killingsworth, of Killingsworth, Brady, and Smith, as part of a larger never-built planned community in La Jolla, Calif. House A was sited across the street and downhill from Houses B and C,…
Blueprint showing floor plan and plot plan. This image outlines all of the rooms of the house, the sunken gardens, patios, flower beds, and tree placement in the garden.
Full size detail construction plan showing typical joints for constructing walls. This drawing shows the exact dimensions of how each piece of wood or other material is connected to form the walls, windows, doors, and frames of the house.
Graphite and colored pencil drawings of exterior elevations and sections. This drawing shows the front, rear, and side elevations, as well as the section views. It also has an exterior rendering of the house in the lower right-hand corner of the…
Working drawing of exterior of house, showing the slab walls, garden, horizontal window areas, and 'sleeping basket' on the roof. Drawing also contains original sketching and notes.
Exterior photograph of house at 835 Kings Road, Los Angeles, Calif. taken shortly after construction. At the time it was built, the area was unincorporated, now it is in the heart of West Hollywood, surrounded by large apartment buildings. The…
Floor plan of the house showing the unusual arrangement of rooms. Instead of the usual living room, dining room, and bedrooms, this plan shows the four live/work spaces for Schindler, his wife Pauline, Clyde Chace, and his wife Marian Chace. Each…
Photograph of the sliding door leading out into the patio garden. It highlights the soffit and exposed beams of the roof, and the wide opening created by the sliding glass and wood door. The concept of indoor/outdoor living is showcased with chairs…
Interior view of one of the live/work spaces. The fireplaces were the only heat source in the house. All of the furniture was designed by Schinder specifically for this house.
A photograph of Rudolph Schindler (right), with Richard Neutra (left), and Dionne Neutra with child (seated), in front of the Kings Road house. The Neutra's lived in the house from 1925 until 1930.
Two men are shown hoisting a poured concrete slab into place using a pulley system on the partially completed house. The tilt-slab construction system was invented by architect Irving Gill, and modified by Schindler so that only two people are needed…
A rendering of Campbell Hall, looking northeast towards the main entrance. East Hall (now Phelps Hall) is off to the right and behind. Campbell Hall was named in honor of John and Ina Therese Campbell, founders of the Santa Barbara Campus…
This computer generated drawing of the connecting Paseo shows the options for different floor and wall finishes for the two story space. As one of the busiest areas on campus, with over one million people entering and exiting each year, the new lobby…
Almost immediately after the first library building was built in 1952, plans for an addition were being drawn up. And within a year of completing Library II, planning began in 1962 for Library III, which was completed in 1967. The growth of the…
The original library building, built in 1952, was part of the original Soule and Murphy master plan for the UCSB campus. It was designed by Chester Carjola, a leading Santa Barbara architect who worked closely with Soule and Murphy on the campus…
This early map shows the existing county roads and the roads on the former Marine Air Base. Hand-drawn arrows indicate traffic flow from Goleta and Santa Barbara towards the new campus. This map shows many of the roads that are still in use today, as…
The de Forest archive contains a large amount of personal papers, including many photographs of Lockwood and Elizabeth de Forest. The photos document their extensive camping trips in the Sierra Nevada mountain range in the 1930s.
San Francisco industrialist Henry Bothin and his wife Ellen Chabot Bothin purchased 350 acres of mountain and foothill land above Montecito in 1916. The property was named Mar Y Cel, but was commonly referred to as the Tea Garden; it was adjacent to…
This extremely colorful and detailed design for a garden was for Elizabeth and Harold Chalifoux, who were well-known orchid growers in the Santa Barbara area. The Chalifoux were from Boston, and Elizabeth Chalifoux was the daughter of Albert Burrage,…
Lockwood de Forest was not just a landscape architect, but also designed and built houses, including his own on Todos Santos Lane in Santa Barbara. The house and landscaping were oriented towards a view of the Santa Ynez Mountains and included many…
The plaza at the corner of State Street and Anapamu in downtown Santa Barbara was designed by Lockwood de Forest and architect Lutah Maria Riggs. The seating area with trees and benches allows for a brief respite prior to or just after visiting the…
The 84 acre "Riven Rock" estate belonged to the McCormick family, the inventors of the grain reaper and founders of the International Harvester company. The original house was constructed in 1898 (demolished after the 1925 Santa Barbara earthquake),…
As with many of Lockwood de Forest's commissions, the houses were designed by some of the top architects in Southern California, and de Forest's landscaping was a harmonious compliment to their work. The formality of the house lent itself to the…
This long range plan was produced by executive architect Charles Luckman Associates. It shows a very concentrated build-up of academic buildings and residence halls, as well as expansion along El Collegio Road. The extension of Highway 217 along the…
In this 1968 version of the long range development plan, the campus footprint expanded to include the Storke Campus area along El Colegio and Los Carneros Road, and the West Campus area around Coal Oil Point and the Devereux Slough.
The long range plan from 1975 shows a much greater concern for the adjacent community of Isla Vista. A larger concentration of university buildings is shown in the 'loop' area, as well as trees and pedestrian-friendly boulevards. Unlike the 1963…
This birds eye view of campus shows the build-out of the land in 1990. Many of the original WWII buildings still remain, and the vehicle flow around the perimeter of campus is greatly reduced from the earlier plans. The large expanse of surface…