Full size detail construction plan showing typical joints for constructing walls. This drawing shows the exact dimensions of how each piece of wood or other material is connected to form the walls, windows, doors, and frames of the house.
Blueprint showing floor plan and plot plan. This image outlines all of the rooms of the house, the sunken gardens, patios, flower beds, and tree placement in the garden.
Interior view of one of the live/work spaces. The fireplaces were the only heat source in the house. All of the furniture was designed by Schinder specifically for this house.
Working drawing of exterior of house, showing the slab walls, garden, horizontal window areas, and 'sleeping basket' on the roof. Drawing also contains original sketching and notes.
Two men are shown hoisting a poured concrete slab into place using a pulley system on the partially completed house. The tilt-slab construction system was invented by architect Irving Gill, and modified by Schindler so that only two people are needed…
The Salet house was built as a mother-in-law unit on the same property, yet secluded from, the main house. The tadpole-shaped plan has a square, open plan living and dining zone, which separates living spaces from bedrooms. Opposite the entry is an…
The Newport Dunes development was a planned resort destination in Newport Beach. The rendering and photographic aerial views show contrasting visions of design and reality.
An associate architect in the Smith and Williams offices, Robert Thorgusen, designed a beach bath house with an undulating wall of sprayed concrete and metal lath. Thorgusen may have also designed the wooden lifeguard station.
The restaurant at Newport Dunes resort was commissioned by the Fred Harvey Company, which was known for hotels and restaurants that were part of train depots in the southwest United States in the early 20th century. The three story circular…
The Port Holiday resort was never built, but was to be located in the northwest corner of Lake Mead's Boulder Basin, just outside of Las Vegas, on the way to the Hoover Dam. The client, J. Carlton Adair, commissioned the studies and conceptual…
Wayne Williams was the project manager for Community Facilities Planners on this unbuilt project in Lake Mead, Nevada. The development was to include homes, apartments, a mobile home park, hotels and shopping center, sporting areas, all clustered…
Community Facilities Planners produced a master plan for the parks of the City of Lakewood that called for creating four parks over 10 years. Smith and Williams designed the structures.
The Anderson house is arranged in two sections connected by a hall-bridge that runs between the living house and the sleeping house. The structure sits lightly on the site so as not to disturb the rocks and mature oaks. Decks create separate outdoor…
Robert Thorgusen of Smith and Williams was in charge of this exhibition house for the annual Orange County Home Show. Two identical rectangles—one for living and one for sleeping— are adjacent to a central court and surrounded by decks. Exposed…
As in many of Smith and Williams’s houses, the fireplace is set in a window wall. The architects bring nature directly into the house through views and by means of a stone wall that penetrates the living room from outside. A garden court sits at…
Whitney Smith, the partner in charge, designed a tent-like structure for a new sanctuary, in deference to the Methodist open door philosophy of worship. The interior furnishings, including the cross, communion table and rail, lectern and pulpit were…
The first Smith and Williams office space was a converted structure on a property belonging to a Mrs. Armstrong, on South Los Robles Avenue in Pasadena.
The great variety of work in the Smith and Williams’s office mirrors the growth of Los Angeles, so it is not surprising that they designed more than 50 tract housing projects. One of the best is a small development of 13 houses in Northridge for…
In the final design for the Booth house, a deck extends all the way across the outside and beyond the edges of the living room, integrating the outside and inside areas into one living space, close to trees. The Booth house is similar to the Crowell…
The Crowell house site is on a hilltop, at the edge of a ravine. The design won an Award of Merit in 1956 in a contest sponsored by House & Home and Sunset magazine. The A.I.A. judges cited the manner in which the “Japanese-influenced house”…
The house for William B. Wilcox was designed by Whitney Smith and described as an adult house for informal living and entertaining. The kitchen cooking unit and the fireplace are back-to-back, making circulation between living, dining, and kitchen…
A central garden room separates living and sleeping zones from the kitchen. The roof is pitched to capture light and views from the hilltop site. The use of concrete block in the garden room may have inspired Smith and Williams’s model house for…
The house for Dr. Daniel Siegel and his family uses a strong circulation element, in this case a ramp, to organize the living areas on a deep and steep lot. The entrance to the house is strongly marked with a long covered walk. Cobblestones are used…
Medical offices became a Whitney Smith specialty; he designed two before 1949 and at least 14 with Smith and Williams. This refined design, perhaps his best, was made of concrete and wood. Patients entered through a landscaped area, now devoted to…
The exterior is reserved but the inside is full of visual excitement. Wooden screens and colored glass separate reception from waiting areas, and animate the small space. As in their other doctors’ offices, the scale and materials create a…
Of all Smith and Williams’s buildings, the union structures are the most modernistic. The glass, steel and concrete buildings present forthright, transparent façades to their members and communities. The materials also represent the sleek and…
Constructed on Pasadena’s main street, Colorado Blvd., this structure won an A.I.A. award. The jury praised the CAPSA Carwash for possessing lightness and motion. The steel-skeleton structure takes full advantage of its openness to create a…
The design of this Mobil station solved the requirements for auto maneuverability on a tight site with modern engineering. Smith and Williams hung four canopies of open web steel on poles to shelter gas pumps, the service area, rest rooms, and the…
Prior to 1966, the Neighborhood Church congregation used a sanctuary building at 535 South Pasadena Avenue that had been built in 1887 as the First Congregational Church. In 1946, the church expanded its facilities. Smith and Williams designed a…
In a letter dated September 1955 to Dan MacMasters at the Los Angeles Examiner’s Pictorial Living section, Smith described the Armstrong house as having no front or back. All four sides, he wrote, were designed for looking ‘at’ and for looking…
Brick and colored, clear, and painted glass were used to create visually pleasing spaces inside—a lobby and conference room—and read on the exterior as colorful volumes.
A preliminary design proposed a façade that resembled a computer punch…
Smith and Williams created, at the time, the longest unsupported plywood vaults for this church. The clerestories under the vaults are lighted at night, which makes the roof appear to float.
The saw tooth edge of the Friend Paper Company roof creates a distinctive character for the building on the street. What is not as noticeable is the double roof system that Smith and Williams created to modulate the effect of heat and light coming…
The building on S. Fair Oaks in Pasadena was designed to be four separate buildings housed under one large metal lattice roof, which covers the gardens and offers privacy. The original group of Community Facilities Planners included: Smith and…
This medical building comprises four separate structures, connected by stairways and an L-shaped second floor. The round building, closest to Las Tuna Drive, originally was a pharmacy.
This house was designed for a musician and an artist on a heavily wooded lot that included nearly 50 mature trees, some of which the architects allowed to grow through the eaves, rather than remove. The architects designed the house as two separate…
The house for Dr. and Mrs. Bernauer Newton and family is considered one of their boldest designs for integrating inside and outside spaces.
The bedrooms for the Newton house are in separate pavilions connected to the living area by covered…
The drive-in laundry used the canopy (33 feet wide and 48 feet long) to catch the customer’s eye as well as to shelter customers and the car hops who retrieved and delivered laundry for waiting cars. The triangular space frame truss is accented by…
The post office was designed to anchor a small suburban shopping center. A reproduction of a rendering in the archive shows that the decorative folded detail on the façade was to be carried through onto the fronts of the other buildings in the…
Wayne Williams and Robert Meyerhof, associate partner in the Smith and Williams’s office, designed a multi-level arrangement of decks and stair landings with an elaborate post-and-beam system that gives the impression of a tree house. The…
In 1944-1945 the Barr Lumber Company invited three architects to design model houses for an unbuilt experiment and engaged landscape architect Garrett Eckbo to create gardens for each of the proposals. For his submission, Whitney Smith wrote an…
In 1946, a group of four friends decided to pool their resources and buy land in the hills above Sunset Boulevard to build homes for their families. The group soon grew to over 400 interested parties, and the group became the Mutual Housing…
California City was designed as a master-planned community, with all of the necessities of life close by: home, work, recreation, and shopping. Smith and Williams were able to start with a blank canvas-- literally the open desert-- to create multiple…
California City was chosen as a building site because of its' proximity to highways, railroads, military bases, and mining. It also was purported to sit on top of an underground aquifer that would never run dry. Smith and Williams, along with…
The main recreation area at the center of town was the Central Park. It contained golf courses, swimming pools, and a large lake for boating and fishing. Smith and Williams designed this distinctive shade structure for the end of the boat ramp.
As city planners, Smith and Williams designed many different types of buildings used by various parts of the community. The Congregational Church in California City utilized the same stylistic roof and shade structure motif of the recreation building…
In order to attract a wide variety and number of prospective home owners to this planned community, Smith and Williams designed a variety of neighborhood plans to fit different demographics. Some neighborhoods featured wide, park-like lots without…
Despite all of the city planning and marketing of California City, the population did not increase at the rates hoped for by the investors. The marketing of California City was aimed at people in the greater Los Angeles area who wanted to escape the…
Smith had an opportunity in the Spencer house to realize some of the ideas in his Case Study House 12. The Spencer’s property contained a number of garden structures, including a Greene and Greene lath house. Sketches in the Spencer file show Smith…
This is a rendering of an unbuilt design for a country market.
The use of a metal lath roof easily defines the space of the market and encompasses all its activities and products. A similar roof design was incorporated into the building for…
Smith and Williams designed several schemes for Ralphs Grocery Stores. For the South Pasadena location, they designed a distinctive frame for the facade that faces the parking lot. The frame is made up of an expressionistic roof edging held up by…
Smith and Williams arranged the office spaces in six pavilions connected by covered walkways that carry people from the edge of the site to each of the six pavilions.
Photographs in the Smith and Williams’s files show the students at John Marshall congregating in groups at the edge of the campus. The design for a new cafeteria gracefully accommodates the students’ energetic sociability with a space that is…
These medical offices have an unusual form and are very difficult to see from the exterior. In the simplified plan, the building is composed of two adjacent circles connected by a diamond- shaped reception vestibule. Patients enter through a small…
Smith and Williams designed more residential and commercial buildings but produced many master plans and planning studies for public and civic projects. The expansion of the state college and university systems provided work for many architects…
The Welborn Phillips Company was a developer of tract homes. Smith and Williams created a brochure which illustrated their philosophy on tract housing. They highlighted such details as exterior masonry planter boxes to give a pleasant view from…
Whitney Smith described his design for the Santa Ana Woods tract development as one of his best: "a tract of 104 houses, set far apart from other neighborhoods by natural barriers. The exclusive atmosphere further emphasized by the stone entrance."
This master plan of the Leadbetter Mesa campus, assumed to be drawn by Soule & Murphy, shows a large number of buildings built on the mesa and surrounding areas. The Arts buildings were clustered towards the Cliff Drive side of campus, while the…
In 1950, Santa Barbara architecture firm Soule and Murphy developed a master plan for the campus. Initially, the college was to be a small liberal-arts college (with a maximum enrollment of 3500 students), not a large research university. The Soule…
A watercolor rendering of the second building to be built on the Goleta campus. The Science Building was designed by Santa Barbara architects Windsor Soule and John Murphy, who were the supervising architects for the new campus until 1953. The 1.2…
A rendering of the landscape plan for the campus. This plan orients south at the top of the plan, with the lagoon and ocean at the top and left of the image. Three quadrangles (south, east, and northwest) are shown originating from a central point.…
This house is listed as Demonstration House Number 7 for the Better Homes Committee. Owners were Dr. and Mrs. Allin Williams for this house on East Padre Street.
This house won second prize in the House and Garden Competition in 1927. It was remodeled by Soule, Murphy & Hastings and is located near East Islay and Laguna Street in Santa Barbara.
Colored pencil on board rendering of exterior view of hotel. This presentation board shows the view of the front entrance of the hotel, with shops on either side. The asymmetrical "Mayan" stonework is shown above the entrance, and the sage green…
Colored pencil rendering of exterior side view of hotel on board. This view shows the corner of Foothill Boulevard (old Route 66), and Magnolia Avenue. It features "Mayan" decorative motifs on the corner, and along the side of the building. The view…
Colored pencil on board. Rendering of interior of lobby; this shows the original design from August 1924. This presentation board displays the full color effect that Stacy-Judd was trying to achieve with his "Mayan Revival" style. The fireplace is on…
Photograph of interior of lobby looking towards the fireplace with the front desk to the right-hand side. Cast concrete was used for the "Mayan" forms around the doorways and fireplace. Stacy-Judd painted the murals on the walls and designed the…
Black and white photograph of the lobby looking towards the east. The front desk is on the left, with the entrance to the lobby on the right. The stairway on the far left leads to the outdoor patio area for the restaurant. "Mayan" themed furniture…
This image depicts the front desk in the lobby of the hotel. The "Mayan" themed furniture and the wall accents (including the drinking fountain) were designed by Stacy-Judd. The short staircase led to the private dining rooms for the restaurant.
The original floor plan for the first floor of the hotel. Stores, barber shop, and coffee shop are along the bottom of the image. The lobby and dining room for the restaurant are in the center. In the upper right-hand corner are four one-room…
This original drawing depicts each of the four main elevations: west, north, east, and south. The main entrance facade (south elevation) contains the majority of the cast concrete decorative elements. The west elevation shows the pergola and patio…
This is a scale drawing of the north and south walls of the Aztec Hotel lobby. The north wall features the detail work on the staircase to the second floor, doorways leading to the restaurant dining rooms, and the front desk. The south elevation…
The black and white photograph shows the front facade of the hotel, with 1920s era automobiles. The caption at the bottom of the photograph: "First structure ever erected utilizing Ancient Maya Art Motifs throughout."
In addition to private homes, Abell also designed schools, stores, and other commercial buildings such as this bank on Larchmont in Los Angeles. The clean and simple facade, overhanging roof, and ample off-street parking have survived the 40+ years…
The house was designed for Rico LeBrun, an artist and teacher. LeBrun requested a large art studio with an outside work area, inside work area, drawing room, metal shop, sculpture room, and large studio with darkroom and plentiful storage. The house…
This house for L.B. Adelman is sited on a portion of the former Charlie Chaplin estate in Beverly Hills (the tennis court on the property is the original Chaplin Estate court). The post and beam design was designed by Abell and O'Neil Ford, a…
The Art Building complex at California State University, Fullerton is actually a grouping of four buildings connected by courtyards, loggias, and water features. The classrooms in the Art building were designed to be wide and long, to permit many…
The Thornton Abell office building in Santa Monica highlights his architectural style for clients. The use of clean lines, indoor/outdoor living, and sliding partition doors were all features showcased in the photos by architectural photographer…
This house in the Bel Air Hills section of Los Angeles, was built for Dr. William S. Beck. Sited on a steeply upwardly sloping lot in a canyon, the house was placed close to the road to take advantage of the only flat portion of the lot.
This elementary school was one of many schools designed by Abell. Located in the Culver City area of Los Angeles, this school is now a 'gifted magnet' school. The photographs by Julius Shulman were thoughtfully staged.
The site plan for the Charnock Road Elementary School shows how additional buildings could be added to the site as enrollment grew during the population boom of the 1950s. This was a project for the Los Angeles City School district in the Mar Vista…
The steel magnate Gustav Rich commissioned this house from Abell in 1966. The steel frame with stucco also contained long walls of glass and interior walls of walnut.
The house was designated a Los Angeles Historic-Cultural Monument in 2006, after…
This commission from the Los Angeles School District for a classroom building at Mt. Vernon Junior High, was located in the West Adams neighborhood. It is now named the Johnnie Cochran Middle School.
This rendering for a shopping center was commissioned by M. Russell Davis and Philip Mackay Gordon, builder and business property developers. This early work shows influences of Streamline Moderne as well as a more Modern aesthetic.
For this axonometric drawing, Abell shows a cut-away of the Paramount Television Productions studio plant on North Bronson Avenue in Hollywood. Klaus Landsberg, a pioneering electrical engineer for the early television studios, is listed as the 'West…
For this shopping center in the Leimert Park neighborhood of Los Angeles, Abell designed the business block for Philip M. Gordon and the Los Feliz Investment Company.
Abell designed side-by-side duplexes for sisters Mary McKeen Niedringhaus and Christine Reber. Both houses had private views of the mountains and each side of the duplex also contained a rental unit.
This one-story house in the Hollywood Hills area of Los Angeles is sited on a flat lot, with a private pool and outdoor living area. Built with a distinctive roof line, the house allows for indoor/outdoor living through glass walls and atriums.
This house was built in the Brentwood area of Los Angeles for a young family with many children, live-in maids, and a need to entertain large groups. The International Style house that Abell designed also worked well for the Siskin's need for…
Thornton Abell designed this house on a very steep lot in the hills of Santa Monica for himself and his family. The three story home featured a rooftop deck, main level terrace, lower level drafting room, and a garden with a pool and guest house.
A view of the World War II barracks, as they existed when the University developed the Goleta mesa site. Barracks like these were turned into classrooms, laboratories, and offices. This photograph appears to have been taken in the current area of…
An aerial view of the Goleta mesa campus site, with Campus Point in the foreground and the Santa Barbara Airport in the distance. World War II era buildings can be seen both inside and outside of the line of eucalyptus trees used as a windbreak. This…